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Hatch Opportunities

Hatch: DCFW’s network for fresh-thinking shapers of the built environment in Wales

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Hatch is the Design Commission for Wales’ network for fresh-thinking shapers of the built environment in Wales

Our next event is…

Hatch Christmas Social

6-7.30pm Thursday 29th November 2018

Little Man Garage, Tudor Lane, Cardiff CF10 6AZ

Register here

 

Hatch aims to…

  • Be a voice for good design and make sure it’s heard by the right people
  • Raise awareness of the value of good, joined up design and planning, and the difference it can make to individuals and communities
  • Learn and improve our skills to become better designers, enabling us to raise the standard of design in the built environment in Wales and make better places which are more sustainable
  • Tackle the challenges and risks faced by talented designers in Wales together, bridging the gap between built environment disciplines
  • Demonstrate the value of innovative design processes and solutions
  • Raise design aspirations in Wales
  • Have fun in the process!

To meet its aims, Hatch will…

  • Proactively uphold the strategic aims of the Design Commission for Wales
  • Meet, talk and do things together to achieve our aims
  • Share ideas and information
  • Look for, create and share opportunities
  • Celebrate good design in Wales
  • Take an interest in the politics influencing design and the built environment
  • Connect with and inspire Wales’ future generation of designers

Download the Hatch Flyer to spread the word

Hatch Programme Part 1 will provide you with dates of upcoming events

Follow @HatchDCFW on Twitter

Want to get involved?

If you’d like to join Hatch, please download and fill in this Joining Form and send it back to us.

Hatch Joining Form

Hatch is open to all enthusiastic, open-minded and ambitious designers, planners, engineers and other shapers of the built environment in Wales.  Give us a call if you’d like to find out more.

Once registered, you will receive email updates about Hatch events and opportunities, and you will be added to the list of active Hatch participants on our website (with your permission)

Some Hatch events will have an attendance fee as indicated on the programme.  This is to help cover costs and will help us to bring in speakers and to visit places that we wouldn’t otherwise be able to do.  This will be kept to a minimum with most events costing just £5 and others will remain free.

The Design Commission invests its resources to facilitate Hatch, and we expect those who join to actively contribute their skills and ideas to the group.  (Those who have not contributed for a period six month will be removed from the website.)

 

The active Hatch network includes…

James Stroud, Project Designer, Loyn & Co Architects

John Lloyd, Lead Energy Engineer, Amber Energy

Emily Hall, Associate Architect, Hall + Bednarczyk Architects

Steve Coombs, Architect/Lecturer, Coombs Jones/Welsh School of Architecture

Kate Davis, Planning Student, Cardiff University

Lauren Philips, Urban Designer, The Urbanists

Wendy Maden, Design Research Assistant, Design Commission for Wales

Jamie Donegan, Urban Designer, The Urbanists

Michael Boyes, Architect, Hall + Bednarczyk

Mark Lawton, Landscape Architect, HLM

Emma Pearce, Urban Designer, Arup

Elan Wynne, Principal Architect, Stiwdiowen

Emma Price, Director, EMP Projects & Associates

Peter Trevitt, Peter Trevitt Consulting

Richard Williams, Veritii

Rob Chiat, Urban Designer, Arup

Claire Symons, Senior Landscape Architect, Stride Treglown

Jack Pugsley, Assistant Consultant Planning, Amec Foster Wheeler

Thomas Wynne, Associate Architect, UNIT Architects Limited

Lindsey Brown, Urban Designer

Eleanor Shelley, Architectural Assistant, Scott Brownrigg

Priit Jürimäe, Architectural Assistant, Scott Brownrigg

Efa Lois Thomas, Architectural Assistant, AustinSmith:Lord

Ruth Essex, Consultant & Creative Producer

Graham Findlay, Inclusive Design Consultant, Findlay Equality Services

Olympiada Kyritsi, Architect, Inspire Design

Adam Harris, Architectural Lead

Patrick Barry, Bridge Engineer, Arup

Karn Shah, Assistant Engineer, CH2M


Hatch Flyer

Categories
Press & Comment

DCFW’s response to TfW’s consultation on ‘New stations between Cardiff Central and Severn Tunnel Junction’.

SWML 5 Burns stations DCFW Feedback Note Dec 23

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News

What now is our cynefin?

Carole-Anne Davies, Chief Executive of the Design Commission for Wales

Preparing this edition of the Placemaking Wales Newsletter at the turn of 2023/24 felt a little like opening successive doors in a design and placemaking advent calendar, finally alighting on identity, the sixth and last, but very much not least, principle of the Wales Placemaking Charter.

In the national policy context, the thread of distinctiveness has been strong since devolution and rightly so. Development that could be anyplace, anywhere is incompatible with the scale of discourse generated by the nationwide conversation, The Wales We Want https://cynnalcymru.com/the-wales-we-want-national-conversation/, which informed the shape of what became the Well-being of Future Generations Act – the legislative golden thread now integral to all policy.

At the Design Commission, we encounter all forms of regeneration, development, refurbishment and new-build and, in all of it, identity can be the most conceptually challenging. It is most often manifest as the character of ‘Welshness’ in the form of heritage or historic fabric, identifying with past uses or preserved merit. Alternatively, there can be a reach to grasp a narrowly defined bygone Wales in the struggle for distinctiveness of form. Occasionally, identity emerges as nostalgia or pastiche in the form of materials or treatment, and at others as a Welsh street or placename. The latter should never be confused with the careful thought and vision for renewal and reimagination that inspired the reassertion of Bannau Brycheiniog.

Development and regeneration is shaped by powerful forces and the hard quantifiable boundaries of time, money and ownership. Opportunities for richness of character and identity can be slim. To address distinctiveness and identity and respond effectively to the sixth principle as we shape places that meet human needs, it is essential that we move beyond familiar tracks and address Wales as it really is – and its people, ways of life and needs as they really are.

Today, many familiar ways of work and life are perhaps behind us – our present and future are dominated by new technologies, new energy industries, urbanisation and automation, and the global threats of changing climate and nature emergency. In Wales, as elsewhere, people, life patterns, work and cultures continue to change, shift, ebb and flow. What, then, is meant by identity now? How might we define our cynefin?

Could it be that we can thrive in a plural identity? One that is inclusive and multi-faceted in all its richness of values, lived experience and ritual, wherein placemaking addresses our common needs and embraces difference on equal terms? Could our very distinctiveness reside in our different responses to what is common to us all and which we share in our lives and how we live them? How we produce, prepare and share food; how we connect and move around; what we cherish; what our homes mean to us and how we play our parts in our communities; how our traditions and customs hold constants within a cycle of continual change.

Wales has long been multi-dimensional and diverse in its cultural makeup and it’s time the way we shape our environments caught up. Identity can be expressed as richly inclusive when it forms part of a founding vision for people and place. It can be expressed in points of departure from familiar tropes and drawn out by tangible, sustained, collaborative practice and engagement, provided it is informed by multiple perspectives that seek to embrace and enhance the commons we all share.

Credits

Image – Kyle Pearce

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News

Creating spaces that really sing – how focusing on the identity of places can help secure our long-term cultural well-being

Derek Walker, Future Generations Commissioner for Wales

Wales is unique in having enshrined into law the rights of those yet to be born to live a good life. The 2015 Well-being of Future Generations Act sets out seven well-being goals. It is ground-breaking in protecting the rights of future generations as well as including cultural well-being as core to securing a sustainable future.

In our new strategy, Cymru Can, my team has set out five missions to guide our work over the next seven years, including reinforcing the positive impact of cultural well-being in Wales. Placemaking can be central to achieving this mission. There are opportunities in planning, designing and improving our places to ensure that we do so in a way that reflects local identity – including heritage, culture, language, landscape and ecological identity. For example, taking action that supports the Welsh language to thrive is key.

Retaining or re-introducing Welsh names can help preserve the connection with local heritage. In addition, the tendency for Welsh place names to have a strong topographic connection also helps root places in the local landscape – recognised in the increasing number of local authorities naming new residential roads in Welsh and the move to Welsh names only for Eryri and Bannau Brycheiniog national parks.

Taking a long-term approach is essential. How can we respond to the threat posed by climate change and associated flooding and sea level rise to heritage sites across Wales and some of the linguistic, agricultural, built heritage and cultural traditions associated with these places? Anchoring our climate adaptation plans within these considerations is crucial, including using local sustainable building materials that are fit for the future.

Storytelling is also important, and the involvement of communities in decision-making, and embedding culture and creativity into the placemaking process enables this, with positive outcomes such as the inclusion of co-produced art into the public realm.

Facilitation of local, distinct and independent business ecosystems is also important and a key part of developing meaningful identity in Welsh places and transitioning to a well-being economy and a prosperous Wales. A great example is in Blaenau Ffestiniog where locally-based businesses and social enterprises focus on a local, identity-based tourism economy.

Strengthening cultural well-being also includes supporting the fabric of communities – investing in community infrastructure and policies that enable people to afford homes in the places they live. Community is essential to identity, and unless our places are viable and affordable as places to live and work, their identity will be eroded.

The core mission of our strategy, Cymru Can, is to ensure that the Well-being of Future Generations Act is being effectively and ambitiously implemented. Placemaking must consider all the seven well-being goals to ensure that places work for people now and in the future. Starting by rooting places in their local culture and identity is a great route into outcomes that will positively impact all the dimensions of well-being.

In Cymru Can, my team and I will make it our mission to reinforce the positive impact of cultural well-being. Our vision is for a Cymru where public bodies are making the urgent changes needed to promote culture and creativity, enhance the fabric of communities and promote multi-culturalism and the Welsh language.

Harnessing the power of creativity and bringing people together to co-imagine a better future will be key to addressing some of our biggest challenges.

Cymru Can.

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News

Historic Places of Worship in the Identity of Places

Judith Alfrey, Head of Regeneration and Conservation for Cadw

Our historic places of worship are focal places in our landscapes and townscapes. Every one of them has a history, and some have very long histories indeed, outlasting their contemporaries and standing in proud testimony to enduring significance. Whatever faith or denomination they were built for, they are invested with their own architectural language, which is not just the spatial expression of particular purposes but also the assemblage of extraordinary skill in the art and craft of building and decoration. Many have developed over centuries, extended and sometimes diminished, embellished and beautified, patched and repaired. Others, unchanged, are still the clear expression of a particular moment. Each building is a manifestation of faith – as a system of belief and as trust in the future – these buildings were made to endure.

Places of worship are places of memory. Not just in the literal sense – all those memorials erected in loving memory, the artifacts given in commemoration – but also in all the cultural and social history that is referenced within them – so many clues to the past, roll-calls of ancestors, odd relics of traditions and practices otherwise forgotten.

They were also social buildings: within their walls, many of the most significant thresholds of life have been honoured, and countless people of all ranks, trades and professions have passed through their doors. Communities have come together in them, voices have been raised in song, and individuals have paused for quiet reflection. No other buildings represent such an accumulation of human stories, or that collectively have been in continuous use for so long.

Many are still social buildings, quietly fulfilling old and new roles as anchors in their communities and providing space for new or renewed activities. For example, the magnificent medieval Church of St Giles, Wrexham continues to be an active place of worship and is an open, warm and welcoming space that hosts a lunch club, a memory café, activities for children and older people, concerts and other events. In Dowlais, the Catholic Church of St Illtyd has a proud history of association with migrant communities. It continues to create community through activities that bring people together, that tackle loneliness and isolation amongst older people, and that promote cultural and civic life.

Others, losing their original purpose, risk losing their connection to community and place. It won’t always be possible to restore that connection. Still, it is certainly worth trying to find fresh ways of sustaining these buildings, to realise their significance once again as a shared resource, and to widen involvement in their care.

Our historic places of worship are collective places, safe spaces, evocative places. They can draw to themselves the positive social qualities that contribute to the identity of a place. They are also physically distinctive buildings in our public realm, landmark buildings to navigate by. And into each one is woven many strands of the heritage and culture that make places unique. They are worth investing in, protecting and cherishing.

Credits

Images – Archdiocese of Cardiff

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News

The Role of History in Placemaking: The Caerau and Ely Re-discovering Heritage Project

Olly Davis, Senior Lecturer in Archaeology and Civic Mission at Cardiff University

The housing estates of Caerau and Ely in western Cardiff are home to some 26,000 people. Despite being within Wales’s largest and most prosperous city, they face significant social and economic challenges. Until the 1970s, many of the residents worked at several major manufacturing companies that had premises in the area, but deindustrialisation in the following decades saw many of these close. The subsequent decline in employment has cast a long shadow and recently, the Wales Index of Multiple Deprivation identified 11 neighbourhoods within the area as being amongst the top 10% most deprived in Wales.

The challenges faced by the communities that live in Caerau and Ely are complex. In addition to high unemployment, educational attainment is poor – many young people leave school with few qualifications while only 7% go on to Higher Education, for example. Adverse health effects manifest in birthweights and life expectancies lower than the Cardiff average. These burdens foster a sense of marginalisation amongst local communities, who often face stigmatisation and discrimination by others, particularly those from the more affluent parts of the city. Yet this belies the valuable social capital of the area – many residents feel a deep sense of community spirit, enriched by strong family ties, attachment to place and involvement in community activism.

While Caerau and Ely are peripheral to the economic and political heart of modern Cardiff, this has not always been the case. Nestled within the housing estates are the remains of a significant heritage, including a large Iron Age hillfort, Roman villa, Medieval ringwork castle and churches. This heritage is a significant asset, yet one that, until recently, was little involved in improving the area’s cultural, economic and social situation. The Caerau and Ely Re-discovering Heritage Project, or CAER for short, was established in 2011 to help address the challenges local people face by developing educational and new life opportunities rooted in the research of this important shared history.

CAER is a collaboration between Cardiff University, Action in Caerau and Ely (a community development organisation), local schools, heritage professionals, residents and many others. From the beginning, CAER has placed local communities at the heart of historical and archaeological research. The ethos is to value the contribution of all participants through the co-production, co-design, and co-delivery of heritage-based activities. Over the last 12 years, this has included accredited adult-learner courses, exhibitions, art installations, archaeological excavations, performances and films. The project has built strong institutional relationships and produced internationally significant research, but most important have been the social outcomes. Thousands of local people have actively participated in co-produced research that has built confidence, facilitated learning opportunities and brought young people and adults through to university. Evaluation has demonstrated that engagement with local heritage has also created new friendships, showcased local talent, and fostered a heightened attachment to place.

These social benefits have been physically manifested through a major National Lottery Heritage grant, which has seen significant infrastructural development, including creating a community heritage and learning centre and a pathway network around Caerau Hillfort. These developments have encouraged people to explore their local heritage, get out and about, and improve their well-being. None of this work would have been possible without the long-term commitments of the organisations and individuals involved. It demonstrates the power of heritage to bring together diverse people and be part of broader community regeneration and placemaking.

To find out more about CAER please visit: https://www.caerheritage.org/.

Images

1: A view from the top of the hill looking down on the estates below.

2: Aerial photo showing Caerau Hillfort in the foreground and the housing estates of Caerau and Ely surrounding it. Crown Copyright RCAHMW.

3: Young people getting their hands dirty on an archaeological dig.

4: The First Minister opening our new CAER Heritage Centre.

Categories
Comment Press & Comment

Factory Road, Newport – DCFW Second Consultation Response

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Comment Press & Comment

Alaw Mon Solar Farm – DCFW Consultation Response

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Comment Press & Comment

NICW Climate Threat Call for Evidence – DCFW Consultation Response

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Comment Press & Comment

Parc Pencrug and Maes y Farchnad, Llandeilo – DCFW Planning Application Consultation Response

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Comment Press & Comment

Parc Solar Caenewydd – DCFW Consultation Response

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Comment Press & Comment

Noise and Soundscape Plan for Wales 2023-2028 – DCFW Consultation Response

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Mixed use Reports

Vivian and Musgrave Engine Houses, Swansea (Dec 23)

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Press & Comment

New Appointments – Chair and Commissioners

We are seeking a new Chair and three new Commissioners to join our Board. If you have a strong interest in design excellence and good place-making as well as knowledge of corporate governance, finance, and communications we’d love to hear from you.

 

Chair

Design Commission for Wales Appointment of Chair – Welsh Government (Cais) (tal.net)

Comisiwn Dylunio Cymru Penodi Cadeirydd – (tal.net)

 

Commissioner (Welsh Essential) 

Design Commission for Wales Appointment of Commissioners/ Board Members (Welsh Essential) – Welsh Government (Cais) (tal.net)

Comisiwn Dylunio Cymru Penodi Comisiynwyr/ Aelodau o’r Bwrdd (Cymraeg yn Hanfodol) – (tal.net)

 

Commissioners (Welsh Desirable) 

Design Commission for Wales Appointment of Commissioners/ Board Members (Welsh Desirable) – Welsh Government (Cais) (tal.net)

Comisiwn Dylunio Cymru Penodi Comisiynwyr/ Aelodau o’r Bwrdd (Cymraeg yn Ddymunol) – (tal.net)

Categories
Publications

Designing for Renewable Energy in Wales

Download – Designing for Renewable Energy in Wales

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Press & Comment Press Releases

Designing for Renewable Energy in Wales – Media Release

Download – Designing for Renewable Energy in Wales – Media Release

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Publications

Designing for Renewable Energy in Wales – Consultation Summary

Download – Designing for Renewable Energy in Wales – Consultation Summary

Categories
Reports Residential/housing

Hillcrest, Merthyr Tydfil (Nov 23)

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Reports Residential/housing

Ty’r Rhedyn, Llansteffan (Nov 23)

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Mixed use Reports

Former Four Winds Pub, Aberavon (Nov 23)

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Reports Residential/housing

Former Tata Steel Site, Pontardulais (Oct 23)

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Public/cultural Reports

Swansea Museum Extension (Sept 23)

Categories
Masterplan Reports

Hafod-Morfa Copperworks, Swansea (Sept 23)

Categories
Mixed use Reports

Strand Arches and River Tawe, Swansea (Sept 23)

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News Uncategorized

Placemaking and the Public Realm: Bringing it all Together

Jen Heal, Deputy Chief Executive of the Design Commission for Wales

The public realm is likely the first thing that comes to mind when many think of placemaking. A vibrant public square, a bustling high street or a fun-filled local park are just some of the images that spring to mind and are indeed some of the aims of our focus on placemaking. The public realm has many functions to perform and can be a place of delight, but it cannot be considered in isolation. All six of the Placemaking Wales Charter principles are interrelated and need to work together, but the success, or otherwise, of this manifests itself in the public realm.

Conditions to enable a positive public realm

Embedding placemaking into planning policy at the national level through Planning Policy Wales and Future Wales recognises that important decisions that will influence the success of the public realm within a town centre, neighbourhood centre or residential streets are made well in advance of the design of the space itself.

The location of development, availability of choice of movement modes and mix of uses will set the conditions in terms of levels of traffic, opportunities for walking and cycling, and amount of parking needed, all of which influence the amount of space available for public life and the quality of this space. If development is isolated, with no mix of uses and limited opportunities for public transport and active travel, more space will be needed to store and move cars around, fewer people will be out and about and the ‘life’ of the place will be impaired.

Conversely, if new development is situated close to existing facilities that people can easily access via active travel or public transport, or if new development has sufficient density to provide a mix of uses itself, then good design can manage the impact of cars on the environment, and there is potential for the streets and spaces to come alive. More people will have the opportunity to bump into and get to know others in their community, children will have more opportunities to play outside and the conditions will enable healthier movement choices.

Out of the six Charter principles, this leaves people and community and identity. These are two essential ingredients that should inform the design of the public realm to give it distinctiveness, inclusiveness and ensure it meets the needs of the community that will inhabit it.

Public realm as a forum for involvement

The latter two principles above emphasise the role of community engagement in the design of the public realm. Public realm interventions provide the space to test ideas and make changes in collaboration with the community. The prominent placemaking organisation, Project for Public Spaces, has a range of useful resources for placemaking in the public realm with easy to remember headings, such as:

  • The Power of 10 – the idea that there should be many (e.g. ten) different things for people to do in a public space[1], or
  • Lighter Quicker Cheaper – the promotion of interventions that are implemented quickly to help test ideas and demonstrate how changing a space can help to create a place[2].

It seems that the latter is something that we are not yet very good at in Wales. Whether it is because of the real or perceived barrier of rules and processes to navigate, a lack of skills in this type of engagement or risk adversity, we don’t seem to be able to implement such projects at any kind of pace or scale. Covid recovery interventions exhibited some of this energy, but that seems to have quickly faded away.

I was struck by the example of Milan’s Piazze Aperte ‘Open Squares’ initiative[3], where the city used temporary interventions as a mechanism for engagement and to test ideas before more permanent change. There was an open call to all citizens to identify spaces in the city that could be improved. They used paint to define the public space and put in street furniture to start to establish activity within the spaces and worked with local people on events within the spaces. The feedback from these temporary actions was used to shape more permanent interventions, but the impact was much more immediate: “Every time we closed a street to traffic, children popped up”[4].

An ongoing challenge

The benefits of public realm improvements are numerous, such as encouraging walking and cycling, integrating green and blue infrastructure to manage and mitigate climate change impacts, and providing comfortable, safe and pleasant places to interact with others, thus reducing social isolation. However, that doesn’t mean it is easy. Two particular challenges seem to be prevalent – the cost of maintenance and out of date approaches to highway design. The former threatens the integration of the most basic elements, such as street trees, because there aren’t sufficient budgets or resources to look after them. The latter is an ongoing issue despite a decade and a half of guidance on the subject through Manual for Streets. Neither of these challenges should be something we shy away from tackling from a national level down to each case to deliver the benefits that a good public realm provides.

The pattern of our lives seems to be increasingly individualistic. However, the public realm is still a forum for people to come together, meet and share a common experience of a place. The decisions we make every step of the way, from where we develop down to the kerb detail, will impact how successful these spaces are and how positively they can contribute to our lives.

[1] https://www.pps.org/article/the-power-of-10

[2] https://www.pps.org/article/lighter-quicker-cheaper

[3] https://globaldesigningcities.org/update/piazze_aperte_report-en/

[4] https://twitter.com/fietsprofessor/status/1605946251286962177?lang=en-GB

Credits

Image 3: cities-today.com

Categories
News

It’s Time for a Wilder Way of Life

Simon Richards, Director of Land Studio

Why creating a wilder network of green spaces could unlock the future of our towns and cities.

As climate change becomes an ever-increasing threat, our streets, parks and buildings must find ways to adapt and become more resilient.

Britain has a rich heritage of providing public parks and green spaces for our communities. These public spaces, alongside the changing role of our city streets, offer communities access to fresh air and provide intrinsic environmental and recreational benefits, but are they doing enough, and can their retrofitting to a wilder state significantly impact climate change?

Our network of parks, streets and public spaces should provide a vital ecological role in helping to enhance biodiversity and provide essential green and blue infrastructure for local communities and wildlife populations. By creating wilder, more natural streets and parks with a greater variety of flora and fauna, our towns and cities can help promote climate resiliency and increase the quality of life for their communities.

The benefits of implementing these significant, beneficial changes to our public realm goes beyond climate resiliency; they also aid in reducing air pollution and noise levels, filtering water runoff from impermeable surfaces, increasing physical activity, providing food sources for humans and wildlife, as well as offering a refuge for native species to thrive. With climate change already impacting our cities, we must start creating more appropriate networks of green and blue infrastructure to ensure the longevity and expansion of these beneficial ecosystems.

As the recent Arch Daily article “Why Landscape Architecture Matters Now More Than Ever” states, a more connected approach to the design of the built environment provides a pivotal role in the enhancement of public health, sustainability, biophilia, wilding and the overall enhancement of biodiversity across the globe.

There are numerous exemplar projects where this connected approach has enhanced nature and renewed communities, from the green infrastructure networks of retrofit SuDS in the streets of Sheffield and Cardiff to the recently completed Mayfield Park in Manchester and wide ranging, headline projects across the globe.

Creating these parks, streets and public spaces of the future will require even greater thinking on sustainable planning and management, going further with integrated development strategies where nature and outdoor space are vital pillars of the model. This means incorporating climate-resilient designs with fully integrated green and blue infrastructure networks; utilizing xeriscaping techniques to reduce water usage; creating habitats with diverse flora and fauna linked to extensive sustainable drainage networks, minimizing disruption from development activities; and, notably, ensuring that communities are fully engaged in the environment around them.

While these projects may be challenging to implement, the payoff regarding climate change mitigation, flood resilience, improved air and water quality, biodiversity conservation and enhanced mental health is significant.

As has been shown by the visionary work of cities already taking this approach, the towns and cities of the future will need to prioritize green infrastructure investments and effectively implement these projects. Only through careful planning and a commitment to climate resilience can we create wilder, more natural spaces that can withstand the impacts of climate change. With this effort, we can ensure our parks, streets and public spaces continue to benefit our communities for generations.

Categories
News

Enhancing Street Design and Placemaking: The Opportunity of 20mph Speed Limits

Jon Tricker, Placemaking Director at PJA, CIHT Member

Placemaking has gained increasing prominence in Wales as planners and designers strive to create vibrant and people-centric streets. One effective measure to achieve this vision is the introduction of the default 20mph speed limit in urban areas. Such an innovative strategic move will not only foster safer streets but also lays the foundation for better street design and higher levels of placemaking.

First and foremost, reducing the speed limit to 20mph will improve road safety. Studies consistently show that lower vehicle speeds significantly reduce the severity of accidents, making streets safer for pedestrians, cyclists, and motorists alike. By instilling a culture of responsible driving, these schemes encourage greater awareness and consideration for vulnerable road users, thereby improving overall road safety.

Moreover, a 20mph speed limit fundamentally transforms the dynamics of street design. Lower traffic speeds can reduce driver visibility requirements, creating less highway-led forms of street design. Road infrastructure can be reimagined to prioritize the needs of people walking and cycling. Wider footways, safer cycling, and enhanced crossings become feasible options, empowering individuals to embrace active travel. Such redesigns create not only visually appealing and accessible streets but also foster social interactions, thus strengthening the sense of community and civility within the neighbourhood.

Beyond road safety and street design, 20mph becoming the norm will act as a catalyst for better placemaking. Slower traffic encourages a more relaxed and enjoyable environment, attracting people to spend time outdoors. This, in turn, boosts local businesses and enables the establishment of public spaces like parks, public spaces, and community gardens. A calmer atmosphere will encourage cultural events, and more street landscaping, further enhancing the unique identity and character of established and new neighbourhoods. Grangetown, Cardiff, has achieved many of these benefits where the introduction of active travel, landscaping and SuDS have transformed the streets.

Recent examples from Cambridge highlight some areas of innovative neighbourhood street design. In Accordia, Cambridge, the wider selection of street hierarchy, such as car-free streets, play streets, and mews, along with more traditional street types, has created the conditions for a lovely new neighbourhood with low traffic speeds, successfully showing how planners and designers can prioritize pedestrian-friendly environments through good design.

Designing narrower streets with slower traffic allows for increased green spaces, pocket parks, and communal areas, fostering a sense of community and encouraging social interactions. Safe cycling on the carriageway becomes feasible, promoting sustainable mobility options. Embracing the 20mph concept enables a human-centric approach to street design, creating a harmonious and inviting living environment for residents. Although not trafficked, Marmalade Lane, also in Cambridge, showcases how streets can be reimagined as community spaces with a broad spectrum of uses.

In conclusion, introducing slower speeds in Welsh residential neighbourhoods will have far-reaching benefits beyond safety alone. By initiating a shift in traffic culture, it serves as a steppingstone for better street design, improved mobility, and elevated placemaking efforts. Embracing the concept of 20mph speed limits is a progressive step towards creating inclusive, sustainable, and vibrant neighbourhoods that prioritize their residents’ well-being and quality of life.

 

Categories
News

Streets for Schools – Creating a Culture of Travelling Actively to School

Patrick Williams, Head of Healthier Places, Sustrans Cymru

Dryden Road in Penarth has a history of traffic problems during the school run, affecting residents and the safety of children of Fairfield Primary School. A new School Street project has closed the road outside the school to motor vehicles at pick-up and drop-off times and, combined with infrastructure improvements and behaviour change, created a safer and healthier environment for everyone.

Sustrans developed the project through a co-design process, involving the local community, the 320 children attending Fairfield Primary School, their parents and their teachers. The aim was to involve all these stakeholders in a design process that would make the surrounding streets safer and encourage a culture of travelling actively to school.

Sustrans engaged at a range of levels to collect feedback from a wide range of people, including those who often don’t get a chance to voice their opinions. As not everyone feels comfortable, is able, or has the time to participate in formal workshops, the engagement was accessible and convenient as possible. Workshops were held on-street, at convenient locations, at times of day that people are likely to be passing along the street, and with quick and intuitive activities.

There was also a mixture of media and other options to engage, such as interactive digital mapping, paper surveys with conveniently placed project post boxes, a regularly updated project website, led walks, street surveys for the pupils and a summer play day.

Traffic volumes and speeds throughout the area were captured, along with artificial intelligence videos, to understand the interaction between pedestrians and vehicles outside the school.

The engagement and data identified the most significant issues were heavy traffic around peak school times, dangerous parking and manoeuvring, and a general feeling of lack of safety for people travelling to school by walking, wheeling, and cycling.

A series of improvements to the street layout of Dryden Road were then developed, including widening the pavement alongside the school and creating a planted verge or rain garden. The rain garden replaced the gullies along one side of the street, acting as a natural drainage system (SuDS), introducing greenery to the street and providing a barrier between cars and pedestrians. The interventions also include introducing a one-way system, which formalises the previously informal flow of vehicles and makes the daily street closures more straightforward.

The school street was trialled for a day before constructing the permanent changes. Temporary trialling the interventions played an important role capturing important additional feedback and finalising the proposals before construction.

The School Street opened in May 2023. Initial survey data captured following implementation have indicated a positive impact. The majority of both parents/carers and residents spoken to think that the street feels safer, more child friendly and overall, a more enjoyable place to be. The project, including the community’s views and traffic flows, will continue to be monitored and used to demonstrate the impact of the Fairfield Project on levels of active travel, changes in traffic behaviour, and community views, as well as informing future projects.

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News

The Bridge Street Project – Using Small-Scale Interventions to Rethink Public Spaces

This article is an adapted extract of a case study from the book Jones, M. (2020). Transforming towns: Designing for smaller communities. London: RIBA Publishing.

The Bridge Street Project is part of a long-term collective re-imagining of the future of Upper Bridge Street in the medieval market town of Callan to the south of Kilkenny in Ireland. The project was developed through interdisciplinary collaboration to explore the role of the high street as a collective civic space.

Upper Bridge Street is a narrow street that was historically the town’s market street. Once bustling with pubs, groceries, drapers and bakeries, the increasing levels of traffic congestion during the twentieth century supressed this vibrancy. In the 1980s, businesses started to relocate until, by the late 1990s, the street had fallen into dereliction.

For some years, one-off arts events and residencies have been run in Callan, linked to a community festival of participation and inclusion. These events included a series of design and build summer schools to create temporary interventions in the public realm. The summer schools led to Callan’s involvement in a project exploring how children navigated through the town, with Bridge Street closed for chalk games, food, live music and a children’s disco. Around the same time, a pop-up café was opened in a disused shop front to open a conversation with the community to explore the accessibility of Bridge Street, where local people shared their stories over a cup of tea, from which emerged the idea of developing a theatre script made up of local stories.

These events led to the Bridge Street Project, which combined a theatre production, Bridge Street Will Be, and an architectural intervention, Reflected Elevation.

The Reflected Elevation project aimed to address the regeneration of the outside spaces through bottom-up community workshops. Over 50 participants gave up their evenings to join workshops to paint the facades of the buildings in a paintscape representing the various lives of the street and capturing the many changes to its buildings. Closing the street for a few hours every day formed a new public realm, created chance meetings, and allowed local people to admire the beauty of the buildings. While the closures were the main source of disruption for the wider community, they led to the engagement of residents who may not otherwise have taken part.

The theatre production focused on performance-based civic participation and engagement with the internal spaces of the street. A local theatre-maker created a script woven from local legends and oral histories. A cast of over 80 community and professional actors unfolded stories using the street and its buildings as their stage in an immersive theatre production. The audience could wander freely in and out of buildings and through the street, rediscovering this overlooked part of the town.

These hands-on events brought people together to develop a shared vision for the renewable of Bridge Street and have fed into Callan’s Local Area Plan 2019. Bridge Street has been identified as a critical area needing rejuvenating and obtained funding as part of a pilot study to encourage more people to live in rural towns.

Through an innovative and collaborative approach to engaging with local people and small-scale intervention, the projects in Callan demonstrate the value architects and designers can bring to rethink public spaces in small settlements. Through hands-on performance and making, the sequence of projects has positively transformed the town and influenced long-term thinking about the town’s future.

Credits

Architect: Studio Weave

Client: Trasna Productions
Civic Engagement Producers: Rosie Lynch, Etaoin Holahan
Commissioned by: Trasna Productions
Funders: Arts Council Kilkenny Leader Partnership
Theatre Company: Equinox Theatre Company Asylum Productions
Writer: John Morton

Photo 1: Bridge Street Will Be, performance. Photo: Neil  O’Driscoll.

Photo 2: Bridge Street Will Be, performance. Photo: Brian Cregan.

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Reports Residential/housing

Land North of J33, M4 (Sept 23)

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Mixed use Reports

Canolfan Lleu, Penygroes (Sept 23)

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Infrastructure Reports

Mona Offshore Wind Project (Aug 23)

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Parc Pencrug and Maes y Farchnad, Llandeilo – DCfW PAC Consultation Response

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Mixed use Reports

Pentrebane Street, Caerphilly (July 23)

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Press & Comment

Y Bryn Wind Farm – DCfW Consultation Response

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Urban Quarter – phase 3, Swansea (July 23)

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Mixed use Reports

Former Howells Store, Cardiff (July 23)

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Travel Board Uncategorized

WG reply to ATB feedback on Draft Active Travel Delivery Plan – June 23

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Travel Board

Active Travel Board response to Draft Active Travel Delivery Plan June 23

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Travel Board

Active Travel Board press release 26 June 2023

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Rhyd y Car West – DCfW Consultation Response

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Factory Road, Newport – DCfW Consultation Response

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Technical Advice Note 15 – DCfW Consultation Response

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Comment Uncategorized

Review of Wales’s Renewable Energy Targets – DCfW Consultation Response

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Comment Press & Comment

Planning Policy Wales: Net Benefit for Biodiversity and Ecosystems’ Resilience

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Reports Residential/housing

Brecon Lodge, Ffrwdgrech (May 23)

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News

Street Markets and Pop-Ups

Ben Reynolds, Director of Urban Foundry

Our town centres’ social and commercial vitality is suffering from a perfect storm of disastrous car-oriented planning, poor public transport, weak active travel approaches, out-of-town retail, insufficient town centre residential populations, internet shopping, and an uncertain post-Covid world of hybrid working and spiralling costs. Empty shops and barren public spaces are two major symptoms of the malaise.

We need new ways of doing things and to rediscover some old ones too. The great Jane Jacobs characterised four key qualities of a ‘good town’: density, short perimeter blocks, varied buildings, and mixed-uses. I would add a fifth: quality public spaces. This article focuses on quick, fast, light, and (relatively) cheap measures that the Urban Foundry has taken to tackle two of these: mixed uses and public spaces.

Firstly, vibrant street markets are a fixture on the Continent, but something we have lost the habit of in the UK. A series of street markets have been created in Swansea Bay to activate public spaces that are otherwise car-dominated or under-utilised, creating temporary ‘people spaces’ and providing opportunities for small local artisan businesses.

Swansea Bay Street Markets social enterprise began with the award-winning Uplands Market in 2013 and now holds monthly markets across Swansea Bay at Marina, Mumbles, Port Talbot, and Pontardawe. Research by the University of Wales Trinity Saint David business school found:

  • 70% of market shoppers were only in the area for the market;
  • most spend at least £10 – £20 in local shops (in addition to spending at the market); and
  • the market improved perceptions of the area.

Secondly, PopUp Wales is bringing temporary life to empty shops, with similar impacts: improving footfall, dwell time, perceptions, and spending. Pop-up use can also make spaces more lettable in the longer term.

PopUp Wales matches temporary retail spaces with individuals, organisations, and businesses who want flexible, short-term, affordable space to trial ideas. Pilots took place in 2022 in Swansea and Bridgend, supported by their respective Councils, Welsh Government’s Transforming Towns fund, and (in Bridgend) UK Government’s Community Renewal Fund.

In Bridgend, PopUp Wales supported 30 small businesses and 20 voluntary organisations. In Swansea, 15 pop-up spaces have included civic and third-sector users, businesses, various arts projects, studio spaces, pop-up exhibitions, and installations.

Library of Things is a pop-up in Swansea run as a social enterprise to encourage borrowing to reduce the energy and resources to create rarely-used items and make expensive items affordable for more people.

Fresh Creative CIC exhibited their work in a pop-up in Swansea, which put them in front of audiences they could not normally access, and they are now seeking a longer-term city centre base as a result.

In a time of high vacancies for many towns and cities, we need as many tools as we can in the box for regeneration. Although it’s not a silver bullet, pop-up/meanwhile space has become far more prominent in the post-Covid era as a way of addressing our problems.

Why not start something up in your town?

 

Key Ingredients for Successful Markets and Pop-Ups

Understanding how your town or city works

Markets and pop-ups work well when we understand how and why people use space in urban areas and what will (and won’t) work where. They cannot be magically dropped in anywhere.

Buildings need to be in reasonable condition

Structurally sound and watertight buildings are needed for it to be manageable to make them useable, such as largely (basic) compliance works, simple welfare facilities, and cosmetic upgrades. It also helps if some modest capital funding is available to assist with these works – pop-up schemes are now eligible as a cost heading under the Welsh Government’s Transforming Towns funding stream.

It has to be the right use for a short-term tenure

Pop-ups are not a free means of getting long-term leases. Pop-ups are short-term by nature, so plan for it being taken away again at relatively short notice, or be prepared to pay a commercial market rate for the space in the long run if you want to stay.

Some creative thinking

There is variation, and some are decidedly at the cheap and cheerful end of the spectrum, but there needs to be some creativity and thought to make spaces look good and work on low budgets and with short timescales. You need something that can be up and running quickly that will work.

There still needs to be some viability to them

Although it takes away rental costs, there are still some costs, notably utilities, perhaps staffing (though volunteers run some), business rates if applicable, and stock/marketing/insurance and similar.

Good relationship-building with landlords is essential

Pop-ups are not as well-understood in this part of the world as elsewhere. The landlord must play ball for them to be viable.

There needs to be understanding and ‘buy-in’ from the local authority

The local authority needs to ‘get’ what you are trying to achieve and to be supportive.

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News

Re-Imagining High Streets

Alex Bugden, VUAP Project Manager, and Wendy Maden, Principal Urban Designer, Bath and North East Somerset Council

Our high streets have typically been places of the most diverse mix of uses and support a range of facilities and services that serve the wider community.  However, in recent years even these places have struggled to retain their diversity and quantum of uses. Over the past two years, Bath and North East Somerset Council’s Regeneration Team has worked with local stakeholders to deliver various projects to breathe new life into vacant shops and buildings in high streets across the district.

As part of a broader programme of high street interventions, including street furniture and greening, the Vacant Units Action Project delivers pilot projects within vacant shop properties to explore, re-imagine, and test alternative models or uses within the high street. By learning from these pilots, we wish to understand what the future of high streets could look like.

The project was launched in 2020 when vacancy rates in Bath City Centre had hit 30% on some streets. Initially, to address the cumulative impact of empty shops on the high street’s vitality, we worked with a collection of local arts groups, cultural stakeholders, landlords, and Council teams to take over the windows of vacant shops with vibrant and curious 3D art installations.

The project’s first phase included window animations, arts pilots, and immersive installations, all of which helped to understand the barriers to delivering meanwhile uses and enabled the evaluation of the impact of these initial pilots.

The second phase focused on activity designed to be a catalyst for high street regeneration, including four longer-term pilot projects across the district to develop and test ideas around future high streets:

Make Space, Keynsham: Refurbishment of a long-term empty ground floor property into a flexible and creative space offering affordable space for arts, cultural, and pop-up shop opportunities to enhance the local high street.

Made in Bath Pop-ups: Supporting local traders and makers to trial the use of high street retail space for short-term pop-ups, events, and new retail experiences, bringing online retailers, new businesses, and market traders into high street retail premises. We have hosted over thirty small local businesses and supported nine non-profit organisations through this project. 

Creative Twerton: This project is currently delivering a warm and welcoming arts space open to everyone, located in the heart of this high street. Adjacent to this meanwhile use is an artists’ residency space that builds on existing collaboration with Bath Spa University and a local arts organisation.

Unit 14, Midsomer Norton: Creating a hub for community-based and pilot activity on Midsomer Norton High Street, including community activities, a base for the high street cultural programme and Heritage Action Zone project, and a trial space for co-working, pop-ups, and other uses.

The future of high streets is an ever-evolving process. By using these hubs to accommodate a mix of activities, the projects’ success will be measured partly by whether they can create foundations to build on, expediting the change communities want to see on their high streets. It is an exciting opportunity for us to step up to the challenge.

Watch this video to find out more about the Vacant Units Action Project: https://youtu.be/BhqPts_Z_qY.

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News

Delivering Mixed-Use Settlements

Ben Bolgar, Senior Director at The Prince’s Foundation

For over thirty years, The Prince’s Foundation has been promoting the delivery of mixed-use, mixed-income, walkable, and beautiful places over monocultural car-dependent housing estates. In all that time, however, the only really diverse and genuinely new mixed places in the UK are Poundbury in Dorchester and, hot on its heels, its bigger brother Nansledan in Cornwall.

Poundbury will be complete in five years and already has over 1,800 homes with 2,300 jobs in 310 businesses on site, with 50% of those start-ups and the majority by women. Those businesses and jobs do many positive things: they give work opportunities near homes, make it possible to get daily needs on foot, reduce car trips, build a strong sense of community, and make a vibrant, valuable community.

Poundbury, Dorchester

Nansledan is only a few hundred houses in, and already there is a vibrant section of high street emerging. The thriving high street has contributed to the house values going through the roof, meaning the place could be a victim of its own success.

Nansledan, Cornwall

So, why isn’t every landowner and developer doing it? The simple answer is that most of our new places in the UK are built by volume house builders who do what they say on the tin – build houses. Ask them to build something other than houses, and they are happy to earmark a piece of land for a school, a supermarket, and, if you’re lucky, a health centre, but their model doesn’t see value in non-residential uses, and so they simply don’t do it. Look at Sherford in Plymouth, planned by The Prince’s Foundation for 7,000 homes along similar lines to Nansledan, but now led by a consortium of volume housebuilders. With nearly a thousand houses built the only business on site is a coffee shop in a portacabin set up and owned by the residents.

It is the business model that drives this behaviour. Typically, a landowner will either be approached by a developer or appoint an agent to sell some of their land, and that agent will be incentivised by taking a percentage of the highest price they can get. Getting hold of land is so competitive that most housebuilders will overpay on the basis that they can eventually cram more houses in, dumb down the quality, and renege on commitments on affordable housing, mixed-use, and community infrastructure.

Alternatively, a landowner deploying a stewardship approach won’t sell their land outright but instead employ a consortium of SME builders to build out the site in partnership, putting in the community infrastructure as they go. For the smaller units, which are below business rates and therefore more affordable, the builder might keep them in their pension pots and expect a healthy return on their investment not just in terms of income but as an asset accruing in value over time. These spaces attract local entrepreneurs and makers with a passion who can afford to do what they love, making an interesting and diverse place. These local businesses add value to the housing, as people want to live there. That is why Poundbury contributes £100 million GVA annually, and Nansledan could sell double the number of houses it is building.

We need more landowners to follow the stewardship model and planners and councillors to ask for a better way of building.

Categories
News

Soft City: Building Density for Everyday Life

Book Review by Max Hampton, Design Advisor at the Design Commission for Wales

The Placemaking Charter promotes places with a mix of uses and population density to support their social and economic life. Medium-density and mixed-use buildings are characteristic of traditional European towns and cities. Yet, this fine-grain, medium-rise building form, described as the ‘missing middle,’ is unusual in new development in the UK. David Sim, a Scottish architect based in Scandinavia, shows in Soft City how to design densely built environments at a human scale.

The Missing Middle (Sim/Island Press)

Soft City’s premise is that increasing the density of our towns and cities can help address the global challenges of climate change, congestion, and urbanisation. Increasing development density has a bad reputation in the UK and is associated with high-rise towers, small flats, and overcrowding. Sim acknowledges that greater density alone is not the answer, but when you add a diversity of building types and uses in the same place, you create the true urban quality of European towns and cities.

Aarhus, Denmark (Sim/Island Press)

The thesis of Soft City is Density x Diversity = Proximity. The idea is that the fusion of density and diversity increases the possibility of useful things, places, and people being closer to you. The book shows how potentially conflicting aspects of everyday existence can be brought together and connected to deliver better quality of life.

Soft City illustrates how the traditional urban building pattern of enclosed blocks, with independent, joined-up, and layered buildings, can accommodate density and diversity of uses while maintaining the human scale. Sim shows why this urban form, with its simple rules, has helped create some of the world’s most liveable towns and cities. Medium-rise blocks can combine the comfort and security of suburban living with the convenience and accessibility of urban life.

The Enclosed Block (Sim/Island Press)

The book includes examples from Scandinavia, the rest of Europe, Japan, the United States and Australia. I was interested to read how Melbourne uses clear and simple rules to enable denser, mixed-use development along and around existing public transport. This policy allows the city to accommodate population growth without expanding outwards and evolving over time, with densification taking place plot by plot.

Melbourne – Increasing density around existing infrastructure (Sim/Island Press)

There are good examples from Germany and Sweden of larger sites masterplanned by the local authority and subdivided into small plots. Different developers, with various architects, develop each plot. The result is a diverse mix of housing types and land uses in lively neighbourhoods with a strong sense of identity and community.

Vauban, Freiburg (Sim/Island Press)

Sim is not trying to ‘Scandify’ the world and recognises different countries have different people and cultures, climates and landscapes, politics and planning systems. However, he identifies we are all facing similar challenges that the urban design principles in this book can help solve.

I recommend Soft City to anyone interested in how dense and mixed-use developments can create sustainable and resilient communities with healthier and happier people. This beautifully illustrated book is full of ideas and examples that can support placemaking in Wales.

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Events

The role of Sustainable Drainage Systems (SuDS) in creating better places

When: Wednesday 24th May 2023, 2pm – 4pm

Where: Design Commission for Wales, 4th Flr, Cambrian Buildings, Mount Stuart Square, Cardiff CF10 5FL

Booking: This is a free event but please secure your spot on Eventbrite.

Join us for an event to consider the design of Sustainable Drainage Systems (SuDS) in new development and regeneration in Wales. Designers, developers, engineers, and those involved in delivering new development, the event will examine:

  • How SuDS can reintegrate the landscape in urban areas.
  • How SuDS can complement good urban design.
  • Has the implementation of the SuDS legislation met the aspiration?
  • How a multi-disciplinary approach to SuDS can create better places.
  • How can the design, approval process, implementation and maintenance of SuDS be improved to contribute to better places.

The event will highlight good practice in the design of SuDS and there will be the opportunity for attendees to contribute to the discussions, identifying good practice and informing the future of SuDS requirements in Wales.

Speakers include:

  • Ian Titherington, Engineer, Sustainable Drainage Advisor for the Welsh Government
  • Simon Richards, Landscape Architect, Director of Land Studio, Design Panel Chair at the Design Commission for Wales
  • Lisa Sawyer, Engineer, Director of Land Studio
  • Chris Gentle, Urban Designer, Divisional Director at Roberts Limbrick

Please book using the following link – Eventbrite. Do not use the Book Now button.

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Comment Press & Comment

Designing for Renewable Energy in Wales – Consultation on Draft Guidance Document

The Design Commission for Wales is undertaking a second engagement on the new draft guidance – Designing for Renewable Energy in Wales. The consultation opened on 24 April 2023, and the deadline to respond is 19 June 2023.

Please see our letter for more information.

To comment, please complete the questionnaire as per the format indicated in the consultation materials and send it by e-mail to connect@dcfw.org.

Thank you.

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News Press & Comment Press Releases

Jen Heal Appointed Deputy Chief Executive

1st April 2023

JEN HEAL CONFIRMED AS DEPUTY CHIEF EXECUTIVE OF THE DESIGN COMMISSION FOR WALES

 Design Advisor Jen Heal has been confirmed as the Deputy Chief Executive of the Design Commission for Wales.

A Chartered Town Planner with a background in planning and urban design in private and public sector practice, Jen first joined the Design Commission in 2014, devising and leading much of its training and client support programmes and co-chairing its national Design Review Service.  During her time at the Design Commission Jen has also served as a Commissioner for the South East Wales Transport Commission. She now leads the placemaking agenda for the Design Commission, advising on policy, supporting practice and leading the development of the Placemaking Wales Charter and guidance.

With significant professional experience in the private sector, Jen studied City & Regional Planning, has an MA in Urban Design from Cardiff University and is a fully accredited member of the Royal Town Planning Institute (MRTPI).  In her previous roles, Jen led a diverse range of urban design, planning and regeneration projects for public, private and third sector clients; delivered design concepts, town centre strategies, environmental improvement schemes and complex planning applications as well as developing engagement and training programmes.

Commenting on the promotion, Chief Executive Carole-Anne Davies said: “Jen is an outstanding professional and valued colleague. She is a talented placemaking specialist and a passionate advocate for the importance of good design. Jen has the leadership capability required for this role and has long demonstrated her ability to engage with and support colleagues across sectors, in local authorities and the Welsh Government.

“Jen is particularly adept at equipping others with the knowledge and understanding of how to create better mixed-use communities with a sense of place in the context of change for existing settlements or new development. I am pleased to confirm Jen’s promotion as we come to the end of events which mark our 20th Anniversary and move forward to further accelerating positive change and creating the conditions for everyday excellence in design in the context of climate and nature emergencies. I’m delighted to have her by my side and I know she will thrive in the role and continue to strengthen our skilled and agile team. ”

Jen Heal said: “The value of design to Wales and the UK should not be underestimated. It is a major economic driver and enabler of social value, particularly as we work towards net zero. I’m delighted to have the opportunity to step-up and continue with the excellent work that we deliver as a team. It’s making a difference to communities the length and breadth of Wales and I’m proud of all that we do.”

As an expert body, the Design Commission for Wales was established by the National Assembly for Wales in 2002 to promote good design. With a remit spanning the whole of the built environment in Wales, the expert, multi-disciplinary team works with local planning authorities, investors, developers, communities and commissioning clients across Wales to capture the value of high quality design.

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Mixed use Reports

Canolfan LLeu, Penygroes (March 23)

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Publications

DCFW A Culture of Quality 2022

DCFW_Culture-of-quality_ENG

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Commercial Reports

Skyline, Kilvey Hill, Swansea (Jan 23)

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Reports Residential/housing

Brokesby Road, Swansea (Jan 23)

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Reports Residential/housing

New Penn Inn and Fairwater Social Club, Cardiff – combined report (Nov 22)

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News

Placemaking and the Value of Location – Dr Roisin Wilmott

Dr Roisin Wilmott, Director of RTPI Cymru.

We’re all familiar with the maxim ‘location, location, location’, but do we think about it beyond property and its value?  As planners we take the approach of the right building in the right location, the latter being paramount.

The right location is a big part of the answer to tackling the multiple short and long term challenges we all face, not just here in Wales but globally too, including the climate and biodiversity emergencies, the energy crisis, the cost of living crisis and the endemic problem of poverty.  The right location also affects the costs of running public services.  In many ways these are all interlinked issues. If we get the location right, we can go a long way to help mitigate and / or prevent the negative impacts. Importantly, we must avoid locking in future carbon commitments for generations to come through the location decisions we take now.

Location is captured by the popular 15 / 20 minute city concept, also referred to as the ‘walkable neighbourhood’.  This concept means that the services we need most days or every day can be reached either by walking or cycling (i.e. under our own steam) in a practical time. Through this we get some exercise, we are more likely to meet neighbours (developing community cohesion), reduce crime through increased surveillance and knowing our community, reduce pollution through less traffic, support local businesses and facilities, reduce the cost of travel and address travel-poverty.  Making room for quality green space in built areas also brings health and biodiversity benefits and if street furniture, particularly seating, is provided this improves the inclusivity of the area for wider groups including older people, or those with dementia and other conditions.

As well as increasing the focus on active travel, integrating public transport into developments must also be considered, to enable access to a choice of wider services and employment opportunities in a more sustainable and equitable manner.

We can build the most sustainable building but if it is not sited in the right location, it can instead be inherently unsustainable; we should not hide behind just one aspect but consider the whole project.  There are of course times when a house in the open countryside is in the right location and should be supported e.g. those supporting rural industries.

The ‘development plan’ is the primary vehicle for setting out location policy in Wales.  Set out in legislation, the development plan in Wales comprises Local Development Plans (LDPs) which are familiar to many, Strategic Development Plans (SDPs) were introduced by the Planning (Wales) Act 2015 but have not yet emerged, and Future Wales: the national plan 2040 (referred to in legislation as the National Development Framework).  These are aimed at setting the direction for development, including location, at different spatial levels: local, regional and national respectively.  These plans carry a great deal of responsibility in setting the framework for decisions on the location of development which genuinely meets the current and long term needs of Wales.

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News

‘Location’, Townscape and Placemaking – Professor Wayne Forster

(Above illustration by Proctor Matthews from their publication ‘Identity and place – where do houses live’?)

Wayne Forster, Professor of Architecture and Deputy Head of School at the WSA.

Back in 1974 Gordon Cullen and David Gosling published their design for Maryculter, a new settlement located to the south west of Aberdeen within a natural amphitheatre of open rolling landscape, grazing land and gorse cover protected by pine forests and shelter belts. The design creates an unfolding townscape of residential and mixed-use villages – the Wynds, the Kaleyards, Burnside and Blaikiewell. The design for Kaleyards drew inspiration from the historic walled enclosures of the Shetland Islands which provide shelter and protection to crops grown under extreme conditions. In response clusters of new homes were proposed forming sheltered neighbourhood spaces at their heart, with houses orientated to shoulder the prevailing wind – a unique configuration designed to ‘produce a sense of identity and belonging’.[1]

In the design report Cullen observed: “People live in houses, but where do houses live? If they are homeless, then all we are left with is the typical endless, featureless suburbia“.

Could a return to the core principles of Townscape reinforce ways of placemaking and produce tangible results?

Reference to the work of the English architects and urban designers Proctor Matthews suggests the answer is a resounding yes. Both Stephen Proctor and Andrew Matthews can claim a direct lineage to Cullen through their tutor at Sheffield, David Gosling who worked with Cullen and wrote the only monograph. . In a recent presentation of their work to the Welsh School of Architecture given by Stephen Proctor the Cullen idea of ‘the place of houses’ is consistently framed within Cullen’s ideas and underlines the influence of Cullen on their work in particular the emphasis on establishing significant contemporary placemaking on schemes in England, Scotland and Ireland.

In 1974 Gordon Cullen and David Gosling published their design for Maryculter, a new settlement located to the south west of Aberdeen. Most new residential developments – both regeneration projects within towns and cities and those on the periphery of established urban centres – fail to establish a sense of place or a strong and coherent identity.

In his presentation Proctor explained that a primary and starting principle is to establish a bold coherent narrative of place: anchoring new developments in their immediate and wider, historical, social, cultural and physical contexts – the distillation of place. This narrative is always visual invariably established and represented through drawings sometimes in the form of diagrams and cartoons a la Cullen .

These principles for placemaking appear to be more designerly than the more process led ones set out in the DCFW government guide to placemaking .[2]

All this echoes Gordon Cullen from way back in 1955, Nairn’s collaborator in that series of Outrage articles from the architectural review and author of and master of townscape elevates the importance of visual planning and product over process. Cullen turned to what he called ‘the faculty of sight ‘, ‘for it is almost entirely through vision that the environment is apprehended’. [3]

In the introduction to Townscape Cullen urged that we have to rid ourselves of the thought that the excitement and drama that we seek can be born out of the scientific research and that we must turn to other values and other standards. Cullen turned to what he called ‘the faculty of sight ‘, for it is almost entirely through vision that the environment is apprehended. [4] This is followed by the establishment of a clear definition of neighbourhood boundaries and thresholds and the development of a clear spatial hierarchy of parks, streets,squares, lanes and mews.

This is all treated very seriously throughout the Proctor Matthews practice and takes time, curiosity, wisdom, imagination and is beautifully drawn out, to the degree that these early drawings, cartoons and other visuals are the ones that clients and developers constantly refer to in favour of more scenographic ‘finished’ CGi’s.

 

 

[1] Proctor & Matthews identity and place: where do

Architects houses live?  https://www.proctorandmatthews.com/publication/identity-and-place-where-do-houses-live

[2] Design Commisssion for Wales  Placemaking Guide 2020 p6

[3] Ian Nairn and others Architectural Review June 1955 https://www.architectural-review.com/essays/outrage/outrage-the-birth-of-subtopia-will-be-the-death-of-us?utm_source=WordPress&utm_medium=Recommendation&utm_campaign=Recommended_Articles

[4] Gordon Cullen The Concise Townscape 1971 p8

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Reports Residential/housing

Former Stadium Site, St Athan (Oct 22)

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Health Reports

Health and Wellbeing Centre, Swansea (Sept 22)

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Press & Comment

Designing Renewables in Wales Consultation

This engagement, on ‘Designing Renewables in Wales’ opened on 10th of August 2022.

The deadline to respond is the 7th October 2022.

Find out more in our letter here.

Please download and complete this questionnaire (where relevant to you) in the interactive pdf, and return as an attachment by email to connect@dcfw.org

Categories
Reports Residential/housing

Fairwood Terrace, Gowerton (Aug 22)

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Publications

Reimagined

DCFW – Reimagined

 

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Reports Residential/housing

Plot D9b, SA1, Swansea (Aug 22)

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Reports Residential/housing

Plot E7 & E8, SA1, Swansea (Aug 22)

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Reports Residential/housing

Plot D5b, SA1, Swansea (Aug 22)

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News

Placemaking and Rural Connectivity – moving people to places

Transport for Wales

Wales has many rural communities and some challenging geography which, along with budgetary constraints, has resulted in a reduction in bus services over the years, and increased reliance on cars to enable people to get to work, education, health appointments and all the other things that we must do in our daily lives.

Transport for Wales is working to improve transport solutions for rural areas in partnership with local and regional transport authorities as part of the Welsh Government’s wider bus transformation plans across the country.  This includes revising timetables, changing routes, improving connectivity, increasing frequencies, and simplifying fares and ticketing. We are at the beginning of a journey which will take some time to reach all areas of Wales.

A new type of service introduced in rural (and some urban) areas has been fflecsi, the demand responsive transport (DRT) service which now operates in 11 zones across Wales providing increased access to public transport in areas where services have been complex, limited access and had falling passenger numbers, or, in some cases, had not existed.  DRT is bookable public transport, which doesn’t run to a fixed route or timetable but is booked by passengers via an app or by phone, and aggregates those with similar journeys.

Each service is run according to the local requirements, for example in Conwy in North Wales the service runs from 6.30am to enable local hospitality workers to get into Betws-y-Coed in time for their 7.00am shift.  This same service also collects a group of ladies from surrounding villages every Tuesday – giving them time to catch up on the bus journey and helping combat social exclusion. In Pembrokeshire and on the Llyn Peninsula the service is popular with local residents, holidaymakers and walkers who use fflecsi when walking the Coastal Path.

Fflecsi is a bookable service, currently providing more than 25,000 rides per month. Passengers can book on the fflecsi app or by phone and TfW are also introducing third party booking in some locations to enable people to book the service if they don’t have access to a phone.  It is a different way of delivering a bus service that forms part of the overall public transport provision here in Wales, however despite the technology involved, it still the interaction with the driver that can make the service a success especially in the rural areas.

Fflecsi needs not necessarily be a bus, it could be a car or other vehicle, the technology provides lots of great data to enable better analysis of the service, identification of hotspots, potential for changes in operating hours to better serve customers and can even change the parameters for walking distance where there might be difficulties in access due to steep hills.

Fflecsi can link up to other local and regional bus services including the Traws Cymru routes, and link to trains, active travel and other forms of transport – it is part of the vision to improve access to services across the country and to drive behaviour change with the ultimate aim of having one network, one timetable and one ticket as outlined in the Welsh Government’s Bus Cymru plan.

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News

Placemaking, Net Zero and Liveable Neighbourhoods

Jon Tricker, Placemaking Director PJA

In response to the urgent needs of climate change, the transport planning industry is developing new approaches for planning and implementing net zero carbon transport and placemaking solutions in new development and in existing neighbourhoods.

This thinking aligns with the Welsh Transport Strategy (2021) and associated modal strategies such as the Active Travel Act.  Together these moves, along with the general direction set out at COP26 define a carbon reduction journey to 2050, setting out how new green industries will influence the transport sector through hyper-localisation allowing more walking and cycling, and for longer trips, taking the bus or train more and increasingly driving electric vehicles.

Many practitioners are now adopting approaches, which draw on three main principles – Avoid, Shift and Improve.

Avoiding travel can be applied in new and existing places, and can be summarised as internalisation for new stand-alone development, and localisation for existing places and brown field development.

Shifting means more walking, cycling and micro mobility in local neighbourhoods and urban centres, and public transport remaining the mode of choice for medium and long journeys.

Improving is partly about the car or future forms of private transport, which are likely to remain popular, and driving electric cars in outer areas and for some inter-urban journeys will remain important.  However, other benefits can be realised with integration with new travel hubs at city gateways allowing transfer from electric cars to bus rapid transit or rail, so that cities can benefit from de-trafficked core areas.

For new development this means looking at house design and more adaptive approaches to parking.  For the local area, it about embedding more sustainable urban structure and mix of development to provide the services residents require within a short journey of their home, internalising many trips, and managing external private car trips, particularly at peak times and to key destinations where congestion is likely.  These ideas come together in the form of Liveable Neighbourhood principles where active travel solutions are combined with greening of urban realm to create better streets and more liveable neighbourhoods. These ideas may also be combined with new thinking in Mobility Hubs which bring together several transport facilities in a central neighbourhood location.

For existing places, this means optimising land use, retrofitting of walking and cycling infrastructure into local places and managing integration with public transport and the transition to fully electric vehicle fleets. This is not solely a transport solution, but requires buy in from local authorities and businesses to allow services and amenities to be located/relocated to serve a more localised trip pattern for day to day needs, thus helping to create genuine 10-minute neighbourhoods.

Bringing transport planning together with placemaking has never been so important and is demonstrated in many recent and emerging schemes, such as the Greener Grangetown Cardiff project which brings together SuDS, green infrastructure and walking and cycling improvements.  The success at Grangetown sets an important benchmark for neighbourhood improvement in the coming years.

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News

Movement and Placemaking

Matt Thomas, Vectos

The rigid UK planning policy of the 20th century, based on the paradigm of “Predict and Provide”, has had a major influence on the shape and nature of our developments and communities.  That was to design infrastructure and our settlements purely for sufficient traffic capacity to meet demand during peak hours.

This peak hour traffic only represents 25% of the overall capacity of the infrastructure which requires substantially less capacity outside of peak periods.  This pessimistic and heavily weighted pro car approach, which ensures the convenience of the motorist during the peak hour, has shaped our society and disappointingly often, little or no thought or consideration is given to alternative modes or changes in technology.

If we are to reverse this traditionally long held view, we need to adopt a new approach to our thinking about mobility. Thankfully, there is a new approach that is being championed by forward thinking transport planners.  Instead of immediately looking to calculate a scenario of the worst car-based impact of the development and then attempting to mitigate by design.  The new approach is to concentrate all effort on what type of development are we looking to create an exciting and vibrant environment where people will want to live, work and play. This approach is being called “Vision and Validate”.

The provision of transport infrastructure, to support the “vision”, is of course necessary, but it should be based upon a hierarchy of movement. Walking and cycling and the creation of infrastructure to support them must be the priority backed up by public transport provision which is given priority over the motor car. Thought should also be given to how the demand for movement is changing in an increasingly technical and virtual world. It may be that highway infrastructure is replaced by digital infrastructure. The Covid pandemic has significantly transformed most people’s everyday lives, in terms of travel to work or online shopping or online learning.  We no longer need to put on a suit, or commute for an hour to an office 5 days per week. The barriers to mobility are being reduced and individuals are increasingly able to decide where and how they wish to live and to place greater emphasis on quality spaces, neighbourhood and local facilities. The design of housing layouts and the specification of individual properties is evolving to reflect changing working patterns, with provision for home working space, superfast broadband and other connectivity, bike storage and electrical home charging facilities are all being considered in the modern home.

A balance in the mix of land uses, supported by safe and attractive walking and cycling networks that connect to nearby local facilities is fundamental in bringing about the step change in people’s mindsets regarding where they can live, work and play. This approach is supported by legislation such as the Welsh Government policy on Active Travel (Wales) 2013, the Well Being of Future Generations (Wales ) 2015 Act and more recently Planning Policy Wales (2021 ). However, now is the time to act.  Time is of the essence.

The concept of a 15-minute town, or city is not new, but it is now essential to achieve our objective of creating attractive and desirable spaces in which to live, whilst at the same time, reducing our carbon footprint.

Other simple initiatives such as car clubs, help break the chain between car ownership and car use and can help increase density, when land for development is at a premium, by facilitating lower car parking ratios.

Mobility hubs, at varying degrees of scale, provide a choice of mobility options including:

  • Cycle hire
  • Ebikes
  • Bike doctor,
  • Scooter hire,
  • Public transport nodes,
  • Community concierge,
  • Amazon lockers.

Wherever possible, Mobility Hubs should also include ‘The Third Place’ i.e., somewhere to work remotely and maybe grab a coffee and all of this can be incorporated into a local centre for example.

The other significant challenge facing society is that of climate change, if the climate change challenges are to be met there is a need for substantial and wholesale changes to the way we currently live. Transport emissions represent around 25% of the EU’s greenhouse gas emissions and a target of a 90% reduction in transport related greenhouse gas emissions by 2050 has been set by the EU. Small changes in our infrastructure design and the adoption of a new approach to placemaking will not alone achieve this ambitious target.

The Vision and Validate approach leading to more sustainable communities has therefore never been so important.  There are two major factors that influence the level of carbon emission for transport, particularly the motor car, and they are the distance travelled and the amount of carbon emitted per unit distance.

The first consideration should always be – do I really need to make this trip? Is there another way of achieving what needs to be done? If the trip cannot be undertaken by a non-polluting mode, then the next consideration is how the vehicle is powered   – could there be a switch to a more efficient fuel or electricity?

The key challenge of achieving significant reductions in transport related carbon can be assisted by aligning the transport planning and regional planning systems to ensure that development occurs in areas which are capable of facilitating the Sustainable Accessibility and Mobility Framework and which are 15-minute neighbourhoods providing convenient and cost-effective travel choice and a mix of local amenities.

It is only by such measures that we can break the habit of unconsciously and automatically reaching for the car keys.

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News

Just a bit of chalk? Placemaking and readdressing the transport hierarchy.

Patrick Williams, Sustrans.

Llwybr Newydd (2021) outlines a vision of a Wales travelling more sustainably, with modal shift to encourage higher levels of walking and cycling, at the heart of the document. This is a significant commitment that will require a change in approach to how we develop transport proposals and more broadly, how we consider our streets in general.

Road safety figures paint a picture of inequity, with some of the most vulnerable in society, such as the young, being particularly prejudiced. In 2015, 40% of accidents involving children, happened during the school run. In response, we have taken to protecting our children by ferrying them back and forth in cars and thus reinforcing the dominance of motor vehicles on our streets. For a considerable number of years, Sustrans have worked within the schools setting, exploring approaches that engage communities and aim to address some of these inequities.

In September 2019, following a co-design process involving students, parents and local residents at St Davis’s R C Primary School in Newport, Sustrans trialled a number of interventions using colourful, planted water filled modules (Street Kit) and chalk. Workshops with the school and local residents had identified that congestion at school drop off and pick up times had resulted in a number of specific issues including; parents and children being forced onto narrow pavements and lack of crossings.

As part of the development process, Artificial Intelligence (AI) cameras had been used to capture a number of behaviours within the street, including traffic speeds and volumes, crossing behaviour, desire lines and interactions such as yield rates on the road in front of the school.

The street outside the school was closed to vehicles during an afternoon and with the help of the school and local residents, areas of the carriageway around the school were reclaimed using water filled planters and a new crossing was created using chalk markings. The road was reopened and the interventions were left in place for a number of days. AI cameras were used to record changes in behaviour.

The results threw up some interesting findings. The number of cars slowing or stopping (yielding) to allow parents and children to cross at the new chalked crossing location increased by 63% during the days monitored. More striking however, was the change in traffic speeds witnessed following the trial, with speeds reducing by around a third from that prior to the installation.

The results of this trial perhaps don’t hold up against rigorous scrutiny, for example, how would behaviours revert over time? However, demonstrating that using materials such as chalk to ‘tweak’ the sense of place and change behaviours, merits some exploration.

Sustrans have now carried out a number of research projects considering and measuring the impact of light touch and similar Tactical Urbanism type interventions. The findings of these projects have evidenced a range of outcomes, including the reduced impact of vehicles, and pedestrian behaviours that indicate higher levels of empowerment with their streets. So the question is, ‘what roles can a piece of chalk have in changing our public realm for the better’?

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News

Discussion Piece – Designing for the Transport Hierarchy

This is a discussion piece, providing ideas and prompts which we would like to hear your feedback on.

This edition of the newsletter focuses on the Placemaking Wales Charter principle of ‘Movement’, which is defined in the Charter as follows: ‘Walking, cycling and public transport are prioritised to provide a choice of transport modes and avoid dependence on private vehicles. Well designed and safe active travel routes connect to the wider active travel and public transport network, and public transport stations and stops are positively integrated.’ Designing for movement also touches on the ‘Public Realm’ principle, which is defined in the Charter as follows: ‘Streets and public spaces are well-defined, welcoming, safe and inclusive with a distinct identity. They are designed to be robust and adaptable with landscape, green infrastructure and sustainable drainage well-integrated. They are well connected to existing places and promote opportunities for social interaction and a range of activities for all people.’

Walking, cycling and public transport are prioritised in Llwybr Newydd, the Wales Transport Strategy, which sets out a Sustainable Transport Hierarchy. This hierarchy contains, in order of priority: Walking and Cycling, Public Transport, Ultra-low Emissions Vehicles, and then Other Private Motor Vehicles. The hierarchy is also embedded in Planning Policy Wales 11 (PPW11) which states that ‘it is Welsh Government policy to require the use of a sustainable transport hierarchy in relation to new development, which prioritises walking, cycling and public transport ahead of the private motor vehicles’.

But how would the design of streets and spaces need to be approached differently if this hierarchy was to be truly reflected in all new developments, and what would our streets and spaces look like?

 

Walking

If pedestrians and cyclists were prioritised, new developments would consider, at the site selection stage, whether likely active travel routes to local schools (both primary and secondary, and Welsh-medium, dual-stream and English-medium), local nurseries, local village centres, and local shops, pubs and restaurants can be accessed, and used safely. Likely active travel routes would have safe pavements and cycling routes, and this would be prioritised, in order to reduce dependence on cars from the outset.

Pavements would prioritise making pedestrians feel safe, in relation to motor vehicles, cyclists, other people, and crime. Pavements would prioritise pedestrian comfort – pavements would have passing space for two wheelchairs, and, in appropriate areas, they would allow enough room for cafes and restaurants to have adequate outdoor dining space without negatively impacting the amount of space given to pedestrians.

At signalised junctions pedestrians would be prioritised by reducing wait times, along with cyclists and buses.

Continuous pavements across side streets would be designed into new development as standard and retrofitted in existing places.

Streets would have frequent crossing points for pedestrians to cross safely.

If pedestrians safety and comfort are to be prioritised, where appropriate streets would incorporate street furniture and greenery, as green streets feel cooler on hot days, and provide visual interest and a connection to the changing seasons. Pavements would be regularly cleaned and maintained, with regular refuse collection, and pavements would contain clean and well-maintained seating and rest areas at regular intervals.

 

Cycling

Cycle paths would be connected, cohesive, and clearly marked out. Junctions would prioritise cyclists, pedestrians and buses, and cycle paths would be the easiest way to get from A to B, where possible. This would mean rerouting cycle paths to be the most direct routes.

Creating pleasant routes would be considered at the earliest design stage of new developments. This could include street trees near the cycle routes in order to keep cycle routes cooler on hot days, or easily accessible and clearly marked facilities including WCs and water refill stations alongside cycle routes.

Cycle paths would be direct, and maps of the cycle network would be readily available on the internet.

Cycle paths would allow enough room for comfortable turns. Barriers would be spaced with enough distance from one another for cyclists to be able to comfortably cycle between them. Like pavements, cycle routes would be clean and well maintained, without litter. They would also feel safe, both from motor vehicles, and perceived safety around crime.

 

Public Transport

Public transport would be one of the easiest ways to access and get across towns and cities, with regular and direct services. The challenges to delivering this are systemic, and relate to wider transport planning and funding, but in order for places in Wales would be well-connected via bus, train, or tram, these issues would need to be addressed.

Longer bus stops could aid with faster passenger boarding.

If the transport hierarchy was followed, new developments would coordinated with local bus and other public transport companies to ensure a frequent service to the development is in place prior to the first people moving into the site, in order for bus and public transport usage to become an ingrained part of living in the development.

In urban areas, existing bus infrastructure would be improved in order for cross-city bus services to more closely resemble car driving times. This could be aided by junctions and traffic signals prioritising buses over private motor vehicles. Banning cars or reducing the number of car lanes from key roads could also make bus journeys quicker for bus passengers.

 

Ultra-low emissions vehicles

The necessary infrastructure for charging and maintaining these vehicles would be designed in at the outset. If electric vehicle ownership is to drastically increase over the next few years, the existing power infrastructure in certain areas may not currently be equipped to deal with the level of demand of charging the vehicles, therefore it is important that this capacity for vehicle charging is designed in at the outset.

EV charging would be easier, cheaper, and more convenient than refuelling a fossil fuel car, in order to encourage modal shift, regardless of where you live.

 

Other Private Motor Vehicles

Car sharing, of both ultra-low emissions vehicles and other private motor vehicles, would be designed into and become an inherent part of the business plan for new developments.

Private vehicles would be accommodated to provide choice and provision for those who need it, but speed limits in built-up areas could be reduced to the average walking speed. Places would be easily accessible by safe footpaths, cycle routes and public transport so that not everybody needs a car and therefore Cars would not dominate the design of places.

 

QUESTIONS FOR DISCUSSION.

What changes have you implemented to address the sustainable transport hierarchy?

Are there any case studies that you think have been particularly successful in implementing strategies that prioritise pedestrians and cyclists?

What barriers are in place that stop us from being able to design following the transport hierarchy?

Please let us know by tweeting @designcfw or emailing us placemakingwales@dcfw.org

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Comment Press & Comment

Ystyr Enwau Lleoedd: The Importance of Welsh Language Place names in a Changing Climate

One of the six elements of the Placemaking Wales charter is ‘Identity’. A vibrant language and cultural richness are also cornerstones of the Well-being of Future Generations Act. Many Welsh place names, whether ancient or modern, are readily perceived by their meaning, and their meanings can still be understood in modern Welsh. But how do they signal ‘identity’ and could a place’s identity be affected by a changing climate?

Welsh-language place names often tell us about the landscape of the place, as well as its location, history, and heritage. Name is an integral part of its identity. With the effects of climate change threatening to shape the future of the Welsh landscape, it is more important than ever that we cherish the meaning of these names. When the climate changes, the landscape changes – land that has been shaped, known, and understood for generations. As such, without significant action, our place names could become like headstones, inscriptions only of what once was.

Aberteifi, Abergwyngregyn, Aberystwyth, Aberarth, Abertawe, Aberdaugleddau, are located near the coast, with ‘Aber’ often meaning the confluence of two bodies of water. A changing landscape brought about by climate change would mean that these names are no longer descriptive.

Places with names such as Glanyfferi, Glanyrafon, Glan-y-wern, and Glan-y-gors, with ‘Glan’ often indicating a location near a body of water, could have their landscapes altered and shaped by the changing tides and flooding. Traeth is another word that appears in Welsh place names, meaning ‘beach’. Pentraeth, Traeth Mawr, Trefdraeth and Traeth Bach all feature this element.

Cors Fochno, Cors Caron, Cors Ddyga, and Glan y gors all feature the word ‘cors’, which refers to a bogland. With industrial peat excavation as well as burning affecting bogland, it is of key importance that these landscapes are protected, recognised for their importance, and celebrated. ‘Gwern’ refers to the alder-tree, which grows on damp land and in bogland, and features in names such as Gwernydomen, Gwernymynydd, Glanywern, and Penywern.

Landscape and language are filled with clues that can tell us about the history of an area, and the history of people and communities across Wales. ‘Ynys’ means land surrounded by water, and features in island names such as Ynys Llanddwyn, but also in mainland areas, such as Ynyslas near Aberystwyth.

Morfa refers to saltmarsh or moorland, and features in place names such as Tremorfa, Morfa Nefyn, Morfa Bach, Penmorfa, and Morfa Harlech. These landscapes could be greatly changed due to the use of pesticides and fertilizers on surrounding farmland, sea level rise, and pollution in rivers. If these places are transformed, can they still be marshlands?

Many elements of Welsh place names tell us about their landscape and location, such as Mign, Tywyn, Trwyn, Pwll, Rhyd, Penrhyn, Sarn, Ystum, Cildraeth, Gwastad, Isel and Gwaelod – these are often commonly understood even among those who do not speak Welsh fluently.  They are meaningful – they bind those of us who identify as Welsh in a shared culture.

It is imperative that these place names are acknowledged and celebrated. Places and place names don’t exist in a vacuum: they are the product of action and interpretation. Whether they are recent or ancient, someone’s way of life has shaped that place, and someone looked at the landscape and decided to name it according to their understanding of it. That shaping and those names transform land into place.

The Welsh landscape is still rich with these names. Seek them out, discover their meaning, connect with the past that shaped them – and the land will speak.

by Efa Lois

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Press Releases

Design Council Launches Landmark Design Economy Report

Design Council Launches Landmark Design Economy Report

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Masterplan Reports

Former Howells Store, Cardiff (July 22)

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Press & Comment Press Releases

Global rail test and innovation hub on track for arrival in 2024 as work starts on new Global Centre of Rail Excellence

Global rail test and innovation hub on track for arrival in 2024 as work starts on new Global Centre of Rail Excellence

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News

Case Study: Maindee Triangle, Newport

Ruth Essex, of Maindee Unlimited, tells us the placemaking story behind the development in Maindee, Newport

 

Location: The Triangle, Chepstow Road, Maindee, Newport

Local Authority: Newport City Council

Client: Maindee Unlimited

Design team: KHBT Ltd

Date of completion: June 2022 TBC

Contract value: £300K

Site area: 102 m sq

Funding source:        Welsh Government, National Lottery, Newport City Council, Natural Resources Wales

 

The Challenge

The Triangle started with a challenge: how could the community of Maindee, an inner-city neighbourhood in Newport, reopen and maintain essential public toilet services?

The closure of these toilets in 2017 had been a huge blow for shoppers and traders in the local shopping centre, and to people living nearby. It deepened inequality – disadvantaging the people who rely on public toilets – those of us with disabilities, those of us with bowel and bladder conditions, those of us without a home, and those of us who are elderly or have young children – we could all be affected.

The loss of the toilets was leading to anti-social behaviour around the building.

The Maindee Triangle development essentially began as a response to the simple need to retain a public toilet, but grew into a larger asset-transfer, renovation and landscaping project.

The development is still live and due to be opened in June 2022.

 

People and Community

This Case Study will focus on how the local community has been involved in the evolution of the site.

Mainee Unlimited is a charity that was set up by local residents and organisations in the Maindee area following the reopening of the local library in 2015. Exploring the potential of the site together as a community and the need for active public engagement is central to the ethos of the charity.

The toilet block, and the surrounding public space sit opposite the library, and were both in obvious need of investment and improvement. In an area starved of greenery and public open space, it was a rare opportunity to increase amenity and improve well-being.

The project gained momentum through funding and support from the Arts Council Wales scheme Ideas: People: Places. This funding enabled a creative process – encouraging people to understand the site and reimagine its future.

The funding also enabled Maindee Unlimited to begin to work with KHBT architects to further develop design ideas. Their design process focused on an archaeological approach – excavating the story of the site and valuing its components.

The role of creativity was key in re-engaging local people with a site which had suffered long-term degeneration and was impacted by deep set negative perceptions associated with street drinking and drug taking. Artists were commissioned to create events and projects on the site, in order to develop positive associations, new memories of the space and expand the perception of what is possible.

One of these events was ‘Inviting the Neighbours to Paint’ curated by performers Mr and Mrs Clarke. The space was turned into an outdoor community art room for a week, and photographer Dafydd Williams turned a toilet cubicle into a camera obscura and took portraits of local residents in the garden. A range of community events took place in the Triangle to test uses such as an outdoor market.

Maindee Unlimited also hosted a community seminar ‘Toilets, Public Space and Social Justice’. This was an opportunity for local residents and agencies to meet and discuss with world leading public toilet experts and academics such as Clara Greed from the University of the West of England, Jo-Anne Bichard from Royal Society of the Arts and Charles Musselwhite of Swansea University. This provided the space for learning and debate, and to consider the politics of public space. It also provided information regarding the implications of communities having to run public facilities like public toilets.

These activities alongside the design work of KHBT galvanised imagination and momentum which eventually led to an asset transfer of the site from Newport City Council to Maindee Unlimited on a 99 year lease.

Funding was secured from the Welsh Government and the National Lottery in order to create a fully renovated and landscaped community café, community garden and public toilet.

Throughout the development phase, a project manager was contracted in order to maintain the public engagement, including facilitating events and actions.

Plywood hoarding, used as a site boundary, was turned into an art wall and community notice board in order to engage the local community. An event was held which turned the street adjacent to the site into a play street, following the principles of Playing Out, and supported by Play Wales.

Additionally, the tender brief and selection process for a café operator prioritised the role of the café in actively engaging the local community – including a desire to collaborate on future play streets events to periodically extend to the public garden into the street.

In the future, Greening Maindee, the community gardening group, hopes to involve local people in the planting of the garden, with the view that gradually local residents will become increasingly involved in the day to day running of the green space.

The Triangle will be opening in summer 2022, after a long period of development.

It has been initiated by, driven by, and co-designed by members of the local community, and is controlled by a community organisation. This has required a huge effort from volunteers and trustees of Maindee Unlimited.

 

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News

Placemaking, Communities and Nature

Natural Resources Wales

Nature & Us is a year-long project to involve the people of Wales in a national conversation about the future of our natural environment. The project, hosted by NRW, is supported by Welsh Government, and the Future Generations Commissioner, and the results will be available for the whole of Wales.

The aim is to develop a shared vision for the natural environment in 2030, 2050, and the pathways needed to get there – in particular, considering the way our actions impact on the natural environment, how society’s relationship with nature needs to change, and to collate views on what we all need to do now, and over the next 30 years.

The project launched in February and uses online engagement tools to encourage people to share their views for example, by completing surveys, joining interactive webinars, attending workshops and taking part in discussion groups. There are resources for groups to download so that they can host their own conversation with their friends or community networks. Two writers in residence have been commissioned to capture the emotive side of the conversation through poetry and prose.

Once the initial involvement period closes at the end of April, the views gathered will be analysed through a collaborative process – working across sectors to identify common themes, shared values, and more contested issues. NRW is keen to use deliberative processes to better understand the beliefs and motivations that sit behind the issues that people have raised. The draft vision will then be drawn together through a deliberative process.

Landscape has always played a key role in deliberative processes about places and place-making. One of the questions we pose is “What future do you want for our natural environment?” It will be interesting to see how many people respond by describing landscape features, and the physical environment around them.

People can articulate the characteristics of landscape that are special to them, without always knowing the socio-economic processes that enable that landscape to be maintained, or that shape landscape change over the years. We like the patchwork of fields. We feel connected to the mountains. We love the escapism of the bleak moorland. The challenge for Nature and Us is to move beyond the scenery and to make the connections with the everyday – the food we buy and eat, the way we travel, our general consumption of energy and goods.

To do this Nature and Us uses future scenarios in its workshop and webinar sessions. Building on and updating the National Ecosystem Assessment work – this is a great way to show how the choices we make today could have very different outcomes on our future landscape, our natural environment and also the way we live. Those choices are not necessarily in the hands of government and government bodies alone – society has a massive role to play in tackling the nature and climate emergencies.

The hope for the Vision itself is that it becomes a dynamic, long-term reminder of what we all want to achieve working together, and whether we are on course to achieve it. It has the potential to lay the foundations for future policy making for environmental, economic, social and cultural well-being. The national conversation that sits behind it will continue long after the survey closes. And that is the real point of this – that by extending our reach we collectively understand the implications of the climate and nature emergencies and how our response to it may affect different communities in different ways. Nature and Us will create a platform that helps us all take joint action, learn and adapt.

To take part in the national conversation go to: www.natureandus.wales

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News

Placemaking, Communities and the Planning Process

James Davies, Chief Executive at Planning Aid Wales.

As an organisation dedicated to community involvement in the planning process, Planning Aid Wales wholeheartedly welcomed People and Community as one of the six pillars of the Placemaking Charter. For us, working with rather than for communities is key.

Whilst straightforward, delivering meaningful community involvement is not always easy.  In planning, community consultation and engagement is delivered as a statutory requirement, but the views of local communities (even when relevant) can be eclipsed by the competing priorities of different actors responsible for managing and delivering development. Community involvement takes time, and time and resources are increasingly limited.

Some of the key challenges we encounter include:

Awareness. Planners often hear from people who have a lot to say, but the vast majority (including the hard to reach) say nothing at all. Many are unaware or underestimate the importance of the Local Development Plan (LDP), which when adopted, informs all subsequent planning application decisions.

Apathy. Even where people are aware, there is disillusionment and in some cases distrust in the planning process. This has been created in some instances by a negative feedback loop, where past experiences sour future involvement.

Over-emphasis on process, particularly when it comes to involvement activity itself. Methods used are few, feedback to participants is often limited, and measures of success (if evaluated) often focus on reach rather than quality or outcome.

One element of the planning process that can overcome these challenges is the production of Place Plans. Place Plans are documents produced by communities that can be adopted as Supplementary Planning Guidance (that is, supplementary to the LDP) and can influence planning application decisions thereafter.

Planning Aid Wales has worked with communities where the production of a Place Plan has brought a range of benefits, not least the creation of a planning document that can be implemented and championed by the community.

Place Plan production can facilitate greater community awareness of planning and foster collaboration with a wide range of stakeholders.  It can also help communities come together to deliver positive change to their places; the evidence gathered to produce the Newtown & Llanllwchaiarn Place Plan has already been used to secure over £1million in project funding for the area.

The Newtown & Llanllwchaiarn Place Plan has also identified (and evidenced) community priorities for future Local Development Plan production. For us, this is a first step to creating a positive feedback loop which could deliver great placemaking in planning.

 

Categories
News

Placemaking at the Little Shed, Tonypandy

Rhianydd Jenkins​, Director of Development and Regeneration at RHA.

Over the past few years, we have been preparing and planning, really questioning ourselves as to how we can help lead on regenerating the town of Tonypandy. Previously described as ‘Britain’s Worst High St’ we have always had a presence in the town, with our office space located just off the main shopping street, we felt really connected within the community and knew we had to play our part as an anchor organization in Tonypandy to shape its future, and work with the local community to build back to what was once a thriving market town.

Despite the previous negative press, there is positivity to be seen, with new businesses opening and footfall increasing following de pedestrianization on the High St, we definitely feel that things are on the up.

We have opted for a 360 approach to ensure our regeneration plans tackle social, economic, and environmental challenges that are evident in the town today. Our plans will see the largest investment in the town for decades, with aspiration that our work and partnerships will be a catalyst to unlock then potential of Tonypandy creating a place that our future generations will be proud of.

Alongside large-scale capital projects, we are working with the residential and business community to ensure we are able to offer spaces that our community needs, for social connection, training, upskilling and a range of other services that will help tackle social isolation, food poverty and help signpost our tenants and the wider community to a wider support network.

A great example of how we are achieving this, is by repurposing our old office which had been vacant for some time to create ‘The Little Shed’. Sitting directly on the main shopping street in Tonypandy we have worked with a variety of partners and utilized community benefit clauses in wider procurement contracts to refurbish our old space and create a vibrant and accessible space for the community.

A key driver for us when delivering this project was to ensure training and upskilling was embedded in delivery of the project, to achieve this we worked with Black Sheep (part of the ARC Training Group) to offer these opportunities. The Black Sheep project supports young people to learn skills for work in construction. They’ve put their learning to good use in the Little Shed though renovation and creating a beautiful wooden feature wall as well as talking with designers on how the space should look. Thirty eight young people from Maes Gwyn and Ferndale Community School have worked on the Little Shed and these amazing young people have all completed Level 1 in Health and Safety in construction, Level 1 in Asbestos Awareness and Level 2 in Manual Handling. A real success for RHA Wales in terms of providing much more than a ‘building’, but creating a place for people in our communities, with people from our local community, that’s the difference with our approach, it’s the engagement and involvement that sits above any capital project or works.

The Little Shed will become home to our food parcel project Grub Hub, as well as offering a community fridge scheme, digital skills support, a Repair Café and our health and wellbeing sessions, available for tenants and the community to use when it opens in the Spring of 2022.

Categories
News

Placemaking Wales – People & Communities Newsletter – Community Initiatives around Wales

There are many grassroots community initiatives around Wales. Here are some links for you to read about them:

 

Providing Community Services

Taibach, Port Talbot ‘Taibach Community Library is a volunteer run community library based in Taibach, Port Talbot. In 2014, the local community stepped in when the library was threatened with closure due to local authority cuts, and formed the Taibach Community Library charity.’
More information here: http://www.taibachlibrary.org.uk/

The Arches, Rhayader:  ‘The Arches’ (Rhayader & District Community Support) is an independent Charity set up in 1985 to provide community services for all residents in the postcode area of LD6, particularly in the advancement of education, the furtherance of health and the relief of poverty, distress and sickness.’ They are based in the former post office, which has been converted into a ‘community hub’, and they also own ‘ARCHIE, the community minibus and CARYS the wheelchair accessible car.’
More information here: https://www.thearchesrhayader.com/about

Cletwr Café and Shop: ‘Cletwr is a not-for-profit organisation owned and run by the community. It was set up to bring the community together to safeguard vital facilities and services in this rural area. The building also has a Welsh language library, and displays art from local artists.’
More information here: https://cletwr.com/

 

Celebrating local heritage and history:

Plas Carmel, Aberdaron, Gwynedd – ‘A community project to restore and revive Capel Carmel and the old shop in Anelog, Siop Plas. Their goal is to make sensitive use of the chapel, house, shop and garden – creating a sustainable heritage and cultural site that breathes new life into this rural corner of Llŷn.’
More information here: https://en.plascarmel.cymru/

Tafarn y Plu, Llanystumdwy, Gwynedd‘When the 200 year old pub in Llanystumdwy was put up for sale in 2015, the local community stepped in. Menter y Plu, a community enterprise, crowdfunded in order to purchase the pub. Tafarn y Plu is now a community pub, which also provides community services.’
More information here: https://menteryplu.wordpress.com/

 

Boosting Biodiversity:

Bwyd Bendigedig Port / Porthmadog Incredible Edible: ‘What is now known as Incredible Edible Porthmadog was founded in 2016 by Lizzie Wynn and Charissa Buhler. It came about when Lizzie spotted the slightly unkempt raised beds outside Porthmadog Leisure Centre and made enquiries as to whether a local group could take them over and tend them.’
More information here: https://renewwales.org.uk/bwyd-bendigedig-port-incredible-edible-porthmadog/

Gurnos Men’s Project’s Community Garden, Merthyr Tydfil: ‘The multi award winning Gurnos Men’s Project was established in 2014 as part of the Communities first programme. The project works primarily with unemployed males to deliver environmental activities in local communities.’
More information here: https://www.facebook.com/Gurnosmensproject/

Swansea Canal Society‘The Swansea Canal Society was established in 1981 aiming to restore and maintain the derelict canal – making it navigable again and improving its environs for the benefit of education, recreation and biodiversity.’
More information here: http://www.swanseacanalsociety.com/ + http://www.sustainableswansea.net/swansea-canal-society.html

Clydach Community Garden – ‘Originally set up with the help of the local GP cluster’s social prescribing project, Clydach Community Garden have transformed the site from derelict wasteland into a thriving garden in the heart of the village.’
More information here: https://www.facebook.com/ClydachCommunityGarden/ + https://sbuhb.nhs.wales/news/swansea-bay-health-news/wellbeing-blooms-in-community-garden/

Knucklas Castle Community Land Project, PowysKnucklas Castle Community Land Project is a community land trust that looks after about 21 acres of land in the village of Knucklas, in Powys, which includes two fields of about 4.5 acres together that provide about 35 allotments and an orchard for local people.’
More information here: https://www.knucklascastle.org.uk/kcclp/the-project/

Llannerch-y-medd Station Community Garden, Anglesey In their words, ‘This is an exciting project to improve a derelict site and create a Community Garden for Llannerch-y-medd. Get involved, have fun, meet people, and help create something for the community.’
More information here: https://www.facebook.com/stesionyllan/

Llyn Parc Mawr Community Woodland‘In 2014 over 80 people living in the Newborough and district area held a meeting to discuss the possibility of the community being involved with the management of Newborough Forest.’ The result was a management agreement for 50 acres of forest.’
More information here: https://www.llynparcmawr.org/#

 

Connecting Communities:

Dryslwyn Community shop, Carmarthenshire – ‘Founded in 2009, Dryslwyn Community Shop and Post Office has operated as a highly successful volunteer-led, not-for-profit community enterprise, which has proved invaluable to a scattered population remote from basic services’
More information here: https://en-gb.facebook.com/dryslwyncommunityshop/

Digital Bench, Rhydyfelin Youth Club, Pontypridd: ‘Renew Wales and Rhydyfelin Youth Club worked together on an exciting and innovative idea – the members of the youth club had the idea to create a bench that could be used to give homeless people shelter and would help to keep people connected.’
More information here:
https://renewwales.org.uk/digital-bench-rhydyfelin-youth-club-pontypridd/ + https://www.youtube.com/watch?v=X5yxwLcVeg4

 

Categories
Public/cultural Reports

Police Station Abergavenny and Monmouthshire (March 22)

Categories
Comment Press & Comment

DCFW Celebrates International Women’s Day 2022 – Professor Juliet Davis

Our colleague Professor Juliet Davis shares her thoughts today to mark International Women’s Day and help #breakthebias #IWD #IWD2022

Professor Juliet Davis

Years ago, I was lucky to be able to go on a site visit to a well-known public building in London when it was still a construction site. The first thing I had to do at the start of the visit was pick up a hard hat and suitable footwear at the contractor’s office. One of the foremen was tasked with handing out boots of suitable size to the visitors. When he came along to me, he worried that he didn’t have boots small enough. I stood before him, the top of his head level with the bridge of my nose. “What size do you take?”, he asked, nicely enough. “Size 10, EU 45”, I said. I’m more than six feet tall; it’s not surprising.

This capacity to hold in place a stereotypic image even when confronted with evidence that clearly defies it is a kind of bias. This, of course, is just an amusing story, but it illustrates a serious and often forgotten fact – that what the eye apparently sees is not necessarily what is, and that perception of another is always developed in a social context. As John Berger argues, different ‘ways of seeing’ are possible. Social and physiological factors meld together to form durable images, preconceptions, and expectations of other people.

Seeing and visualising people and places are core activities of architects and, hence of architectural education. Designers learn early on to observe people’s interactions and uses of everyday spaces, and to situate people within the places they imagine. Do we teach them enough about who they see and how, about how preconceptions might shape their analyses? About how the frame of a picture can include and exclude? About the assumptions regarding people, roles and potentials that architectural plans and renderings can contain?

To commit to addressing bias in an architecture school is to recognise a multifaceted project, an opportunity encompassing new approaches to design history, reworkings of old pedagogical forms such as the ‘crit’ and the transformation of studio cultures leading to long working hours. But, for me, tackling seeing and perceptions is also vital if the young architects of today are not to perpetuate injustices rooted in bias, through tomorrow’s built environment, limiting the opportunities of girls and women at different stages of life and from different cultural backgrounds, to navigate public spaces comfortably and safely, and to develop and realise their potential in the work place.

As my opening story suggests, tackling issues of seeing is an urgent task across the building industry given the potential for stereotypes to affect far more than a choice of boots, casting doubt over women’s professional knowledge and competence, and shaping their capabilities for fulfilment in practice. Schools have a role to play in this too as they prepare women for careers in design practice and engage with professional bodies. As the first woman head of the Welsh School of Architecture, I am committed to all facets of the project.

 

Professor Juliet Davis is the Head of the Welsh School of Architecture.

Categories
Comment Press & Comment

DCFW Celebrates International Women’s Day 2022 – Cora Kwiatkowski

Our colleague Cora Kwiatkowski shares her thoughts today to mark International Women’s Day and help #breakthebias #IWD #IWD2022

 

Cora Kwiatkowski

The construction industry is without doubt high-pressured with a lot at stake – programme, budget – and ultimately the success of places and spaces that we create for people for years to come. Projects become more and more complex with bigger teams involved. We therefore need to make a lot of decisions quickly – and this is where our brains have a natural tendency to simplify information which not only applies to our work but the people we work with. Many behaviours and attitudes arise from, are influenced by and depend on mental shortcuts and categorising people into stereotypes without even realising it.

Bias is everywhere: gender, age, origin, accent – even height and beauty. We all need to keep an open mind and check ourselves to step back from preconceptions, even if it takes more effort.

Although it is now more widely acknowledged and better understood, our industry still has a long way to go when it comes to bias. Perceptions are very hard to shift. Recognising achievements and respecting everyone for their contribution and personality in this mostly white middle-aged male dominated industry will help to change the status quo – it should become normal to see women and people of colour in strategic roles, leading companies as well as high-profile projects, bringing the industry forward as a whole. And when we meet them, let’s lift them up together and make them even more visible.

Looking at my own work, I couldn’t have succeeded alone in any of the amazing projects I designed, it needed the support of a whole team to make it all happen based on mutual respect, seeing the ‘real person’ rather than the stereotype, communication and teamwork – valuing everyone’s contribution. Creating long-term relationships and a network of support not only makes projects more fun but enables honest conversations so potential obstacles can be overcome more easily. It feels definitely easier to do that in a multi-facetted environment such as higher education where there is already more diversity among designers, clients and end users alike.

Single perspectives don’t give rise to innovation. One person doesn’t have all the answers. Not all of us think the same way. Different perspectives and ideas accelerate creative problem solving. Let’s not be lazy and narrow in our thoughts but open and inclusive so that we all benefit!

Cora Kwiatkowski is a Divisional Director at Stride Treglown and a DCFW Commissioner.

Categories
Comment Press & Comment

DCFW Celebrates International Women’s Day 2022 – Chithra Marsh

Our colleague Chithra Marsh shares her thoughts today to mark International Women’s Day and help #breakthebias #IWD #IWD2022

 

Chithra Marsh

A THANK YOU LETTER TO A STRONG-WILLED MUM

Hi Mum,

It’s been a long time!

I’ve been thinking about you a lot lately – about the lessons you taught me through your many stories, repeated over and over again, and how you guided me to be a strong Indian woman with ambition.

I loved learning that you were the first working woman in our family. Bucking tradition must have been difficult, but you were rewarded with a job at a telephone exchange which helped you to hone your skills in English and make close friends. Sounds like you had lots of fun too!

Taking another courageous step, you left the safety of your family home in Bangalore and moved to the UK with Dad in the 1960s, losing no time in looking for a job and forging your independence. You refused that job in a sari shop, offered to you at the job centre as the only option for an Indian woman, and started a long career in Accounts.

You wanted to fit in, so you did what you had to do in order to be accepted in this new world. You dressed in ‘Western’ clothing, saving your saris for special occasions. You were careful with your cooking, too, making sure it didn’t smell too strong so as not to upset the neighbours. I wish you had been accepted and valued just as you were – a proud Indian woman with ambition (who cooked amazing South Indian food!)

You wanted the same for me right from the start, firmly telling my first teacher to treat me the same as all the other kids so that I didn’t feel different. You encouraged me to respect my Hindu heritage and culture, and held high expectations for me when it came to my education and career prospects.

At times, I didn’t appreciate what you were trying to do, but with hindsight, I know you were trying to give me better opportunities to be accepted and thrive. Now that you are no longer here, I have your voice in my head and your stories for inspiration.

Thanks to you, I am committed to advocating for inclusivity and diversity in the building industry. I want to bring about positive change so that no one else feels the need to change who they are in order to fit in.

No bias. No stereotypes. No discrimination.

Thank you, Mum.

#breakthebias #IWD2022

 

Chithra Marsh is an Associate Director at Buttress Architects.

Categories
Comment Press & Comment

DCFW Celebrates International Women’s Day 2022 – Carole-Anne Davies

Our Chief-Executive Carole-Anne Davies shares her thoughts today to mark International Women’s Day and help #breakthebias #IWD #IWD2022

 

Carole-Anne Davies

The one.

The one who…

…checks herself before entering the room.

…can’t believe she’s there.

…stands out and not in a good way – she thinks.

…whose skin is different from the others.

The redhead.

The big one.

The stroppy one.

The chopsy one.

The one who apologises whenever she speaks…sorry can I just…

The one who isn’t academic.

The one who is academic.

The one with ‘the hair’.

The gay one.

The trans one.

The old one.

The junior one.

The reader.

The one who didn’t catch where the others were going.

The one who isn’t just ‘the one’ but is only one, among millions, getting the message every day that they don’t fit.

How exacting the dimensions are in a biased world.

#breakthebias #IWD2022

 

Carole-Anne Davies is the Chief Executive of the Design Commission for Wales.

Categories
Comment Press & Comment

DCFW Celebrates World Book Day 2022

To celebrate World Book Day 2022, we asked DCFW friends and colleagues for their book recommendations.

 

Cora Kwiatkowski

I always loved books. I generally read whatever falls into my hands and is recommended to me, and there is not enough space on my bookshelves to hold them all so some had to be banned to the loft, only to be pulled out again after a while, and some read again. As a teenager, my favourite place to read books on holiday was sitting about 5 meters up in a tree!

I do own a good selection of architecture and design books although more recently they have been replaced by newsletter and internet articles.

Nevertheless, sometimes there are books that catch my eye, and I just have to buy them, despite the lack of space. After visiting the Renzo Piano exhibition at the Royal Academy in London in September 2018 – January 2019, I was so inspired by the short film and interview by Thoms Riedelsheimer that was shown in the room where ‘Piano Island’ was built – a large model with all the project he has been working on – that I wanted to relive the experience and continue to be inspired by Piano’s ideas. ‘Renzo Piano: The Art of Making Buildings’ interpretive text centrepiece is a similar interview and it felt like Renzo Piano being in the room.

His work has followed me in my whole career. When I was a student, I was deeply impressed by the Jean-Marie Tjibaou Cultural Centre, Nouméa (1998), which comprises of elegant structures which combine tradition and context with modern engineering and cultural appeal. Now I see The Shard (2012), one of his more recent buildings, most times I am in London, a needle-sharp marker of the centre.

Piano talks about ‘beauty’ – a well-discussed word recently – and how incredibly complex it is. Something we all aspire to; it is being described like Atlantis. Something you look for but that you’ll never find- but you can come close. Our job as architects is about creating places for people and bringing the beauty to the world we live in.

Taking a step back from the daily design work and all its challenges, it is lovely to be reminded about the importance of our jobs and the impact our buildings can have.

I’m currently reading ‘Spring Cannot Be Cancelled’ – David Hockney in Normandy’. A reminder of the power of art for distraction and inspiration. This life-affirming correspondence between two old friends – Hockney and Martin Gayford – not only lets us take part in their life but is also very personal – David Hockney’s simple way of life in the middle of lockdown, getting closer to nature again and enjoying being undistracted. Be prepared for more book recommendations and enjoy beautiful drawings, some previously unpublished. David Hockney shows us how to see things and how his life has changed, concentrating on the essential things in life. Highly recommended!

Cora Kwiatkowski is a Divisional Director at Stride Treglown and a DCFW Commissioner.

Links:
Read and watch the text and films from the Renzo Piano exhibition film here. This 17-minute, dual-screen film installation was commissioned especially for the exhibition. © Royal Academy of Arts, London, 2018. A film by Thomas Riedelsheimer.

Buy the books:
Renzo Piano: The Art of Making Buildings

Spring Cannot be Cancelled: David Hockney in Normandy 

 

Jon James

Books and the variety of reading inspires us all in many ways – I have always tried to mix architectural essays with books that can give a me an alternative cultural view that I will never experience myself. I have a bit of a bad habit of having a few books on the go at the same time and tend to stop and restart: sometimes months apart!

I currently have two books on the go Gandhi’s autobiography: The Story of My Experiments with Truth and I have also just started Still Breathing: Black Voices on Racism – 100 Ways to change the narrative. Both are about first-hand experiences and insights that simply make you sit up and think in so many ways about the reality and bravery of facing adversity. Almost everything I read is non-fiction, biographical/ autobiographical, however in contrast to this I recently read a book, highlighted for its reaching ideas called The Power by Naomi Alderman. The story in its simplest terms is about women gaining powers to become the dominant gender in the world. It is brilliantly written, thought provoking and gripping from start to finish.

In relation to Architecture, there are a number of books that stand out for me. Most are classic reading for an Architect but none the less important and have inspired me throughout my career. Le Corbusier’s Towards a New Architecture is important for its arguments in generating discussion at various levels. It ranges from the human modular scale to the city wide urban planning. It reminds me to think wider in context and learn from the past, it encouraged me to travel as much as I can and understand historic places such as the Acropolis. This in turn informs the future, but we must also be in the present and not simply recreate the nostalgia of the past. This seems particularly poignant to me as we urgently face the climate emergency; and that leads me to Richard Rogers’ brilliant Cities for a small planet (and the complementary Cities for a small country), written some 25 years ago it rings true on many fronts today. Most significantly is how culturally a shift is needed to change what we perceive as value in our built environment which has been dominated for decades by real estate making money. I like to think this is now changing and that the emphasis is now on sustainability.

Aside from the written text, being in a visual profession, I enjoy books without words as well. Some books feature design ideas/ buildings/ details and materials of how our buildings and spaces are made and what they are made of.

Finally, as an amateur cyclist and living in South Wales I have enjoyed my signed autobiographical accounts by Geraint Thomas, Tour De France Winner. In particular his adventures, over and around the hills, Valleys and Mountains of South Wales. Anyone who has cycled them can relate to his experiences, even if it is at a slightly different pace!

World Book Day is a great excuse to stop, reflect and share. I am looking forward to reading other people’s recommendations so I can continue to find new inspiration.

Jon James is a registered Architect, a certified Passive House designer, and a DCFW Commissioner.

Buy the books:

An Autobiography – M K Gandhi 

Still Breathing: 100 Black Voices on Racism–100 Ways to Change the Narrative

The Power – Naomi Alderman

Towards a New Architecture – Le Corbusier

Cities for a Small Planet – Lord Richard Rogers

Cities for a Small Country – Lord Richard Rogers

The Tour According to G: My Journey to the Yellow Jersey – Geraint Thomas

World of Cycling According to G – Geraint Thomas

Mountains According to G – Geraint Thomas

 

Gayna Jones

Invisible Women – Exposing Data Bias in a World Designed for Men by Caroline Criado Perez opened my eyes to ‘how in a world largely built for and by men, we are systematically ignoring half the population’. I am a woman in a world designed by men!

My journey to the Design Commission began in social housing, where design can be poor. Reading this book, my experience began to make sense.

In my kitchen, some cupboards are high. Most men could reach, but as a 5’4” woman, I can’t. Criado-Perez points out ‘seeing men as the human default is fundamental to the structure of human society’ and she provides lots of data to prove it. A simple example is the way things as diverse as a piano and a smartphone are designed for the average size of a male hand.

She demonstrates that cars are designed for and by men, creating real safety issues for women. A frustrating example for me is car seat belts; I have never found a comfortable one!

Housing estates are largely designed for the needs of cars rather than people often ignoring the needs of children in particular. Partly due to the pandemic we are moving away from valuing cars over pedestrians, but most estates are still designed around highways, car parking and car use. The transport profession is highly male dominated. Criado-Perez says, ‘the available research makes bias toward typically male modes of transport clear’. Transport is designed largely around male travel patterns – by default; two daily journeys to and from work, rather than multiple trips to school, shops, relatives, healthcare. It caters for men travelling on their own, rather than women who travel with shopping, buggies, children, or elderly relatives. ‘Rough, narrow and cracked pavements littered with ill placed street furniture combined with narrow and steep steps makes travelling around a city with a buggy extremely difficult’. Many women feel unsafe in public places like bus stops, yet urban places are designed taking no account of this. Street lighting is given little or low priority.

Another good example, is from Sweden, where they prioritised clearing snow from roads for cars, rather than from the pavements which are mostly used by women pedestrians. Changing this priority dramatically decreased accidents.

This book helps you see why things are as they are & how a change in focus is long overdue. I highly recommend it.

Gayna Jones is the Chair of the Design Commission for Wales.

Buy the Book:
Invisible Women: Exposing Data Bias in a World Designed for Men – Caroline Criado-Perez

 

Martin Knight

I love being surrounded by books, even though I often cannot imagine when I will find time to read them. January brings a rare opportunity, with long nights and a logjam of birthday and Christmas books to work through.

I have selected four books to celebrate World Book Day, three of which are current and encompass reading for pleasure as well as knowledge. The fourth I have read many times and is a source of inspiration and enlightenment as well as enjoyment.

I recently bought David Mellor: Master Metalworker while visiting the David Mellor Cutlery Factory in Hathersage, Derbyshire. Although aware of their handmade cutlery and beautiful factory in the Peak District, designed by Hopkins Architects, I knew less about the role of David Mellor in post-war British design. His work includes exquisite tableware for society events and street furniture that is immediately familiar, including the iconic British traffic lights, pedestrian crossing (with the inviting button that every child has pressed), and bus shelters. The importance of design, whether for extraordinary events or everyday life, is lovingly chronicled.

The daily trials of last year’s Tour de France are told first-hand with brutal honesty in Tour de Force, by Mark Cavendish. The fast-paced narrative is even more powerful given his return from several years of illness, injury and poor form. It is gripping to read the painstaking preparation of athlete and machinery – always under the scrutiny of a sport with a dirty history – combined with the supreme self-belief of an elite athlete.

My uncle loaned me his copy of Island Years, Island Farm by Frank Fraser Darling last summer (I have since bought my own!), following a conversation about our own island heritage. Another account of an arduous pursuit – measured in seasons rather than in split-seconds – this chronicles one family’s true adventures on various tiny Scottish islands in the 1930s, observing wildlife and learning to farm. It describes a slow, rewarding and respectful relationship with nature that modern life has largely forgotten to its cost.

The final choice is my favourite book. Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig is a story of a motorcycle road trip, of a father and a son, of philosophy and reality. The road trip is a metaphor for life and the storyteller explores themes including Quality and a Sense of Place, which resonate with my passion for bridge design.

Martin Knight is Founder and Managing Director of Knight Architects, and a member of the DCFW Design Review Panel.

Buy the books:
David Mellor: Master Metalworker

Tour de Force – Mark Cavendish 

Island Years, Island Farm – Frank Fraser Darling 

Zen and the Art of Motorcycle Maintenance – Robert M. Pirsig

 

Joanna Rees

Wet 1980’s Saturday afternoons in Pyle Library. The smell of plastic lining and rustle of shushing. Books bought in Smiths in the Rhiw Centre and read in the car before we got home. The excitement of a birthday book token for Lear’s and a trip to Cardiff. It’s been a lifelong love of books, storytelling and the escapism they offer. I can’t pretend that reading was a great influence on my career; if my early years were anything to go by I would have been running a boarding school or doing pony jobs with Jill.

Now, I love books with a sense of place, history and architecture where I can step into another’s thoughts and landscape. From the opium wars of a Sea of Poppies (Amitav Ghosh), to war torn Penang and divided loyalties of The Gift of Rain (Tan Twan Eng) I like being transported back in time and made to think. It’s the books that stay with you, wondering whether the Sealwoman’s Gift (Sally Magnusson) based on a pirate raid of Iceland in 1627, and the family taken in slavery to Algiers, were better off eating pomegranates by the fountains or stuffed puffins on the windy cliffs.

Nature writing too, Robert Macfarlane’s glorious writing of the British landscape on land, language and the Underland. James Rebanks’ Shepherd’s Life with his Hardwick Sheep and the challenges of restoring traditional farming in the Lake District. Not to forget the delight of a small anthology of poetry. John Clare’s feeling for nature, Robert Frost’s two road diverging in that wood and Hardy’s Darkling Thrush. And that Boathouse in Laugharne offering up, ” the mussel pooled and the heron Priested shore”

Finally, for insomnia, always poetry and always Mary Oliver for hope and Wendy Cope for that wistful sardonic twist.

Joanna Rees is a Partner at Blake Morgan, and a DCFW Commissioner.

Buy the books:
Sea of Poppies – Amitav Ghosh

The Gift of Rain – Tan Twan Eng

The Sealwoman’s Gift – Sally Magnusson

The Shepherd’s Life – James Rebanks

Faber Nature Poets: John Clare

The Collected Poems – Robert Frost

New and Selected Poems – Mary Oliver

Serious Concerns – Wendy Cope

Links:
Read ‘The Darkling Thrush’ by Thomas Hardy online.

Read ‘A Poem in October’ by Dylan Thomas online.

An article on John Clare’s poetry.

 

Fiona Nixon

There seems to be a common thread to all my favourite fiction books, and that is, a strong sense of place, or a building that is central to the plot. I love a well-researched book and one set in a real place. Is it just me that checks out the locations out on Google Earth?

My all-time favourite, and one I frequently recommend is Oscar and Lucinda by Peter Carey. There are just so many fascinating elements to Carey’s masterful storytelling; the excruciatingly awkward Oscar, the unconventional Lucinda and her trials working in a man’s world in the late 1800s, scandalously drawn together by their gambling addictions. The detailed and humorous narrative shifts seamlessly between the different characters’ perceptions of the events that unfold. I love the facts and metaphors around glass, particularly the Prince Rupert’s drop – a ‘firework’ in the world of glass manufacturing. The story is drawn from miscommunications and misunderstandings and culminates in the transportation of a glass church over unchartered land and down the Bellinger River.

The Bone People by Keri Hulme is a more challenging read. Set in New Zealand with Maori influences, it is an unconventional story of love and relationships between a woman, a man and a child, but with themes of isolation, fear and violence. Kerewin lives in a stone tower, which she deconstructs and rebuilds in a different way, symbolising the changes in her life.

In the last year I’ve read two more excellent books with houses at their cores, both coincidentally set in the outskirts of Philadelphia. The Dutch House by Ann Patchett, centres on a family’s attachment to a large eccentrically designed suburban house – More glass, more misunderstandings and more bad decisions. Unsheltered by Barbara Kingsolver follows two families living in the same house at different times, 1870 and 2016, each struggling to maintain the house and keep their families together. It has more contemporary themes of capitalism, poverty, feminism and mental health.

What am I reading now? Well a slight shift from buildings, and not fiction, but definitely deeply rooted in place – English Pastoral by James Rebanks. ‘A story of how, guided by the past, one farmer began to salvage a tiny corner of England that was now his, doing his best to restore the life that had vanished and to leave a legacy for the future.’ I’m only two chapters in, but I think I’m going to enjoy it.

Fiona Nixon is an Architect, a DCFW Commissioner, and a former Head of Estates Projects at Swansea University.

Buy the books:
Oscar and Lucinda – Peter Carey

The Bone People – Keri Hulme

The Dutch House – Ann Patchett

Unsheltered – Barbara Kingsolver

English Pastoral – James Rebanks

 

Jamie Brewster

The Electric State – Simon Stålenhag

I first discovered the work of Simon Stålenhag six years ago. Whilst searching the web for imagery I came across his arresting images which at first glance seemed convincingly real. Almost photo-realistic in execution, it was only the subject matter, the strange juxtaposition of rural landscape with other-worldly infrastructure and technology that suggested otherwise. I delved deeper and encountered an extensive portfolio of beautiful paintings, all sharing that unsettling quality in combining the everyday with the unusual. With clear influences of Syd Mead, Ralph McQuarrie and Edward Hopper, the appeal was even greater in realising that what were assumed to be paintings in oil/acrylics were in fact 100% digital. On his website, he frequently shares magnified extracts of his ‘paintings’, generously explaining his technique. I have spent hours ‘reading’ his imagery, marveling at the supreme skill in digital image-making.

And yet he is also a skilled writer. The images are created to support fascinating stories which reminisce on alternative histories. Firmly steeped in sci-fi, his is a reverse-engineered vision of the future viewed through a nostalgic lens. Having concentrated his story telling on his native Sweden in his first two books, The Electric State takes place in a reimagined version of American history.

A road trip with a difference: the story traces the journey of Michelle and her small robot companion Skip, from east to west coast. On the trip through what appears to be classic American landscape, they encounter strange yet beautiful structures, machines and a population in the grip of a techno-induced self -destruction. As the story progresses the mood and atmosphere of growing dread and darkness increases. The closing reveal of who/what Skip is adds a moving finale.

I’ve enjoyed this book many times using a different approach each time. Sometimes, I restrict my view to the images alone. Sometimes I do the reverse, focusing exclusively on the text. The experience is richly satisfying regardless how you choose to read the work. Either way, there is room for an ongoing interpretation whether using the visuals, the text or both as the source.

The common thread in Stålenhag‘s work, exemplified in The Electric State, is the idea of place. His ability to conjure real depictions of place by capturing mood and atmosphere through words and imagery makes this book hugely compelling and inspirational on so many levels.

Jamie Brewster is a Senior Associate Architect with DB3 architecture, and is a member of the Design Commission for Wales Design Review Panel.

Buy the book:
The Electric State –  Simon Stålenhag

 

Steve Smith

As I Walked Out One Midsummer Morning – Laurie Lee

Moments of great change in a life are frequently marked by ceremony and public celebration. The change of leaving home for the first time is not one of these events. It is a marked by a powerful mix of parental sadness and pride, youthful anticipation and fear. The drama of the moment is concealed beneath commonplace salutations of farewell, and advice given sincerely but half in jest. The occasion is too personal, but also too momentous, to allow public ritual and ceremony to intrude on this private moment.

Leaving home is captured perfectly by the title and in the first pages of Laurie Lee’s book describing how he walked out from his childhood home to explore the world in 1934. Somehow he evokes the emotions of his mother without the use of a single word on the topic. Instead, there is a simple description of her waving farewell as he heads away carrying his violin to embark on this adventure and the next chapter of his life.

The tale that unfolds describes the encounters of this innocent and naive youth on the roads in Spain in the years before the cataclysm of WWII. He seems to travel safely through a simpler word, sure of his invincibility- a privileged state of mind given only to wandering, innocent youth. Gradually his innocence is tempered by growing evidence of impeding civil war in Spain.

Any reader who encounters the first chapter of this book will be enriched by it. If they go on to read further they will discover an adventure that will live on in their enriched imagination.

Steve Smith is an architect, Founder and Director at Urban Narrative. He is also a member of the DCFW Design Review Panel and an advisor to the Design Commission for Wales.

Buy the book:
As I Walked Out One Midsummer Morning – Laurie Lee

 

 

Categories
Education Reports

Merchant Place, Cory’s Building Cardiff (Feb 22)

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Reports Residential/housing

Respite House, Llanrhian (Feb 22)

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Reports Residential/housing

251 Cyncoed Road, Cardiff – Desktop review (Feb 22)

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Reports Residential/housing

Ty Du, Nelson (Jan 22)

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News

Placemaking and Climate resilience on the Crindau Flood Alleviation Scheme, Newport

Laura Cotton, Natural Resources Wales

How do you ‘placemake’ a flood alleviation project?

Flood schemes can cover large areas; often intertwined with well-used public spaces.  The flood protection element is hopefully only used infrequently, but the built structures are permanently in place for the community during their daily lives.  Considering placemaking during objective setting and design could help build more successful flood schemes, and improve the local environment.

Since this project was completed, the Crindau community of Newport is now better protected from flooding. Over Six hundred properties have reduced flood risk as a result of 2.6 km of new flood walls and embankments.  Consideration of climate change resilience and sea level rise in the design will ensure that the flood risk benefit will be maintained for another 100 years.

This article briefly explains some of the benefits delivered beyond the flood remit – supporting wider wellbeing, environmental and sustainability objectives.

Landscape Design and Placemaking

The project needed to provide flood protection, but also equally important was our vision to improve a deprived area to create better spaces for people.  Critical to the success was appointing environmental advisors and landscape architects early –  to help shape the project objectives and design.

A derelict working men’s club was demolished, allowing part of the site to  become an amenity area containing colourful planting and informal play features.   Unsafe areas were improved through design, such as the removal of old garages, a disused toilet block and demolition of two decaying industrial buildings – introducing light and a better feeling of space.  Large amounts of contaminated waste were removed. Areas subject to fly tipping and drug use were modified so that the community would feel safer.  For example, an area under a road flyover was made more ‘friendly’ by removing walls, re-landscaping and providing new lighting columns. A children’s play area was made safer by fencing it from the river and upgrading safety matting around play equipment.

Other new features provided a safer connection for people walking between the community, Shaftsbury Park and the City.  We improved several cycleways, footpaths and created new ones.

Consideration was given to how the flood defences would reflect their setting. The finishes therefore change from steel in the more industrial settings, to different types and colours of stone and bricks in more public areas, that tied in with existing brick work on properties. This created high quality urban finishes in places that previously  were neglected. The gates at Shaftsbury Park were replaced with a bespoke design manufactured locally and old Victorian railings were replaced.

Amenity

We integrated measures to improve access and quality of greenspaces.  Planting of trees, bulbs and wildflowers provided colour, interest and biodiversity benefits.

The flood defence around Shaftesbury Park integrated amphitheatre style seating providing a viewpoint overlooking sports pitches, making them multi-purpose.

We hope to deliver improvements to another area of Newport during our flood works in Liswerry next year and in other communities across Wales.

 

(Above) The improved path on the crest of the flood defence through Shaftsbury park.

(Above) Photograph shows the design stage of the project. It was identified that the brickwork on Pugsley street was a feature that could be replicated in the flood defence design. Second photograph shows the completed wall prior to landscaping.

(Above) Amphitheatre style seating integrated within the flood defence.

(Above) Red brick finish at Lyne Road and robust piling and finishes (concrete kerbs) needed within the industrial area off Albany Street. A fence is needed to prevent fly tipping onto the riverbank and increase security for the businesses.

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News

Placemaking for Future Generations in a Changing Climate

Petranka Malcheva and Marie Brosseau-Navarro, Future Generations Office.

The wave of climate change is upon us, and we only have a few years to protect our future generations from its catastrophic consequences. As the last generation with the ability to take action to prevent the worst effects of climate change, we have the responsibility to use every tool at our disposal to ensure that our children and grandchildren can grow up in a functioning, green and biodiverse world that enables everyone to fulfil their full potential.

Land use planning has an important role to play here. Our built environment is directly linked to our natural environment. If done without care for long-term trends and impacts planning can increase vulnerabilities such as exposure to floods. But it can also, if done right, be an extremely powerful tool to both build climate resilience and to achieve the ambitious vision set out in the Well-being of Future Generations Act.

Placing biodiversity, sustainability and placemaking at the heart of every planning decision that we make in Wales, would naturally effect positive change in many other areas like land use, infrastructure, transport, housing, public health and equality as is required by the pioneering legislation for the well-being of future generations in Wales.

Future generations need us to be planning for places which actively seek to prevent climate change and its impacts, help restore stability and increase the resilience of our ecosystems.

Planning places in a way that preserves open space and greenfield sites, incorporates green infrastructure (especially in urban zones), and encourages tree planting can minimise vulnerabilities and increase resilience. Such approaches can also help unlock multiple benefits such as improved air quality, increase in local green skills fit for a net zero economy, which would enable young people to remain within their communities, as well as ensuring equal access to nature and green space for everyone, this contributing to multiple well-being goals.

By supporting ambitions for increased tree planting, such as the National Forest for Wales, planning can increase the capability of the land sector to act as a carbon sink and remove emissions from the atmosphere, decrease risk of flooding and help restore natural habitats of native Welsh species. This will also offer opportunities for our economy and the shift to green skills and a green net zero carbon economy we need.

This is something that should be done with people. It is vital that communities are brought along to these journeys and their knowledge and expertise is utilised in collaborating and co-designing climate resilience solutions for the places they live in.

The opportunities for action are many and the key to success lies in taking these opportunities and scaling them up urgently, or we are risking a tomorrow where our future generations are having to carry sandbags and build their own lifeboats to save themselves from our inaction today.

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News

Placemaking, Climate Change and the Routes to Net Zero

In October 2021, DCFW and the RSAW hosted a joint event titled ‘Climate change and the Routes to Net Zero’. Three of DCFW’S Design Review Panel members spoke at the event – Ashley Bateson, Lynne Sullivan and Simon Richards.

Ashley Bateson is a Partner and the Head of Sustainability at Hoare Lea. Ashley works with clients and architects to improve energy efficiency and achieve broader sustainability objectives. Ashley is an expert contributor to a number of organisations and government research and reviews, is an active member of the UKGBC and a member of the Design Commission for Wales Design Review Panel.

Lynne Sullivan OBE is an architect at LSA Studio. A consistent theme in Lynne’s work has been built environment sustainability, through the buildings and places she has designed and delivered, and through research and advisory roles. Lynne is a Visiting Professor and design consultant, including as a Design Advisor for RIBA Competitions and a Design Council expert. Lynne authors and chairs policy review and research projects for UK governments and others, is a Board member of the Passivhaus Trust and the CLC’s Green Construction Board, Chair of the Good Homes Alliance and a member of the Design Commission for Wales Design Review Panel.

Simon Richards is the Founder Director at Land Studio. He has spent over fifteen years leading design teams and projects on a range of sites throughout the UK and internationally. He is also a panellist and Co-Chair for the Design Commission for Wales and a panellist for the Chester City design review panel.

In this article they revisit some of the key themes raised in the event.

 

Ashley Bateson:

Climate change will impact the built environment in many ways. We have already seen significant trends in the last ten years: heat waves, more extreme weather events, storms, and flooding. Yet our way of planning and designing buildings hasn’t changed much. Architectural priorities, engineering methods and construction standards haven’t altered during this period, or indeed for decades, despite the well published science on the consequences of global warming. We need to fundamentally embed climate resilience in how we plan and design, in order to limit the detrimental impacts on properties, people and infrastructure.

New buildings should be designed to limit overheating risk. Measures such as designing appropriately configured glazing (with limits on full height glazing), providing more openable windows that allow purge ventilation and shading, where appropriate, can avoid overheating conditions. External environments should incorporate nature-based solutions to moderate microclimates, absorb rainfall and create cooling conditions in the summer.

Many of these techniques are not new and well recognised in traditional architecture. Even though we know that temperatures are predicted to rise, we see new homes, schools and offices that don’t have sufficient means of limiting solar gains or providing adequate ventilation. In some cases, the conditions become unbearable, and these buildings become difficult to occupy. Some local authorities require designs to be informed by thermal dynamic modelling and expect overheating risk assessments, but most planning authorities don’t have a policy for this, so non-resilient designs are being developed without proper reviews.

If we make climate resilience a priority in planning and design, we can deliver a better quality of life for occupants, reduce costs of repairing damage and reduce the need for more expensive mitigation later. Internationally it’s not a new experience. It’s a great opportunity to see how other countries deal with hotter summers and wetter winters and learn design lessons from them.

 

Lynne Sullivan:

Following COP26 in November 2021 even the UK – with its world-leading 78% reduction in carbon emissions by 2035 ambitions – must revisit and strengthen the policies needed to meet targets agreed in Paris 2015. For the built environment sector, which is responsible for 40% of our carbon, this means radical change.

Our sector’s role in placemaking is key to linking the range of strategies needed to rise to this challenge. For example, if you analyse carbon footprint on a local/regional basis, transport always represents the biggest portion, so designers must advocate reducing transport emissions by location, amenity, and connectivity choices.

The design of buildings must be holistic: accurately predicting the carbon footprint of buildings over their lifetime demands a cultural re-think for our industry, favouring sustainable re-use of existing structures and materials, as well as driving down energy demand to a level consistent with our Paris commitments, and ensuring performance in use matches prediction.  It is estimated that 40% of existing UK homes overheat and, in a warming climate, shading and the ability to minimize excess temperatures is a crucial aspect of building design but also demands design of public space and streets to mitigate high temperatures and damaging health impacts.

Well-designed green spaces are proven to reduce ambient temperatures as well as providing health benefits and socialising possibilities. Welsh Government has committed to plant 86 million more trees in Wales, and in December 2021 announced that every household in Wales will have a tree to plant, either at home or in their community.  Designers can deploy these initiatives to draw together a progressive vision for built environment developments, to improve and create places which are attractive, therapeutic, and resilient.

Technology is our friend in this endeavour: world class public transport infrastructure ensuring green travel and inclusive access is of key importance, and on-demand autonomous private and shared infrastructure is now on trial in the UK.  Digital Building passports are being rolled out as part of Welsh Government’s Optimised Retrofit Programme, paving the way for all buildings new and existing to have a digital ‘twin’ to track materials, maintenance, and performance, offering every building user a digital ‘app’ interface which enables them to track air quality and energy data – real-time evidence of design outcomes!

 

Simon Richards:

Reconnecting people with nature is vital to tackling the impact of global warming.

Since the dawn of the Industrial Revolution and the gradual urbanisation of the natural environment, we have become increasingly detached from nature. Sadly, too many of us have little or no understanding of the natural processes and cycles that surround us. It has led to a dangerous lack of understanding and care for addressing the problems we have created. For too long, we have been working against nature rather than with it.

So, what can we do to address the awareness of climate change in today’s society and what should the landscapes of the future look like?

I believe that if we re-connect with natural process, we will enhance biodiversity, reduce flood risk, sequester carbon, and create a more resilient food-producing landscape. As designers, we should seek to embed nature into our designs, whether we are designing a landscape for a school, a residential street, or the re-interpretation of a National Trust property.

The water cycle is a key component of our landscapes that also needs to be addressed and fully integrated into our built environment. Enhancement of watercourses and de-culverting of drains are integral to healthy habitats and visible nature.

The re-establishment of ancient water management practices through rain gardens, woodland management and, critically, the siting of new development helps to create a resilient natural environment whilst demonstrating to people the positive value of water in our landscapes.

As designers, we could begin to specify some exotic planting. Highly flexible, these plants are good at responding to unusual environments more quickly than our native plants.

It is important that we choose ethical and environmentally sensitive materials with a low carbon footprint. We should also look at calculating, reducing, and offsetting our carbon in a meaningful and long-term way.

The health of our soils has long been a forgotten component in our landscapes, but it forms an integral part of a successful rehabilitation of the natural environment and the enhanced sequestration of carbon.

Nature should be at the heart of practice. If we enable people to have a better understanding of the importance of nature, then we have a greater chance of successfully tackling the challenges of our changing climate.

 

Categories
Reports Residential/housing

Victoria Mews, Jack’s Lane, Penarth (Nov 21)

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Reports Residential/housing

Llanbedr Hall, Ruthin (Nov 21)

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Comment Press & Comment

DCFW Active Travel Map Consultations Statement Autumn 2021 Active Travel Network Maps – Local Authority Public Consultations Autumn 2021 – Walking and cycling in …. have your say

Active Travel Network Maps – Local Authority Public Consultations Autumn 2021 – Walking and cycling in …. have your say

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Comment Press & Comment

95cm Perspective

We were all 95 cm tall once, typically when we were about three years old. Do you remember what places were like from down there?

It can be easy to forget the perspective of a child from our lofty 5’ to 6’ height, or from the driver’s seat of a car. But children see and experience things differently – the joys, the dangers, the magic of places.

Being a parent or caregiver to a child also changes the perception of a place. Walking times multiply when you have little legs to account for, access to toilet facilities becomes all the more important with nappies to change or in the midst of potty training, and ‘stay on the pavement’ becomes a highway safety mantra but only works if there is a clearly defined pavement and there aren’t cars on it.  Navigating and enjoying the city changes in the presence of children but their perspective is often overlooked in the planning and design of our town and city centres.

It is from this perspective that Urban 95 Academy want city makers to view the city.  The Bernard van Leer Foundation and the London School of Economics and Political Science had developed a ‘leadership programme designed for municipal leaders across the world to learn and develop strategies to make cities better for babies, toddlers and their caregivers’[1].  The programme offers a fantastic opportunity for city makers to learn from international experience and draw upon it as they devise strategies for their own city.  More information can be found on the Urban 95 Academy website.

As highlighted by Play Wales, all children have the right to play, a right in fact enshrined in the United Nations Convention on the Rights of the Child[2].  Article 31 of the Convention says:

Every child has the right to rest and leisure, to engage in play and recreational activities appropriate to the age of the child and to participate freely in cultural life and the arts.

This includes not just young children but also older children and teenagers who often get actively designed out of spaces rather than being welcomed and accommodated.  It is in this context that the charity Make Space for Girls was established to ‘campaign for parks and public spaces to be designed for girls and young women, not just boys and young men’[3].  Their research found that in many cases not only were teenage girls not well catered for in the design of public spaces, but they could also feel actively excluded by the design.  They highlight the need to understand the context of any particular public space and to speak to girls in the area to develop creative solutions as there is no ‘off the shelf’ fix.  Their website does, however, provide some examples of ideas that work of have been tried elsewhere.

Whether it be a new development, a town centre strategy or investment in existing public spaces, what is often sadly lacking is sufficient thinking from the perspective of the full range of people who will be inhabiting these spaces.  Research, talking to and involving those people who may be future users of the space should be a standard part of the approach to planning for investment in the public realm, as well as on going monitoring and investment.

Many people with many needs can be overlooked when places are designed for a hypothetical average standard model. People are not standard, and the lens of a child is a helpful one as planning and designing for children will often result in places that are more accessible and more equitable for everyone.

By Jen Heal

 

Footnotes:
[1]
https://www.urban95academy.org/home
[2] https://www.playwales.org.uk/eng/rightoplay
[3] http://makespaceforgirls.co.uk/

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Masterplan Reports

Coed Darcy New Masterplan (Oct 21)

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Press & Comment Press Releases

Over 100 of Wales’ leading organisations commit to tackling climate change by signing the Wales Placemaking Charter

 

Monmouthshire County Council has confirmed its support for the Wales Placemaking Charter, joining 101 other leading Welsh organisations in the fight to tackle climate change and support recovery from the Covid-19 pandemic.

As the latest local authority to sign the Placemaking Charter, Monmouthshire County Council joins Neath Port Talbot Council, Pembrokeshire Coast National Park Authority and Swansea Council. Other signatories include 29 architecture or design practices, 20 membership bodies, ten Government organisations, 11 housing associations including Pobl Housing and seven private housing developers including the UK’s leading housebuilder Redrow and Magor-based Edenstone Homes.  All have pledged to:

  • Involve the local community in the development of proposals
  • Choose sustainable locations for new development
  • Prioritise walking, cycling and public transport
  • Create well defined, safe and welcoming streets and public spaces
  • Promote a sustainable mix of uses to make places vibrant
  • Value and respect the positive distinctive qualities and identity of existing places.

Welcoming the latest signatory to the Placemaking Charter, Minister for Climate Change Julie James said: “The backdrop to the placemaking charter’s first year has been like no other and it is very pleasing  to see that more organisations are committing to the challenge of increasing the quality of development across Wales.

“I’m delighted that another local authority has joined the charter as they are particularly well placed to plan and deliver projects that directly improve places and people’s quality of life.  I hope this encourages other local authorities to join in the near future.”

Councillor Sara Jones, Monmouthshire’s Deputy Leader and cabinet member with responsibility for placemaking said: “I’m proud that Monmouthshire County Council has become a signatory to the Placemaking Wales Charter.  Our aim is a thriving and well-connected sustainable county that gives people the best possible start in life, maximises the potential of our environment, improves well-being and focuses upon the future.  Recent times have shown us how important the places where we live are to our quality of life.  Our focus must now be on the future; building back better by creating sustainable places that aid regeneration and improve health and well-being.  Good placemaking is at the heart of our local development plan and future aspirations and signing the Wales Placemaking Charter emphasises our commitment to these objectives.”

Carole Anne Davies, Chief Executive of the Design Commission for Wales added: “The commitment made by those that have signed up to the Placemaking Charter represents a key response to more sustainable places and addressing climate imperatives.

“In just one year since the launch of the Placemaking Charter, we have seen over 100 different organisations step-up and pledge their support for sustainable development that will leave a lasting legacy by putting the health and well-being of local people at the heart of all developments. This is particularly important given the need to help protect communities from the effects of climate change.

“Wales really is leading the way – we are the first nation to have a dedicated Minister for Climate Change and we now also have a new and updated Technical Advice 15, further supporting  planning policy that requires developers in Wales to consider potential future flood or coastal erosion due to global warming. That’s also a UK first.

“Now, more than ever, we need to think about places and placemaking. That’s why it is so encouraging to see these organisations join us in making Wales a better place with newly developed or regenerated areas focussed on people and communities that are active and socially connected. We will of course be keeping an eye on commitment being carried through to delivery and expect to see significant positive change.”

The Placemaking Charter was developed by the Welsh Government and the Design Commission for Wales in collaboration with the Placemaking Wales Partnership – a multi-disciplinary group representing professions and organisations working within the built and natural environment. Further information is available at https://dcfw.org/placemaking/

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News

Charter Anniversary Blog Post: Hana Rowlands, of Edenstone, talks about using the Placemaking Wales Charter.

Hana Rowlands, Edenstone Homes

 

The Placemaking Wales Placemaking Guide

I am a Part 1 architecture student working at the Edenstone Group within the design team. I was set the challenge to redesign part of our Orb Drive, Newport scheme which we acquired with a reserved matters planning approval for 100 homes. The Placemaking Wales Charter, along with the Placemaking Guide 2020 was my starting point.

We set out to create a strong identity for this phase of the scheme with a sense of place and to create opportunities for social interaction, activity/play and thereby promote a sense of community.

The result is an open, central green that provides the community with an informal play area as well as a place for community activities. The houses surrounding the green have a strong frontage and provide natural surveillance and a safe environment. The key vistas have been addressed with landscaping and feature buildings as well as pedestrian footpaths to link the private drives to improve site connectivity.

We are also using the scheme to develop one of a number of our net zero carbon pilot homes along with Sero, an energy service and tech company in order to achieve our ambition of being a net zero carbon business by 2025.

We use the headings of the Placemaking Wales Charter and the 12 questions from Building For Life 12, Wales as the agenda for our briefing and design review process. The six principles of placemaking work on large scale and mixed-use developments but the theory of Placemaking – ACTIVITY, PHYSICAL FORM and MEANING work at every scale of design.

 

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News

Charter Anniversary Blog Post: Marianne Mannello, of Play Wales, talks about the Placemaking Charter and play.

Marianne Mannello, Play Wales

 

Placemaking Charter and play

 

Playing is central to children’s health and well-being.  It is one of the most important aspects of their lives; however, they report barriers:

  • parked cars and traffic intensity and speed
  • fear of strangers
  • unwelcoming attitudes and environments

The Placemaking Guide discusses how organising play streets can bring people together and revive existing public spaces.

Play Wales supports initiatives that reclaim neighbourhoods for play.  Playing out is good for children and neighbourhoods. Play Wales worked with three Welsh Councils- Vale of Glamorgan, Merthyr Tydfil and Newport to pilot street play in their areas, making streets and communities play friendlier places.

Sally Hughes, local resident and mother, said:

“There are two reasons why we wanted to bring a play street to our neighbourhood. First is how dangerous the road is outside our house.  Having a moment to breathe easy and know our children are safe to be out in the place where they live is a step towards the future we’d like to see.

The other thing is building community, feeling a sense of belonging to the place where we live and the people who we live nearest to.

Our son played with other local children who he wouldn’t have got the chance to meet otherwise.  He was so happy to be free to run and ride his bike. We also conjured playfulness from local teenagers who enjoyed the massive bubbles. It was a thoroughly intergenerational time – we were aged from under 1 to 70+. We really did bring people together!”

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News

Charter Anniversary Blog Post: Land Studio discuss the principle of ‘Identity’ which is part of the Placemaking Wales Charter

Kate Richards, Land Studio

IDENTITY
Whilst all six principles of the charter are important in the work we do, it is “identity” that has resonated with us throughout the design process on a project we started last year. The Powys Crematorium is proposed to be a crematorium, natural burial ground and memorial garden set in the pastoral landscape near Caersws, west of Newtown in Mid-Wales.

Our approach to the design began with an analysis of the wider site context, which included both historical and geological aspects. The Caersws Basin (the confluence of four rivers into the Severn Valley) also acted as a boundary for historic kingdoms and a major corridor for communication. We then studied views out and into the site, identifying geological and natural features in the landscape that shape the character of the place.

The next layer of analysis focused on the future use of the site by looking back through the history of burial and cremation, and defining what remembrance can mean, in the context of a landscape. We identified three elements (people, landscape and culture), and subsequently defined a series of ‘memories’ specific to Powys that could also contribute to the sense of place in our proposal.

The design of spaces, routes and materiality were all led by these two strands of analysis, and we believe the resulting masterplan is a strong representation of the natural and cultural history of the landscape. We hope that this resilient identity will create a truly unique place of remembrance for the people of Powys.

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News

Charter Anniversary Blog Post: EDP and Swansea Council discuss their placemaking work on Bryngwyn Fields Garden Village in Swansea

 

EDP and Swansea Council

 

Bryngwyn Fields – Garden Village, Swansea

 

Project Description

An exemplar collaborative approach to placemaking resulting in a masterplan and reserved matters application for a strategic urban extension allocation in Swansea including 720 homes.

(The application received unanimous approval at Planning Committee on 2nd July 2021).

 

Covid Collaboration – A Virtual Victory?

What success looks like when development teams and local authorities embrace virtual placemaking workshops and engagement?

When EDP were approached by Persimmon Homes to act as a placemaking adviser little did we know then that the role and scope would expand to cover 2020 and into 2021 but would be done during a global pandemic, a period where how we lived and worked would be fundamentally changed. Coronavirus has forced us to change our approach to ensure we could actively engage and collaborate between all parties.  We established a process with which to virtually collaborate to meet the placemaking objectives through a series of group video workshops.

This ‘new’ way of meeting and workshopping ideas felt much more democratic, with everyone arranged on screen as individuals as opposed to ‘us and them’ with metaphorical battlelines drawn across a table from one another.

 

Placemaking & Strategic Planning Advisor – Swansea City Council

‘The negotiation process between applicant and LPA, which have been undertaken in large part during COVID-19 lockdown, has been a collaborative and creative exercise that significantly improved the scheme as originally proposed in the initial Reserved Matters application.’

‘In fact, the process followed is considered a potential exemplar of the placemaking approach for residential developments. Having regard to the submitted plans and information, there is a significant opportunity for Bryngwyn Fields, Garden Village to become a connected place, a green place, a distinctive place and potentially an exemplar of green infrastructure-led placemaking by a mass house builder.’ 

Quote from: Placemaking & Strategic Planning Advisor Committee Report– Swansea City Council

Categories
News

Charter Anniversary Blog Post: Benham Architects discuss placemaking and The Grange Pavillion

Dan Benham, Benham Architects

The Grange Pavilion embodies the six values of placemaking by engaging with the community at every phase of the design and construction process. This allows us to inculcate their passion, energy, diversity and cultures into driving the design and creation of this place to design a space that they can call ‘home’.

The Pavilion has now become the centre stage for community gathering, encouraging the space to adapt to its vibrant and creative Grangetown community. In November 2017, the partnership sought to extend and formalise the project board and created Grange Pavilion, a new organisation to take ownership and management responsibility for the building and grounds. The board is made up of 18 individuals, with a minimum 60% Grangetown residents.

Over the last three years, Grange Pavilion has brought together more than 3,000 residents, was used by over 100 stakeholders, and launched 150 community-led initiatives in response to locally-generated ideas, resulting in over 1,000 sessions/activities on site.

Being a space that is created by the people and for the people, the Pavilion is constantly growing and adapting. It embeds itself into the public realm, through its location, programme and transparent – welcoming design. The Pavilion starts to mold into a central core for the community, a safe place, a gathering space, a social space, an educational hub, but the final form is undetermined and not pre-planned. It will change, grow and evolve with the community.

Categories
Publications

DCFW’s Annual Report 2019-21

2019-21 Annual Plan – final

Categories
Masterplan Reports

Atlantic Wharf Masterplan (Aug 21)

Categories
News

Case Study: Creating a community-led and community-owned facility

The Grange Pavillion team tell us the placemaking story behind their development in Grangetown, Cardiff

 

Location:                              Grange Pavilion, Grange Gardens, Grangetown, Cardiff

Local Authority:                Cardiff Council

Client:                                   Grange Pavilion CIO

Design team:                      Dan Benham Architect and IBI Group, with the Welsh School of Architecture, Cardiff University; The Urbanists; Holloway Partnership; Mann Williams; Mott Macdonald; BECT Construction

Date of completion:        October 2020

Contract value:                  £1.87 million

Site area:                             600m2 building

Density:                                n/a

Funding source:                National Lottery, Welsh Government, Enabling Natural Resources Wales, Moondance Foundation, Garfield Weston, HEFCW, Clothworkers Foundation, Cardiff Bay Rotary Club, and individual donations.

 

People and Community

The Grange Pavilion is a community-led and community-owned facility, achieved through a 99-year Community Asset Transfer and redevelopment of a formerly vacant Bowls Pavilion and green. The project began with a group of residents identifying the need to improve a deteriorating facility in a popular neighbourhood park.

Forming as the Grange Pavilion project, the residents partnered with Cardiff University’s Community Gateway in 2012 to launch Ideas Picnics, event days and a three-year residency with a regular program of activities in the vacant building to increase awareness and build capacity by developing relationships with local residents and existing community organisations and businesses. The design team, led by Dan Benham Architects and IBI Group, developed a design brief through design workshops exploring the ideas generated by the residency.

Opening in October 2020 in the middle of the Covid-19 pandemic, the Grange Pavilion is currently under asset guardianship by Cardiff University, giving the newly constituted Grange Pavilion CIO time to develop the capacity to take on the 99-year lease. Composed of 60% residents and partner institutions, Cardiff University, Cardiff and Vale College, Taff Housing, RSPB Cymru, and Cardiff Bay Rotary Club, the Grange Pavilion CIO now manage a program of activities aimed at making Grange Pavilion welcoming and accessible to Grangetown’s multiple communities. Having achieved the ambition of quality which underpinned the development of the Grange Pavilion, ongoing partnership developments view the Grange Pavilion as evidencing the ability of community-led collaborations to improve the built environment on a neighbourhood-wide scale.

Understanding the place

Close collaboration between the Grange Pavilion CIO, Cardiff University’s Community Gateway, the Welsh School of Architecture, Dan Benham and IBI Group supported several years of research to deeply understand the context well before any design proposals began. Live teaching studios co-led by residents asked students to document and analyse historical and contemporary archives, and ran Ideas Picnics, vision days, and storytelling days to explore Grangetown’s physical and cultural settings. All research worked with appreciative inquiry and asset-based principles, focusing on celebrating and building upon existing strengths, skills and possibilities instead of identifying problems to be solved.

The design was informed by the residency in the vacant building, opening up the building and grounds for a multitude of different activities to be offered and tested before finalising any design decisions. Key design elements – the importance of access to a sheltered garden space, an outdoor classroom and events space, a café serving the building and park, a variety of independent and flexible bookable spaces a materials palette respectful of a context of Victorian terraced housing and a screen design using detailing from historical park bandstand – were the direct result of several years of open days and design workshop days with multiple community groups.

As a facility run by community members, a core aim was that of achieving long term civic quality, prioritising good quality and low maintenance materials and equipment.

(photo by Kyle Pearce)

 

Movement

The Grange Pavilion sits in Grange Gardens, close to the Taff Trail improvements put in place by Cardiff Council’s Greener Grangetown and on bus routes and is within a short walking distance to Grangetown train station and Cardiff Central. The next round of fundraising is targeting bike stands in Grange Gardens Park and plans are in place to request signage advertising Grange Pavilion as a stop-off point on the Taff Trail. The core benefit of the project is the provision of a café, accessible toilets and a water-filling point for a popular neighbourhood park.

 

Mix of uses

The Grange Pavilion CIO’s core aim is to create a welcoming, accessible, non-institutional space which demonstrates a sense of long-term civic quality. The physical layout provides three multifunctional indoor spaces, a co-working office, an outdoor classroom and outdoor events space. The pre-development residency and workshop events emphasised the need for a series of flexible, robust, bright, generous and independently operable yet connected spaces with direct access to the gardens, to accommodate a wide range of community activities. Each space is accessed through a community-led café and adjacent public accessible toilets serving the Grange Pavilion and Grange Gardens, encouraging crossover between the Grange Pavilion and park users.

 

Public realm

A core factor in the business case to redevelop the Grange Pavilion was the lack of physical and psychological accessibility of the prior facility: several steps into the space meant the building was not disabled accessible, and shutters created an unwelcoming and hostile frontage to the park. The redevelopment prioritises visual and physical accessibility through the building and landscape, with ramps and raised beds ensuring all landscaped elements are accessible, and barrier-free access to all indoor facilities. SUDS rainwater gardens line the perimeter of the gardens, diverting all roof drainage into three rainwater ponds surrounded by pollinator planting. The outdoor classroom and events space have been used by school groups, community gardening groups, the Grangetown World Street market, taster sports sessions including football, cricket, rugby, cycling and baseball. Café seating extends into the gardens and into the park, with a café hatch opposite an existing playground and bandstand.

 

Delivery structure

The project began with a resident speaking to a local councillor about how to do something about a deteriorating local facility. The conversation, which focused on the need to do something of quality, began the process of a Community Asset Transfer, supported by Cardiff Council’s Stepping Up program, and a Cardiff Council Neighbourhood Partnerships grant provided the first external grant to retain an architect for an early feasibility study. Local authority council members supported the project and the asset transfer throughout and sit on the Grange Pavilion CIO to maintain an ongoing relationship.  Cardiff University’s Community Gateway brought a long-term institutional commitment to the project from the earliest stages, joined by Cardiff and Vale College, Taff Housing, RSPB Cymru, and Cardiff Bay Rotary Club, each bringing increased access to diverse areas of resources and expertise to support the project as it progressed through each stage.

A successful application to a National Lottery Community Asset Transfer 2 grant brought two-stage support to develop a planning application and business case, and capital and 5-year revenue funding to support the redevelopment and launch.  Lottery funding included mentorship from The Development Trusts Association Wales (DTA Wales), and networking site visits to other community asset transfer projects throughout Wales, which were invaluable in identifying key challenges and opportunities to address in the design brief and business case.

The design team were initially invited, along with other architectural practices, to join the project through funded short live teaching briefs, giving the design teams the opportunity to embed into the project and run pre-design activities to get to know the residents’ group, the wider community, and the site. Selected on the basis of evidencing an approach to community co-production, the design team continued design workshops within the residency at several key design stages from concept through detailed design.  Annual live teaching briefs with the Welsh School of Architecture brought students in to further investigate design decisions, including detailing of external screens, planning for daily activities, and ongoing post-occupancy evaluation.

 

What was the greatest challenge in the delivery of the project and how was it overcome?

The length of time and scale of the demand on all involved – some of the grant applications requiring several months to complete the required paperwork – and the balance in maintaining co-production amongst a continuously evolving and client group with an evolving vision. Grant deadlines at times led to short-term rather than long-term decision making in order to meet capital spending deadlines, and the pressures of institutional frameworks and short-term budgetary pressures had to be balanced against the long-term interests of achieving the aim of civic quality.  A construction site lockdown and opening the building during Covid-19 lockdowns brought its own unique pressures, reducing end of construction budgets for interiors, but allowing for a bare-bones opening and an ongoing funding drive to collaboratively bring the interior to life.

 

What is the most successful aspect of the development?

A community-envisioned, community-led facility, with generous, bright, inviting and flexible interior and exterior spaces are now being brought to life by a huge variety of local and national individuals and organisations, working together to lead activities for diverse ages, faiths, genders and physical and mental health conditions. As a recent nowinaminutemedia post observed: ‘The landmark £2m expansion of the centre has already proven to be a remarkably inviting and safe place to grow, exhibit, meet, film and create.’

 

What didn’t work as well as expected or has had to change or evolve?

A covid-19 lockdown stripped out an interiors budget, particularly impacting on interior and exterior furnishings and fixtures.  While the decision to maintain the quality of the permanent materials palette was the right one, it has meant a bare-bones launch with a long term aim of adding more of the richer, more colourful, softer interior elements, and completing more of the landscaped elements including raised beds, seating and cycle racks.  Balancing long term civic quality against short term budget shortfalls always leads to some degree of value engineering, but the long-term commitment from all involved enabled decision making to focus on long term value with the confidence that the project doesn’t end when the doors open.

Categories
News

Building with Nature refreshes Green Infrastructure Standards for the UK built environment sector.

Dr Gemma Jerome, Director of Building with Nature

Five years on from creating the UK’s first green infrastructure benchmark, we were delighted to be releasing our updated Standards on the 17th of June. We have refreshed our guidance to ensure it remains up to date and continues to define ‘what good looks like’, whilst simplifying the framework to make it even easier for industry to use.

The Standards retain the four themes of Core, Wellbeing, Water, and Wildlife, however there are now only 12 Standards in total, making it more straightforward for residential and commercial developers to design and deliver high quality green infrastructure. Two new Standards are now included, one focusing on the climate emergency, capturing all the ways in which green infrastructure can make places and people more resilient to the worst impacts of climate change. And another focusing on ‘place-keeping’, which explicitly defines good practice relating to long-term management, maintenance, monitoring, and stewardship of green infrastructure features.

The new Standards capture the recent policy and legislation changes in Wales, integrating planning policy and guidance around green infrastructure, to ensure Building with Nature complements and supports Green Infrastructure Assessments, and the commitment to maintain, create, and enhance quality places for people and wildlife. In this sense, the Building with Nature Standards and Accreditation system sits firmly within the DECCA framework, designed to assess ecosystem resilience, supported by Natural Resource Wales.

The BwN Standards have been developed in partnership with Welsh Government, and Joanne Smith who sits on the BwN Standards Board responsible for overseeing the process of refreshing the standards in line with policy, legislation, and good industry practice, noted that: “the Standards set a high bar and align with what we would wish to see happening in Wales.”

 

How Building with Nature works

The Building with Nature benchmark makes it easier for those charged with planning, designing, delivering, and maintaining green infrastructure to secure a range of benefits more consistently for people and wildlife, now and in the long term. It does not require additional preparation of supplementary documentation and works alongside the process followed by built and natural environment professionals, including planners and developers. We do this by providing a framework of holistic design principles, the BwN Standards, and ‘how to’ guidance to help bring forward projects that more effectively deliver high quality green infrastructure at each stage of delivery, from early-stage design, through implementation, and post-construction.

Building with Nature is a voluntary initiative for those who want to go beyond the statutory minima. It offers an assessment and accreditation service to support and reward the delivery of high-quality green infrastructure in both new and existing communities. It is best suited to ‘major’ or ’significant’ sites (10+ houses; 0.5 hectares or more; 1000+ square metres of floor space) and ‘strategic’ sites, such as major regeneration schemes or urban extensions. It can be used for residential, commercial, and community infrastructure developments.

Using the BwN Standards

The BwN Standards Framework is free to use and can be downloaded from our website. Taken together, the 12 BwN Standards define “what good looks like” by offering a set of quality standards for placemaking and place-keeping, covering the themes of Wellbeing, Water and Wildlife. The BwN Standards support cross-disciplinary decision making about green infrastructure design and delivery, from both a planner’s point of view (e.g., for use in both policy making and development management), and a developer’s point of view in their application to the master-planning and detailed design, implementation and construction, or management and maintenance of green infrastructure in development.

Categories
News

July 2021 Policy News

LDP Updates

The Welsh Government highlight opportunities to engage with LDP updates.

The role of planning and planners is key to delivering sustainable and vibrant places for communities. Planning brings opportunities for proactive and innovative approaches to shaping places.  It is uniquely placed to bring people together and to think strategically to shape places into the future. The plan led system is a vital tool in delivering strategic placemaking principles; Local Development Plans should set out a bold, positive vision for their areas recognising opportunities to enhance their communities.

There are a number of Local Development Plans in the early stages of being reviewed.  This is an important opportunity for everyone involved in the planning system to actively embrace the placemaking agenda and shape plans to reflect their local communities and set a framework for a sustainable future. This is best achieved through engagement at the early stages of preparing the plan with a wide range of stakeholders, including those people and organisations who have committed to delivering the placemaking charter’s principles. This will help to ensure that high quality places are delivered across Wales for the benefit of their communities. More information on how to get involved with Local Development Plans can be found on every council’s websites.  The Local Development Plan delivery agreements and community involvement schemes set out how and when to get involved.

Categories
News

20mph speed limit to become a reality on some Welsh roads from this summer

The Welsh Government discuss the plans to reduce the national speed limit from 30mph to 20mph.

Plans to reduce the national speed limit from 30mph to 20mph across Wales on residential roads and other streets where there are lots of pedestrians, will form part of the Welsh Government’s legislative priorities for this year, Deputy Minister for Climate Change, Lee Waters has confirmed.

If passed, Wales will be the first country in the UK to introduce the change which it is hoped that this change will encourage more people to walk and cycle, and with fewer vehicles on the roads there will be a positive impact on the environment. This will play an instrumental role in helping to save lives, protect our communities and improve quality of life for all.

The Welsh 20mph Taskforce investigated road safety and community benefits of slower speeds in built up areas and you can read the report by clicking on the links below:

English: https://gov.wales/welsh-20mph-taskforce-group

Cymraeg: https://llyw.cymru/grwp-tasglu-20mya-cymru

 

Phase 1 is being rolled out in eight communities across Wales starting in June 2021 to test and develop the approach for a full rollout by 2023.

The eight locations are:

  • Abergavenny, Monmouthshire
  • Central North Cardiff
  • Severnside, Monmouthshire
  • Buckley, Flintshire
  • Cilfrew Village, Neath and Port Talbot
  • St Dogmaels, Pembrokeshire
  • St Brides Major, Vale of Glamorgan
  • Llanelli North, Carmarthenshire.

St Dogmaels in Pembrokeshire and St Brides Major in the Vale of Glamorgan are already live and will be followed by Llanelli North in September. These trials will help develop enforcement arrangements and overcome unforeseen issues before the full rollout.

The areas chosen are intended to be representative sample of different locations found across Wales, including villages, towns and cities. They will focus on community engagement, meaning that as well as developing enforcement arrangements they will communicate the value of the new speed limit, making the case for reduced speed leading to more cohesive and safe communities.

Initial findings from a national public attitude survey, conducted by Beaufort Research, showed support for the plans. 92% of those who wanted a change to the speed limit on their street suggested a speed limit of 20mph or lower, while 77% said they wanted to see this speed limit applied throughout the area in which they live. The study will be published shortly on the Welsh Government website.

Lee Waters, Deputy Minister for Climate Change, said: Making 20mph the default speed limit in residential areas is a bold step that will save lives.

We have made progress on reducing deaths and serious injuries on our roads over the 21 years of devolution, but despite our considerable efforts the highest proportion of all casualties, 50%, occurred on 30mph roads during 2018. This cannot be tolerated, so a reduction to 20mph on our residential and other busy pedestrian urban roads has to be the way forward.

Decreasing speeds reduces accidents and saves lives, and alongside this the quality of life will improve, making room on our streets for safer active travel. This helps reduce our environmental impact and has a positive outcome for our physical and mental wellbeing.

As part of this approach the Welsh Government is consulting prior to laying legislation and making the change 20mph national default speed limit on these roads. The consultation started on the 9th July running for 12 weeks and will come to an end on 1st October 2021. Please click on links below to see more information about the consultation.

Cymraeg: https://llyw.cymru/gostwng-terfyn-cyflymder-i-20mya-ar-ffyrdd-cyfyngedig

English: https://gov.wales/reducing-speed-limit-to-20mph-on-restricted-roads

Categories
News

What is the future for High Streets – and how can design professionals support a greener future?

Wendy Maden, Senior High Streets Renewal Designer & Project Manager at Bath & North East Somerset Council, and DCFW Panel Member

In recent years, changing lifestyles and the growth of online commerce have had a substantial impact on high street businesses. Challenging trading conditions have been made much worse by the effects of Covid-19 restrictions on shops, hospitality, and leisure facilities. A wealth of reports, comment and publications have extolled reinvention since the public health crisis, but what is possible in practice and what can we learn from?

One example is the High Streets Renewal programme in Bath & North East Somerset aims to address the decline of the high street across its city, market towns and local centres. Several projects are in design and delivery which intend to respond to the unique challenges of these areas, considering their different characters, functions, and localities.

Covid-19 has had a varied impact on the high street at different scales, from large scale closures of retail businesses across the country, to renewed interest in travelling by walking and cycling, to new reliance on local centres to shop. Lockdowns have encouraged people to make better use of their local centres and high streets, so where temporary interventions to widen footways and provide outdoor seating for businesses have been implemented to facilitate this, the opportunity could be grasped to make some of these measures more permanent to reimagine how local communities can function.

In the short term the Council is bringing forward initiatives that will protect our existing businesses and local jobs and give residents a reason to visit again. However, we also have longer term plans to help renew our high streets to prepare for the future by creating a greater variety in the mix of uses and activities.

 

Reclaiming Streets for People

How the high streets are perceived and how they function can help influence more sustainable changes in habits through, for example, reclaiming streets for active travel and enhancing public space. These actions make the move towards treating streets as spaces for public life, events, active travel, and community, rather than heavily trafficked highways.

  • Delivering ‘parklets’ – an area of seating and planting which can sit in the space of a standard parking bay to reclaim highway as public space, which introduce urban greening and increase dwell time in the street.
  • Working with a local pub to develop a business collaboration model for private parklets in the street which serve an adjacent business.
  • Relocating cycle parking from the footway to car parking bays to free up space for pedestrians and reclaim more usable public space.
  • Vehicle access restrictions with bespoke gates which allow filtered permeability for cycles, cargo bikes and pedestrians.
  • Greening through planters and parklets which, whilst also looking attractive, support biodiversity gain and pollinators by the inclusion of nectar-rich plants.
  • Festivals and events to transform spaces and people’s perception of a street. A Car Free Day on Milsom Street reclaimed the street for a weekend of events and animation, delivered in partnership with the businesses, Business Improvement District, and other local partners.
  • Consideration of the materiality and embodied carbon of street furniture and public realm measures, which included f furniture by Vestre who are aiming to build the world’s most environmentally friendly furniture factory. Although the initial costs may be higher, the long term, wider public benefits of more sustainable street furniture can make this option better value for money through its life cycle.
  • An e-scooter pilot throughout Bath to encourage more sustainable travel modes throughout the city and surrounding neighbourhoods.

Reimagining the Vacant Shops

A Vacant Units Action Project has been set up to respond to increasing vacancy rates in Bath and the market towns by implementing a project to reimagine the future of high streets focusing on using vacant shops as spaces for art, community use and different types of business.

Shopfront installations could be wasteful as they are temporary in nature, however sustainability has been a thread through these animations at varying scales. Biodegradable or reusable materials have been used in shopfront installations created by local arts groups. This includes supporting artists that have installations to exhibit so empty shopfronts are used as gallery spaces for existing projects, rather than creating something new and disposable.

 

As part of Covid recovery, the project is delivering a High Streets Hub for businesses in Bath City Centre in a vacant unit. The fit out of the unit is being designed and delivered by a certified B Corporation, meaning that they meet the highest standards of social and environmental performance. The brief requires the use of second-hand furniture and sustainable materials to create this public-facing space.

Although the challenges of the high street post-Covid are numerous, these pilot projects are helping to demonstrate that environmental performance and sustainability need not be compromised in delivery of high quality, design-led renewal. Creative re-use of the high street and diversification of land uses are needed as the high street moves away from the classic retail model which in turn should bring people to live, work and enjoy leisure time in the city centre.

 

 

Categories
Comment Press & Comment

Sense of the past with a commitment to the future – Jon James

Board member Jon James discusses why we need to refurbish and repurpose buildings rather than bulldozing to make way for new developments. You can read his blog here:

Sense of the past with a commitment to the future – Jon James

Categories
Mixed use Reports

The Big Shed, Tonypandy (June 21)

Categories
Reports Residential/housing

Ty Du, Nelson (May 21)

Categories
Masterplan Reports

Coed Darcy New Masterplan (May 21)

Categories
News

April 2021 Newsletter Welcome / Croeso i Gylchlythyr Ebrill 2021

Welcome from Jen Heal / Croeso gan Jen Heal

Welcome to the first Placemaking Wales newsletter.  Thank you for signing up to the Placemaking Wales Charter, a key initiative in the promotion of placemaking in Wales with over 70 signatories from the private, public and third sectors pledging their commitment to support the development of high-quality places.

Indeed, we were particularly pleased to announce Swansea Council as the second local authority in Wales to commit to building back better by signing the Wales Placemaking Charter. The news was welcomed by Deputy Minister for Housing and Local Government, Hannah Blythyn. You can read more here.

The purpose of this newsletter is to showcase some of the great work that is taking place and share insights and best practice amongst fellow built environment professionals. This edition includes contributions from several members of the Placemaking Wales Partnership who helped shape the Charter. Their pieces have been very much influenced by the ongoing restrictions we are facing due to the Covid-19 pandemic and how this has shaped the way we look at our homes and neighbourhoods. The articles cover the topics of homes, heritage and play and we are pleased to bring you a new case study which addresses all of these matters. You will also find new updates and details of some upcoming events.

It is clear that placemaking requires the dedication and expertise of all of those involved in shaping the built and natural environment, which is why the cross disciplinary nature of the chartership is so important and why we want to bring you inspiration and updates from sectors that you may not normally hear from.  I’ll be keen to hear your feedback and consider any suggestions that you have for future content – simply email me at jen.heal@dcfw.org

With my best wishes,

Jen

Croeso i gylchlythyr cyntaf Creu Lleoedd Cymru.  Diolch am gofrestru ar gyfer Siarter Creu Lleoedd Cymru, menter allweddol wrth hybu creu lleoedd yng Nghymru sydd â dros 70 wedi arwyddo o’r sector preifat, y sector cyhoeddus a’r trydydd sector gan addo eu hymrwymiad i gefnogi datblygiad lleoedd o ansawdd uchel.

Yn wir, rydym yn arbennig o falch o gyhoeddi fod Cyngor Abertawe yr ail awdurdod lleol yng Nghymru i ymrwymo i adeiladu yn ôl yn well trwy arwyddo Siarter Creu Lleoedd Cymru.  Cafodd y newyddion ei groesawu gan y Dirprwy Weinidog Tai a Llywodraeth Leol, Hannah Blythyn. Gallwch ddarllen mwy yma.

Diben y cylchlythyr hwn yw arddangos peth o’r gwaith gwych sy’n digwydd a rhannu mewnwelediad ac arfer orau ymysg cyd-weithwyr proffesiynol yn yr amgylchedd adeiledig. Mae’r argraffiad hwn yn cynnwys cyfraniadau oddi wrth sawl aelod o Bartneriaeth Creu Lleoedd Cymru a gynorthwyodd i ffurfio’r Siarter. Mae eu darnau wedi eu dylanwadu’n fawr iawn gan y cyfyngiadau parhaus yr ydym yn eu hwynebu oherwydd pandemig Covid-19 a sut mae hyn wedi siapio’r ffordd yr ydym yn gweld ein cartrefi a’n cymdogaethau. Mae’r erthyglau yn ymwneud â’r pynciau cartrefi, treftadaeth a chwarae ac rydym yn falch o gael dod ag astudiaeth achos newydd i chi sy’n mynd i’r afael â’r materion hyn i gyd. Cewch hefyd ddiweddariadau newydd a manylion o rai digwyddiadau sydd i ddod.

Mae’n glir bod creu lleoedd yn gofyn am ymrwymiad ac arbenigedd yr holl bobl hynny sy’n ymwneud â siapio’r amgylchedd adeiledig a naturiol, a dyma pam bod natur draws-ddisgyblaethol y siarter mor bwysig a pham yr ydym eisiau dod ag ysbrydoliaeth a diweddariadau i chi o sectorau na fyddech fel rheol efallai’n clywed ganddynt. Rwy’n edrych ymlaen am glywed eich adborth ac ystyried unrhyw awgrymiadau sydd gennych ar gyfer cynnwys y cylchlythyr yn y dyfodol – anfonwch e-bost ataf at  jen.heal@dcfw.org

Dymuniadau gorau,

Jen

Categories
News

A story defined by home

Matt Dicks, Director CIH Cymru

Let’s all close our eyes for moment and imagine – imagine being a single parent during the Coronavirus lockdown, with two young children and living in a sixth-floor two-bedroom flat in the middle of a city with no green space nearby. The local shops are a 15-minute walk away with a baby in the pram and a toddler in tow, or do you risk a 5-min bus journey when there are several thousand new infections being reported every day.

Or imagine being a couple in a one-bed flat, both having to work from home, one in the bedroom, one on the kitchen-dinner table, and again no nearby green space and a long walk to the shops.

And there are many more examples I could list where the housing option and the design of the “place” where people are living are simply not fit-for-purpose in terms of coping with the demands of a lockdown imposed as a result of a global health emergency.

Sadly, some of you may not even have to imagine these scenarios, the pictures I paint may well be your lived experience during the past year.

But the pandemic and subsequent lockdowns, if nothing else, have been a story defined by the home and our local environment because we have been consigned to them, in one way or another, for more than a year now.

The pandemic has shone an even brighter light on what we already knew to be the case, that in Wales we have an inadequate and broken housing system.  This has led to the need to temporarily house more than 5,000 people in Wales in bed & breakfast or hotel accommodation during the pandemic with the huge challenge of now finding them more permanent and sustainable homes as we navigate out of lockdown and aim to meet the Welsh Government’s ambition of none of these people being returned to homelessness. This is one symptom of a housing system which is buckling under the pressure of a chronic shortage of homes available at social rent. And this systemic and structural problem of supply is compounded by many poorly designed areas where the sense of place and more importantly a sense of agency within one’s own community is markedly lacking.

From a public health perspective, an Inside Housing Investigation demonstrated the correlation, during the first-wave of infections, between Covid-19 death rates and overcrowded housing, as well as increased mortality rates in HMO (Houses of Multiple Occupation)  settings, and in areas where there is a shortage of homes available at social rent which means many are forced into cramped temporary accommodation such as B&Bs etc.

In essence, it is a link between poverty (and the poor housing options and poorly designed environments available to people experiencing poverty) and an increased prevalence in infections and death rates.

Therefore, from a purely public health perspective, to ensure we’re equipped to cope with, heaven forbid, any future global pandemic we need to radically address our failed housing system which is fundamentally linked to how we think of and design “place”.

Coupled with that we also have the radical change in the way we now use our homes – for many of us they have also now become our workplace and are likely to remain that way for several years to come, if not on a permanent basis.

That is why, in our recent joint submission with Public Health Wales, to the Welsh Government’s “Beautiful Homes and Spaces” consultation on housing standards we called for:

  • A more holistic view of housing standards, recognising the need to ensure that standards reflect the impact the quality of a homes can have on both physical and mental well-being.
  • A focus on how lifestyles could change and the subsequent need to promote and enable active travel, reducing reliance on single-occupant car travel.
  • A focus on the role of ‘placemaking’ as a means to creating vibrant, accessible and inclusive environments that should go hand in hand with our expectations of housing standards.
  • A standard that applies across all tenures to create a joined-up vision of the homes and places created and support by a wide cross-section of housing development organisations.

If nothing else, the pandemic has fundamentally changed the way we view the home – for many of us it is now our space for work as well as leisure – which means the centrality of home in the design of “place” takes on even more prominence in our post-COVID-19 world. It means all of us need to think differently about how our homes should be designed, the space standards that are now required, as well as what the local “place” needs to make our homes, communities and local environments fit for our new agile workforce.

Categories
News

Beyond parks and playgrounds

Marianne Mannello, Assistant Director, Play Wales

Play Wales recently held the Child-friendly planning and design: beyond TAN 16 seminar that brought together renowned speakers in the fields of children’s play, design, planning, rights and participation.  The seminar provided a brief overview of urban planning and how it relates to children and their play, with examples from the UK and around the world.  There was a focus on placing greater emphasis on children’s everyday lives and putting policy into practice.

Marianne Mannello is Assistant Director of Policy, Support and Advocacy for Play Wales. She explains: “A sense of place is important to help children and teenagers to feel part of their community and neighbourhood.   Quality residential design promotes community cohesion and should consider access to amenities and public spaces for all residents. It is therefore astonishing that all too often people, particularly children, come low down the priority list when it comes to new housing developments and there is often limited time given to thinking about how to generate community in new places.

“Children continue to tell us that outdoors is one of their favourite places to play. The coronavirus pandemic has highlighted the important role that access to good outdoor space has on health and well-being. Yet, when designing new housing developments or regenerating existing ones, the needs of children to play out, meet friends and get about safely are often overlooked.

“The seminar explored the impact that the planning process has in encouraging play and the positive social interactions it can generate in communities. It explored how we can work together to advocate for and enable the development of child friendly communities, thus contributing to healthier and happier childhoods. Although not easy, it is possible.

“The right skills are needed at the right stage of a project and the play sector in Wales has the expertise to galvanise and lead the way in thinking about how to work better for children. The emphasis on placemaking in Planning Policy for Wales supports a more holistic approach and there is a real opportunity to engage creatively across the play and planning sectors to learn from each other’s approaches and delivery models.

“Many of us have fond memories of growing up in a time when it was accepted that children, once they were old enough and confident enough to negotiate the outside world independently or with friends and siblings, played outside and ranged within their neighbourhoods freely. Children and teenagers across Wales are asking for the same – more time, space and permission to play in communities that care for them… that’s not too much to ask, surely?”

Further information is available at www.playwales.org.uk

Categories
News

Local Heritage in Placemaking

Judith Alfrey, Head of Regeneration and Conservation for Cadw

In a year of lockdowns, everyone has been thrown onto the resources of their immediate neighbourhood, an experience which has been a powerful reminder of the value of the local environment to communities. It has underlined the importance of supporting the development of high-quality places across Wales for the benefit of communities.

It has also perhaps enhanced the appeal of the concept of the 15-minute city, a place where everyone can meet most of their needs within just a short walk of their home. In the 15-minute city, people are reconnected with their local area, there is a strong sense of community, and less need for travel. Daily necessities and the services that support wellbeing are all within easy reach.

Cadw was inspired by this concept to think that everyone should be able to benefit from heritage within a 15-minute walk of their front door, wherever they live – whether city, town or countryside. Heritage is not always recognised that close to home: not everyone has a castle in their back yard and they may not even have a scheduled monument or a listed building nearby. But everywhere has a heritage of its own, and our 15-Minute Heritage initiative is intended to encourage people to step outside and explore the heritage on their doorstep.

We have begun by making use of StoryMap, a proprietary web-based platform which uses maps combined with narrative text, images, and other media to create digital stories of place.  The stories are being prepared by some of our own staff members, and will be made available on our website.

The premise of this story-telling is an invitation to go out and explore, and everywhere featured in the story should be publicly accessible on foot from a given starting point. The initiative therefore supports active travel, and the theme of movement which is one of the principles of the placemaking charter.

At the heart of the initiative is our belief that heritage makes places special and contributes to a unique identity.    Through telling stories of place, we can tease out the hidden histories, identify the attributes, and celebrate the culture from which distinctive identities are shaped.

In 2020 Cadw was also able to collaborate with the National Lottery Heritage Fund in a 15-minute heritage grant scheme.  Here, the invitation to explore was extended to local authorities and a range of third sector and community organisations leading small-scale projects helping to connect communities with heritage.  Projects in every local authority area in Wales are being supported through this scheme – their imaginative breadth is testament to the many ways in which local heritage may be defined and celebrated.

Exploring heritage in the streets and spaces of wherever we call home can be a way of strengthening attachment to place. But local heritage is about people as well as place:  every neighbourhood has been made and shaped by the people who have lived and worked there, and places take on meanings from the ways in which people experience and relate to them.  Sharing the exploration, and sharing these meanings, provides new opportunities for connecting people and place in local communities across Wales.

https://cadw.gov.wales/learn/15-minute-heritage

Images

Evan James Memorial Caerphilly. One of our custodians has been finding out what puts Caerphilly on the map. It’s not just cheese and a castle:  within a short walk of the castle is a series of memorials to people from the town who have contributed to the history and culture of Wales. Evan James was the author of the lyrics of our National Anthem.

Categories
News

Case Study: Creating places that are safe, sustainable and attractive

Pobl tell us the placemaking story behind their proposed residential development in Newport.

 

Location: Land at Plot C1, Phoenix Park, Newport – Loftus Phase 2

Local Authority: Newport City Council

Client: Pobl Group

Design team:

  • Design: Hammond Architectural Ltd
  • Planning: Asbri Planning
  • Transport: Asbri Transport
  • Ecology: JBA Consultancy
  • Engineering: JBA Consultancy
  • Noise: Acoustic and Noise
  • Geotechnical: Integral Geotechnique
  • Landscape: Catherine Etchell Associates
  • Energy: Sero Homes & Energy
  • Manufacturing: Castleoak

Date of completion: TBC

Contract value: circa £11.4M

Site area: 1.89 hectares [4.67 acres]

Density: 29 units per hectare

 

People and Community

As with Loftus Garden Village, involving and engaging the local community is integral to this project.

From the outset Pobl Group outlined their aspirations to form a ‘natural extension’ to the award-winning Loftus Garden Village neighbourhood providing the new and existing community with an attractive place to come together, learn and grow.

Drawing on lessons learned from Phase 1 and informed by residents and stakeholder feedback, the attractive garden village, arts and craft style, green streets and kitchen garden network were identified as key components of the early concept designs.

As the project moves on, Pobl Group are committed to ongoing engagement which will include involving local schools, construction career engagement and regular community open site days. Pobl will also keep existing Loftus residents informed via regular updates on the dedicated Loftus website.

Opportunities to learn about sustainability, including enabling combustion free living, cutting-edge energy and drainage technology and biodiversity enhancement will form a central component to this engagement. In addition, employment and training opportunities will be created encouraging independence and inclusion in the community.

Masterplan

Understanding the place

Early identification of site constraints and opportunities informed the design process, helping to capture the full value of the site and create a development that is sustainable, accessible, and deliverable. The development is also strongly informed and directed by the original design principles generated for Loftus garden Village.

A good understanding of the context and character of the place was established during the Phase 1 development. The original garden village development was an opportunity to reflect on the past and create a new character for the area. Historic references to the site’s former uses were drawn upon, reflected in the naming of the development ‘Loftus’. The factory came to fame through Ruby Loftus, a young worker from Newport, who was painted by Dame Laura Knight to represent women at work for the war-time effort. The picture ‘Ruby Loft screwing a Breech-ring’, painted in 1943, was selected picture of the year at the Royal Academy Art show and attracted a considerable amount of public attention at that time.

Analysis of the site was prepared, guided and structured in accordance with the Welsh Government Site Context and Analysis Guide and TAN 12 Objectives of Good Design and informed the design from the outset.

A strong vision of place-led design principles was created to guide the development, building upon the success of the phase one development and championed the importance of low carbon living.

The site is sustainably located within an existing residential neighbourhood and is in walking distance of local amenities and schools. Key opportunities were identified to improve connectivity between the surrounding streets and community; address and enhance the “back land” nature of the site adjacent to the railway line; better integrate and connect natural elements; create spaces for leisure, social cohesion, and learning; locate, orientate and design for maximum solar gain; and champion lifetime homes principles and low carbon living.

 

Movement

The site will be served by a network of new and existing footpaths and cycleways that link to the wider area. The connecting routes will be attractive and comfortable, consistent with the encouragement of mobility for all.

A key pedestrian desire line exists between the two communities of Corporation Road and Somerton, via Soho Street underpass. The proposed scheme has enhanced this connect by realigning the existing PROW centrally through the site and providing an off-road pedestrian/cycle route straight though the heart of the site, along a new linear park.

Cycling is further promoted on the development with the integration of a Nextbike Station for public use on this route. Footpaths within the development actively connect and are further enhanced by the inclusion of green infrastructure throughout the development.

 

Mix of uses

The development will provide 54 homes comprising a mix of 1 bedroom apartments, 2 and 3 bedroom homes for social rent or shared ownership. Flexible ground floor design with two living areas gives the option to work from home. They will meet Welsh Government’ emerging ‘Beautiful Homes and Spaces’ Standards 2021.

The dwellings will sit in a well-connected network of open spaces comprising of different green space typologies. A comprehensive landscape, biodiversity and amenity strategy is proposed for the site, ensuring the integration of the development within wider open space, ecological and landscape features.

Additionally there will also be provision of community kitchen gardens that have worked successfully on Loftus Garden Village Phase One, providing space for people to come together and grow.

 

Public realm

Key concepts of placemaking, community focus, wellbeing and being closer to nature have driven the public realm strategy for the site.

The public realm and landscape proposals complement and extend the exceptional vision of the adjacent ‘Loftus’ development and exemplify the principles of a ‘Garden Village’ ethos.

The development will:

  • Provide a linear park providing an important cycling and walking link and opportunity for attractive planting.
  • Extend the Loftus ‘kitchen garden’ network for community food production and strengthen existing community initiatives by including a growing network.
  • Provide multi-functional open space for recreation, gatherings, events and food exchange.
  • Incorporate naturalistic, playful space with additional water attenuation allowing people to be close to nature, be active, or just sit in restful and restorative outdoor spaces.
  • Create doorstep play opportunities through creative public realm design, allowing children to develop and express themselves in a safe environment.
  • Embrace Green-Blue Street design principles creating attractive, safer environments and providing better environmental performance, integrating sustainable drainage and biodiversity benefit, while maximising opportunity for community interaction.
  • Incorporate planting that includes therapeutic species and that attract birds, insects and other wildlife.
  • Integrate rain gardens, further enhancing biodiversity, providing opportunity for tree avenues to balance the height of the houses, softening the street scene and improving microclimate.

 

Delivery structure

Pobl Group appointed a multidisciplinary team, including Hammond Architectural Ltd, to develop and design their Place-led vision for the site that embraces PPW10 and strive to meet the requirements of the Wellbeing of Future Generations Act 2015.

Both Pobl Group and Hammond Architectural Ltd are signatories to the Welsh Placemaking Charter and support and promote the six principles set out in the Charter.

As part of the ongoing design development process, the project team engaged with Newport Council officers and the Design Commission for Wales on how best to bring forward this site in a sustainable way.

A Section 2F – Pre Application Consultation Report (PAC) was prepared by Asbri Planning and feedback from this was taken on board where appropriate prior to submission.

The residential development will be brought forward by Pobl Group, an established, not for profit, social care and housing provider in Wales.

Collaboration with local suppliers, using Design for Manufacture principles established through partnership working and intelligent procurement are key features.

Collaborating with Wales-based off-site manufacturer Castleoak, the homes are ‘designed for manufacture’ with the aim of mainstreaming modern methods of construction (MMC). The design approach aims to maximise efficiency, flexibility and performance at every part of the supply, manufacture and delivery chain and recognizes that a good design interface can achieve good placemaking whilst also employing off-site/MMC.

Categories
News

Policy News

Future Wales

The Welsh Government published Future Wales: The National Plan 2040 on 24 February making it the first ever national development plan in the United Kingdom.

Future Wales is a long term plan setting out the Welsh Government’s strategic spatial outcomes; it integrates a wide range of policy goals; has been developed through a four year programme of extensive engagement and assessment; and its delivery will be driven by collaboration across the public, private and third sector.

Some of the main policy elements of Future Wales are:

  • Strategic growth should be focused in three national growth areas. Not all parts of Wales are expected to grow equally. Future Wales determines that growth should be focussed in established built up areas and in certain other places. In some growth areas there is a requirement to establish Green Belts to manage growth. National growth areas are complemented by regional growth areas spread throughout Wales.
  • A strong emphasis on sustainable placemaking. City and town centres will benefit from a town centre first policy which relates to commercial, retail, education, health and public service facilities.
  • In rural areas, growth patterns should be determined locally reflecting need.  The character, service provision and accessibility of places should determine the aspirations and plans for growth.  Future Wales prioritises vibrancy and quality of life over the pursuit of growth for its own sake.
  • Future Wales identifies where and how new major renewable energy development will be acceptable. This reflects the Welsh Government’s strong commitment to tackling climate change and the declaration of a climate emergency. It also identifies priority areas for district heat networks.
  • Future Wales sets out a framework for regional planning, identifying what Strategic Development Plans should look like and the policy areas they must address.
  • Flood risk in the growth areas should be addressed in a strategic way, while the plan places a strong emphasis on developing resilient ecological networks and green infrastructure.
  • There is a strong focus on delivering active travel, metro schemes and improving national connectivity. The transport policies complement the emerging Wales Transport Strategy – Llwybr Newydd.
  • A clear focus on the delivery of affordable housing helping to ensure that everyone has access to good housing.
  • Support for enhanced digital communications and a commitment to identify Mobile Action Zones where there is little or no mobile telecommunications coverage.
  • Support for the emerging National Forest, which will evolve over multiple sites across Wales.

Development management decisions, Strategic and Local Development Plans, planning appeals and all other work directed by the development plan will need to accord with Future Wales. This will ensure the planning system is aligned at all levels to work together to help achieve our objectives.

Future Wales provides clear direction for regional planning, requiring the preparation of Strategic Development Plans in the North, Mid Wales, South West and South East. The publication of Future Wales marks the beginning of this process, the implementation of Future Wales is key to ensure we achieve these outcomes.

Planning Policy Wales edition 11 changes

The publication of Future Wales has led to updates to Planning Policy Wales to ensure both documents align. The changes reflect wider legislative, policy and guidance updates along with:

  • Information about the Placemaking Wales Charter and the importance of requiring active travel and public transport infrastructure early in the development process.
  • The Covid-19 pandemic and Welsh Government’s Building Better Places document which pinpoints the most relevant planning policy priorities and actions to aid in the recovery. 

News in brief  

Categories
Public/cultural Reports

Caerphilly Castle Regeneration (April 21)

Categories
Press & Comment Press Releases

Swansea signs Wales Placemaking Charter

Categories
Reports Residential/housing

Narberth Road, Cardiff (March 21)

Categories
Press & Comment Press Releases

Appointments to the Design Commission for Wales

Categories
Comment Press & Comment

Opportunity to help DCFW Reimagine?

Categories
Reports Residential/housing

Ty Nant, Swansea (Feb 21)

Categories
Reports Residential/housing

Ysbyty Aberteifi, Cardigan (Feb 21)

Categories
Health Reports

Velindre Cancer Centre, Cardiff (Feb 21)

Categories
Reports Residential/housing

Glan Llyn, Newport (Jan 21)

Categories
Masterplan Mixed use Reports Residential/housing

Upper Cosmeston Farm, Penarth (Jan 21)

Categories
Publications

Design Commission publishes Places for Life II

Categories
Press & Comment Press Releases

Cyfarthfa Plan will reveal world importance of crucible of industrial revolution and work in harmony with nature.

Categories
Publications

Design Review Essentials

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Publications

Consulting the Commission through DCFW’s Design Review Service

Categories
Mixed use Reports

Curran Embankment, Cardiff (Dec 20)

Categories
Reports Residential/housing

Talgarth School Site, Talgarth (Dec 20)

Categories
Public/cultural Reports

Caerphilly Castle Regeneration (Nov 20)

Categories
Reports Residential/housing

Canton Community Centre, Cardiff (Nov 20)

Categories
Mixed use Reports

151-153 Bute Street, Cardiff (Nov 20)

Categories
Comment Press & Comment

Commissioner Elinor Gray-Williams discusses how we can inspire sustainability and build resilience with WalesBusiness

Categories
Reports Residential/housing

Channel View Development, Cardiff (Oct 20)

Categories
Press & Comment Press Releases

Search is on for three new Design Commissioners for Wales

The Minister for Housing and Local Government is seeking three new Commissioners to join the Board of the Design Commission for Wales (DCFW).
Applicants have until 9 November to apply for one of the three roles that will help make Wales a better place by championing high standards of design and architecture. An appreciation of and a strong interest in good place-making, design and architecture is essential.
Chaired by Gayna Jones, DCFW was set up in 2002 by the Welsh Government as a public body working throughout Wales to promote good design for our places, buildings and public spaces. The remit of the Cardiff-based organisation is to work with local planning authorities, investors, developers and commissioning clients to capture the value of high quality design; helping to deliver better outcomes, a better return on investment and greater public good. DCFW also nurtures the design talent and skills necessary for growth and innovation.
The Minister for Housing and Local Government, Julie James said: “If we want to make Wales a better place we need talented professionals to bring their skills and experience to the Design Commission for Wales”.

“The creation of high quality new development is a key element of our national planning policies and the Design Commission for Wales plays a crucial role in supporting the Welsh Government’s objectives in this area.

“The Design Commission for Wales’ board ensures the good governance of the organisation and I am looking for new, enthusiastic people to join the existing team to carry on their good work in promoting good design in the built environment across Wales. By having a strong and diverse board we will achieve good design which everyone across Wales will benefit from and enjoy.”

Gayna Jones, Chair of DCFW said: “We’re confident that there are some hugely talented and inspirational built environment enthusiasts and professionals out there, with the skills and experience to add a new dimension to DCFW.

“With a remit spanning the whole of the built environment in Wales, we are an expert, multi-disciplinary team and benefit from a very strong Board who actively champion high standards of design and architecture, We’re really keen to welcome applications from those with a background in design, place-making and architecture and a passion for good design. Together, we can help make Wales a better place.”

For more information on the application process and to apply, please visit https://gov.wales/public-appointments. Please contact the Public Appointments Team at publicappointments@gov.wales with any other queries.

Please see links below:
https://cymru-wales.tal.net/vx/lang-en-GB/mobile-0/appcentre-3/brand-2/xf-a7775671efbd/candidate/so/pm/1/pl/8/opp/6905-Commissioners-Design-Commission-for-Wales/en-GB

https://cymru-wales.tal.net/vx/lang-cy/mobile-0/appcentre-3/brand-2/xf-a7775671efbd/candidate/so/pm/1/pl/8/opp/6905-Commissioners-Design-Commission-for-Wales/en-GB

The role is also advertised on the Cabinet Office website at:
https://publicappointments.cabinetoffice.gov.uk/appointment/commissioners-design-commission-for-wales/

Categories
Reports Residential/housing

Creswell Road, Swansea – IHP (Sept 20)

Categories
Reports Residential/housing

Cedar Crescent, Swansea – IHP (Sept 20)

Categories
Reports Residential/housing

Ladyhill Day Centre, Newport – IHP (Sept 20)

Categories
Reports Residential/housing

Former Pirelli Cables Site, Newport – IHP (Sept 20)

Categories
Press & Comment Press Releases

The Placemaking Wales Charter

The Placemaking Wales Charter

Categories
Reports Residential/housing

Brynna Road, Brynna – IHP (Sept 20)

Categories
Reports Residential/housing

Pembroke Road, Pembroke Dock – IHP (Sept 20)

Categories
Reports Residential/housing

Heol Dinas Garage Site, Aberystwyth – IHP (Sept 20)

Categories
Reports Residential/housing

North Wales Collaboration Project – IHP (Sept 20)

Categories
Comment Press & Comment Uncategorized

Good design is intelligent and that’s how we should build places to live if we want better homes – Carole-Anne Davies

Good design is intelligent and that’s how we should build places to live if we want better homes – Carole-Anne Davies

Categories
Reports Residential/housing

Ysgol Llaingoch, Holyhead – IHP (Sept 20)

Categories
Reports Residential/housing

Land off Kilvert View, Clyro – IHP (Sept 20)

Categories
Reports Residential/housing

Land r/o Goodrich Crescent, Newport – IHP (Sept 20)

Categories
Reports Residential/housing

Glasdir (2), Ruthin – IHP (Sept 20)

Categories
Reports Residential/housing

Victoria Street, Cwmbran (Sept 20)

Categories
Reports Residential/housing

Station Road, Letterston – IHP (Sept 20)

Categories
Reports Residential/housing

Northop former United Reformed Church – IHP (Sept 20)

Categories
Reports Residential/housing

Land at Sageston, Carew – IHP (Sept 20)

Categories
Reports Residential/housing

Glanwern House, Pontypool – IHP (Sept 20)

Categories
Reports Residential/housing

Caerphilly Homes Innovation Programme – IHP (Sept 20)

Categories
Reports Residential/housing

Pantmaenog Forest, Sir Benfro – IHP (Sept 20)

Categories
Reports Residential/housing

Tremains Halt, Bridgend – IHP (Sept 20)

Categories
Reports Residential/housing

Five Crosses, Bwlchgwyn, Wrexham – IHP (Sept 20)

Categories
Reports Residential/housing

Is Y Llan, Llanddarog – IHP (Sept 20)

Categories
Reports Residential/housing

Sandfields redevelopment, Port Talbot – IHP (Sept 20)

Categories
Reports Residential/housing

Congregate Living, Monmouthshire Housing – IHP (Sept 20)

Categories
Reports Residential/housing

Plas Penrhyn, Penrhyn Bay – IHP (Sept 20)

Categories
Reports Residential/housing

Plot D9B, SA1, Swansea – IHP (Sept 20)

Categories
Comment Press & Comment

DCFW comment on Pier Pavilion, Llandudno (Aug 20)

PierPavilionLLandudnoSection73DeskTopEnquiry2482020

Categories
Mixed use Reports

Pier Pavilion, Llandudno – Desktop review (Aug 20)

Categories
Comment Press & Comment

DCFW’s response to Viridor proposal (Aug 20)

https://gov.wales/kick-start-new-welsh-schemes-heat-homes-and-businesses-using-city-centre-heat-networks

Categories
Reports Residential/housing

Land North of Marine Parade, Broad Haven (Aug 20)

Categories
Comment Press & Comment

19/03053/MNR 4 Dock Chambers – Part change of use (Aug 20)

Categories
Masterplan Reports

Bridgend Town Centre Masterplan (July 20)

Categories
Infrastructure Reports

Buttington Energy Recovery Facility, Welshpool (July 20)

Categories
Commercial Reports

Three Horse Shoes, Trecastle (July 20)

Categories
Comment Press & Comment

Statement in response to the interim report from South East Wales Transport Commission

Carole-Anne Davies, Chief Executive of the Design Commission for Wales has welcomed the publication of the interim report of the South East Wales Transport Commission . She said: “The South East Wales Transport Commission is considering how to reduce congestion, aid connectivity and demonstrate the need to consider transport and land-use planning comprehensively.

“As the Design Commission for Wales, we fully support efforts to align transport and land-use planning fully and strategically. As demonstrated in our collaborative 2019 Transit Orientated Development charette, we are working with Welsh Government, the Cardiff Capital Region, local authorities and Transport for Wales to help ensure that future investment in placemaking is well coordinated and aligned.

“Our work on placemaking through the Placemaking Partnership and emerging Placemaking Charter highlights the location of development and a movement hierarchy that promotes active travel and public transport as critical elements for success. It is, therefore, encouraging to see the emerging recommendations seeking to establish a network that will increase the modal share of public transport and active travel in the region, making it an attractive and viable alternative to private vehicle use.”

You can read the interim report here    https://gov.wales/south-east-wales-transport-commission-emerging-conclusions

Categories
Comment Press & Comment

Statement in response to the publication of Building Better Places

Jen Heal, Design Advisor at the Design Commission for Wales has welcomed the publication of Building Better Places. She said: “The planning system can help deliver a more resilient and brighter future for Wales.

“Recent months have shown us just how places and placemaking can make a real difference to our quality of life, our well-being and our economy. The planning system is central to this so we very much welcome the publication and confirmation of the commitment to quality and placemaking.

“As the Design Commission for Wales, we continue to work with design teams, local authorities, and developers to help deliver better places through good design. This includes our work with Welsh Government on the development of a specific strategic design review service for local development plans to ensure that strategic placemaking decisions help achieve the best outcomes.

“We’re also continuing to support the Placemaking Wales Partnership. In all our work right now we are also aiming to apply what we’ve learned throughout the most difficult months and promote better outcomes for all as we work together with Welsh Government to assist recovery.”

The Welsh Government publication can be read here.

Categories
Infrastructure Reports

A40 Llanddewi Velfrey to Penblewin – Redstone Cross (July 20)

Categories
Case Studies Public / Cultural

Galeri Phase 3 – Cinema Extension, Caernarfon

Three main phases of development have brought about the Galeri Caernarfon, from its original conception as the Creative Enterprise Centre to the multi-use performing and visual arts, education and business hub that it is today. They could not have been possible without the vision and commitment of the client body, Galeri Caernarfon Cyf Development Trust, and in particular their chief executive, and their ongoing vision that “anything is possible…through creative thought and sustainable action”.

To realise this vision, Galeri selected a design team of outstanding calibre, capable of producing a building which would be both appropriate to both its historic setting on the Victoria Doc quayside, overlooking the Menai Strait, and inspirational in its external and internal design so that it would aid the economic resurgence of the town. The success of the relationship between client and architect was such that they have now worked together on all three phases of the project to date, gaining widespread recognition and many awards, for the project and its impact.

Key Sustainability Points
The principal aims of The Energy Conservation & Management Strategy for the Building were to exceed current environmental legislation and approved codes of practice in line with the client’s aspirations for the building, thereby minimising raw energy consumption as far as is practicable and commercially viable.

Quotes:
Client testimonial
The original vision for Galeri was of a centre that would be alive with professional and community activities put together through creative partnerships with a range of organisations and individuals. It was to be a theatre but also, in order to ensure financial and creative sustainability, a hub for the arts and the creative industries in northwest Wales. Rentable studio and meeting spaces were additional in-built revenue generators as was the cafe and bar areas. The latter also being a vital element in the perception of Galeri as an informal social space open to all.
Since the original building opened in 2005, we have employed Richard Murphy Architects to successfully extend our theatre space in 2010 and we returned to them again in 2014 to design an extension to Galeri which now contains two new film theatres with seating capacities of 119 and 65 respectively at first floor level, above a new public entrance to the whole building a reception and new office and meeting space together with a shop and more creative and meeting spaces. This enables Galeri to release the existing 396 seat theatre for more mainstream events whilst at the same time enabling us to programme the latest cinema offerings on the date of release.
The extension was officially opened by the actor Rhys Ifans in September 2018 to unanimous popular acclaim. The extension has completed the Centre and, although a period of 15 years separates the original building from the extension, the design makes it feel seamless both externally and internally.
Whilst the new cinema and other spaces serve more than one artistic and commercial purpose its main effect has been in transforming the whole feeling or “vibe” in Galeri and in raising the perception of the Centre as a place where there is always something happening.
As always, working in a constricted physical space with a requirement to maintain full access to a functioning, publicly accessible building had its challenges. Working with a familiar and trusted architect enabled ourselves, as clients, and the whole team to meet those challenges successfully and to deliver another new quality addition to the built environment of the historic town of Caernarfon.

Categories
Case Studies

M-SParc (Menai Science Park), Anglesey

M-SParc (Menai Science Park) is the first dedicated science park in Wales with a focus on the low carbon energy, ICT and environmental sectors. The first landmark facility situated at the heart of the campus provides co-working space with offices, laboratories and workshops for a range of new and established businesses. The building brings these entities together within a collaborative workplace environment, capitalising on the exceptional natural setting to inspire innovation.

It has long been recognised that universities play a pivotal role in supporting industry and driving innovation; Bangor University is no exception. Together with the Welsh Government, the university took a bold step to establish this new science park on Anglesey to support emerging and mature businesses in the science and technology sector.

Located a few miles west of the Menai Straits, M-SParc is strategically located close to the main arterial route through the island, providing strong connections to a number of established low carbon energy and environmental businesses, not least of which is Wylfa, the site of a major nuclear power plant.

Planning and Design Process

Critical to the success of the scheme was the creation of a strong commercial community that would benefit from shared knowledge and expertise. This informed the decision to introduce a vibrant central hub into the building to act as a touch-down space, events venue and meeting point.

This ‘open innovation space’ forms the start and end point of a circulation ring linking all of the individual tenancies. It is defined by the concept of a folded ribbon of white material which extends out of the surrounding landscape, twists and bends to form the edges of the space, before arcing back down into the site. Thermoformed Corian, a material typically used in laboratory benching, offered the right combination of plasticity and durability to create the ribbon in the form of fluid rainscreen panels. The dynamic ribbon delivers visual impact and provides a clear front door through the open innovation space. This contrasts with the more mannered brick structure of the tenancy workspaces designed for efficiency to enable a low-cost rental offer for fledgling businesses.

Inside, the open innovation space captures many of the features which define the ‘co-working’ revolution in office space, with touch-down areas, events and meeting facilities, and a cafe. The folding white ribbon of the open innovation space frames the spectacular backdrop of the Snowdonia mountain range located a few miles to the south east.

With a focus on science and technology, the individual tenancy spaces have been designed around the concept of a universal science building, one that can adapt and respond to a wide range of work settings, using a carefully arranged building grid and servicing strategy. A central courtyard is surrounded by a ring of flexible laboratory and workshop spaces set out on a wider structural grid. A spine over the central corridor delivers essential services to these spaces whilst external risers can deliver additional ventilation and piped services to support more intensive laboratory activities. A range of office workspace is distributed around the external perimeter. Large glazed panels providing a generous amount of natural light and maximising views to the surrounding countryside and natural ventilation enhances the high-quality work environment.

The internal courtyard is a shared resource accessible from the open innovation space and the circulation ring, and is regularly used for ‘innovation community’ events and social meets.

Key Sustainability Points

The brief for the building was to outwardly celebrate and embody the sustainability ethos and credentials of M-Sparc and the companies that operate there, many working within the fields of sustainability and green energy.
The efficiency of the building envelope is maximised as the first priority to minimise the reliance on building services. Passivhaus principles are adopted as a starting point, with enhanced U-Values for all building elements, and an airtightness target of 3m3/h/m² for the whole envelope. The use of natural ventilation is maximised where possible, subject to functional space requirements such as lab ventilation.
The efficiency of building services was reviewed as the second priority to minimise energy use. Natural ventilation is supplemented by a mixed mode mechanical ventilation and cooling system. Natural daylighting is maximised with high soffits and a lack of suspended ceilings. Artificial lighting energy use is controlled by absence detection and daylight dimming.
LZC technologies have been fully integrated into the building. An LZC feasibility study established that photovoltaic cells were the most appropriate technology. Rather than placing these on the roof, they have been celebrated as a visible indication of M-SParc’s green credentials by integrating them within the landscape.
The building achieved a BREEAM Excellent rating with an EPC of A.

Quotes:

“It is rare that a brief is met so well as this one. The building had to inspire people as soon as they walked in, and it is to the credit of FaulknerBrowns that we see people commenting—almost daily, it is no exaggeration to say—what a ‘buzz’ there is once you step in the door. It is not just the shiny new-ness of it; we are years after opening now and people are still uplifted when they walk in. It truly is a space people want to work in, and we couldn’t ask for a better team to bring this vision to life.”      Pryderi ap Rhisiart – Managing Director at M-Sparc

Categories
Case Studies Commercial / Mixed Use

Canolfan S4C Yr Egin, Carmarthen

Canolfan S4C Yr Egin is a new 3,600sqm (net) headquarters and media-hub on the Carmarthen campus of University of Wales Trinity Saint David. It is the realization of a vision to bring together the creative, digital and cultural industries in west Wales and provide space for S4C television and other creative, ‘digital practitioners’ who will exchange information, innovate, create jobs and promote the Welsh language.

BDP designed Yr Egin in collaboration with the Carmarthen office of Rural Office for Architecture. Together, they created an exciting, elegant building which responds uniquely to the brief as well as the surrounding Welsh countryside.

Design and Planning Process
The design is the result of collaboration between BDP and Rural Office for Architecture and is based on the close relationship among the University, tenants and wider community. The three-way relationship is reflected in the simple triangular form that grows from Carmarthenshire’s soil. The tripartite arrangement is also reflected in the materials used with the smooth, glass form of the office space floating over a solid ground floor plinth which reflects the surrounding Carmarthen landscape.

The internal layout of the building is focused on a public foyer and atrium that links the three floors. The ground floor contains a café, broadcasting and performance space for the use of tenants and community groups. The layout encourages collaboration, communication and interaction among all users of the building; it’s where ideas are shared and developed, and acts as an incubator both for the establishment of new companies and a new generation of creative and technical people.

Key Sustainability Points

This low-energy, BREEAM Excellent building uses the shallow plan and flexible floor-plate to great effect through maximizing natural light and natural ventilation. The atrium provides essential stack-effect and input from M&E consultants, McCann, determined the free area required and most advantageous routes for ventilation flow. Requirements were facilitated by adjustments to the structural and architectural solutions with beam sizes altered and bulkheads adapted. Cost-in-use is optimised by bio-climatic design that minimises energy use; the BEMS controlled natural ventilation system, low emissivity glazing and high levels of insulation contribute to a Class A EPC rating. CIBSE TM52 & TM54 modelling was undertaken to inform the design and forecast future running costs.

Quotes:

“We love being here! There is always such a buzz in the building and there always seems to be interesting events planned in the Atrium at lunchtime; our staff never want to leave!”
Louise Harris, Director, Big Learning Company
“The centre will be the destination of choice with new enterprise hubs and high skill accelerator schemes to grow new businesses linked to the university’s portfolio. It will develop the skills of existing businesses and attract new investment into the region”
Gwilym Dyfri Jones – Associate Pro Vice Chancellor Trinity St David Carmarthen

References:

https://www.swanseabaycitydeal.wales/news/major-accolade-for-canolfan-s4c-yr-egin/

Categories
Case Studies Residential / Housing

Old Farm Mews, Dinas Powis

Four family homes of varying size on a narrow, steeply sloping brownfield site reflect an evolution of house typology responding to the siteʼs historic character. Employing a series of overlapping and interlocking volumes offers a legible, rhythmic, sequence of spaces. Seen together as a single, highly articulated composition, the houses assume the clarity and integrity of a genuine village street.

Design and Planning Process

With a location in a village Conservation Area, the architectural challenge was to provide four family homes of varying size on a narrow, steeply sloping brownfield site. Vacant for 30 years the site’s previous occupant was a petrol filling station and garage.
Contemporary design reflecting an evolution of house typology was a central client objective. Materials and form therefore reflect architectural currency but also respond to the site’s historic character, while providing dwellings that will meet future environmental standards.
The two semi-detached dwellings form a narrow frontage onto Station Road and repair the disconnection of the existing street. Together with local village facilities including a village hall, convenience store, bakery, restaurant, post office and three public houses, they complete an architectural embrace to the village square. To the north and west the site adjoins rear parking courts to adjacent flats. Seen as a new village mews, buildings are set in linear form to create a rhythm along the sloping axis of the site.
Each block contains a visually robust base topped by floating, integrated volumes. These project or recede, in response to the physical needs (shading, shelter, privacy, access to natural light) of the development itself and of neighbouring dwellings.
Accommodation is arranged over three floors with efficient layering of amenity space above functional spaces such as stores and car parking. Garden decks, roof top planting and intimate ground level courts, which are accessed from the main living areas, are irrigated as part of a rainwater attenuation system. These are resource efficient buildings, which harness passive solar gain and have a highly insulated fabric.
Construction of the building envelopes is timber frame. External cladding is a combination of rubble stone, render and pre-patinated zinc. Roofs are single ply PVC membrane, with areas of sedum and paving. Balcony Screens are Iroko and Windows are ‘Velfac 200’. Courtyards are enclosed by rubble stone walls.
Despite the 1 in 10 site gradient, level thresholds and ambulant accessible steps were employed. Inclusive design was ensured through the adaptability of all dwellings and their flexibility in use.
When planning permission for the project was sought, previously obtained permissions for commercial/mixed-use developments had lapsed. The site lies in the centre of a Conservation Area, immediately adjacent to a Grade II listed building and was subject to twelve Party Wall Notices. In addition, Old Farm Mews which provides vehicle access to the site and six adjacent dwellings, was subject to an outstanding Section 38 agreement with Vale of Glamorgan Council and is now adopted.
All of these issues were successfully resolved by the architect and despite the contemporary nature of the design, the project enjoyed the enthusiastic support of the planning authority’s Conservation Architect.

Key Sustainability Points

A holistic approach was taken to sustainability. This vacant, brown-field site situated in the heart of Dinas Powys village provided an opportunity for an infill housing development in an area of high demand. The high-density scheme offers four new houses to support a range of household sizes, ages and incomes. This proposal adds to mix of houses and flats that exist in the village reinforcing the social and cultural benefits of a mixed community. In addition, the new homes are now subject to different tenures of ownership and private rental.

Located on the site of a former petrol station, which had been vacant since 1983, the site is in close proximity to shops and amenities minimising the need for occupants to travel, especially by car. Public transport links are very good, with a bus stop within metres and the railway station a few minutes walk away.

Providing a mix of dwellings designed with flexibility of use anticipates that the occupants will have different needs over time and promotes the opportunity for home office arrangements.

At 70 dwellings per hectare, the density reduces the demand on other land. Four houses of 65sqm, 111sqm, 166sqm and 216sqm respectively give a total for residential accommodation (including carports) of 558sqm on a site area of 507sqm. Attenuation of rainwater run-off via sedum roofs, roof terraces and soak-aways are employed. All houses are metered and dual flush sanitary ware is installed.

New low energy street lighting replaced existing lighting under the agreed proposals for the road adoption contract. Movement within the development is along the current shared surface access with places of refuge provided for pedestrians along the southern edge of the new dwellings.

The quality of the materials employed and the rigorous design, enhance the quality of the environment. The project seeks to be an exemplar of sustainable design from an environmental, social and economic perspective and aims to encourage pride and cohesion in the community.

References:
Jacqui Walmsley RIBA, Studio Walmsley Architects, www.studiowalmsley.com
Karen Hoole RIBA, Hoole Studio, www.hoolewalmsley.com
https://www.ribaj.com/buildings/old-farm-mews-dinas-powys
https://www.eurig.cymru/old-farm-mews-dinas-powys–gorffennaf-2014.html
https://eisteddfod.cymru/sites/default/files/resources/Catalog%20Y%20Lle%20Celf%202014_0.pdf

Categories
Case Studies Public / Cultural

Gweithdy, St Fagan’s National Museum of History, Cardiff

Gweithdy celebrates the culture, heritage and skills of Welsh craft in a new gallery, workshop and visitor hub for St Fagans National Museum of History in Cardiff.
Translating from the Welsh as ‘workshop’ or ‘made by hand’, Gweithdy provides flexible gallery, workshop and demonstration spaces for a huge range of craft, science and archaeology activities and a hands-on exhibitions and learning activities. The exhibition highlights objects and materials from the National Museum of Wales collections that have become synonymous with Wales, its cultural richness, arts craft and making traditions.
Sensitive to its context Gweithdy is designed with environmental responsibility to the fore, drawing upon the collections in its form and materiality so that it is fully integrated into the renewed Edwardian woodland landscape setting at St Fagans.
Gweithdy is designed to be a hands-on, skill sharing experience where visitors experience the thrill of making for themselves, inspired by the skills of the past.
The educational programme puts learning at the heart of the building, not just the fit-out. The brief for the building was developed in line with the vision of the National Museum of Wales as an inclusive, participatory place for people.
The new building is located in the wooded landscape, deep in heart of this open air museum adding to the sense of discovery and delight.

Planning and Design Process
Among the client’s needs set out in the brief for Gweithdy are:

• A unique setting for learning, combining archaeology, history, oral testimony and intangible heritage in an open-air museum
• Engaging hitherto unrepresented communities and excluded audiences through a programme of co-curation, participation and collaboration
• More widely engaging with people in communities throughout Wales through digital and collaborative programmes
• Enabling people worldwide to participate in the Museum’s programmes and contribute to its work through digital media.
• Using the project to drive organisational and cultural change across Amgueddfa Cymru
• Being an exemplar of environmental sustainability in all its activities
• Contributing to the social, economic and environmental sustainability of Wales
• Encouraging visitors to take part, invent, design, experiment and build.

Feilden Clegg Bradley Studios developed their design approach based around the client’s brief, focusing on three main spaces within the new building and a number of areas required to service these. The major spaces within the building are:

Main Activity Space: The activity space, the largest space within the building at 480m2 is the main public exhibition space. The exhibition contains a variety of hands-on exhibits mixed with case-based artefacts from the museum collection. The space also contains an integrated group activity area large enough to house larger groups and a class of children.

The theme of the gallery is ‘Making History by Hand’ celebrating the skills of makers and encouraging visitors to learn these skills themselves. It is a hands-on, brains-on space which celebrates the creativity of our users, allowing them to draw inspiration from the products of past craftspeople and use it to make artefacts that reflect their own lives and experience.

Wet Activity Room
The Wet Activity Room provides a physical space for museum staff, artists and craftspeople to share their expertise with users. The activities within reflect and drive the Museum’s aim to provide opportunities for collaborative working, skill sharing and inspiring creativity.

Providing a physical connection between the space, the collections and the outdoor environment is key. The range and breadth of public programmes and collaborations are visible for all who visit the new building. Work produced within the space can be displayed in the external display settings. The space contains workshop facilities and also a kiln. This space can be used for both school groups and for paid courses or private functions. It has a direct access to the outdoor classroom and the event space.

Café Foyer
The cafe space is adjacent to the entrance and is important to the building both as a revenue generator and as a draw to get people into the building and the activity spaces. The cafe seats around 50 people with a provision for further outdoor seating during good weather.

The building also contains a reception area, toilet provision (including an accessible WC, a family WC and a changing place) and showers which can be used for those staying overnight in the experimental archaeology areas.

The Design
The outline of the building follows the line of the former Edwardian landscaped ‘rides’ on the south elevation and the west elevation. The triangular form of the building is cut off at the south end in response to the existing circular clearing. A bridge link across the medieval way follows the line and width of the minor ride whilst also providing an entrance to the building.

Gweithdy is wrapped in a skin which changes in reflectivity, transparency and opacity across the facade. The sharp lines of the glazing contrast with the organic nature of the site whilst the reflectivity breaks down the mass of the building by reflecting back its surroundings. The building skin is softened by using vertical timber battens which blur the edges between the light and dark reflective areas.

Split into two volumes, the higher element of the building, over the main activity space, requires a 5m floor to ceiling height, and is clad in wholly mirrored and fritted glazing above the continuous skin, to help blur the distinction between sky, building and trees.

The building is intended to sit lightly in the landscape and be enveloped by the natural vegetation which surrounds it over time. The proposals create relationships with a number of the rides and clearings from the 1908 landscape plan. The most important of these relationships is with the major clearing to the north west of the building which will become a flexible space which can be used as a performance venue.

A Conservation Landscape Management Plan produced for the Gweithdy development covered the future management for protected features and management of new lowland woodland planting and the existing forest habitats.

The roof structure over the main activity space is a semi-gridshell roof constructed from glu-laminated (GluLam) timber boxes and painted primary steelwork. The GluLam boxes act structurally to support the span of the roof and are ‘stitched’ together via a series of stainless steel dowels. These boxes are seen as an expression of the philosophy of the building, and their making is celebrated via box jointed corners, a jointing technique deliberately borrowed from the furniture industry. This is a deliberate attempt to create a synergy between the architecture and the exhibits on display in the gallery and as such a celebration of the making process involved in the building. They are filled with demountable acoustic panels which house electrical services such as smoke detectors, ambient background lighting and CCTV cameras.

Key Sustainability Points
The building targeted BREEAM Excellent against a bespoke set of BREEAM 2008 New Construction criteria to evidence its sustainability credentials. The forest location inspired a sustainable design and building form to tie in with the surroundings while the internal environment needed to be suitable for the museum pieces.

The building design and services strategy can deliver thermal comfort levels in accordance with CIBSE Guide A Environmental Design.

In line with best practice and adaption to climate change, the car park includes SUDS in the form of infiltration trenches and stormwater cells, designed to store the stormwater within the cellular units, allowing the stormwater to infiltrate to ground with an overflow pipe which discharges overland to the wooded area to the south of the car park. This allows a 1 in 100 year storm event plus a 20% allowance for climate change.

Gweithdy embraced the fabric first approach and significantly improved on the u-values required by building regulations. The building includes a sophisticated building management system with extensive energy metering to allow the Museum and facilities staff to ensure the building operates at optimum performance and identify where performance can be improved.

The building includes an air source heat pump which provides its renewables contribution and with the decarbonisation of the electricity grid will enable the building to continue to lower its carbon emissions.

The building includes a 12,000l/12m3 rainwater harvesting tank which meets 63% of the total predicted flushing demand for building for the best practice defined period of collection. To educate staff and visitors, the system is linked to the BMS to update and inform users of the savings made using the rainwater system.

In line with this, Gweithdy has been fitted with low flow sanitaryware including sensor taps, dual flush WCs and waterless urinals as well as shut off systems to the toilet areas when not occupied to reduce water consumption in use.

A Conservation Landscape Management Plan produced for the Gweithdy development covered the future management for protected features and management of new lowland woodland planting and the existing forest habitats.

Quotes:

“We appointed Feilden Clegg Bradley Studios to lead on the work of designing a new gallery building ‘Y Gweithdy’ within the Pettigrew designed listed landscape of St Fagans National Museum of History’ as part of the £30m Creu Hanes Making History project – one of the most ambitious projects undertaken by Amgueddfa Cymru – National Museum Wales.
FCBStudios succeeded in designing a delightful building which has been very well received by Museum visitors. It sits comfortably within the wooded landscape of the open air museum and acts as a portal for visitors to discover the new experimental archaeology recreated buildings on site. The design of the Building achieves a BREEAM ‘Excellent’ rating and successfully maintains stable environmental conditions through passive design for the display of museum collections. The attention to detail by FCBStudios successfully supports the collections and interpretation in the gallery and workshop studio in celebrating craftsmanship.
We now have facilities which consolidates St Fagans National History Museum’s position as one of Europe’s leading open air museums.”
Elfyn Hughes, Head of Buildings, Amgueddfa Cymru – National Museum Wales

‘Gweithdy’ is the Welsh word for ‘workshop’ – and this pavilion, set within the 19th Century woodland landscape of St Fagans open air museum, acts as a focal point for visitors and draws more people further into the museum park, in its location at a key crossing-point of paths on the site.
The building celebrates the culture, heritage, and skills of Welsh craft in a new gallery, workshop, and visitor hub; including a new coffee shop and visitor toilets.
It provides flexible workshop and demonstration spaces for over 500 items from the craft and archaeology collections of the National Museum of History, with a real focus on the tangible and ‘hands-on’ exhibition opportunities, both inside and outside.
A built-in forge under cover of the building canopy is used for metalwork demonstrations and other heavy crafts activities. The generous layout and provision of spaces internally, coupled with large clear span openings, serve the building users and visitors well.
The building is eloquently and calmly set out through a very simple triangular plan and longitudinal form. The client’s wishes were to avoid a Design & Build Contract, so that the details could be fully controlled on site. The use of repetitive patterns and timber signatures to help screen and camouflage the glazing, the provisions of a subdued palette, and use of natural materials, all help integrate the building in its woodland setting with great sophistication.
Internally, the main exhibition space includes large open spans and big structural openings, and the visible glulam structure contrasts with the hands-on, highly carved, and tactile displays on the floor directly below. The judging panel thought hard about whether this roof structure may have been better with a more hands-on, hand-made approach; but agreed ultimately that the clear spans and clear contrast in material use better complemented the current use of the building.
. The building has been designed to be a simple, but environmentally responsive form, and it does not fail to deliver this ambition in its calm, simple, and sustainable execution.
RSAW Awards Judges

References:
https://museum.wales/stfagans/gweithdy/
https://fcbstudios.com/work/view/Gweithdy-St-Fagans-National-Museum-of-History
https://www.arup.com/

Categories
Case Studies Commercial / Mixed Use

BBC Cymru Wales Headquarters, Cardiff

The BBC Cymru Wales Headquarters brings together a wide variety of studio, administration and support spaces in a single building. Open to the city, the highly flexible, energy efficient space provides a creative, collaborative and inspiring workplace for BBC staff. Located opposite Cardiff Central Station, the project occupies the site of the former bus station, creating a dynamic principal building for Central Square, a major new space for the city. The Design Commission for Wales worked closely with representatives of BBC Cymru Wales, Rightacres Property, Cardiff Council, Foster + Partners design team throughout.

Planning and Design Process
As a workplace the key focus was to create an environment where it is a joy to work, enabling staff and departments to work more collaboratively in open, shared and flexible creative spaces. We also wanted to enhance the visitor experience to strengthen the relationship between the BBC and their audiences.
The innovative spirit of the project is defined by the BBC’s vision to be the most creative organisation in the world, its commitment to create genuine public engagement and the idea to create an open and attractive workplace. Broadcasting studios usually require a controlled environment for operations, yet, the building manages to achieve the contrasting aims of the project to open up to the public as well as provide a high quality broadcasting hub for BBC Wales.

The objective for the new working environment to be one of the BBC’s most efficient and cost-effective workplaces, delivering increased value for money to the license fee payer, as well as the innovative nature of elements of the project, required the input of specialist trade contractors from an early stage of the design development work. This led to a collaborative ‘Design and Build’ approach being selected as the most appropriate form of procurement. Early engagement with the sub-contractors and a close-knit collaborative relationship between the developer, design team, main contractor and occupier enabled the project to be delivered on time and to budget.
Close collaboration between the client and the design team, including the developer, meant that the ‘Hot and Heavy’ elements, such as the fixed parts for the TV studios, could be procured along with the other base-build elements, during the construction process. This not only ensured cost savings, but also reduced delays in the process.

Another key aspiration of the project was to give back to the city. Vibrant city spaces are predicated on two major qualities: a density of users and a diversity of activities. Edged by the Principality Stadium, a cultural landmark, Cardiff’s popular retail heart and the busy Cardiff Central, the BBC Cymru Wales site met all prerequisites to form a vital urban space.

The challenge was to restore a sense of place and connection to the city that had been lost over time. The relocation of BBC Cymru Wales acted as a catalyst for change, creating the opportunity to regenerate a historic site and unlock the heart to the city – a chance to provide the welcome that Cardiff deserved.

Key Sustainability Points
• High performance envelope – to meet BREEAM regulations, 40% above Building Regulations Part L
• Rainwater harvesting with a 140,000-litre storage tank
• Low-flow sanitaryware providing a 68% improvement over the BREEAM baseline
• 400 square-metres of photovoltaic panels on the roof
• Daylight provision – through floorplate design and roof light
• Roof garden to enhance biodiversity and ecology as well as provision of outdoor space in a city centre location
• Active chilled beams that use less energy than a traditional fan coil system
• Very high-performance acoustics
• Provision of cycle storage and facilities with separate and safe entrance, 200 bike spaces, showers, changing and drying room facilities
• Provision for electric car parking
The building has been awarded BREEAM Outstanding Interim Certificate – Design Stage with a score of 87.2% and is on track to achieve BREEAM Outstanding. This achievement further demonstrates the collaborative and joined up approach of the BBC and the developer’s team.

Quotes:

Director of BBC Wales Rhodri Talfan Davies said: “This is the next exciting step in the journey as BBC Wales prepares to move to its new home. We’re thrilled by the progress to date and excited by the prospect of the relocation of our teams toward the end of 2019. Our developers, Rightacres, have been a terrific partner and have created a home that I know will inspire and excite our teams for years to come.”

BBC Director of Property, Alan Bainbridge said: “To hand a building over of this scale and complexity exactly on time and budget is an amazing achievement. We signed the agreement for lease back in December 2014 and the predicted handover date was today – it has been a fantastic effort by all parties and we now look forward to completing the fit-out ready for occupation next year.”

Chief Executive of Rightacres, Paul McCarthy added: “The completion of Three Central Square is testament to the successful partnership between ourselves as developer, BBC Workplace, Cardiff Council and Legal & General. It marks an important milestone in the development of Central Square and has been a team effort from start to finish.”

References:

https://www.fosterandpartners.com/projects/bbc-cymru-wales-headquarters/
https://www.fosterandpartners.com/news/archive/2018/04/new-bbc-wales-headquarters-moves-closer-to-completion/

Categories
Case Studies Public / Cultural

Copper Kingdom, Amlwch

Situated on the north coast of Yny Môn, Anglesey, Amlwch is home to one of the most historic ports in Wales and includes several Scheduled and Listed Monuments in its waterside Conservation Area.

Menter Môn and Amlwch Industrial Heritage Trust wished to provide a centrepiece to the port, and a recognisable image to create a destination which was consciously identifiable with Amlwch and its natural and built setting. Following the earlier Heritage Lottery Funded development plan for the port, Donald Insall Associates were commissioned to design this new visitor centre.

The main features of the centre were designed through carrying out innovative interpretations of the site and its context, offering a uniquely authentic building. The client consulted the Archaeological Trust so as to fully understand the site’s features, focusing on delivering key analogies of the historic relics of Amlwch Port within the new forms, materials and circulation, in order to provide visitors with a creative understanding of the built and natural environment and rich industrial heritage of Amlwch.

Design and Planning Process
The relics of six copper bins stood on the quay side. The project team decided that the last remaining roofed bin would form the core of the visitor centre. The new extension is within the floor plan of the existing copper bin and masonry, but the new form is delicately distinguished from the existing fabric by a linear composition of copper wraps around the elevations with new windows forming a seamless part of the design.

An excavated rock face ran along the rear of the copper bins, completely covered in ivy. In the existing roofed bin, a concrete block wall had been erected that obscured the rock face from view.

The exposed rock face was a key element in understanding the site and telling its story. Copper ore was once tipped down the rock face to the quay side, and beneath the ivy was evidence of historic mechanical fixings and copper ore staining.

Pulling the concrete block wall down to reveal and expose the rock face beyond would help illustrate the context of the site and amplify the setting of Parys Mountain, while providing an indoor visitor experience. Revealing the rock face was not an insignificant decision and proved the most demanding design and detailing challenge of the whole project.

Key Sustainability Points
In this context sustainability embraces three main areas. First is the notion of stewardship of the historic environment for the benefit of future generations. Secondly, the aim of minimising the use of non-renewable resources and reducing impact on the climate or other aspects of ecosystems. Finally, it addresses the financial and technical realities of carrying out conservation and alteration now and for the foreseeable future.

The project demonstrates careful conservation of a Grade II-listed historic monument to strict conservation standards, juxtaposed with a rich and tactile palette of new and natural materials. The decision not to re-point and clean the rock face of staining and archaeological leftovers internally was of equal importance to the painstaking conservation of pointing. Accepting the bins as industrial sheds, crude in form, wet, and imperfect – was absolutely integral to the Amlwch Industrial Heritage Trust’s vison and philosophy in delivering a truly authentic interpretation of the copper industry.

Quotes:

“We believe the design of the copper bins utilises some strong interpretative analogies: the timber chutes, the use of copper cladding, and exposing the rock face as a central idea behind the design thinking. The concept appears to have realised the challenge of combining a functional space with architectural concepts that relate to the heritage we are interpreting based on the copper mining industry of Amlwch.” Neil Johnstone, Heritage Manager, Menter Môn

References:

Copper Kingdom Visitor Centre

Categories
Comment Reports

Neuadd Maldwyn, Welshpool (Comment July 20)

Categories
Case Studies Commercial / Mixed Use

Tramshed, Cardiff

In the summer of 2014 Cardiff Council invited expressions of interest in developing the former redundant industrial Tram depot in Grangetwon, with a view to redeveloping the 0.5 acre land and building into a thriving mixed-use facility that would support both existing and future growing communities.

Located at the junction of Clare Road and Pendyris Street, the building is Grade II listed, due to its importance to the preservation of the history of the transport system in Cardiff. The depot was built between 1900 and 1902, originally to store trams, operated by the Corporation of Cardiff, later converted to store trolley buses, and later again used as the central workshop for vehicle maintenance to the City of Cardiff operational services.

The new development, Tramshed, by Loft Co, designed by EWA and AP, offers new uses including a multi-arts performance space, dance and activity studios, a new business incubator unit and 31 live/work loft apartments.

Design and Planning Process

 Listed Building Status: The early, developmental designs were submitted to the Listed Building and Conversation officer at the local authority in 2014. It was recognised that some of the most significant features of the Grade II listed building status were the main wide-spanning shell of the building and the roof structure. It was also established that the new design should seek to minimise interference with the fabric of the building.

Renovation: On the West elevation the existing openings were retained, providing new glazing and large sliding doors to celebrate their scale and purpose. The existing semi-circular windows to the South elevation are an important feature of the listed building. The developer sought to retain these and use them in-situ as part of a twin façade, sheltered by new double-glazed units.

Roof Structure: The wide spanning roof structure was the most important internal feature of the existing building and was therefore retained throughout. This allows it to be celebrated above the new performance space foyers and as an integral part of the character of each loft apartment. There are several double height spaces where the structure can be appreciated from entry level.

Renewal: The new uses in the building demand good daylight, views and access at ground level. Consequently creation of newly organised windows and doors were set out in relation to the existing facades, fitted within the openings of the established recessed brick panels and following the widths of the half round windows above.

The loft apartments have a tall space reaching up into the roof structure with new, tall vertical windows allowing natural light and views. The windows are tall and narrow to frame the views and address any disturbance from the nearby railway. They have an acoustic opening side vent panel, faced with a metal louvred panel to the outside, allowing attenuated ventilation.

The language of the tall vertical windows is continued at ground level to the North elevation for consistency, but also controlling the intrusion of new openings to the existing fabric.  Each business unit window has a sliding steel grille in front of it, both as a practical designed-in security feature but also as a continuation of the industrial metalwork aesthetic of the upper floor, which relates to the original industrial functions of the building.

Key Sustainability Points

 Building fabric upgrade: As the roof is the largest exposed area its thermal efficiency is significantly increased by the replacement of the roof covering with new insulated panels, that exceed current Building regulations. This in conjunction with insulation to the new floors and dividing walls provides highly efficient apartments.

Lighting: Natural daylight has been maximised to the office and residential spaces through use of existing openings and careful planning of new windows and rooflights.

Glazing: Existing single glazed rooflights and replacement windows have been replaced with highly efficient, thermally broken, new double-glazed units.

Awards

Wales Planning Awards 2016, commended

The Planning Awards 2017, best use of heritage in placemaking

RTPI Awards for Planning Excellence 2017

Finalist in Excellence for Planning in Built Heritage

Links

Home

Home


http://austinpartnership.co.uk

 

Categories
Case Studies Residential / Housing

Silver How, Llanhennock

Design and Planning Process
Silver How is a generous five bedroom home located within the Conservation Area of Llanhennock, a small village near Caerleon. The new dwelling replaces a dilapidated 1960s house that had been built next to an Arts and Crafts stable. Purchased at auction by a family with young children, Silver How occupies a sensitive site, dominated by several large, legally protected, ancient Oak trees.

Hall + Bednarczyk architects were appointed following the failure to achieve planning consent for two previous schemes. To better respect the site, it was considered essential to retain the early 20th Century stable while preserving the oak trees which are an important visual asset to the wider village.

While the new addition is twenty percent larger than the previous dwelling, reflecting the client’s overall programme of requirements, it presents a modestly scaled gable end to the street, where it reads alongside the subordinate stable building.

he 440m2 project was built over a fifteen-month period for a budget of approximately £2,000 per square metre. The design employs a steel frame, allowing a flexible layout to benefit from large spans and slender structure. This frees up an architectural composition which marries the lightness and transparency of modern construction with the permanence and heft of locally quarried sandstone. The skill of local masons was crucial to achieving finely edged stone detailing which aims to bring a contemporary sensibility and overall unity to the design. Framed by the ancient oak trees and retaining the mossy roof of the carefully rebuilt stable, Silver How is immediately established in Llanhennock’s Conservation Area.

Key Sustainability Points
Generous ground floor glazing benefits from the oversailing first floor which provides natural shade for high angled intense summer sun, while enabling warming winter sun to penetrate the ground floor plan. First floor glazing is reduced to avoid overheating. Integrated shading louvres and a flexible system of opening windows, frequently at high level for daytime security, facilitates effective and versatile ventilation.

The new building incorporates a highly insulated, timber-framed envelope fully encasing the structural steel frame of the building. The hybrid design of the wall section enables a sandwich construction that is full filled with insulation and minimises thermal bridging. The incorporation of the service zone behind the plasterboard ensures the integrity of the Air and Vapour Control Layer (AVCL) layer and ensures good airtightness.

The Arts and Crafts stable has a newly constructed roof insulated to current building regulations. Retrofitted wall and floor insulation greatly improve its thermal performance. A ground source heat pump provides 4:1 performance gain for the energy requirements of all the hot water needs, which include underfloor heating throughout.

The elevated site is in an Environment Agency flood zone 1 and is not at risk of flooding from rivers or sea.

Client testimonial from Emma Powell:
We knew we had chosen the right architects for us from our initial meeting will Hall + Bednarczyk. Their vision filled us with confidence and we couldn’t wait to begin. They enabled us to appreciate what we liked and what we really didn’t want for our home. They were thorough in understanding our requirements and how we wanted to ‘live’ in the house as a family with two young children as well as future proofing it for us.  We looked forward to our regular project meetings where Hall + Bednarczyk were keen to listen to us, offering advice and guidance along with constructive challenge, rooted in their obvious expertise and experience.
They made commissioning our own home a painless process and we always felt we were in safe, experienced and professional hands. They selected the right construction company for us and our awkward build site and the whole process was a collaborative team effort.
Our home is now a real showstopper and local villagers are as thrilled with the finished article, as we are! It sits perfectly with in the surrounding area, fitting seamlessly with the natural environment. The quality of design and vision surpassed all our expectations and we now have a home that is a beautiful, comfortable place for us and our children to relax and enjoy.

Client quotes from Grand Designs interview:
‘We were impressed by the quality of their previous projects and they instantly understood what we wanted,’ says Emma, ‘A feeling of light and space was our biggest priority, and in hindsight we are so glad that our earlier schemes weren’t granted planning permission because Hall + Bednarczyk’s design is superb.’
‘As first-time self-builders we were unprepared for the planning challenges, but our architect and builder couldn’t have been more helpful and turned the project around,’ says Emma. ‘Linking the old and new buildings gives real character to the house, and all the little details and quirky touches bring it to life.’
References:
(e.g. project/architect/engineer website)

Hall + Bednarczyk architects website: https://www.hallbednarczyk.com/
Azimuth Engineering: http://www.azimuth-engineering.co.uk/

Categories
Reports Residential/housing

Glasdir, Ruthin (June 20)

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Infrastructure Reports

A40 Llanddewi Velfrey to Penblewin, Pembrokeshire (June 20)

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Press & Comment

Jen – Places for Life Blog

Jen Heal is an urban designer and planner with a particular interest in placemaking in new and existing town centres and neighbourhoods. She is co-chair of the Design Commission for Wales’ national design review service and leads on the Commission’s placemaking agenda. Entries for the second Places for Life conference have just opened so Jen is taking this opportunity to explore how we can create better mixed use communities with a sense of place.

Categories
Press & Comment

Call for Entries: Places for Life II

Entries are now open for Places for Life II.

The Design Commission for Wales invites submissions of abstracts of up to 400 words for written reflections and/or articles on the theme of Places for Life for inclusion in a new publication as a follow on to the first Places for Life conference.

Held in 2016, the conference explored the connection between the places where we live and our health, well-being, relationships, access to work, social life, and impact on the environment. It brought together a multi-disciplinary group of professionals to engage with the subject and challenge the status quo.  The conference was followed up with a publication capturing post-conference reflections and key messages from the speakers, workshops and discussions, which can be found here.

We now encourage submissions from designers, planners, developers, surveyors, policy and decision makers, academics, artists, authors and others with an interest in what makes a great place to live and the difference that where we live makes to health, happiness and wellbeing.

The submission may be a reflection on the last four years since the Places for Life conference, research findings from studies that you have been involved in, new ideas, fresh perspectives or case studies.  It may relate to the current COVID-19 context but does not have to as we are looking for a range of perspectives on different aspects of placemaking. It could relate to a conversation, an idea, a shift in practice, or a change of thinking. Images, diagrams and illustrations to accompany the text would be welcomed.

Abstracts and essays may be submitted in English and/or Welsh language. Joint authorship is allowed. You may enter more than one abstract. All abstracts received will be reviewed by the Design Commission for Wales, and a range of proposals will be selected for inclusion in the publication. Abstracts will be judged on the merit of their critical response to the theme of Places for Life, clarity of structure and expression, and their potential to stimulate and contribute to the debate.

Authors of selected abstracts will be asked to submit text of no more than 3,000 words with relevant illustrations to be included in the publication which will be made available on Design Commission for Wales’ website.

Jen Heal, Design Advisor with the Design Commission for Wales said: “These are unprecedented times; never has the need to think and plan for the future of our places been so important. Placemaking is at the forefront of planning policy in Wales through Planning Policy Wales 10 (December 2018) and there is growing recognition of the long-term impacts of the places we make and the need for quality places not just quantity of houses.

“As we adapt to the new normal enforced on us by Covid-19, and think about what the future might hold beyond this period, it is important that we work together to promote good placemaking and build back better. That’s why we are inviting you to join the discussion by contributing to a Places for Life II document.”

Abstracts must be submitted to the Commission by Friday 3rd July 2020.  Selected authors will be announced by Friday 17th July 2020. Completed essays should be received by Design Commission for Wales by midday on Friday 7th August 2020. The selection and editorial decision of the Design Commission for Wales is final.

If your article is chosen to be included within the Places for Life II document, you will receive a copy of the publication and be profiled in future Places for Life activities.  Please contact Jen Heal, Design Advisor at the Design Commission for Wales if you have any questions and submit your abstract to Jen at the following email address:

E: Jen.heal@dcfw.org

Categories
Comment Press & Comment

DCFW Evidence Submission to National Infrastructure Commission Apr 20

DCFWNICFWEvidenceSubmission20420

Categories
Press & Comment

Statement on the Future Generations Report 2020

Carole-Anne Davies, Chief Executive of the Design Commission for Wales has welcomed the publication of the Future Generations Report 2020. She said: “As Future Generations Commissioner for Wales, Sophie Howe calls on us all as one nation to do the right thing, to champion change and to contribute to our national goals.

“Never has the need to think and plan for the future been so relevant. The way we plan, design and build our communities and infrastructure for the future is critical in addressing long-term challenges and ensuring well-being. That’s why we will continue to ensure that our work is fully aligned with the Well-Being of Future Generations Act and support the proper and consistent implementation of Planning Policy Wales 10. Together, we can make Wales a better place.”

You can read the full report here: https://futuregenerations.wales/wp-content/uploads/2020/05/FGC-Report-English.pdf

Categories
Case Studies Education

Ysgol Trimsaran

Ysgol Trimsaran is the first entire school building designed to Passivhaus standards in Wales. Identified as being in urgent need of replacement due to cramped and unsuitable learning conditions, a bright, new, healthy one-form-entry primary school with adjacent nursery was required. Inspired by the Welsh hillside context , the multi-level scheme nestles comfortably into the steep site and uses materials that reflect the heritage and landscape of the area.
The prominent hilltop site required a sympathetic design approach. Careful consideration was given to phased construction and safe user access throughout the build programme, allowing pupils to continue to attend the adjacent existing school.
A natural palette of materials creates a subtle and elegant aesthetic. Elevations are finished in a mix of slate tiles paired with Welsh larch and a sedum roof, drawn from the local supply chain and enhancing low carbon credentials. The timber structure is domestically grown Welsh timber frame.
The £6,300,000 project started on site in August 2016 and was completed in August 2017, within schedule and to budget by Dawnus Construction. The Passivhaus design required only a nominal uplift in capital costs of approximately £100sqm compared to the Welsh national average. This was justifiable for the client due to the added benefit of operational costs being reduced so dramatically.
Ysgol Trimsaran provides and uplifting learning space, rooted to its community through thoughtful design process. The new school has strengthened the sense of pride within the community, offering a place where people can come together and where pupils want to learn. The scale and flexibility of spaces allows teachers to execute different teaching methods that were previously not possible. The design of the school enabling good ventilation and daylight, contributes to the health and wellbeing of staff, and pupils alike.

Planning and Design Process
The combined vision of the client and project team sought to:

• Express the character and atmosphere of the school in line with the feedback from consultation with staff, pupils and parents from the village of Trimsaran.
• Create a dynamic range of stimulating spaces for teaching and learning that enable staff to teach according to modern pedagogies, providing flexibility for change and sustainability in the short and long term.
• Achieve effective but unobtrusive security that would help the users to feel safe in their new school and look forward to a new chapter of the school’s history.
• Ensuring that ancillary support and circulation spaces are optimised to work simply and effectively.
• Create a delightful, airy and uplifting building made from natural, sustainable materials that complement the Welsh hillside setting.
• Maximise natural daylight and ventilation, to create a healthy internal environment that delivers superior levels of comfort.
• Design a building that will be a positive legacy for the community, with communal facilities that will enable ownership and local pride.
• Achieve a high level of quality, reflected throughout the design and finish of the building.
• South facing elevations are shaded by overhead balconies
• Include mixed-mode ventilation, supported by MVHR (Mechanical ventilation with Heat recovery unit) with manual windows to be opened at the users discretion and window grills for night time purging.

Key Sustainability Points
The school is designed to Passivhaus standard and with a holistic approach to sustainability. Architype considered the Triple bottom line, profit, people and planet when designing and building this school. The school is providing opportunities for people and family’s as well as improving wellbeing. As the school is designed to Passivhaus standard it is guaranteed to perform well and consumes radically less energy leading to a substantial savings on energy costs.

“It is spacious, light and airy and has improved pupil’s pride and self-esteem. The temperature is constant thus improving concentration levels.” – Sharon Owen, former Headteacher at Ysgol Trimsaran

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A40 Llanddewi Velfrey to Penblewin, Pembrokeshire (Dec 19)

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Reports Residential/housing

Ffordd Glan-y-Mor, Aberffraw (Sept 19)

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71/72 The Kingsway, Swansea (Sept 19)

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Reports Residential/housing

Conwy, Llanblethian (Aug 19)

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Theatr Clwyd, Mold (Aug 19)

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Newhouse Farm, Llanblethian (July 19)

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Newport Transporter Bridge Visitor Centre (July 19)

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Maelfa Care-ready Living, Cardiff (July 19)

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Reports Residential/housing

Former Afan Lido, Port Talbot – IHP (Desktop reivew July 19)

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Reports Residential/housing

Former Glanhafod Junior School, Cwmaman – IHP (Desktop review July 19)

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Reports Residential/housing

Glanrafon, Llanwrst – IHP (July 19)

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Reports Residential/housing

Monmouthshire Housing Association Projects – IHP (July 19)

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Reports Residential/housing

Modular Extra Care – Porth, Treorchy and Mountain Ash – IHP (July 19)

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Reports Residential/housing

Coleshill Terrace, Llanelli – IHP (July 19)

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Reports Residential/housing

Golwg y Bryn, Ebbw Vale – IHP (July 19)

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Reports Residential/housing

Glasdir, Ruthin – IHP (July 19)

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North Wales Collaboration Project – IHP (July 19)

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Reports Residential/housing

Rowley’s Drive, Shotton – IHP (July 19)

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Reports Residential/housing

Former Larkfield Care Home, Rhos on Sea – IHP (July 19)

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Infrastructure Reports Uncategorized

A55 Junctions 15 & 16 Improvements (June 19)

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Reports Residential/housing

Capel Carmel, Llanfynydd (June 19)

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Mixed use Reports

Upper Cosmeston Farm, Penarth (June 19)

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Reports Residential/housing

H Factor, Aberfan – IHP (June 19)

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Reports Residential/housing

Heol y Ffynnon, Brecon – IHP (June 19)

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Reports Residential/housing

Amazing Grace Spaces, Newport – IHP (June 19)

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Reports Residential/housing

Biophilic Living, Picton Yard, Swansea – IHP (June 19)

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Reports Residential/housing

Sandfields Redevelopment, Port Talbot – IHP (June 19)

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Reports Residential/housing

48/54 City Road, Cardiff – IHP (June 19)

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Reports Residential/housing

Health & Wellbeing Pods, Wrexham – IHP (June 19)

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Reports Residential/housing

William Ainge & Lansdowne House, Welshpool – IHP (June 19)

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Reports Residential/housing

The Old Brewery Site, Aberystwyth – IHP (June 19)

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Reports Residential/housing

Carmarthenshire Wellbeing, Therapeutic and Social Hub – IHP (June 19)

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Marleyfield House, Flintshire – IHP (June 19)

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Reports Residential/housing

St Ishmael’s Eco Homes, Haverfordwest – IHP (June 19)

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The Patch, Llanharry – IHP (June 19)

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Reports Residential/housing

City Deal Partnership, Swansea – IHP (June 19)

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Gwynfaen, Swansea – IHP (June 19)

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Reports Residential/housing

Pantmaenog Forest, Sir Benfro – IHP (May 19)

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Reports Residential/housing

Gateway Christian Centre, Abergavenny – IHP (May 19)

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Reports Residential/housing

Killan Road, Swansea – IHP (May 19)

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Reports Residential/housing

Parc Hadau, Pontardawe – IHP (May 19)

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Reports Residential/housing

Hillview and Beaconsview, Swansea – IHP (May 19)

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Reports Residential/housing

Former Social Club, Bangor – IHP (May 19)

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Reports Residential/housing

Gwynfaen, Swansea – IHP (May 19)

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Reports Residential/housing

Southra Farm, Dinas Powis

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Berry Lodge, Newport, Pembrokeshire (April 19)

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Reports Residential/housing

Crynant Renewable Energy Village – IHP (April 19)

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The Patch, Llanharry – IHP (April 19)

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Hatch Active Factory Baglan – IHP (April 19)

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Reports Residential/housing

Redcastle Barn, Magor – IHP (April 19)

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Mixed use Reports

Upper Cosmeston Farm, Penarth (March 19)

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Commercial Reports

Parkgate, Westgate St, Cardiff (March 19)

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Reports Residential/housing

Channel View, Cardiff (Feb 19)

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Reports Residential/housing

Cefn Coed Hospital, Swansea (Feb 19)

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Mixed use Reports

Pantmaenog Forrest, Sir Benfro (Feb 19)

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Commercial Reports

Land adjacent to Waterloo Hotel, Betwys y Coed (Feb 19)

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Infrastructure Reports

A55 Third Menai Crossing (Jan 19)

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Case Studies Public / Cultural

Tŷ Pawb, Wrexham

Planning and Design Process

The Brief

The client brief asked for a new arts venue with three traditional gallery spaces separate from the existing market stalls. Early consultation with market traders and the wider community indicated concerns that the two activities might not sit well together. Recognising that there were potential benefits that the two could bring to each other, the architects, Featherstone Young, suggested the brief be revisited and they proposed only one dedicated gallery space with a series of looser, less defined spaces that both the market and art centre could share.

‘Baggy space’ concept

Featherstone Young refers to this as the ‘baggy space’ concept, where designers create a light-touch framework which enables others to fill the gaps. This ‘baggy space’ concept went on to be adopted by Jo Marsh, Creative Director of Tŷ Pawb, in the arts programming, building in looser space around the fixed touring exhibitions for shorter, more immediate exhibitions that respond to pressing local issues, now known as the ‘Urgencies’ programme.

Mix of uses

The main art gallery and looser exhibition/event spaces are supported by a range of other facilities including a performance space, learning centre, art shop (Siop/Shop), cafes and studios. These sit within and around the main market hall which is spatially conceived as an extension of Wrexham’s streetscape, with covered squares and streets that re-establish a shortcut through the building, linking out of town to town centre. Careful choreography of the spaces ensures openness and fluidity. Large cuts in the building’s floors and walls, open up spaces and put all activities on view. Sqwr y Bobl (People’s Square) is at the heart of Tŷ Pawb, and its transformative transparent curtains allow people to use this space for a range of different events.

Interactive wall

Wal Pawb (Everyone’s Wall) changes what could have been a large dividing wall between the market and main gallery into an interactive element featuring built-in seats, windows and large billboard with changing public art selected by a panel including the market traders and local community. The first commission by Katie Cuddon has proved to be a vibrant backdrop within Tŷ Pawb, often featuring in visitors’ social media posts.

Flexibility

Furniture within the building designed by Tim Denton and local community groups also borrows from the same streetscape language, and like the Sqwr y Bobl curtains, people can transform spaces by moving pieces around to suit different events.

Key Sustainability Points

Reuse

The project’s central brief and themes of re-use and the creation of shared space are in themselves intrinsically sustainable, this therefore being hard-wired into every stage of the design. The project has avoided waste production and unnecessary energy use of new-build by re-using and repurposing an existing building. The existing building fabric is re-used and uprated with additional insulation.

Thermal mass

The existing concrete structure – specifically the fine pre-cast concrete floor units – has been exposed internally to provide thermal mass which helps dampen daily temperature fluctuations and therefore unnecessary energy heating/cooling at different times of the day. This has also reduced the use and potential future waste of gypsum based building products, and their metal support framing, both high embodied energy products. Large areas of fairfaced block walls were used, which add to the exposed internal thermal mass as well as being extremely rugged, long-lasting and avoiding unnecessary use of finishing materials.

Materiality

Timber waste products (e.g. plywood) were used as finishing materials rather than high embodied energy gypsum and metal frame products.

Sustainable technologies

New, efficient mechanical and electrical plant has been installed throughout along with new, high-efficiency lighting.

Location

The new arts centre is embedded in the city centre, making use of current transport infrastructure and limiting additional journeys created by the use of the new facility.

 

“It (Tŷ Pawb) is welcoming, animated, open, unpretentious and multifarious, while also calm and dignified. If this can’t bring art and everyday life together, I don’t know what will.”

Rowan Moore, architecture critic, The Observer

 

Links

Home

Home


http://timdenton.info/

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Infrastructure Reports

Tidal Stream Energy Project, Ynys Mon (Dec 18)

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Reports Residential/housing

Newhouse Farm, Llanblethian (Nov 18)

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A40 Llanddewi Velfrey to Penblewin, Pembrokeshire (Nov 18)

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Reports Residential/housing

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Reports Residential/housing

Mumbles Hill House (Oct 18)

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Infrastructure Reports

Tidal Stream Energy Project, Ynys Mon (Oct 18)

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Mixed use Reports

Goods Shed, Barry (Sept 18)

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Mixed use Reports

Mumbles Pier and Foreshore (Sept 18)

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Reports Residential/housing

Mariner Street, Swansea (Sept 18)

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Mixed use Reports

Sunnyside Wellness Village, Bridgend (Sept 18)

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Reports Residential/housing

Box Bush Farm, Capel-y-Ffin (Additional comment Aug 18)

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Comment

Response to Public Consultation: Cardiff University CSM Building (Aug 18)

Please see below link to the DCFW response to Public Consultation Cardiff University CSM Building August 2018.

DCFW Response to Public Consultation Cardiff University CSM Building

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Reports Residential/housing

Croft Street, Cardiff (Aug 18)

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Reports Residential/housing

Howardian Centre Site, Cardiff (Aug 18)

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Rumney High School Site, Cardiff (Aug 18)

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Penmorfa, Abbey Road, Llandudno (Aug 18)

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Reports Residential/housing

Pennard Road, Swansea (Aug 18)

Categories
Case Studies Residential / Housing Streets and Spaces

Hammarby Sjöstad, Stockholm, Sweden

Introduction
Hammarby Sjöstad is a showcase urban extension containing a good mix of uses and sustainable residential development. A former derelict industrial site to the south of the city centre, the area is now identified as part of the city centre core. Masterplanned in the 1990s as part of the bid for the 2004 Olympic Games, the site was originally intended as a modern city district, with a core area housing the Olympic Village. Despite the failure of the bid, the original masterplan was largely adopted to govern the development and from the outset the municipality imposed strong environmental targets for buildings, infrastructure and transportation, alongside an ambitious goal of ‘twice as good’ (i.e a 50% reduction in overall emissions compared with new housing built in the early 1990s] – ref: http://www.hammarbysjostad.se/

Description
Location: Stockholm is located on Sweden’s east coast, to the west of the Baltic Sea. The central parts of the city consist of fourteen islands close to Stockholm’s archipelago. The new development district Hammarby Sjöstad (‘Hammarby Lake City’ in translation) spreads across the southern edge of one island, Södermalm, that is in Stockholm city core and the northern edges of two islands in the Greater Stockholm area of Nacka. The southern border of the central area of Stockholm was extended to incorporate the new Hammarby Sjöstad district.

Design and Development Process
The majority of this brownfield site was acquired by the City prior to undertaking a strategic master planning exercise. The City Planning Bureau divided the development phases into twelve sub-districts, and used an approach known as ‘parallel sketches’ to achieve a final masterplan for each of the twelve sub-districts: The City attracted three to four young innovative design teams to ‘test’ the strategic Masterplan and to draw up more detailed proposals for the sub-district. The city then evaluated the sketches and assimilated the best features from each to arrive at an agreed detailed Masterplan.

Subsequently a design code was prepared by the city and the design team in order to deliver the detailed plan for each sub-district. The design code implementation was secured in an appendix to the development agreement between the City and the selected development partner.

The code sets out principles under a number of headings:
 district character;
 layout, form and structure;
 architectural style;
 building types;
 building design principles;
 elements and colour;
 apartment standards;
 standards for additional services;
 design of courtyards and open spaces;
 detailed architectural and design principles for each plot; and
 the design of public spaces, parks and streets, including landscape, paving, lighting and street furniture.

The sustainable environmental measures are not part of the design code. In order to introduce diversity, each plot is designed and developed by a different team.

The built form is dominated by a 37.5m wide boulevard and transport corridor, connecting the key transport nodes and focal points. A grid structure has been used to organise the urban blocks with semi-open block form. The scale of development varies from four to five storeys along the waterfront and 6 to 8 storeys along the main corridor. Retail, food and drink uses are allocated at ground floor level fronting the major public space. Balconies are widely adopted to provide natural surveillance to the street, communal and private amenity. The buildings have a contemporary architectural style but sit within the traditional city block (and density) structure. Glass is used as the core building material, and is supported by the sustainability technology. Landscaped pedestrian and cycle routes benefit from the grid structure invested in by the city and form a permeable and legible environment. Developers are responsible for completing the external, semi-private landscape spaces within their urban blocks. The existing vegetation such as reeds and rushes are retained as a part of the new landscape and an existing protected oak forest has been preserved to create accessible woodland right next to the dense living environment. The development relates well to the waterfront and maximises views to water and green spaces.

Hammarby Sjöstad’s public transport system now forms a part of Stockholm’s integrated public transport network. Trams run along Hammarby Sjöstad’s main boulevard connecting with the city’s underground network and three new bus routes, including a night bus, all serve the area. In addition, a free pedestrian ferry links the southern part of Hammarby Sjö with the northern part on Södermalm (the next main island towards the city). A car-pool managed by car rental companies has been introduced, and is used by 7-8% of the total households.

Living spaces are generous by UK standards and a typical two-bed roomed flat has a floor area of 80m2, compared with the British new build average of 60m2. Floor-to-ceiling heights are 2.8m, rather than 2.4m, to allow more light. The homes vary in size from studios to five-bed family apartments.
Sustainability Credentials
Sustainability was integrated from the outset. This ensured that the necessary infrastructure was installed.

The key environmental measures include:

• Land decontamination and clearance, using biological rather than chemical treatment.
• Environmental assessment of all construction materials, which should be sustainable, non-hazardous and eco-certified where possible. The focus is on durable, recycled/recyclable materials such as glass, wood, steel and stone. The following materials are not permitted: chemically-treated timber; copper pipes for drinking water; virgin gravel and sand. Regular ‘eco-inspections’ are carried out to ensure compliance.
• The Combined Heat and Power (CHP) district heating system, fuelled by biomass and pre-sorted combustible waste provides most of the heat demand as well as generating electricity.
• The remaining heat demand is met by extracting waste heat from the wastewater treatment plant. The cooled and treated waste water is used in the district cooling network.
• A vacuum-driven waste disposal system conveys pre-sorted solid waste to be recycled, or used to produce heating and electricity.
• Domestic water consumption is reduced to 100 litres per person per day.
• Storm water is treated locally in settling tanks. It is then drained into canals which run through the site and is eventually released into the Hammarby Sjö, the adjacent sea.
• Solar panels and solar cells are installed on the roofs of some buildings.
• ‘Ecoducts’ ie planted viaducts and green corridors link the development with the vast forested area of the Nacka nature reserve to the south of the site.
• Substantial investment has been made in public transport provision, in the form of a new tram link, good bus routes, and free pedestrian ferry. A car pool with around 30 biofuelled cars is used by 10% of households. There are numerous pedestrian and cycle paths. The aim is for 80% of all journeys to be by public transport, foot or cycle by 2010.
• A methane digester is used to produce biogas for vehicle fuel and around 1,000 gas stoves in Hammarby. The remaining sludge is used as a fertiliser in the forestry industry.
• Super insulation [250mm+], low energy lighting and triple glazed windows are the norm.
• GlasshusEtt, information centre acts as a community education centre to promote sustainable lifestyles. The building itself has been constructed to achieve a good indoor climate with low energy consumption. This has been done through the installation of solar panels; using a biogas boiler to meet peak heating requirements; a biogas stove for the kitchen area; and a heat pump that takes the energy from the pumping stations own moist heat and the waste heat produced by the mains power installation, provide heating. For the first time in a Swedish commercial building the GlasshusEtt used a fuel cell (an advanced energy converter) generating oxygen and energy. Biogas is used for the fuel cell.

Evaluation
Stockholm Municipality have successfully used their power as a land owner to create in Hammarby Sjostad a remarkably successful and sustainable urban neighbourhood, combining a high quality public realm and residential area with a diverse range of shops, services and facilities. High levels of political leadership and municipal partnerships as well as an integrated planning approach and a collaborative design process, have ensured that the core principles of the masterplan were delivered. Key successes lie in the following areas:
• The use of the ‘parallel sketches’ approach resulted in a high quality masterplan for each of the sub-districts.
• A high quality of masterplan ensured a high quality of public realm, permeable urban form, accessibility for all and a successful green space network with a good mix of land use.
• The use of a design code raises the developments overall quality, whilst allowing for a variety of creative responses.
• Essential public sector partnerships and investment in infrastructure and public transport stimulated the market for residential development and helped secure sustainability criteria.
• Commitment to high standards of environmental performance based on ‘closed-loop’ technologies and district-wide solutions (50% reduction in emissions compared with the 1990s Swedish standard). By the time the development is completed it is estimated that residents will produce 50% of all the energy they need, via district wide systems which recover energy from liquid and solid wastes.
• A well-resourced, highly skilled team within the City of Stockholm, capable of making careful judgments about design quality.

Some opportunities were not pursued in terms of the environmental treatment and there is no provision for recycling the collected rainwater (e.g. for WC flushing); there is no overall carbon reduction target in the project; the renewable energy ambition has not been pursued to its full potential. Overall, Hammarby Sjöstad is a very high quality scheme exemplifying the benefits of well designed layout, good use of coding and a commitment to sustainable transport and utility infrastructure.

Acknowledgements
In June 2008 a delegation from the Commission was hosted by Professor Professor Gören Cars, Head of Urban Planning and Environment and Jerker Söderlind, Researcher at the Kungliga Tekniska Högskolan (Royal Technical Institute), and they provided an overview of the Swedish planning system. The Head of the Strategic Division (Planning Department), Torsten Malmberg, presented the strategy for the development of the city which provided context for the urban extension project at Hammarby Sjöstad. Malin Olsson, head of Division (Planning Department), and Kristina Meynes, Development Department of Stockholm City Council hosted the site visit.

Further information
Hammarby Sjöstad 2006 (Brochure) at http://www.stockholm.se/files/99800-99899/file_99882.pdf
Stadsbyggnadskontoret (2005) Kvalitetsprogram för gestaltning del av Lugnetområdet. Hammarby Sjöstad.
www.hammarbysjostad.se
www.stockholm.se/hammarbysjostad
Sweden’s green utopia: http://www.building.co.uk/story.asp?sectioncode=583&storycode=3096706&c=0

Categories
Reports Residential/housing

Tesco House, Cardiff – IHP (July 18)

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Reports Residential/housing

Stackpole – IHP (July 18)

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Reports Residential/housing

Boncath Over 55s Living – IHP (July 18)

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Reports Residential/housing

Mixed Housing, Burry Port – IHP (July 18)

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Reports Residential/housing

Pennard Drive, Swansea – IHP (July 18)

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Reports Residential/housing

H-Factor, Aberfan – IHP (July 18)

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Reports Residential/housing

Tros Yr Afon, Llanrwst – IHP (July 18)

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Reports Residential/housing

Sealand Avenue, Queensferry – IHP (July 18)

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Reports Residential/housing

Sefton Road, Old Colwyn – IHP (July 18)

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Reports Residential/housing

Ladyhill Day Centre, Newport – IHP (July 18)

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Reports Residential/housing

LLanbedr – IHP (July 18)

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Reports Residential/housing

City Road, Cardiff – IHP (July 18)

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Reports Residential/housing

Heol Dowlais, Llantwit Fadre – IHP (July 18)

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Reports Residential/housing

St Pauls’s Church, Barry – IHP (July 18)

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Reports Residential/housing

Amazing Grace Spaces – IHP (July 18)

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Reports Residential/housing

MMC Systems – IHP (July 18)

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Reports Residential/housing

Bowling Green, Newtown – IHP (July 18)

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Reports Residential/housing

Pennat Hall, Penmaenmawr – IHP (July 18)

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Reports Residential/housing

Bryn Bragl, Bridgend – IHP (July 18)

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Reports Residential/housing

Malthouse Lane, Llantarnam (July 18)

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Reports Residential/housing

Newhouse Farm, Llanblethian (July 18)

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Reports Residential/housing

Eco Valley Homes, Aberdare – IHP (June 18)

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Reports Residential/housing

Woods of Wales, Llangefni – IHP (June 18)

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Reports Residential/housing

Collier’s Way Phase 2, Swansea – IHP (June 18)

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Reports Residential/housing

Parc Yr Helyg, Swansea – IHP (June 18)

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Reports Residential/housing

Trem Elidir, Bangor – IHP (June 18)

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Reports Residential/housing

Parc Ceirw, Morriston – IHP (June 18)

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Reports Residential/housing

Goods Shed, Barry – IHP (June 18)

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Reports Residential/housing

Coed Darcy, Llanelli – IHP (June 18)

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Reports Residential/housing

Killian Road, Swansea – IHP (June 18)

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Reports Residential/housing

Great House Farm, St Fagan’s Cardiff – IHP (June 18)

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Reports Residential/housing

Cae Glas, Welshpool – IHP (June 18)

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Reports Residential/housing

Stone House, Dyffryn – IHP (June 18)

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Reports Residential/housing

Cwrt Canna, Llangan – IHP (June 18)

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Reports Residential/housing

Parc Eirin, Tonyrefail – IHP (June 18)

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Reports Residential/housing

Townhill Campus, Swansea (June 18)

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Mixed use Reports

Sunnyside Wellness Village, Bridgend (June 18)

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Reports Transport

The interchange, Cardiff (June 18)

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Reports Residential/housing

Box Bush Farm, Capel-y-Ffin (June 18)

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Case Studies Education

Ysgol Bae Baglan, Port Talbot

Planning and Design process

Concept

The school is divided into three teaching wings all directly linked to a large heart space. There are two independent learning pods to allow for a transient increase in pupil numbers and future expansion. Landscape and building designs were developed together to provide a seamless and coordinated series of events throughout the scheme.

Innovative engineering

Complex ground investigations results revealed a need to design a structural steel frame which transferred loads evenly across the ground. Early designs suggested piles would be about fifty metres. This was not only expensive but could have disrupted neighbouring sites during installation. An innovatively engineered solution for stiffening the ground was developed and this eliminated the need for deep piling and the risk of penetrating local aquifers.

Materiality

All external materials were selected for robustness and ease of maintenance. Elevations are largely engineering brickwork at ground floor with highly insulated render and composite panels at upper levels. There are some robust feature coloured rainscreen cladding panels supplied by Carea.

Multi-sensory environment

To provide respite from prevailing winds a sheltered courtyard was included which is visually playful with coloured glazed panels in the curtain walling suggesting a peaceful wild flower meadow. Way finding and colour schemes throughout the school replicate these colours complimenting other multi-sensory signage that enables visual and hearing impaired pupils to sense their environment through sounds, lighting levels, colours and textures.

Design champion

Neath Port Talbot were keen champions of design excellence throughout the project. Strong collaboration between client, design team and the contractor has delivered a school which has clearly inspired a sense of genuine ownership in its staff, pupils and the local community. Commitment to procuring and maintaining design quality is evident in the client’s appointment of the design team to complete Stage 3 before appointment of a main contractor. This ensured their aspirations could be developed throughout subsequent design and build stages. Their continued collaboration and involvement has been rewarded with this community focused scheme that more than meets their architectural and educational vision.

Key sustainability points

Energy efficiency 

Ysgol Bae Baglan is a highly sustainable project, achieving a BREEAM excellent rating and an energy performance certificate of A. Classroom elevations are located away from the noisy road allowing them all to be naturally ventilated.

Green technology

There are over 2,000 m² of photovoltaic panels on the roof and there is a large transpired solar collector which passively pre-heats air to warm the sports halls, reducing running costs.

Community use

The entire school is open to the community after school hours and is widely used for a variety of cultural, learning, social and sporting events. Central core spaces are designed for flexibility, allowing the space to expand and contract and accommodate a variety of activities. Opened by school patron, actor Michael Sheen, the large performance hall has already established itself as a well-loved, active community theatre space.

Image credits: James Morris & Jones Millbank

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Comment

Response to National Assembly for Wales Consultation: State of Roads in Wales

Please see below the DCFW response to the National Assembly for Wales Consultation: State of Roads in Wales.

DCFW-Consultation-Response-Roads-2642018

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Reports Residential/housing

Hafan Refuge, Newtown – IHP (May 18)

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Reports Residential/housing

Old Brewery Site, Aberystwyth – IHP (May 18)

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Mixed use Reports

Swansea Central (St David’s) (May 18)

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Mixed use Reports

Queens Arcade, Cardiff (May 18)

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Publications

Merthyr Tydfil Industrial Heritage Design Charrette

On 21st October 2017 at Cyfarthfa Castle, Merthyr Tydfil, the Design Commission for Wales and the Welsh School of Architecture at Cardiff University convened a multi-disciplinary team to scope the possibilities within the town and surrounding landscape in a bold visioning exercise that sought ways of making of Merthyr’s heritage assets something greater than the sum of its parts, underlining its true international significance.

The charrette – an intense day of ideas generation – considered how Cyfarthfa Castle, its extended landscape and built heritage might become an international quality visitor destination and experience, better promoting its already palpable sense of place. It considered new ways in which these central assets could be connected to other assets throughout the town and beyond to catalyse regeneration and tourism, maximise impact and return real public benefit. The findings highlighted four strategically integrated areas:

  1. A cathedral for our industrial heritage
  2. Weaving a connected landscape
  3. Beyond Cyfarthfa – Beyond Merthyr
  4. A year-round framework for events

The report recommends the pursuit of these strands and outlines the necessary resources, timescales and mechanisms required for them to realise their full potential.

You can download the documents here

CRWCIBL – Merthyr Tudful Ar Gyfer – Ardoddiad Charrette http://dcfw.org/wp-content/uploads/2018/05/DCFW_Merthyr_Report_Welsh.pdf

 

CRUCIBLE – Merthyr Tydfil Industrial Heritage – Design Charrette Report  http://dcfw.org/wp-content/uploads/2018/05/DCFW_MerthyrCharrette_web.pdf

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Reports Residential/housing

YMCA Bridgend (April 18)

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Reports Residential/housing

Box Bush Farm, Capel-y-Ffin (April 18)

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Public/cultural Reports

Maritime Centre, Porthcawl (March 18)

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Commercial Reports

Hensol Castle, outer courtyard (March 18)

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Infrastructure Reports

A55, Third Menai Crossing (March 18)

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Public/cultural Reports

Police HQ, Cwmbran (March 18)

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Public/cultural Reports

Maritime Centre, Porthcawl (Feb 18)

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Commercial Reports

21-22 Park Place, Cardiff ( Feb 18)

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Reports Residential/housing

Bradley Court, Cardiff (Feb 18)

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Hatch

Hatch Programme 2018

Here you can download a programme of Hatch events for the first half of this year so you can put the dates in your diaries.  Details of site visits and speakers will be announced when confirmed.

Please note that some Hatch events will now have an attendance fee as indicated on the programme.  This is to help cover costs and will help us to bring in speakers and to visit places that we wouldn’t otherwise be able to do.  This will be kept to a minimum with most events costing just £5 and others will remain free.

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Commercial Reports

Westgate Plaza, Cardiff (Jan 18)

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Mixed use Reports

The Ledger, Central Quay, Cardiff (Jan 18)

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Commercial Reports

Hafod-Morfa Copperworks, Swansea (Dec 17)

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Health Reports

Velindre Cancer Centre, Cardiff (Nov 17)

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Education Reports

Penyffordd CP School, Flintshire (Nov 17)

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Events

Hatch: Digital Placemaking

Join us for a co-hosted event by the Landscape Institute Wales and Hatch (DCfW) on Digital Placemaking.
Dr Jo Morrison will launch Calvium’s Ideascape: Digital Placemaking for Porth Teigr Report; a six month research project supported by the Porth Teigr Community Fund and sustainable developers Igloo. Its ambition is to inspire local communities to imagine how the creative use of digital technologies in the public spaces of Porth Teigr might foster new and engaging experiences for all those who spend time there. The event will explore how digital technologies can be used to support urban innovation and people’s experiences of the public realm. It will focus on regeneration and use the ‘Ideascape: Digital Placemaking for Porth Teigr’ project to illustrate how digital placemaking can enable rich social experiences in public spaces, help local economic activity to thrive and celebrate cultural heritage. After the presentation, the audience will be invited to have an open discussion with Jo and other members of the panel which has been specially convened for the evening.

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Education Reports

Sixth-form Centre, Cwmbran (Nov 17)

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Reports Residential/housing

Bank House, Trefin, Pembrokeshire (Nov 17)

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Reports Residential/housing

Maes Gwern, Mold (Oct 17)

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Mixed use Reports

Pier Pavilion, Llandudno (Oct 17)

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Reports Residential/housing

Mill St, Newport (October 17)

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Mixed use Reports

Felindre Urban Village, Swansea (Sept 17)

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Events

Merthyr Tydfil Industrial Heritage Charrette

9.30am start, closing with dinner and drinks at 7.30pm

Merthyr’s place in the history of Wales and the industrial revolution is clear, but despite the real progress that is now under way at Cyfarthfa, the town’s rich store of heritage assets has yet to achieve the coherence and national impact that it deserves. With bold vision those assets could yet stamp themselves on public consciousness in a way that befits the capital of the heads of the valleys – a place of regional, national and international significance.

The development of the City Region in south-east Wales presents Merthyr with a golden opportunity to use those heritage assets to carve out a place for itself as a destination comparable with similar places in Europe – an anchor site on the European Routes of Industrial Heritage – as well as a major contribution to a city region better balanced between its coast and hinterland.  With funding, there is potential to make a real impact through a creative and integrated approach to celebrating Merthyr’s industrial heritage.

The Design Commission for Wales and the Welsh School of Architecture at Cardiff University are convening a multi-disciplinary team to scope the possibilities within the town and surrounding landscape in a bold visioning exercise that will seek ways of making of Merthyr’s heritage assets something greater than the sum of its parts.  The one-day charrette will be supported by Merthyr Tydfil County Borough Council (MTCBC), Merthyr Leisure Trust and Merthyr Heritage Trust.  The event has been made possible thanks to funding from MTCBC and support from Design Circle RSAW South.

The charrette – an intense day of ideas generation – sets the challenge of considering how Cyfarthfa Castle and its extended landscape and built heritage might become a world class visitor destination and experience and promote the strong sense of place that is already palpable there.  It will also consider new ways in which these central assets could be connected to others throughout the town and beyond.

The event will be held at Cyfarthfa Caste and will bring together up to 60 creative minds – architects, landscape architects, planners, heritage specialists, museum and tourism experts and artists – in appraising the potential around Cyfarthfa and in the wider town and landscape, in order to sketch possible visions of the future.  An integrated multi-disciplinary approach is advocated.

Registration – Register your place via Eventbrite.  A £5 registration fee will be donated to Merthyr Leisure Trust’s Community Fund.

The event is open to all creative, interested individuals including architects, landscape architects, urban designers, planners, engineers, curators, branding and design consultants.  Contact DCFW for more information 029 20451964 connect@dcfw.org

Categories
Reports Residential/housing

Rhossili House, Gower (Aug 17)

Categories
Reports Residential/housing

Bank House, Trefin, Pembrokeshire (Aug 17)

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Comment

More with less: Designing for quality in the public estate and why it matters

Ysgol Bae Baglan by Stride Treglown wins Eisteddfod Gold Medal for Architecture

Public value should be the primary objective of any investment of public funds and resources in any project, shouldn’t it?  Now more than ever we need to recognise that quality and adding long-term value matters more than short-term capital cost. The latter is perhaps even the critical factor that drives value down and undermines the power of the public purse.  Public value matters because people and communities – the public – matter.

In a context of uncertainty and budget cuts, it is easy for governments and local authorities to be tempted by lowest cost options now, with insufficient regard to the problems and costs they may store up for the future.  The financial cost of designing and delivering a new building, for example, is easy to measure – a sum of the fees, material and labour costs.  However, the true value and cost of that building over its lifetime is much more complex to understand and cannot be simply represented by a number.  Designers are continually challenged to achieve more with less – arguably it is their key skill.  Decision-makers must take responsibility for understanding and meaningfully assessing the whole-life costs, value and impacts of publicly funded projects, irrespective of how well supported they may be to do so.  Cheap, political quick-fixes are not a good solution.

The cost of poor quality
Poor quality buildings will cost more to operate due to higher energy use, demanding maintenance requirements and the need for more frequent replacements and repairs due to lack of durability.  Poor quality places undermine health, well-being and productivity which, in turn, places greater strain on public services.  And, if bad design means that a facility is not fit-for-purpose or is underused because it is unattractive or uncomfortable, the investment will not have been good value.

The value of good design
We know, and have known for a very long time, that well-designed, quality buildings and places represent good value for public money.  Durable, good quality materials and carefully designed details reduce maintenance and repair costs.  Well-planned and integrated environmental strategies minimise energy consumption and cost and create comfortable, healthy environments.  Countless studies show that good building design can reduce the recovery times of hospital patients, increase the productivity of workers and help children concentrate better at school.  Good quality streets and public spaces can encourage walking, cycling and other activities and foster an environment for social interaction.

Moreover, investing in quality in the public estate is symbolic of the value we place on people and their communities.   What kind of a declaration do we make when we default to the cheapest solution, regardless of its potentially detrimental impact?  Public spending must demonstrate responsible, resourceful, good value investment.

Investing in the design process
The good news is that quality public buildings and places don’t need to cost significantly more to deliver and provide significantly better value for money in the long-term.  Investing in a talented design team and affording enough time for early design processes are key to unlocking this value.

Sunlight, daylight, fresh air and good views are freely available and contribute to well-being and sustainability.  Good designers will make use of these natural resources to minimise energy demands and create comfortable, delightful buildings and places that stand the test of time.

Good designers are creative problem solvers and will aim to find the best value solution within a given budget and set of constraints.  Having a multi-disciplinary design team working on the project from the outset will ensure that different problems are tackled in an integrated way.  Meaningful engagement with clients, building users and members of the public helps designers identify constraints and opportunities and allows them to shape the brief and response for the project.

Complexity in buildings adds costs.  Intricate junctions are more difficult to build and complex mechanical services can be more expensive to run and are more likely to attract maintenance costs.  Good designers simplify without compromising function or beauty; but simplification requires time and skill.

A good design process involves a cycle of testing ideas and refining the design in response to the results, leading to better understanding of how a building will perform over its lifetime, reducing risk.

Good design takes time and skills.  Cutting costs and reducing investment in design reduces quality and value in the long run.

An encouraging winner
This year’s Eisteddfod Gold Medal for Architecture winning project, Ysgol Bae Baglan is a case in point.  Designed by Stride Treglown Architects, the so called ‘super-school’ provides for children from age three up to 16.  The Gold Medal, supported by the Design Commission for Wales, recognises architecture as a vital element in the nation’s culture and celebrates architecture achieving the highest design standards.  Encouragingly, this year saw a higher proportion of publicly funded projects entered and short-listed than recent years.


© James Morris

Judges praised the winning scheme for the aspiration to unite a local community which suffers from high levels of deprivation.  The approachable and welcoming building provides a focus for the community and offers facilities for everyone to use, so that the whole community draws value from the school.

The classrooms are spacious and abundant with natural light, and the architecture provides inspirational spaces for play and learning.  A central stage allows for arts, performance and gatherings; for a shared environment where lives and their potential are shaped.

   
© James Morris

Ysgol Bae Baglan encapsulates the aspirations of the school and the wider community and, through good design, delivers quality and represents good value for public money which no arbitrary capital cost cap and truncated design process will ever reflect or enable.  Prudence does not reside in the cheapest or the fastest. Public investment should focus on public value.  It should say ‘we value these communities, these children, these people.’  It is entirely possible, and should be the norm, to set out and adhere to realistic timescales, budgets and value-driven objectives, in a clear vision for the outcomes we wish to result from our investment.  Let us not only aspire, but commit to make every publicly-funded project in Wales worthy of an award for design quality and public value.

Written by Amanda Spence, Design Advisor at DCFW

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Publications

Places for Life

Places for Life was the theme of the Design Commission for Wales’ autumn 2016 conference. The event explored the connection between the places where we live and our health, well-being, relationships, access to work, social life, and impact on the environment. The conference brought together a multi-disciplinary group of professionals to engage with the subject and challenge the status quo.
This document provides a summary of the event, distils and further explores some of the key themes in more detail.

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Publications

Design and Access Statements in Wales: Why, What and How

This guidance highlights good practice in the production of Design and Access Statements (DAS) in Wales.

The aim of the guidance is to:
– outline the benefits of undertaking a DAS,
– provide advice on what should and should not be included in a DAS,
– suggests a structure for the document; and
– highlights the issues it should address.

It also contains advice for local planning authority officers, when receiving a DAS to assess, on the questions to ask to ascertain if a robust design process has been undertaken and whether design quality is evident.

You can access the document here:  Design and Access Statements in Wales: Why, What and How

Categories
Publications

Board Diversity Case Study Report

Categories
Publications

Annual Plan 2017 – 18

Categories
Education Reports

Penyffordd CP School, Flintshire (July 17)

Categories
Mixed use Reports

111-112 Bute St, Cardiff (July 17)

Categories
Public/cultural Reports

Museum of Military Medicine, Cardiff (July 17)

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Reports Residential/housing

Custom House Street, Cardiff (July 17)

Categories
Case Studies Commercial / Mixed Use

One Central Square, Cardiff

Planning and Design Process

Brief

The project brief emerged following comprehensive collaboration between the developers team, Cardiff City Council and a wide range of stakeholders. Importantly, the building was to drive the wider masterplan for this area, now known as Central Square. The development creates a wonderful working environment with 360 degree views over the City and delivers a number of key objectives:

  • B1 office layout providing a net area of circa 135,000 ft².
  • Basement containing car and bicycle parking, changing facilities, waste management and building services.
  • Animation and interaction with the new boulevard created by the podium that leads into the double height entrance area that contains reception, administration facilities, business lounge and leads out to the external terraces.
  • Central core containing high quality lifts, stairs and toilet facilities providing the vertical link through the building and fit out flexibility.
  • Levels 00 and 08 each contain flexible floor plates that wrap around the buildings central core. Level 01 provides a balcony that overlooks the reception. Level 08 contains the more sheltered office ‘pod’ space that has access to an external roof terrace.
  • High quality facade treatment that commences with a ceramic granite clad base that is separated by a fully glazed element from the random precast concrete cladding above.
  • Landmark building that provides transparency and animation to the public realm, which is now a benchmark for future development.

Innovation

The façade treatment utilises the use of precast concrete cladding panels within a 1500mm space planning grid. Whilst this may normally restrict design, Rio have innovatively utilised three individually sized panel modules to create a random façade appearance. This high levels of glazing compliment this façade treatment to maximise the views out and daylight levels whilst maintaining a comfortable working environment.

Flexibility

The circulation core at the centre of the floor plate provides excellent flexibility. This design decision allows the floor plate to be subdivided into quarters or smaller units if needed. Provision for a future stair opening has been built into the reinforced concrete floor slab design to allow for the future interconnection of floors.

Layout

The business lounge created within the reception area was included within the base build with the tenant included within the fit out process. Creating a touchdown space for informal meetings, this facility has been received positively. Tenants looking to take up space at One Central Square see this facility as an added attraction.

 

Key sustainability points

BREEAM

A holistic sustainability approach to design has been adopted to deliver a BREEAM ‘Excellent’ rated building that limits its impact on climate change and enhances the local environment whilst also being highly efficient to heat and cool.

Thermal Mass

The building incorporates a concrete frame solution and utilises thermal mass to ameliorate the immediate effects of solar gain and assist in providing a more stable internal temperature profile.

Ventilation

Due to the City Centre location, it’s proximity to the Cardiff Central railway station and the need to design for call centre occupancy density, the building adopts an efficient mechanical ventilation system.

Day lighting

The building has been modelled using EDSL TAS design software with a view to obtaining the optimum balance between solar control, to minimise overheating, and glare reduction, for inner visual comfort and to maximise Daylight Factors. The building is achieving an average Daylight Factor across the net floor space of approximately 5%, towards the upper end of the BCO guidelines.

Renewable technologies

The fabric first approach to the environmental design of the building coupled with very detailed dynamic thermal modelling studies have resulted in minimal renewable technology being required to satisfy the requirements of Approved Document L and BREEAM. Roof mounted photovoltaic panels provide the renewable energy for the project.

 

Quote

“In choosing Rio to design our first building at Central Square we knew we would get a fresh approach to creating a flexible and sustainable environment that would meet the requirements of our target market. This has been reflected by the fact that the whole building was fully let within 6 months of PC. The buildings tenants have all bought into Rio’s design concepts which include a Business Lounge at ground floor, double height reception area and the highest quality finishes to the core facilities. Rio’s approach is to proactively continue the design process throughout the build period which has resulted in Rio delivering us a first class office building that the whole team are proud of.”

Paul McCarthy. Chief Executive of Rightacres Property, the developers behind the one million sqft Central Square Development

 

Links

Rightacres Property Company Limited

Rio Architects

Willmott Dixon Construction

McCann & Partners Limited

Arup

 

Photo credits: Phillip Roberts Photography and AGC Glass

Categories
Case Studies Residential / Housing

Silver House, Gower

Planning and Design Process

Meaning

Visually the homes embedded iconography attempts to capture the remote costal nature of the site, the vernacular heritage nearby and the need to respond to the often brutal weather fronts that pass over. The challenge was to create a home that would authentically confront these powerful elements and portray a conscious metaphysical awareness of forces acting on the home. This translates to a confident series of forms and roof planes and a subtle play of authentic materiality, expressed as seams, linings and cantilevers that all capture a certain spirit. The main mono-pitch roof creates a directional low profile defiant form that responds to the relentless wind and rain which blows from the open ocean over this timeless landscape.

Materiality

The heavy enduring material language of the ground floor responds to the medieval tradition of dry stone walling found in the area. Sharply defined portal windows with integrated seating and the solidity of concrete all add to a heightened sense of domicile and protection from the oncoming storms. Living spaces are found at first floor resting on exposed timber beams which themselves learn from the tectonic construction of agricultural buildings nearby. A sound recording studio located within the basement gathers natural light through volumetric skylights level with the external landscape

Structure

The structural logic of the home is a conversation between light and heavy building elements reinforcing a specific atmosphere within. Heavy and protected at ground floor within the bedrooms, light, uplifting and liberated at first floor, with views, light and ocean. This translated into a built reality of in-situ concrete at ground floor and a glue-lam timber frame at first floor that is exposed and experienced. A strong sense of horizontality and directionality is introduced by a timber ring beam separating both floors that cantilevers out towards the Atlantic Ocean. This separating layer symbolically reinforces the building; breaking its mass, creating a lower profile with a confident sense of orientation and purpose.

Layout

The programme responds to the contextual limits imposed upon the site, both pragmatic and poetic. Planning constraints involved the relationship of the home to adjoining owners, window to window distances and dominant views south to the ocean. The position of the house to the east is defined by the existing entrance and the need to provide direct vehicular access to a discreetly positioned car port, this helps ‘push’ the form to the west allowing ‘room to breathe’ between both the proposed home and the adjoining neighbour’s home. The entrance to the home is located centrally and this derives its position in turn from the need to arrive at a key central point within the home at first floor, maximising drama and the views that the main open plan living space provides. The kitchen is located to the east to harness the dawn light, the main living spaces face the views and mid-day sun and the master bedroom is purposefully positioned to the west, facing the setting sun.

 

Key Sustainability Points

Approach

During the design stage, the architects guided the clients through the complex maze of alternative choices with regard to sustainability, ensuring value and lower running costs – without compromising architectural integrity. Passive strategies were first considered before suggesting technological solutions.

Fabric-first

With a fabric-first approach the architects maximised the performance of the specified components, products and materials that make up the building prior to considering the integration of mechanical or electrical services. This reduced capital and operational costs, improved efficiency and reduced carbon emissions along with reducing the maintenance of the home.

Ventilation

Natural ventilation is encouraged through openable vents strategically positioned on opposite sides of the home encouraging air to and from indoor space working to regulate internal air temperature and bringing fresh air in and stale air out of the home.

Insulation

One of the biggest impacts reinforcing the above strategy was integrating high levels of insulation to reduce u-values on all external elements. U-Glass channels are located to the north elevation to reduce glare and contrast from the large glazed areas to the south.  To counter and reduce heat loss to this façade each individual glass component channel was filled with an Aerogel – Aerogel is among the lightest and most effective insulating materials in the world.

Glazing

The south facing aspect integrates large areas of glazing to maximise heat gain while a large overhang reduces the solar gain from the summer sun – preventing over heating in the living spaces.

In additional to the above, a high-efficiency gas boiler was specified and installed, and the house was designed to achieve a low air test rating.

Photo credit: David Schnabel

Categories
Infrastructure Reports

A40 Llanddewi Velfrey to Penblewin, Pembrokeshire (June 17)

Categories
Hatch

Discovering Wales’ post-war architectural delights

Virtual Hatch! Discovering Wales’ post-war architectural delights
Thursday 1st June 5-7pm

June’s Hatch meeting clashes with the start of the Champions League Final in Cardiff, so we are going virtual!  This means you can join in from wherever you are, so please mark the date and time in your diary.

Good post-war architecture and design in Wales, as with the rest of the UK, is often overlooked, and many examples have been forgotten or demolished. This month, we are setting Hatch the challenge of hunting out the best examples in Wales so we can highlight their design quality.  Whether it’s a beautiful Brutalist building or a Modernist feat of engineering, we want to know about it – so get exploring!

Between 5pm and 7pm on Thursday 1st June we want you to Tweet us as many examples of good post-war architecture and design in Wales and you can.  You can Tweet us photos and a description or a link to a website.  If you don’t use Twitter, please email us your discoveries in advance and we’ll Tweet them for you.  We want to create a bit of a buzz about this, so please try to stick to the timings.  We will add all the examples to this Pinboard: https://uk.pinterest.com/desgincfw/post-war-architecture-in-wales/

Use @HatchDCFW and #PostWarArchiWales when Tweeting.

Need inspiration? Listen to DCFW Design Review Panelist, Richard Woods on how Post-War Architecture inspires him:

Categories
Reports Residential/housing

Bradley Court, Cardiff (May 17)

Categories
Infrastructure Reports

North Wales Connection Project (May 17)

Categories
Infrastructure Reports

Wylfa Newydd Main Site, Anglesey (May 17)

Categories
Mixed use Reports

Mamhilad Urban Village (May 17)

Categories
Comment Hatch

Exploring the Potential of the National Development Framework

By Efa Lois Thomas

On the 2nd of March 2017, Hatch members came together with Young Planners Cymru for an event at DCFW that provided and opportunity to explore the potential of the National Development Framework (NDF). It was particularly interesting for me, as I come from an architectural background, not a planning one, but I thoroughly enjoyed it. It was interesting to think that the preparation of this plan could have real impact on what happens on the ground in Wales in the next 20 years.

The presentation began with an explanation of the National Development Framework, how Wales needs an overarching vision for planning, how we want to create change in our communities and what makes a good place. We also discussed how Planning Policy Wales will be reviewed and integrated with the NDF.

We then split into two workshop groups, one discussing the National Development Framework and the other thinking about the objectives of planning and sustainable places for Planning Policy Wales.

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The National Development Framework workshop considered the 20-year national development plan (which will replace the Wales Spatial Plan) and the key issues that face Wales now and in 20 years’ time . Some very interesting ideas were discussed including: the inherent potential in linking the NDF to the Well-being of Future Generations Act and Active Travel Act, how large nationally important projects might be reflected and, on a smaller scale, how every town and village could have safe routes for people to walk to amenities, and how the focus should shift to more sustainable travel methods, such as cycling or trams.

We also discussed how the character of some towns is being slowly eroded by the impact of national retail chains, resulting in the closure of local independent businesses and the loss of a sense of ‘place’.

The potential for Wales to increase and improve its tourism industry, through better marketing and planning emerged as a key theme. We discussed how some towns outside of Cardiff have tourists commuting from Cardiff to get there, just because there aren’t enough hotels in the capital. We also considered how the protection of historic Welsh place names could potentially become part of the NDF as they are something completely unique to Wales, which is a perfect opportunity for marketing tourism.

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On the subject of decarbonisation, we discussed exciting opportunities presented by the tidal lagoon projects, as well as how the devolution of control over natural resources could affect Wales’ carbon output. It was also raised that, in an ideal world, there should be financial incentives to reinsulate existing housing stock as the ineffective use of energy greatly affects the amount of carbon that is used.

We also briefly explored the potential of re-wilding Wales’ farming landscapes and the impact of changes following departure from the EU.

After half an hour, we swapped workshop groups to go to a workshop on Planning Policy Wales.

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This was much more focused on the potential of what the Planning Policy Wales specifically could do to rectify the problems that Wales currently faces.

We discussed how planning should operate, for example, whether putting planning notices on lampposts is an outdated custom.  The issue that current demographics that are usually consulted in planning are either those over the age of 65 or school children was raised and we considered what could be done to rectify this.

A complicated issue that emerged was how to give a town or area that arises from a new development ‘soul’ and ‘community’. We discussed how some areas on the outskirts of Cardiff only have two supermarkets, a school and a few housing complexes and what could be done to make this place better.

We then had a discussion about why people wouldn’t want to live in certain areas, and what makes people feel safe in a particular area. I was personally reminded of Jane Jacob’s theory in ‘The Life and Death of Great American Cities’, about having eyes on the street, and people feeling ownership of the street. We explored what makes us personally feel safe and what may deter us from walking somewhere, but feel perfectly comfortable in a car or a bus. We then considered whether improving the safety of some areas would make people want to live there.

The evening concluded with a brief Q&A session with the representatives from Welsh Government’s Planning Division. It was an enlightening evening and it was very exciting to see what could potentially be shaped into the Welsh landscape over the next 20 years.

Efa Lois Thomas is at Part 1 Architectural Assistant at Austin-Smith:Lord and Winner of the National Eisteddfod Design Commission for Wales Architecture Scholarship 2016.

Categories
Reports Residential/housing

Edlogan Wharf, South Sebastopol (Nov 17)

Categories
Reports Residential/housing

Bradley Court, Cardiff (April 17)

Categories
Commercial Reports

Turbine Manufacturing Plant, Swansea (April 17)

Categories
Commercial Mixed use Reports

Former Taff Vale Shopping Centre, Pontypridd (March 17)

Categories
Education Reports

Swansea University Student Precinct (March 17)

Categories
Reports Residential/housing

St Cyres School Site, Penarth (March 17)

Categories
Reports Residential/housing

Glasfryn Lane, St David’s (March 17)

Categories
Infrastructure Reports

The Kingsway Infrastructure Project, Swansea (March 17)

Categories
Comment Press & Comment

Welsh Ways: DCFW’s NDF proposal for a national tourist route in Wales

The Planning Directorate at Welsh Government has begun work on the production of a National Development Framework (NDF).  The NDF will set out a 20 year land use framework for Wales to replace the current Wales Spatial Plan, and provides an exciting opportunity for good design to add value through a coordinated approach.  In a response to a recent call for projects, the Design Commission for Wales submitted a proposal for a national tourist route for Wales.

Download the full proposal here: DCFW’s Welsh Ways NDF Project Proposal

Coordinated by the Design Commission for Wales, Welsh Ways is a proposed Wales-wide project which will harness the power of good design and planning to enhance people’s experience of the magnificent landscapes in Wales, whilst adding value to the tourism industry and rural economies.

The project will identify and promote scenic routes around Wales and commission interventions along those routes which engage people with the landscape and its natural resources and heritage.

The routes will allow for a variety of travel modes, including driving, walking, cycling and public transport options, with interventions including viewing areas, picnic spots, rest areas, public toilets and transport stops.  Each  intervention will be carefully designed in response to a deep understanding of its place in order to showcase the beauty of the landscape setting, design talent and craftsmanship.

To achieve best value from the project, a number of organisations will collaborate to coordinate the various aspects of the project which will be led by the Design Commission for Wales.  The ethos of the project closely follows the seven goals of the Well-being of Future Generation (Wales) Act, by addressing issues of economy, resilience, environment, tourism, culture, heritage, health, community and inclusivity.  The commissioning of design and construction teams for each of the interventions will encourage innovative and collaborative practice, supporting and promoting design talent.

As a core project of the Wales’ National Development Framework (NDF), Welsh Ways provides a useful strategic, nation-wide project which meets Welsh Government’s objectives for sustainable place-driven planning with minimal capital investment.  Welsh Ways can be used as an exemplar early-win to demonstrate the value of the collaborative, integrated, strategic approach to planning and place-making in Wales endorsed by the NDF.

Download the full proposal here: DCFW’s Welsh Ways NDF Project Proposal

Categories
Masterplan Reports

Central Quay, Cardiff (February 17)

Categories
Commercial Reports

Wood Street, Cardiff (Feb 17)

Categories
Events Hatch

Hatch: Exploring the potential of the National Development Framework

Exploring the potential of the National Development Framework (NDF)

a joint event with Young Planners Cymru

 

Starting with light refreshments

A great opportunity to contribute your thoughts and design/planning talents to the shaping of a nation!

The Planning Directorate at Welsh Government has begun work on the NDF which will set out a long-term land use framework for Wales.  Hear from the Welsh Government team working on the NDF and their vision for Wales, discuss opportunities for design and collaborative working to shape the future of Wales, find out how you can get involved and make a real impact as work begins on this important piece of work.  We like to think of this as a giant masterplan design exercise for the whole of Wales, and work is just starting on defining the brief and analysing the site and context; so it’s a great time to get involved.

There are a couple of things you can do now to help you prepare for the event…

  1. Read Alister Kratt’s short essay, ‘Welsh Plan: National Vision’.  Written for DCFW’s LandMarks publication in 2015, it considers the opportunities the NDF offers.  Here’s a link to the publication: http://dcfw.org/landmarks-publication/
  1. Consider the following questions:
  • What are the overarching issues for Wales in relation to land use and infrastructure?
  • What makes a sustainable place?
  • What information, resources and evidence exist which could be useful in understanding Wales as it is now? (maps, databases, research…)
  • How could the public be effectively engaged and consulted during the preparation of the NDF and subsequent reviews?
  1. Take a look at the current call for projects and evidence: http://gov.wales/topics/planning/national-development-framework-for-wales/call-for-evidence-and-projects/?lang=en

Please let us know if you will be attending connect@dcfw.dev

Find out more about Hatch here http://dcfw.org/hatch-dcfw-network/

Categories
Reports Residential/housing

Northcliff Lodge, Penarth (Feb 17)

Categories
Reports Residential/housing

Bradley Court, Cardiff (Feb 17)

Categories
Mixed use Reports

Felindre Urban Village, Swansea (Feb 17)

Categories
Reports Residential/housing

Wren’s Nest South Sebastopol (Feb 17)

Categories
Health Reports

Maggie’s Centre Cardiff (Feb 17)

Categories
Reports Residential/housing

Newbridge House, Abergavenny (Feb 17)

Categories
Case Studies Public / Cultural

Coed y Brenin Visitor Centre, Snowdonia National Park

Planning and Design Process

Rural context

The location within a National Park required the architecture to reflect the rural landscape. The extension needed to sit lower than the existing building, as not to dominate or detract from the main visitor centre. This was achieved by partially sinking the extension into the landscape to accommodate two floors, and topping it with a flat brown grass roof, camouflaging it into the surrounding woodland. The new entrance extension acts like a limpet, hugging the existing building and protruding from below its eaves. Its shape follows the curve of the external wall of the existing building.

Sympathetic materials

The choice of home-grown timber and sympathetic material specification places the building humbly into the breath-taking landscape. Over time the materials have weathered naturally, and the building has become ever more unassuming in situ. The building is the first Brettstapel constructed building in the UK to be made from from domestically grown and manufactured softwood.

Key Sustainability Points

Passive principles

Whilst embracing innovative technology, for which the building is celebrated, the design also intends to eliminate unnecessary technology and reduce complexity. Architype has employed ‘passive principles’ to ensure good and robust performance that depends on the integrity of the building as a whole before turning to add-on renewables. The design orientates the building for optimised natural daylighting, with solar shading for the summer months. Triple glazed windows and the elimination of thermal bridging prevents heat loss, as well as rigorous insulation made from recycled newspaper which forms an important ‘duvet layer’attributing to the building’s outstanding airtightness, ((0.93a.c.h@50pa). Mechanical Ventilation with Heat Recovery (MVHR), is the highest performance heat recovery system (in excess of 90%) and severely reduces the need for additional heating during occupation.

Sustainable materials

We ensured that all of the timber used on the Coed-Y-Brenin project came from sustainable, FSC certified sources. We were in the unique position to specify much of the timber from the clients own Welsh woodland, including Western Red Cedar for the balcony and Larch, felled on site for the external cladding. We chose timbers that needed little or no treatment, both to reduce the environmental impact, and help the new building fit harmoniously in the woodland landscape. With all of these timbers locally sourced and processed, the overall carbon footprint was dramatically reduced avoiding excessive shipping distances of heavy materials, which would have otherwise been incurred.

Sustainable technologies

The scheme has been designed to BREEAM Excellent and is on course to achieve this rating. Measures to achieve this have included a sedum roof, specified by a conservation team, sustainable waste drainage, a woodchip boiler, which alone incurs an operational cost of approximately half of the conventional energy price.

Quote

“The new visitor centre at Coed-y-Brenin is not only architecturally pleasing, it’s also a fantastic example of how local timber can be used to excellent effect.”

Rob Penn, British Writer, Photographer and Broadcaster

Categories
Commercial Reports

Land adjacent to Waterloo Hotel, Betwys y Coed (Jan 17)

Categories
Mixed use Reports

Swansea Central (St David’s), Swansea (Jan 17)

Categories
Mixed use Reports

Slate Quay, Caernarfon (Jan 17)

Categories
Case Studies Education

Cwm Ifor Primary School, Caerphilly

Planning and Design Process

Concept

The flexible plan of Cwm Ifor Primary School provides a very much learner-oriented design, with a greater emphasis on informal learning areas and the elimination of traditional corridor spaces. Located in a socially deprived area of Caerphilly, the new school facilities have been strategically located on the school grounds to encourage people from all around to take pride in the facilities and increase attendance at the school.The brief placed emphasis on the need for the design to embrace the school’s culture and ethos of community and support.

Layout

The timber frame solution incorporates a large open plan dining/café/performance social space at the heart of the building which opens up to the adjacent hall, increasing its capacity for school performances and activities. Arranged off this central space are four wings accommodating the foundation stage, infant, junior and staff administration facilities.

Learning space

Through extensive consultation, Architype arrived at a radical layout which is unique compared to traditional classrooms off corridors for ‘Stand and deliver’ education. The scheme adopts a smaller class size with shared hub spaces, breakout spaces, outdoor classrooms, inhabitable walls and nooks for various learner directed activities with small groups and one-to-one sessions.

Flexible space

Sliding doors and folding partitions between spaces feature heavily allowing for multiple arrangements of different sized spaces, including opening up the classrooms to the outside for indoor/outdoor learning.

Key Sustainability Points

Eco-minimalism

Architype’s eco-minimalist approach rejects the need for complexity and largely focuses on careful analysis to develop effective solutions that significantly reduce energy consumption through robust, simple design and detailing.

Passive principles

In partnership with Caerphilly County Borough Council Building Consultancy, Architype applied their simple design principles that enable the architecture to do the hard work in saving energy and reducing environmental impact. The building shape, form, section and orientation are designed to achieve useful solar gain and to control solar overheating. High performance triple glazed windows and elimination of thermal bridges through excellent detailing have helped to achieve a low airtightness value. The entire school is naturally ventilated, with minimal extraction in the kitchen and toilets. Careful M&E design reduces system energy losses and water consumption. Lighting levels are achieved by exceptional levels of natural daylight and when required, low energy efficient lighting.

Sustainable materials

A simple palette of sustainable, low-embodied energy materials has been specified which includes a timber structure, cladding and joinery and recycled newspaper insulation. The finishes use non-polluting manufacturing processes and include non-toxic organic paints and stains made from natural oils, resins and pigments. Floor coverings are from a choice of cork, recycled tyre matting or linoleum flooring made from linseed oil and jute.

Local suppliers

Where appropriate the selection of materials has been considerate of their social impact e.g fairly traded. Local materials have been given precedence such as Welsh timber, Welsh Warmcell insulation and local sandstone paving.

Sustainable technologies

The roof, with differing levels, houses a green sedum cover to increase and maintain bio-diversity in the area. It also holds as a strip of solar panels for renewable energy generation. The scheme achieves BREEAM ‘Excellent’ through a robust palette of natural materials, off-site timber closed-panel construction, meadow grass green roofs, untreated UK timber cladding, high levels of insulation, natural lighting and ventilation and on-site renewable energy generation with an innovative roof membrane integrated PV system.

Categories
Case Studies Education

Burry Port Community Primary School

Planning and Design Process

Concept

The new-build aspects of the scheme are a triumph of innovation and sustainable construction, not to mention an exemplar use of Welsh timber, for which the new buildings are entirely constructed. In line with Passivhaus requirements, the honest, pared back form of the new junior years building is wrapped in continuous air-tight duvet layer from the foundations-up. To give a fresh and natural aesthetic, the envelope is clad in Welsh larch and topped with a contemporary zinc standing seam roof.

Construction

The elliptical pod building, constructed using the Brettstapel method, is one of the first examples of Brettstapel construction being used in the education sector in the UK. The technique poses as a showcase for Wales’ abundance of low-grade softwood, Douglas Fir and Sitka Spruce. The pod provides important break out space for the pupils, used for assemblies, performance and activity based learning.

Key Sustainability Points

Passivhaus

The sustainable Passivhaus strategy that benefits the schools excellent building performance is met with an innovative low-carbon approach to design and construction. The Brettstapel in particular is a great example of this, maximising the performance of low-grade softwood components allowing them to be used structurally whilst providing a natural, toxin-free interior finish that complements the internal air quality.

Local materials

Renewable, low-tech construction techniques are utilised throughout the scheme in particular on the Welsh timber frame and façade. Besides the inherent excellent sustainable credentials, the two new buildings showcase the capabilities of Welsh timber and promote the material to the industry, with positive consequences to broaden the market for Welsh timber.

Sustainable materials

The eco-specification continues beyond the construction aspects of the scheme and is continued throughout the interior. Wood wool acoustic panels made from a mixture of pine, spruce and poplar wood fibre strands, bound with magnesite and treated with natural salt have been specified for the ceiling panels. Other materials have included recycled tyre matting in areas of heavy footfall and natural vegetable oil stains on interior ply finishes.

Quote

“This is the new home for the children of Burry Port – for their children, and probably their grandchildren too. We can’t even begin to explain the difference this building has made to us – the children think it’s very cool. The pupils love their new, eco-friendly classes they are light and spacious, providing an excellent environment for learning.”

Alison Williams, Head Teacher

Categories
Case Studies Residential / Housing

Millbrook House, Lisvane

Planning and Design Process

Brief

The existing house, which made way for the new dwelling, was centrally located on the plot, cellular and inward looking. Initially a feasibility Study was carried out to determine whether the existing house could be refurbished and altered to suit the family’s brief. However the position of the dwelling on the site together with the desire have an energy efficient home resulted in the outcome of the feasibility study as a replacement dwelling. Early Pre-Application discussions were conducted with the LPA to gauge their positon.

Concept and materials

Conceived as a series of building elements that float and overlap each other, a simple palette of materials have been utilised to construct this new dwelling. A ground floor brickwork ‘garden wall’ that winds inside and out of the house, bringing the garden in, sits under a floating Accoya clad timber first floor. A zinc roof drapes and folds over the central spine of the building, expressing the ‘bones’ of the timber structure that support it, whilst also providing solar shading to the south and protection to the north side of the dwelling. The exposed brickwork wall that weaves through the site and home is a bespoke hand-made blend and the different tones within each brick, reflect and speak to other materials selected for the project. Large extents of glazing to the south and east provide key visual connections to the external landscaping and exploit the benefits of passive solar gain. This 5 bedroom dwelling is extensively automated including a home office, cinema room, gym and play room.

Layout

The new dwelling opens up the landscape by moving aside allowing the creation of a spacious central courtyard which the building carefully wraps around. The family kitchen and dining area, which is linked to the living area by a double sided fireplace, forms the main internal elevation, with a music room providing a bookend to the house, the glazed entrance gallery links the two. The courtyard arrangement allows the family to be connected even when using different parts of the house. Large sliding doors with level thresholds allow the kitchen, dining and living areas to be opened up to the landscape and external dining areas. Passive design principles have played a key role in articulating the form of the building and this provides the tectonic language to the building facades and character. With inspiration taken from the arts and crafts movement, Millbrook House utilises materials in a special way.

Key Sustainability Points

Passive design

Passive design first principles have been key to the development of the scheme, including site orientation, high performance glazing to ‘open’ south facing facades, smaller openings to the north facing ‘barrier’ walls and low air permeability. A ‘B’ EPC rating has been achieved. The first floor has been shifted to over-hang over the main living spaces to create a suitable shade from excessive summer sun. All light and heating fittings are controllable via state of the art technology and wireless systems, to enable the house to adjust to suit different external and internal climates.

Light and ventilation

A shallow plan has been carefully articulated to enable natural light and ventilation to work effectively, dramatically reducing the energy demand on the building.

Materials

Externally the limited palette of material selected includes imperial sized brickwork and Accoya, which has properties that match or exceed those of the best tropical hardwoods and treated woods, yet is manufactured using wood from sustainable sources. These materials are very robust for the site conditions reducing the need to replace materials often and minimal short and long term maintenance is required by the clients.

Water management

A rainwater harvesting tank has been installed for toilet flushing, irrigation and laundry. Surface water is carefully managed and is finally connected sustainably to the stream on the site.

Links

Loyn & Co

Photo credit

Stale Eriksen

Categories
Case Studies Residential / Housing

Stormy Castle, Gower

Planning and Design Process

Brief

The existing main house was to be demolished and replaced with a contemporary dwelling that responds sensitively yet positively to the site, creating a timeless, high-quality architectural solution carefully integrated into the landscape. A functional brief was provided by the client which identified desirable and undesirable characteristics in order to guide the design, without being prescriptive. Fundamental to the brief was the desire for a low energy, low maintenance, sustainable, lifetime home achieving a high level Code for Sustainable Homes.

Site location

The site lies in an exceedingly sensitive rural location on the North Gower coast, on the edge of National Trust land, occupying an elevated position. It lies within a designated Area of Outstanding Natural Beauty near to the remains of a Celtic hill fort. The site is remote and is accessed off a shared private track.

Engagement

The architects knew that the project could be controversial, replacing a ‘familiar’ farm house with a contemporary dwelling on a highly visible site in an ‘Area of Outstanding Natural Beauty’ could be met with opposition. The design team tackled this by engaging with the LPA from an early stage to gain their support. They approached as many local groups as possible in addition to presenting the scheme to the ‘Design Commission for Wales’ and the local Community Council. In the case of DCfW following a successful first review the scheme was developed further and subsequently re-submitted. This meant that the planning application was submitted with confidence, however, the proposal was a departure from Planning Policy and a difficult scheme to convey. A vast collection of drawings, models and documentation were produced to cover many aspects of the proposals to communicate the scheme to the public and in particular the lay committee members who would be visiting the site.  These documents included a summary document which explained the scheme in brief from a lay person’s point of view. 

Materials

Principal materials selected for the project were insitu concrete, using GGBS, the only logical material for an earth shelter construction, with elements of Corten and glass. This combination gave the required low maintenance and longevity, whilst providing a raw, honest aesthetic appropriate to the site. Concrete is widely used in the local agricultural buildings, as is rusted metal, which also tones magnificently with the rich brown orange of the surrounding bracken and landscape generally. Having considered the optimum way of building into the hillside, the form has been designed to respond to the fall of the land, and recognising that the new house should respect the beautiful landscape setting; flat ‘green’ planted roofs, which along with improving the insulation also create useable terraces, were logical design decisions.

Concept

The dwelling was conceived as three stepped ‘wings’ set into the landscape, following the contours of the land, with much of the proposed dwelling cut and sunk into the sloping site, reducing massing, visibility and impact. The extensive landscaping scheme provides manicured areas close to the house, including a sunken secret courtyard offering a protected suntrap, with the remainder of the landscape being returned to wild hillside, meadow or heathland. The result is a building that looks remarkably different from the public viewpoint (the adjacent Natural Trust land) and from within the site, the entrance forecourt. These views were illustrated, at design stage, by aerial water colour studies which also conveyed the landscape approach to the scheme.

Delivery

The project comprises a net area of approximately 765m² and was competitively tendered via a single stage tendering procedure, with the winning contractor, Dawnus Construction Ltd being selected and working with the client and design team to agree Value Engineering measures. The finished product is a testament to the strong relationship between client, architect and contractor and is a remarkable achievement for replacement buildings and housing within a designated Area of Outstanding Natural Beauty and for architecture in Wales. This is a home designed to change, to reflect the client’s changing needs, to settle and mature within its surrounding landscape, and to suggest a new approach to sustainable, site specific, passive design in housing. 

Key Sustainability Points

Credentials

The project surpassed all targets set at the time of the client’s original brief and the pre-construction figures produced by the M&E consultant and Code Assessors. These include achieving Code for Sustainable homes level 5, an EPC certificate rating A, following a 100/100 score and an Actual Building Emissions Rate of -0.46 Kg/m2 against the Target Emission Rate 22.55 Kg/m2. The building uses a combination of a highly insulated fabric including Green roofs and technological systems to achieve its credentials.

Sustainable technologies

Systems such as Photovoltaic Solar Panels, Solar Thermal Panels, ground source heat pump, rainwater harvesting, wood burning stoves and MVHR have all been installed. In addition a low energy LED lighting scheme has been specified through-out and the building complies with the Lifetime Homes Criteria.

Quotes:

‘The aim of the Manser Medal has always been to influence the public to demand, and the mass house builders to supply, better designed homes. I believe by highlighting brave architecture like this year’s winner Stormy Castle we can showcase what can be achieved. This is a bold design in an area of Wales where arguably more conservative design solutions usually hold sway. I was impressed by the sustainability credentials, with a comprehensive range of energy, recycling and heating strategies incorporated into the design, which will be invaluable in dealing with such a large footprint.’ RIBA Manser Medal Chair Michael Manser CBE

References: Loyn & Co

Photo credit: Charles Hosea

Categories
Case Studies Residential / Housing

Upside Down House, Vale of Glamorgan

Planning and Design Process:

Relationship between new and existing

The relatively narrow residential curtilage of the plot which their existing cottage occupied meant amenity space for both dwellings needed careful consideration, as did the relationship with the existing cottage to maintain privacy. The proposal aimed to revive an underutilized area of the site with a new contemporary sensitively designed sustainable dwelling, exploiting the rural setting and views and designed to meet lifetime home requirements.

Concept

The dwelling’s form, layout and scale evolved entirely in response to the existing cottage, although the character and arrangement of spaces within the new design are handled very differently. The new house is conceived as an ‘upside down’ house. In plan, the existing external landscape taken by the footprint of the new building, is ‘transferred’ from ground level up to the roof, creating a rooftop garden which gives outstanding elevated views as well as replacing the ‘lost’ ground and helping to merge the building into the landscape by providing a continuation to the surface of the site in a truly upside down house. Additionally, the approach of this sensitively positioned and discrete dwelling uses ‘grasscrete’ to create a ‘driveway lawn’. The traditional arrangement of ground floor and first floor accommodation in the existing house is then inverted in the new house, providing bedrooms and bathrooms on the Ground Floor, with direct access to the garden, whilst the open plan living accommodation is raised up to first floor, with access to external terraces. Connections between the ground and first floor were improved by the use of voids, in particular on the north of the building connecting the kitchen living and dining space with the entrance.

Planning process

A robust Design and Access statement was submitted to the LPA however the scheme was recommended for refusal at committee. We prepared a short summary document for the purposes of the planning committee however the committee followed the officers’ recommendation of refusal. The client and planning consultant felt that there was a 50/50 chance at Appeal which the client agreed to proceed to eventually gaining consent one year on from the original planning application.

Layout

The carefully considered interior provides a series of views and spatial connections in and through the building, organized off a double height void, capped with a large strip of roof glazing which drapes light over the virtually solid north wall and into inner spaces at both floors levels. The building interior is legible with clear and generous circulation routes, including a lift, and visual relationships between the main entrance and the principal areas of accommodation. A minimal palate of materials within the interior creates a simple and clean ‘backdrop canvas’ bathed in natural light for the client’s furniture and paintings.

Key Sustainability Points

Orientation

From the outset the dwelling has been designed to take advantage of its orientation, views, natural daylight and the heat gains available in order to minimise its impact on the environment. A highly insulated North facing elevation in line with best practice passive design principles provides an efficient envelope, privacy and security whilst the south facing elevation benefits from solar shading to all spaces.

Ventilation

The ventilation strategy has been designed as a naturally ventilated building utilising the open plan design to ventilate the majority of the areas via large openable sliding doors and an automated roof light, which allow the stack effect and night time purging.

Lifetime home

In addition to the environmental sustainability requirements of the client’s brief there was also a key requirement for a socially sustainable dwelling. The brief was to create a lifetime home that would bring the site into full time use, as such the dwelling benefits from and achieves all relevant lifetime home criteria including: a platform lift; covered under croft entrance and parking; generous circulation spaces and flush thresholds.

Credentials

The dwelling benefits from: a highly insulated external fabric – achieving U-Values such as 0.13 W/m2k for the external walls; timber frame structure; green roofs; solar shading and reflective glazing; air source heat pump providing the main heating and hot water; wood burning stoves and low energy LED lighting with intelligent controls, all contributing to a Code for Sustainable Homes rating of 3. The design has achieved an EPC rating of B with an overall score of 83/100 which is considered to be relatively high without the input of photovoltaic or solar thermal systems. With a highly exposed location, high quality and sustainable materials such as ‘Accoya’ timber cladding and aluminium glazing were carefully considered and selected which, together with the low air permeability achieved, limit the external influences on the dwelling’s fabric.

 

Quote

“A lifetime ambition has been fulfilled. The architects were perfect for the job, they listened carefully to what we wanted but incorporated their own ideas into the brief. The house is much better because of that. We love the house, it is beautiful, (some say stunning) easy to maintain and with glorious views from every aspect. The views over fields, towns, the Bristol Chanel and Somerset in the distance make us feel very privileged. The house is light, warm, cost effective and feels very welcoming.  Totally suitable for a lifetime home and we continue to receive support from the firm” Client testimonial

 

Links

Loyn & Co.

Photo credit: Charles Hosea

Categories
Case Studies Residential / Housing

Ty Brombil, Denbigh

Design Process

Policy designation

As a result of the site’s location within a Conservation Area, the local planning authority favoured a response that included a pitched roof and either stone or rendered walls. The original scheme submitted for planning consent detailed a pitched roof on the two-storey wing and a flat “green roof” on the single-storey element. This flat roof to the single-storey element was designed specifically to protect unobstructed views from the ground floor rooms of the terraced housing opposite. The local planning authority refused the initial application on the grounds that there was too much glazing and that the flat roof did not fit within the Conservation Area. Following further discussion, a revised application with pitched roofs throughout the scheme was submitted and approved.

Materials

As a result of tight vehicular access to the site it was unlikely that deliveries of brick or block for traditional masonry would be possible. Therefore, at an early stage of the design process it was decided to use a steel frame with light timber infill and flush external panels. Such a design would have an affinity with the painted rendered walls of the neighbouring properties. The frame used for Ty Brombil is in fact similar to those produced for industrial and farm use in the local area. The glazing is of two types, aluminium framed double glazing and direct glazing to the steel frame.

Layout

The plan is divided into two distinct elements, a two-storey area for daytime use and a single-storey bedroom wing. The kitchen and living/dining space occupy the ground floor of the main two-storey area, with a sun room above. The ground floor opens to the outside with two sets of folding doors accessed through a double height conservatory space. The external form has been designed to create a distinct articulation between the two elements and this approach successfully maintains the roof at the domestic scale of the surrounding buildings.

Sustainability Credentials

Location

The building has been located on an awkward brownfield site and as such makes excellent use of land. It is also located in the town centre allowing easy access to local shops and services. Local contractors were used for the construction and erection of the steel frame.

Passive solar gain

Ty Brombil incorporates a double height conservatory and this provides passive heat gain in the three coldest months, whilst in warm weather it can be opened up fully to allow air flow.

Categories
Case Studies Residential / Housing

Plas Y Mor, Carmarthenshire

Design Process

Concept

The architectural concept reflects the underlying social philosophy of the scheme where a holistic approach to the type of care delivered is adopted to encourage self reliance among residents and clients from the community. Emphasis is placed on rehabilitation and confidence building in an informal environment, in this progressive model for ‘extra care assisted living’. Integration of accommodation and facilities will form the basis of future developments in the area to provide high quality affordable housing and important community resources. The scheme reflects a commitment by Gwalia Housing Group to keep running costs for tenants at affordable levels, through an environmentally sustainable approach to development.

Delivery

A stakeholder panel was established to drive the project development stages including the design stage. This panel included representatives from Social Services, Housing, Occupational Therapy, Day Care and local authority architects. The panel was also responsible for designing arrangements for long-term management including a Management Agreement, Service Level Agreement and the structure of an inter-agency Management Group. Residents of Gwalia’s existing Extra Care scheme at Llys y Werin, Gorseinon, were consulted for their views at the planning stage. Elderly people from the local community are actively involved in the project, either living in the scheme or attending the Day Centre. User groups have been established to continue to monitor the scheme and inform future plans. The design was developed in consultation with South Wales Police and the scheme is ‘Secured by Design’ certified.

 

Sustainability Credentials 

Passive solar gain

The central glass garden provides the architectural and social focal point of the building and acts as a passive solar collector. Preheated air is ducted from the glass garden and distributed throughout communal areas contributing to background heating. This passive solar design allows the glass garden to be enjoyed by users and residents throughout the year.

Materials

The building fabric comprises high performance 140mm stud timber frame, breathing wall construction with recycled cellulose insulation, over-clad with Forest Stewardship Council (FSC) certified timber cladding. The timber is highly durable and provides a zero maintenance finish externally. Openings incorporate high performance windows and doors with Low-E glazed argon-filled double glazing units. Joinery units are aluminium/timber composites, further contributing to the low maintenance characteristic of the building fabric. For the majority of the building fabric, materials and labour were supplied locally or from the South Wales area including the timber frame, the majority of cladding, insulation, roof finishes, curtain wall glazing, sun pipes, bio-mass plant and solar installations.

Sustainable energy

Heating and hot water is provided via a community heating system powered by twin Bio-mass 93KW boilers, fuelled from a locally procured fuel source. This form of heating is recognised as producing zero carbon emissions. Secondary heating is derived from solar heating arrays which assist water heating. The solar panels are designed to contribute between 60%-70% of the schemes average hot water requirement through the year. In combination, these features enable residents to derive all heating and hot water requirements with average fuel bills of just £5.44 per week.

Sustainable technology

The design allows for photo-voltaic arrays distributed across roof finishes to power passive ventilation systems. The glass garden acts as a sunspace, providing useful solar gain and passive ventilation with heat recovery systems maximising the benefit of the preheated air. The lighting design incorporates a high proportion of energy efficient fittings and responsive controls in addition to the extensive use of roof lights and sun pipes to maximise natural light throughout.

Categories
Case Studies Residential / Housing

Un Y Berllan, Abergavenny

Planning and Design Process

Planning process

The site previously contained lock up garages, an orchard and pigsty. It was purchased with outline permission for two detached homes and came with two acres of agricultural land behind. A full application was made for two homes of the same design with handed plans. It received an extremely positive officer’s report and after a site visit by the committee, the application was passed. The site was then split and the other plot sold.

Design

Visually and structurally the house is defined by two super insulated bookend walls that support a pre stressed concrete plank first floor. This arrangement allows the internal spaces to run the full width of the house as well as providing a large amount of useful thermal mass. A discrete buttress and series of cross walls provide lateral stability, allowing the two ends to be infill panels; the front of timber framing with oak cladding, and the rear almost entirely glazed.

Light

The staircase is located in a triple height hallway, which is filled with daylight from two full height slot windows. Curved walls internally help maximise the flow of natural light, and echo the form of the garden retaining walls and the curved straw bale wall of the adjacent workshop.

Glazing

The southerly glazed end forms a sunspace, contributing passive solar heating to the house. The two double glazed screens of the sunspace effectively provide quadruple glazing to the interior. The largest window is formed from three frameless panels, providing an ever changing triptych of the mountain and sky, punctuated by paragliders on sunny days and bats on a Summer evening.

Materials

Internally, natural materials have been used throughout. The side walls, which have 300mm of cavity insulation, are designed to be breathable through the use of lime render externally and clay paint on lime plaster internally. The flooring is oak and Welsh slate on the ground floor, and cork on the upper floor. Reclaimed Welsh slate forms the hearth, reclaimed planks are the floor the sunspace balcony and hallway bridge, and ‘off cut’ timber forms the wall cladding to the stairs. In the dining area a pew salvaged from a redundant chapel forms bench seating. The entrance door slab, external cills and garden walls are in local red sandstone, and the high performance windows are made locally from oak.

Biodiversity

A second phase will add a parterre herb garden between kitchen and workshop. Above the workshop will be a semi intensive green roof. A new orchard has already been planted in the adjacent field, together with extensive vegetable beds. Biomass willow for coppice rotation and native hedging provide the log burner with a very local renewable fuel supply

 

Key Sustainability Points

Sustainability brief

The guiding principle of the design was that the sustainability demands of the brief must not compromise the spatial and visual amenity. Critical to the house being zero carbon was that the house must enable a rewarding lifestyle without the need for the wasteful use of energy/carbon.

Design system

Catherine’s experience of high-end city residential design was combined with the sustainability design system evolved while Steven was Technical Director of ZEDfactory. Key to this is super insulation, thermal mass and South facing glazing. This concept allows heat gains from the sun and internal gains to be stored in the structure, both preventing overheating on hot sunny days and then heat having to be provided back on following cloudy cold days.

Local materials

This building concept takes advantage of local trade skills and local building materials as the cleverness is in the fundamental design rather than hi-tech materials and mechanical systems. The main bulk materials were all sourced locally; low cement GGBS (Ground Granulated Blast Slag) concrete blocks are from Aberdare, Rockwool from Bridgend, and lime render and plaster from Brecon. Stone and aggregates come from the Forest of Dean.

Heat

Key to the heat system is a thermal store that can accept heat from different sources and manage the supply of it back to both domestic hot water and zoned space heating. This allows solar thermal heat to be used for space heating whereas standard systems only provide domestic hot water. This massively increases the potential usefulness of solar thermal heat, especially in the spring and autumn. A smart control system puts low grade solar thermal heat into the structure in the morning, then allows temperatures to rise to store heat for domestic hot water in the afternoon. It also decides how and when to distribute the space heating.

Green technology

The monopitch roof is designed to maximise the area available for renewable energy harvesting, with the angle chosen to follow that of the Skirrid mountain to the North East. Above an array of photovoltaics, oversized solar thermal panels provide hot water and space heating for most of the year. A log burning boiler stove in the living area provides heat to the system on cloudy winter days. The wind cowl connects to a wind assisted heat exchange ventilation system. The house is fully heat and power metered and in the years analysed so far, consumed only 7kWhrs/m2/yr of space heating, which is twice as good as the Passivhaus standard of 15.

Quotes:

“The Influence of BedZED the Radical public housing project in Merton, South London has spread far and wide, but curiously as a model in its plans and sections overlapping gardens, workspace and habitation, it has not been taken up elsewhere in the UK. However a major member of the team, Architect Steven Harris, later moved to Llanfoist near Abergavenny and with Catherine Roberts they designed No1 The Orchard (Un Y Berllan), which would have to be found a place in any future Pevsner of housing architecture, that took its sustainability credentials seriously” Critic Review  – Patrick Hannay TouchStone  2016

Links

CRSH Architects

Ellis and Moore

Categories
Uncategorized
Categories
Case Studies Public / Cultural

National Assembly for Wales

Planning and Design Process

Concept

Richard Rogers Partnership employed the idea of openness and transparency as the driving factors in the design for the National Assembly for Wales. Instead of being an insular, closed edifice, the building would be a transparent envelope, looking outwards to Cardiff Bay and beyond; making visible the inner workings of the Assembly and encouraging public participation in the democratic process.

Openness

The idea of openness is exemplified by the organization of the building, with public spaces elevated on a slate clad plinth stepping up from the water and cut away to allow daylight to penetrate the administrative spaces below, therefore enabling a visual connection between the electorate and elected. A lightweight, gently undulating roof shelters both internal and external spaces, extending downwards to encapsulate the chamber. The roof is pierced by the wind coil that rises above the debating chamber at the centre of the building.

Electorate representation

The Main Hall and the Debating Chamber form the internal, spatial representation of the electorate and the elected respectively and have been of key focus during the design process. The Main Hall is arranged on two levels with the lower entrance level housing the public reception and information facilities. To one side of the large slate and glass reception desk, a flight of stairs leads to the upper level, which accommodates a café and exhibition area with a glass floor allowing glimpses down into the Debating Chamber and impressive views in all directions.

Heart of the building

The Debating Chamber, a large circular space at the heart of the building, is crowned by a dramatic bell form expressed in the roof plane. The interior of the bell is finished in concentric, satin-finished aluminium rings. Surmounting these, a glazed lantern allows diffused daylight into the chamber. The lower portion of the bell is glazed, offering views into the chamber from the public viewing gallery above.

Landscape

The exterior areas around the National Assembly form a cohesive new open public space that sits between well established areas of differing character and quality. Hard landscape extends from the plinth to the adjoining buildings completing the development in this part of Cardiff Bay. Low slate terrace walls define a series of terraces falling away from the front of the building and onto the existing harbour wall.

Key Sustainability Points

BREEAM

The National Assembly for Wales exemplifies high environmental standards and has been awarded a BREEAM rating of Excellent.

Passive sustainability

Virtually all areas of the building are naturally ventilated. A conical mirror suspended under the wind cowl has been installed to reflect daylight from low altitude winter sun in the chamber. Roof lights and customized roof ventilators serving the committee rooms/offices reflect low-level winter daylight into the space, assisting daylight penetration

Green technology

A biomass boiler – processing both wood chips and pellets – provides high grade heating to heat emitters. Water usage is minimised through the application of appropriate fixtures and fittings and the utilization of rainwater harvesting to minimise the consumption of potable mains water. The ground source heat pump system provides cooling for mixed mode spaces and technical computer suites and low grade heat, which is required for the under floor heating system.

Categories
Infrastructure Reports

Llanfoist to Abergavenny Footbridge (Nov 16)

Categories
Education Reports

University of South Wales Campus, Caerleon (Nov 16)

Categories
Education Reports

Swansea University Student Precinct (Nov 16)

Categories
Case Studies Health

Ysbyty Cwm Cynon, Mountain Ash

Planning and Design Process

Therapeutic design

The design of the building is focused on patient care through the therapeutic environment – an approach supported by a simple way-finding strategy, a strong landscape integration and a suite of sustainable strategies that include both renewable energy sources and passive climate control. All key design aspects have been driven by flexibility and sustainability.

Brief

The brief comprises 128 beds and 40 places, made up of:
100 – Active Rehab Beds
8 – Palliative Care Beds
5 – Midwife led beds
15 – POA beds
Adult Mental Health Day Unit – 15 places
Palliative Care Day Service – 10 places
Therapy Day Hospital -15 places

The Community Dental Department unit at the Cynon Valley hospital serves as a training base for the Cardiff & Vale Dental Teaching University, as is supported by a small base of student facilities, including computer labs and lecture facilities.

Key Sustainability Points

Social regeneration

This Scheme is seen as a fundamental catalyst to the social regeneration objective for the area, and is paramount in promoting community activity and sustainability.

Energy efficiency

Energy efficiency is central to the design of the new hospital. Practical and sustainable features have been adopted, including naturally ventilated wards that make the most of daylight and passive climate control through the building’s thermal mass, via exposed soffits in the wards. A biomass hot water system is among the features that further reduce the facility’s carbon footprint as well as operating costs.

Quote

“We feel that the ownership by community and staff has meant that the building has integrated well into the environment and the local community…this level of ownership is a testament to the community and staff involvement all the way through driven by the HLM team” Tim Burns, Head of Major Projects, Cwm Taf Local Health Board

Categories
Case Studies Residential / Housing

New Barn, Llandysul

Key Sustainability Points

Heating

Heating is provided by two Dutch tile stoves, one in each main space. Manufactured by Tigchelaar, they’re an effective heat source, economical to operate and able to be used for cooking too, such as baking bread or roasting potatoes. This is the primary source of heat to the temporary home, and during the heating season is only lit twice a day to provide enough heat.

Flexibility

All other services are contained within the service zone of kitchen, bathroom and loft space for water tank and flues, with power in exposed conduit ducting.  This provides future flexibility for rewiring to different layouts and uses.

Quote

“On its website the Rural Office for Architecture states, ‘the practice focuses on developing a vernacular design response to the rural context in which we live and work’. I wonder how many practices can, in reality, follow up on their mission statement or vision? The jury felt that New Barn in Felindre, Llandysul certainly does.

Niall Maxwell works with a talented team of designers deep in rural west Wales and successfully designs projects across the UK. New Barn is the latest in a series of carefully considered buildings at his home in Carmarthenshire. It may only be a small building with limited space, but it is meticulously planned and detailed. As a self build project it had limitations imposed on it from the start, but, as is often the case, these limitations have helped to create a beautifully crafted, flexible solution to a number of key requirements.

I have often been told that good design is about solving a number of different issues with one detail – New Barn is a great example of this. In larger buildings you can often hide faults and lose careless design thinking in the scale of the spaces. In this scheme the compact interior only serves to show how well thought through every element of the design is.

The jury is delighted to announce that New Barn, by Rural Office for Architecture wins both a Welsh Architecture Award and Welsh Small Project of the year for 2014”. Chair of Welsh Architecture Awards Jury 2014, on behalf of the Royal Society of Architects in Wales

Links

Rural Office for Architecture 

Atebglas

Categories
Case Studies Education

Ysgol Craig y Deryn, Gwynedd

Planning and Design Process

Economic Prosperity

Whilst the school ‘modernisation’ process is an emotive process to many in small rural communities, the development of Ysgol Craig y Deryn secured the long-term employment to staff and a supply-chain of local support businesses. The new area school represents a commitment by Gwynedd Council to reducing overheads, financial risk by reducing energy consumption but also its carbon footprint into the future. Although it is not the main driver for the reorganisation process, this project results in revenue savings which help to ensure the future sustainability of the education provision within the catchment. Ysgol Craig y Deryn replaces four buildings ranging in age from late Victorian to the nineteen seventies and in turn delivering a projected saving of 14% of the revenue budget and the removal of existing maintenance costs and obligations.

Local resources

During the construction phase of the project, the local economy benefited from employment opportunities and spend at businesses of many types, whether as sub-contractor companies, materials suppliers or business supporting personnel who were staying in the area

Community Involvement

This proved to be one of the biggest challenges in taking forward the development of Ysgol Craig y Deryn, as the key political decision to close the four existing primary schools within the catchment was resisted. At times it proved difficult to differentiate between these early decisions and the dialogue associated with the actual Planning Application submission. A structured programme of consultation meetings, workshops and exhibitions was initiated by the Client and Project Architect following a series of public meetings held at the stage when the concept of school re-organisation was being considered. The later meetings were held specifically with head teachers, staff and representatives of the four communities to establish design principles, an appreciation of the site context, and agreement over the design objectives of the brief. These sessions enabled working relationships to develop, a formal feedback mechanism to be established and a forum created where information could be gathered or alternatively the concerns and issues of the communities better understood. It should be noted that all the sessions were conducted bi-lingually. Many actually occurred through the medium of Welsh alone (where it was appropriate to do so).

Community events

Whilst not directly related to the planning process but having a lasting influence on the project outcomes, a range of other community involvement initiatives were coordinated by Gwynedd Council to focus on the future welfare of the pupils by the act of creating a new school community. A strategy for this transition and gradual amalgamation of the existing four schools took place through a range of themed events and site visits where pupils explored the opportunities that the imminent change would bring.

The events included the following:

  • The National Children’s Poet for Wales, Eurig Salisbury working with each of the schools with the intention that the words and verses will be incorporated into the building.
  • Joint workshops in the village of Llanegryn by the artists, Jenny Hall and Catrin Williams where sketchbooks, models and murals were created and the opportunity provided for the pupils to explore the site of the new school before the construction phase commenced. http://www.asiantaethgelf.co.uk/eng/walfideo.html
  • Visits from the Main Contractor and their children’s builder character, aptly named Ivor Goodsite to the individual schools during the construction period.
  • A programme of events organised by Gwynedd Council with Aberystwyth University during “Science Week” 2013 for the pupils to explore a variety of building related themes; building visits were also arranged with the Project Architect.

Key Sustainability Points

Sustainable community

Promoting sustainable development opportunities within its widely dispersed communities is vital to the future well being of Snowdonia and the county of Gwynedd. Whilst the population has remained relatively stable over the past few decades, it masks a much more significant structural change – highlighted by the outward migration of young people for higher education, housing and employment opportunities and an inward migration of older people which has paradoxically widened the gap between house prices and affordability for what is a relatively low wage economy, largely dependent on public services, tourism and agriculture. These changes to the age and social structure of the population are not uncommon to other regions of the UK, but when coupled with the statutory purpose and function of a National Park, considerable care and imagination is required to demonstrate the positive impact and benefits that good planning can have to influence and guide the future viability, vibrancy and well-being of a sustainable, balanced and empowered community. It should be noted that the Welsh language is integral to the identity of this area. It is the spoken and written language of approximately 62% of the population in Snowdonia and in some communities the percentage is as high as 85%.

Active and passive design

Active and passive measures to mitigate any environmental impact together with a clear strategy to minimise energy consumption and waste have been considered at each step of this project. BREEAM ‘Excellent’ together with EPC and DEC ‘A’ ratings have been targeted but in reality the choices to build a well-insulated, correctly orientated, well-lit and naturally ventilated is a good example of the ‘fabric first’ approach to provide a stable internal environment that is less susceptible to the extremes of seasonal variation and will also withstand climate change in the future.

Sustainable technologies

Solar Hot Water will supplement the water heating demands of the school while 100m² of PV cells that are integrated into the south facing pitch of the Main Hall Roof and will produce 12.5KWh with a 5.22 tonne annual CO2 saving. These will be linked to the ‘Feed-in Tariff’ while the biomass, wood pellet heating may seek to take advantage of the ‘Renewable Heat Incentive Scheme’. Future-proofing the wood pellet vs wood chip has been integrated into the scheme and the combination of these technologies will provide a low carbon solution to the space heating and electrical requirements of the building that in turn will generate approximately 60% of the total required energy demand on site from sustainable sources.

Water

Rainwater harvesting has been incorporated for the flushing of WC’s and to reduce water demand, while a sustainable urban drainage system (SUDS) strategy has been developed with swales and an attenuation pond to manage surface and ground water issues. On site foul drainage treatment is provided by means of a package treatment plant so as not to compromise the capacity of the existing mains infrastructure within the village. It is hoped that this project will operate as an ‘exemplar scheme’ within the National park.

Construction

During construction 94% of the waste produced on site was diverted from landfill and all specified products were responsibly sourced or were selected through the BRE ‘Green Guide’ with many registering an ‘A’ or ‘A+’ rating.

Bio diversity

The enhancement of habitats and bio-diversity of species has been encouraged, with considerable thought given to the design of boundary treatments and translocation of hedges. Wildlife areas are accessible to pupils as a resource and work is ongoing with the Education officer from the National Park. Flexibility and ‘loose fit’ has been introduced into the configuration of the school building while recycling initiatives for water and waste of all types can be seen and assessed as a learning resource by the pupils. A dipping pond and wildflower meadow has also been included within the scheme and planted predominantly with native species or those under threat such as the Black Poplar.

Links

DarntonB3 

Categories
Case Studies Public / Cultural

Yr Ffrwnes, Llanelli

Planning and Design Process

The Brief

In 2005 Carmarthenshire County Council (CCC) commissioned a study which confirmed a need for facilities to serve the catchment area of approx. 260,000 population and recommended a new theatre:

  • Seating 500 including a forestage/orchestra pit and fly tower.
  • A smaller scale flexible theatre space seating approx. 100 to meet the needs of local groups and encourage local creativity.
  • This arrangement being practical for the Welsh theatre circuit.

The intention was to enable local residents to achieve easier access to arts and entertainment, make the shopping centre more attractive and boost tourism and life to town centre at night. All in line with the CCC Unitary Development Plan.

Site selection

These findings were not site specific but became the basis of the brief on the old Stepney Hotel site in Llanelli town centre. However the site selection was made when CCC began a joint venture with a private developer to rejuvenate the adjacent area for retail, hotel and cinema facilities. The new cultural quarter, “East Gate”. In addition, adjacent to the Stepney hotel site was the Zion Chapel and Sunday school which the Trustees offered the Council in exchange for smaller facilities in the same location. These buildings are Grade 2 star Listed.

Key design issues

  • Preserve the architectural integrity/history of the Chapel buildings.
  • Develop continuity between the new and old to create a recognisable identity.
  • Accommodate practical constraints -retaining Water Street as a service route,  pedestrian traffic only, flood consequence considerations.
  • Linking the development design with the Councils streetscape design guides.
  • Considerations for possible public art.
  • Incorporating local highway design requirements e.g. taxis.
  • Complete accessibility for disabled people.

Concept

For 200 years the chimneys of steel, copper and tin works dominated the town skyline. Llanelli is nicknamed ‘Tinopolis’ and ‘Sospan’ (saucepans were one of the town’s major exports).  The cauldron of energy, heat, and social drama created by this industry is the inspiration for the Design theme of Y Ffwrness  (The Furnace)Theatre.  The predominantly metal external skin of the building is the casing of the Furnace. The main auditorium, its centre, has “random” red, yellow, and orange coloured seating reflecting the “fire” within the furnace itself. Passing through the foyer spaces these colours continue in a more subdued setting. Together with wood and stainless steel surfaces they create a unique character to the theatre. It is a modern reflection of the towns past, creating a suitable setting for art and drama in a regenerated, vibrant town centre. The public will enter the foyer as a space which educates, stimulates and encourages participation. It will reflect the passion of the artwork displayed, and the drama created on stage.

Restoration and re use

Both Listed buildings received major refurbishment of their fabric. Existing features retained where ever possible and matched with suitable modern elements. The ground floor of the Sunday school provided the space for a new place of worship for the congregation, whilst a new floor was installed to facilitate a flexible studio theatre, The Stepney Theatre, for 100 people. By returning many features to their original format around modern technology an environment has been created that is conducive to innovation and experiment.  The rear of both the chapel and Sunday school buildings house new changing rooms.  Chapel buildings are linked at first floor to the new build theatre. This link, which crosses the old Water Street, contains a multipurpose performance space. The geometry of this link ensures that the Chapel buildings retain their own space and historic identity.

New Theatre

The angularity and solidity of the Chapel buildings is contrasted by the rounded flowing form of the new building. Clad in multi coloured metal tiles (a link to Llanelli’s past). The façade is intended to attract audiences to a vibrant and dramatic building. The 500 seat theatre is an innovative ‘21st Century facility’, the stage and auditorium being on the same level gives an adaptable solution to staging, orchestra pit, seating and function flexibility. Scenery is moved by means of ‘mechanical flying’ as opposed to manual operated scene lifting . All main areas are DDA accessible including the lighting rig area. The foyer space is adequate but limited due to the site area constraints. There is a small café at ground floor level, but no restaurant. This is accepted by the client as they have a wish to coordinate and respect existing and new adjacent catering facilities. All changing rooms and administrative areas are at the rear of the building. Glazing to the elevation to the ‘town square’ with a clearly identified main entrance, provides glimpses of foyer activity, offering an “inclusive” approach to passers-by. The curved form of the elevation defines an area in front of the entrance for theatre-goers and a venue for street theatre. The external space below the first floor link has been named the “Tunnel Theatre” and is used by youth groups for street performance.

Programme

The project started on site in November 2010 with a contract period of 96 weeks. It became operational in January 2013.

Key Sustainability Points

Green technologies

The main sustainable technologies used on the ffwrnes were; a 10kW solar array to provide 8412kwh free electricity per annum, 10m2 solar panels to heat the hot water to the building, 55kW heat / 33kW electric CHP to heat the building and provide free electricity, rainwater harvesting to provide water for flushing toilets, and LED lighting to all front of house areas and main auditorium. All centrally controlled via scene setter panel.

Construction

The majority of the materials specified were Green Guide A-rated. The main contractor targeted the order of material that was responsibly sourced and focussed on minimizing waste on site. The main contactor targeted a reduction in minimizing site impacts through monitoring pollution, reducing CO2 and operating an Environmental Management System on site.

Performance

The brief dictated that the scheme was to achieve a BREEAM ‘Excellent’ rating.  This was both a client aspiration along with funding criteria set by the Welsh Government. All of these contribute to minimise the energy demand of the building.   As a result of the sustainable technologies, the EPC score for the Ffwrnes improved from 37 to 30 giving a 20% improvement on the building emissions.

Community regeneration

Retaining the existing Chapel and Sunday School Buildings meant sustaining the heritage of 2 buildings of major significance within the town centre.  The scheme provides an attraction to help to rejuvenate one of many struggling town centres, sustaining visitor numbers and supporting local business.

Quote

“As a key member of the project team Lawray Architects delivered an insightful interpretation of the clients objectives and design aspirations. The brief required that the architects deliver a highly versatile and vibrant building, drawing reference from the physical character of Llanelli town centre buildings and inspiration from local history, whilst asserting its own identity as a major public building and at the same time complimenting, not overpowering, the listed buildings. I am pleased to say that, in my opinion, the building does just that. The completed venue inspires and sparks debate and has successfully accommodated sell out audiences since it opened in January 2013. The blend of build quality, functionality and impact is just right delivering a design quality indicator at the higher end of the scale.” Ian Jones, Pennaeth Hamdden / Head of Leisure Carmarthenshire County Council

Links

Carmarthenshire theatres

Lawray Architects

Mott Macdonald

NJP Partnership 

McCann and Partners

ACT Consultancy Services

Hunter Acoustics

TRJ 

 

Categories
Case Studies Residential / Housing

Ty Newydd Barn, Brecon

Planning and Design Process

Brief

The initial brief from the client was modest in scope and limited by the perceived constraints imposed by the barn’s diminutive size, which had an overall internal floor area of less than 60sqm. This comprised two small ground floor spaces, a loft over the western half and a small raised store to the rear of the double height volume to the eastern side of the barn.  Consequentially, their initial brief required the provision of a garden store and studio space on the lower level, a dry store in the upper loft level and if possible a craft working space, albeit it was difficult to see how this would be accommodated.  Beyond this the building required general fabric repairs, upgrading the thermal performance of the un-insulated structure, the provision of heating and services, and a new roof.

Design

However, rather than view the diminutive of the barn size as a constraint to ambition the architect saw the small scale of the building as an opportunity to enhance the level of accommodation through the creation of a series of highly tailored insertions, each designed to maximise the efficient use of space whilst providing delight in use. The key to un-locking the spatial constraints was the creation of a ‘floating’ mezzanine floor within the double height volume to the eastern half of the bar and the provision of a new stair to the rear of the double height space within a previously under-utilised lean-to. The stair could access both the new mezzanine and the loft space over the western half of the barn without any excess circulation.  Furthermore the space created on the half-landing was just sufficient to accommodate a full width kitchenette and, by extending into a small store in the western half of the barn, also gives access to a small bathroom room with a walk-in shower. This liberated space within the main volumes for the primary functions, with the studio at the lower level and the craft workspace on the mezzanine, and importantly enables the use of the barn to be extended to providing self-contained accommodation for visitors by providing a guest room in the loft space on the western side.

Interior

The beneficial use of space is further enhanced by the provision of a series of highly tailored insertions and built-in furniture, these include, a bookcase under the stair, combined bench seating and storage for the studio space, a work-desk that double as the balustrade to the mezzanine floor and the careful placement of windows and roof-lights to provide daylight over working areas.

Planning designation

The barn is located within the Brecon Beacons National Park and planning constraints dictated that the conversion would need to respect the local vernacular and be contained within the envelope of the original building. Accordingly, the new oak windows and doors are detailed as boarded components set against simple full-glazed openings that lend the barn its own distinct architectural expression whilst providing a clear reference to the agricultural roots of the original building and its rural setting. The internal alterations are conceived as a series of carefully composed oak insertions and a ‘floating’ mezzanine floor physically separated from the existing stone structure, to create a visually resonant interplay between new and existing fabric.

Construction

The energy and enthusiasm of the clients, Andy and Kirsty Johns, was invaluable in bringing out the full potential of the project. Achieving the level of quality required to realise the design intent was only possible by the extraordinary diligence, care and craftsmanship brought to the project by the builder, Nigel Sobik of Sobik & Son. The construction works commenced following a traditional competitive tender in April 2011.  The construction was managed under a traditional JCT Minor Works Contract and was completed in March 2012 for a sum of £120K

Key Sustainability Points

Insulation

In upgrading the thermal fabric the key aim was to balance the requirement to achieve rapid warm-up times by using internal insulation linings in tandem with thermal mass within the building to exploit the potential for passive thermal solar gains. A system of wood fibre insulation panels with a specialist lime plaster was specified for use inside of the coursed rubble stone walls for its ability to minimise condensation risk and to enable the building to breathe. Cellulose fibre insulation made from re-cycled newspaper print was used for roof insulation.

Solar gain

To exploit the opportunity of passive solar gain afforded by the south-east glazed façade thermal mass is designed into the new ground floor construction and, to supplement this, the internal stone cross wall is exposed to provide additional thermal mass and to enable the original stone construction to be appreciated inside the barn.

Green technology

Maximising the fabric insulation and the exploitation of solar gains enabled the specification of a simple cost-effective wet-system radiator powered by an energy efficient oil fired boiler (Band A – 90.2%) fed from an existing oil fuel tank serving the main house.

Lighting

The design maximises the use of day-lighting to reduce artificial lighting energy demands by the strategic placement of new roof-lights over working areas and the staircase and the craft work-desk is designed as built-in pieces of furniture set under a large north-facing window.  Artificial lighting is low energy LED or fluorescent strip lighting.

Performance

The environmental strategy has proved effective in use – in the winter months the heating system can be set at low levels (15 degrees) with solar gains and building occupancy able to bring the temperature up to a comfortable 20 degrees. The system has also proved successful in responding to the building’s intermittent use.

Quote

“Starting as complete novices, the project was hugely successful for us.  Taking a small, structurally suspect agricultural building, Tim Rolt of Kove Architects created an integrated space which acquired a unique modern character while remaining true to the history of the barn.  Imaginative use of the available space – in particular using the old pig-pen as a mezzanine landing, kitchen and shower room – enabled best use of the area of the two main floors and maximised the versatility of the layout.  There was a good dialogue with the planning authority and the teamwork between Tim, our builder Nigel Sobik, Crickhowell Joinery and ourselves as client ensured that problems were quickly resolved to keep to a challenging schedule.  It is a miniature masterpiece which makes us smile each time we use it”. Client Testimonial

Links

KOVE Architects Ltd

Mann Williams Structural Engineers

Crickhowell Joinery

Categories
Case Studies Residential / Housing

Trewarren House, Pembrokeshire

Planning and Design Process

Brief

The client’s design brief was to replace a dilapidated existing house with a new home to accommodate their family of four and visiting guests. Their brief demanded five bedrooms and bathrooms, but the main emphasis was to make living spaces engage with the dramatic views across the estuary as well as out to sea. The house was to be low maintenance and energy efficient.

Style

Aesthetically, the client pointed towards a New England’ style house as they felt comfortable with the exposed timber nature of this form – it is to their great credit that they followed our interpretation towards a modern timber-framed Welsh vernacular.

Planning challenges

Located within the Pembrokeshire Coast National Park, the planning application challenged the authority’s concept for a replacement house on the site and although they conceded that it was a ‘good design that represented a modern Welsh vernacular’, it met with a refusal. The planners admitted that the contemporary nature of the design ‘was just too much for them’. Following an appeal Hearing, the scheme was finally approved in 2009.

Materials

The house sits on a steep bank onto the estuary and so the lower floor had to be built into the slope. This necessitated a reinforced blockwork retaining structure, so the design utilizes a masonry ground floor construction with pre-cast concrete floor – the upper floor has masonry walls are clad in an insulated render system to the north (service zone) and a timber framed structure using a primary structure of laminated iroko with insulated studwork infills, clad in iroko to the more open, south side. The roof is clad in standing seam black zinc.

Key Sustainability Points

Orientation

The orientation of the dwelling is such that it seeks to maximise passive solar gains through its southerly aspect while shaded against excessive solar gain through a deep roof overhang and a balcony providing shade to the lower floor.

Light

The design uses carefully considered openings to flood the internal spaces with high levels of natural daylight. The narrow plan helps to maximise the daylight gained, thus reducing the need for electric lights.

Passive sustainability

The quantity and size of openings to the north elevation have been kept to a minimum to reduce weak points in the thermal envelope. High performance thermally broken double glazed systems are used throughout. Low energy light fittings are used throughout. Passive cooling and natural ventilation is also achieved via cross ventilation through the open plan at first floor level. Carefully considered detailing ensures the buildings air permeability and subsequent heat loss is minimised. The buildings first floor glass balustrade and supporting concrete frame at ground floor level act as a physical barrier to the prevailing winds increasing thermal performance.

Materials

Masonry construction of the ground floor provides thermal mass to bedroom accommodation while the framed construction of the living accommodation provides ample space for insulation in order to achieve excellent U Values. Locally sourced slate shale is used externally to provide a permeable surface finish to avoid runoff to piped systems.

Ecology

Natural shrub landscaping has been adopted to encourage the continued growth of the sites flora and fauna.

Links

John Pardey Trewarren House

Categories
Case Studies Residential / Housing

The Nook, Monmouthshire

Planning and Design Process

Brief

The Nook is a new-build four bedroom family house set in a secluded valley in Monmouthshire. Planning permission for this 250m2 home was secured to replace a drab 1960’s bungalow that had previously occupied a corner of the 1 acre Wye Valley site. The aim of the project was to establish a durable and flexible home that capitalised on the best qualities of its setting. The plot’s fundamental appeal lay in its combination of attractive rural surroundings combined with good year-round solar exposure.

Rural architecture

The design adopts the simple, confident massing evident in the region’s agricultural structures, where both traditional stone barns and the spare steel-framed modern structures now used by farmers tend to possess a visual clarity and generosity of scale absent from most rural dwellings. A rectangular floor plan provided efficiency, flexibility and economy. The adoption of a steel frame enabled significant spans to cater for large openings in the building elevation and allowed the structural flexibility to omit floor sections and thereby create expansive and playful spaces within the interior.

Landscape context

The privacy of the house’s rural location enables generous areas of glazing to be employed, illuminating the living spaces with natural light as well as framing views of the surrounding landscape, which appears to pass though the home. Large sliding glass panels open up the elevations to the outside.

Materials and detailing

The detailing of the house explores a number of vernacular elements and construction techniques through a modern lens. There are a number of examples – a sturdy stone chimney containing flues for internal and external fireplaces which creates a key moment of vertical emphasis on the principal elevation; splayed stone window reveals which have been disc-cut smoothly to contrast with the rugged texture of hand-dressed sandstone walls; a black steel frame that brings visual precision and a grid of graphic separation to the naturally-weathering materials of the elevations; and a built-in settle and welsh dresser that make the kitchen and dining space flexible and accommodating.

Key Sustainability Points

 Passive design

 The Nook’s location meant that the focus of sustainability was on building fabric rather than M&E systems. Financial and topographic constraints prevented the adoption of a GSHP system, and the building’s rural location means that gas may only be provided by LPG bulk storage. Therefore to compensate, a highly insulative envelope and high degree of air-tightness were built into the construction. Excellent levels of multi-directional natural light limits the demand for artificial lighting during daylight hours.

Orientation

The building’s long elevation is orientated on a North-South axis, which results in east facing bedrooms benefitting from the warming effect of morning sun while being shaded from afternoon and evening sun. The dual-aspect ground floor reception rooms occupy the overall depth of the building, and enjoy solar exposure both in the morning and late afternoon/evening, with ample through ventilation from both small and very large windows to avoid overheating.  The conventional wisdom of orientating the building in an east-west axis would have resulted in this case in a long north facing elevation deprived of sun and light in the valley-bottom location.

Ventilation

A double height space encourages air movement through the use of natural convection currents, with high level opening lights operating on actuators to provide effective natural ventilation.

Materials

The building’s principal elevation materials are durable natural choices that are intended to weather well in the valley location that is prone to moss build-up. Stone (quarried 3 miles from the site), natural slate and unfinished cedar boarding will all weather, while a galvanized steel frame will maintain a taut visual aesthetic that ties the grid of weathering materials together.

Sustainable technology

A strategy is in place to adopt renewable technology for future reductions in CO2 emissions which will focus on the use of a micro hydro-electric generation system through the diversion of a stream on site with a 10m head and high winter flow. This will provide electricity generation for lighting and power during the months of maximum demand.

Performance

 The building’s annual CO2 emissions have been assessed at a level of 17.4kg/m2. The sustainability strategy results in the building achieving a SAP score of 80, and being rated C on its Environmental Energy Performance Certificate.

Quotes:

“For me, Martin and Kelly have achieved a rare fusion, a striking and architecturally valid project which also impresses as a warm and inviting home: two characteristics which do not always appear in the same description! Award-winning design and real life under the same roof? Yes, it can be done!” Simon Maxwell for Homebuilding and Renovating Magazine

References:

Hall + Bednarczyk Architects

Azimuth Structural Engineering Ltd

Categories
Case Studies Residential / Housing

The Chickenshed, Monmouthshire

Planning and Design Process

Brief

A former poultry barn, abandoned for several decades and in a rundown state, provided the unprepossessing starting point for this rural holiday home, run as a letting business catering for design-conscious visitors.

Planning

Hall + Bednarczyk secured planning permission for the substantial reconstruction of the building by demonstrating how its utilitarian agricultural identity could be retained in a convincing and contemporary architectural form.

Space requirements

The building’s versatile and space-efficient layout creates optimally sized rooms for holidaying groups of up to 8 people, creating a welcoming environment for relaxation. The design provides four double bedrooms, three bathrooms and a remarkably spacious open plan living environment – all within a compact overall building footprint of 140m2.

Materials

Views towards the Black Mountains are captured in a floor to ceiling glass wall that faces South West. The roof and flanking walls employ black corrugated sheeting and timber cladding in a refined and affectionate re-working of typical agricultural materials. Internally the confident expression of the building’s structural framework and adoption of polished concrete floors and boarded timber walls provide a sophisticated nod to the building’s humble origins.

Key Sustainability Points

Sustainable technology

Due to its previous operation as a poultry farm, the site had existing water and electricity supply feeds but a sustainable way of heating the building was key to the schemes success. Underfloor heating within a polished concrete floor (thermal mass) was adopted throughout, which is individually controllable in each bedroom and the family bathroom.  The hot water for the underfloor heating, kitchen and bathrooms is all supplied by means of an air source heat pump.

Orientation

Fundamental decisions regarding the building position influenced window orientation to benefit from generous natural daylight, passive warming and also to gain the most desirable views of the Wye Valley. The building incorporates natural ventilation with user-controlled flexibility, that avoids the need for air conditioning. Opening windows at high level enable background through-ventilation whilst large sliding glass doors permit purge ventilation on the hottest of days.

Light

Artificial lighting employs low energy LED fittings, and where possible this is used in parallel with natural daylight, rather than as a replacement for it. PIR sensors externally ensure that energy usage is low, whilst providing important light when required by users.

Links

Hall + Bednarczyk Architects

Azimuth Structural Engineering Ltd

The Chicken shed

Michael Sinclair Photography

Categories
Mixed use Reports

Pier Pavilion Site, Llandudno (Oct/Nov 16)

Categories
Case Studies Public / Cultural

Llandegfedd Visitor & Watersports Centre, Pontypool

Planning and Design Process 

Brief

Wishing to improve public accessibility to their facilities, Dwr Cymru Welsh Water developed a brief identifying that two distinct facilities were required at Llandegfedd Reservoir, its largest water body in close proximity to the main population centres of South Wales.  A 550m2 visitor centre needed to cater for reservoir management, park rangers, fishermen and members of the public wishing to enjoy the tranquil setting. Additionally, a 320m2 watersports centre was sought to replace the inadequate modular accommodation that served a long-established watersports school and sailing club.  The retention of an existing public car park was essential to delivering the overall project within a budget of £2m, including external works. Following an invited two-stage design competition, Hall + Bednarczyk was chosen by Welsh Water and appointed to lead a team of consultants up to full detail design.

Visitor Centre

Given the relatively modest scale of building called for in the brief, the visitor centre seeks to establish an expansive and welcoming environment, capturing its setting in a manner that expresses its public purpose. The key visitor spaces – a café and explanatory display area – are accessed directly at first floor level, establishing panoramic balcony views over the reservoir. Approached from the car park above, the pathway descent to the lakeside building presents the fluid zinc roof form as a fifth elevation that resembles a scooped-out rectangular gulp of the water beyond.

Four sculptural corner columns in fair-faced concrete, referencing the muscular civil engineering of the reservoir’s valve tower, support a gently curving timber ceiling soffit that glides over 18m long spans of frameless glazing. Sliding glass walls on the lakeside elevation open out onto a generous public balcony. A linear arrangement of service spaces (kitchen, WCs, stairwell) on the rear elevation establishes clarity in the building plan while ensuring maximum open plan flexibility for the lake-facing public spaces.

On the ground floor, Welsh Water’s rangers occupy offices that can closely monitor the comings and goings of the reservoir’s users. Back of house spaces are arranged along the rear of the plan where the building hunkers into the banked hillside of the site.

Watersports Centre

Designed in close consultation with its users, the watersports centre evolved as a flexible and refined form of boatshed placed alongside the water’s edge. Rescue craft, equipment storage and changing room facilities take up the ground floor while a large multifunction clubhouse room on the first floor spills out on to a generous balcony and captures fine views of racing.  The building employs a cost-effective steel frame that offers the flexibility of large spans and can straightforwardly cater for future adaptation of the building’s internal plan without compromising overall structural stiffness. The building envelope (including the roof) is clad in cedar that is intended to weather down to a low-key silver finish very much at home in its picturesque landscape setting. Carefully considered detailing, particularly evident in the gables and eaves, is intended to ensure that this timber building appears crisp in its execution rather than rustic. The steel frame is revealed in expressed external columns which define the bays of the ground floor and provide structural rigidity to the balcony.

Project Delivery

Public consultation was undertaken through community presentations and the contemporary designs established support as a valid response to the site’s sensitive landscape context. The project was delivered through a Traditional JCT Contract with Hall + Bednarczyk’s oversight of the two buildings alongside DCWW’s in-house capital infrastructure team.  A local building contractor based in Abergavenny delivered the buildings to a high standard over the course of a 15 month project timetable.

Success

The paired buildings have provided a considerable social catalyst for public engagement with the reservoir both on and off the water, exceeding Welsh Water’s already ambitious plans for greatly increased visitor numbers. A site of considerable beauty, both natural and man-made, has become a tangibly welcoming place where Welsh Water’s community-led ethos is in clear evidence.

Key Sustainability Points

Social Sustainability

Dwr Cymru Welsh Water operates to a charter that extends beyond providing clean water and sewerage for its 3 million customers by reinvesting any financial surplus to benefit the community in Wales.  A 550m2 visitor centre caters for members of the public wishing to enjoy the tranquil setting, as well as providing accommodation for reservoir management, park rangers and fishermen. Additionally, a 300m2 watersports centre replaces the inadequate modular accommodation that served a long-established watersports school and sailing club.  The project provides a considerable social catalyst for public engagement with the reservoir both on and off the water and the popularity of the buildings helps to ensure that the site can sustain its future as a cherished social amenity for a broad range of users.

Increasing sustainable travel

The retention of an existing public car park was essential to delivering the overall project within a budget of £2m, including external works. Cycling to the site has been successfully encouraged, and parking provision for coaches and minibuses markedly increased.

Energy Performance

Tailored approaches to sustainable design were applied to the two new buildings reflecting their markedly different internal energy requirements and distinct external envelopes. Offsetting the adverse BREEAM scoring implications of Llandegfedd’s isolated rural location, where electricity is the only available mains-supplied utility and public transport links are limited, pragmatic decisions were taken to enhance sustainability. The project’s EPC Rating of Band B (scoring close to an A Rating) reflects the effort applied to creating thermally efficient building envelopes.

Orientation

Fundamental decisions regarding the positioning of both buildings enable their window orientation to benefit from passive solar heat gain as well as the most desirable views of the site. Each incorporates a user-controlled flexibility that avoids the need for air conditioning. Opening windows at high level enable background through-ventilation whilst large sliding glass doors permit purge ventilation on the hottest of days, when the lake cools the natural breezes. Horizontally fixed louvres shade the SW windows of the watersports centre.  Generous overhangs on the Visitor Centre’s roof protect against excessive solar heat gain on the substantially glazed SW elevation.

Sustainable technology

Due to Welsh Water’s ongoing operational need to adjust the depth of the reservoir, intentions to integrate a lake source heat pump were adapted to a 12kW air source heat pump capable of meeting all of the 550m2 visitor centre’s space heating requirements. Complimenting this, both buildings employ underfloor heating to distribute heat to the occupants of large rooms – an approach that is similarly effective in drying out wet-floored changing rooms. The watersports centre presents an unusual requirement for hot water due to the sporadic surges in demand that correspond with weekend sailing events, where up to 100 hot showers may suddenly be needed in a short timeframe. Hot water demand is therefore met with instantaneous electric zip heating, which avoids heat loss through storage or pipe transfer.

Quote

“Of all the projects we visited, this was the most fully resolved architecturally from the initial idea of sitting two buildings on the shore of the reservoir through to the high standard of construction that was achieved…These exceptional buildings have settled into their surroundings and prove themselves in use. We expect them to remain fine works of architecture throughout their working life, and to be recognised as such by future generations.” Eisteddfod Gold Medal Judge and Architect Alan Francis

Links

Hall + Bednarczyk Architects

Mann Williams Structural Engineers

Holloway Partnership

Morgan Henshaw

DCWW Llandegfedd Reservoir

Image credit: James Morris Photography 

Categories
Case Studies Residential / Housing

Llan y Cefn Hall, Overton

Planning and Design Process

Brief

From the start it was the client’s intention to renovate the buildings in order to prevent further dilapidation. It was proposed that they would be used as ancillary accommodation to the main hall, including leisure rooms as well as a home office and guest bedrooms. It was accepted by the local Planning Authority that bringing the buildings back into gainful residential use was the only viable way to secure their future.

Access

A major concern was the access to and circulation through the buildings. Access from the coach house to the other buildings was poor and there was no convenient access from the main house to either of the courtyards or buildings.  To resolve this issue, a new archway was introduced to the stable building to allow for a direct route from the main house and 2 stairs were added to link the different levels of the buildings. A new covered walkway creates a contemporary addition to the ensemble and a protected connection between the bedrooms in the stable wing and the coach house.

Sensitive interventions

The implemented design respects the existing arrangement and fabric of the buildings and only intervenes where required to make them suitable for their new use. The interventions are designed to be in keeping with the simple and functional architectural language of the ensemble. The new walkway is constructed from solid oak on a brick plinth and the roof is clad in lead – traditional materials that are sympathetic to the existing.

Preservation

Special consideration was given to the preservation of the original timber framed western gable of the coach house. It is believed that this part of the building is one of the oldest in the ensemble. The design, which introduces a contemporary glazed screen behind the original timber frame, keeps it outside the insulated building envelope which, not only preserves it but, turns it into the central feature of the ensemble. It affords the home office extensive natural lighting and stunning views over the garden, the valley and the distant Welsh hills. The weathered and aged original timber framing sits in sharp contrast with the precision of the aluminium and glass façade behind it.

Key Sustainability Points

Reuse

Overall, the works have transformed the ensemble of dilapidated buildings into contemporary accommodation that will secure their existence, use and value in the future.

Insulation

Due to the advanced degree of dilapidation to the internal fabric and finishes throughout, the local Authority Conservation Officer accepted the architects proposals to install insulation to the inside face of all walls, as well as to the roof and floors. This has allowed significantly higher levels of insulation to be achieved than would normally the case in a listed building.

Green technologies

The works also include the replacement of all windows with new double glazed steel framed windows. A new efficient oil boiler is supported by a wood burner on the lower level of the coach house. A ground mounted array of solar photovoltaic panels was installed in a location remote from the buildings in order to avoid impact on the ensemble itself while providing an additional sustainable source of energy.

Quote

“We employed Randal Turner of Andy Foster Architects to design and oversee the conversion of an 18th century Grade II listed barn.  His design was modern and imaginative whilst at the same time maintaining the integrity of the old building.  He dealt admirably with both the planning and conservation departments of the local council.  He was also appointed to oversee the building works, and in this respect Randal was meticulous in his attention to detail and conscientious.  He was a pleasure to work with, both for us as clients but also for the contractor.  We would highly recommend him to anyone considering undertaking this type of project.” The Clients

Links

Andy Post Architects

Byrom Clark Roberts

Categories
Case Studies Public / Cultural

Galilee Chapel, Llantwit Major

Planning and Design Process

Sensitive restoration

The philosophy adopted for restoring the Galilee Chapel was to provide a suitable space for displaying the early Christian Stones, whilst retaining the memory of the ruin, carefully retaining all existing stonework, and capping it with a dressed stone blocks to support the contemporary glazing above. This also provided a good weathering for the tops of the walls.

Accessibility

The Stones are the key focus of the project and have been positioned so that a wheelchair can get access to all the Stone’s inscriptions. The existing stone walls have been lime washed white to allow the grey stones to stand out against the background. 

Reversibility

The roof structure is simple and reflects the trusses and oak boarding found in the West Church. Dressed stone features have not been over-restored and all new work is completely reversible. Most of the new work is essentially reflected in oak. The new west window sits delicately within the ruined fragments of the original 13th century window, each new stone carefully cut around the original and bedded with a lime mortar to allow reversibility and yet maintaining adequate weathering.

Contemporary

Our thinking was clear from the outset. The new elements would form a contemporary solution rather than trying to create a pastiche of what might have been there. We toyed with the idea of roofing the small chapel with zinc, and although we wanted this to be a contemporary solution, we also wanted it to be subtle, and therefore settled on a Cornish slate to match the adjacent roof.  The use of a contemporary material like zinc would stand out too much when the church was seen from the upper levels of the surrounding village.

Key Sustainability Points

Reuse

The reuse of existing buildings is arguably a sustainable form of development by reusing existing structure and materials negating the need to extract or manufacture new materials. The design and specification has been guided by good conservation principles (the building is listed grade 1) so that new is attached to old, rather than old to new, and all new work is ‘reversible’. The surface materials reflect the materials used in the main body of the church, which is limewash and natural oak boarding and stairs.

Materials

The materials used in traditional buildings are from natural local sources and generally not harmful to their environment. What remained of the Galilee Chapel was predominantly local Lias limestone and lime mortar. Materials introduced into the new build elements of this restoration project are a limecrete floor slab upon recycled glass insulation, which also has the benefit of draining the often water logged ground; stone and lime for the walls; and softwood timber framing for the floors and roof. Glass infills are frameless. The natural slates on the roof are from the Delabole quarry in Cornwall, and match those on the adjacent roof of the West church.

Insulation

The Galilee Chapel floor and new roof construction have been insulated with recycled glass and sheep’s wool, but the walls and windows have not been insulated, simply limewashed. Adding insulation would be inappropriate for the historic character of the building. The thick stone walls provide thermal mass, which will feed back into the space during the night. As the restored west window is a single glazed leaded light, the remainder of the glazing required a ‘light touch’ so single glazing was preferred to double glazed units.

Heating

The original oil boiler in the basement was removed and replaced with two new condensing gas boilers that heat three separate zones – 1) The Galilee Chapel, 2) The West Church, and 3) The East Church. This was determined the most efficient way to heat the building based upon the frequency of demand for each space. Mains gas is in the adjacent road about twenty meters from the building. Mains gas was preferred over a heat pump as there is very little space in the graveyard and bed rock is only 450mm below the surface where space was available. Installing a heat pump proved very expensive and was soon abandoned.

Quote

“This restoration is magnificent.  It is both sensitive to this ancient site in the way it has been restored and yet surprisingly contemporary in its use of light and space.  This means it can be a place of pilgrimage and be useable in all kinds of ways by the present church community.” Barry Morgan, Archbishop of Wales

Links

Davies Sutton

Stirling Prize Winner

Chapel 

Categories
Case Studies Residential / Housing

Cliff House, Gower

Planning and Design Process

Site context

The site is a dramatic one – relatively flat but perched on the end of a cliff that overlooks the sea where the Atlantic Ocean meets the Bristol Channel. The very striking layered form of the design works to ‘dissolve’ its impact on the landscape and respond to the predominantly post-war housing nearby.

Planning designation

Planning permission was achieved for this contemporary home in a designated Area of Outstanding Natural Beauty, on a site overlooking the Bristol Channel. The area is very sensitive in planning terms, with the whole of the immediate area designated an Area of Outstanding Natural Beauty and National Trust ownership of land nearby. The solution is very sensitive – and one of the most sustainable buildings in Wales.

Brief

This time the client had seen the practice win numerous awards, both locally and nationally, and having been the subject of a previous planning rejection, with another architect, approached Hyde + Hyde to work on a new holistic vision for the site that would provide a very sustainable family home to meet distant future living needs as well as current requirements. This was an intellectual as well as a design challenge but one that the architects were eager to meet.

Design

Cliff House makes the most of the site’s dramatic location and captures glowing Gower sunsets, as well as being very sustainable in the long term. To balance the heaviness of the building fabric a cedar clad balcony frame is introduced to focus on the sea views, with vertical and horizontal planes creating a series of sophisticated ‘layers’. Elements of the design ensure that the building’s long term energy performance is exceptional, exceeding passive house standards.

Key Sustainability Points

Green technology

The house utilises an Air Source Heat Pump feeding a wet under-floor heating system with whole house mechanical heat recovery ventilation (MHRV). Hot water is stored in cylinder tanks assisted by solar thermal and the air source heat pump. A discreet parapet reduces the visual impact of the solar cells.

Insulation

The building is constructed from insulated concrete formwork (ICF) giving it a highly insulated air tight perimeter.

Climatic control

Angled louvres help create a semi-transparent object whilst avoiding overlooking and providing wind baffles, creating adaptable rain canopies, solar shading and cover for a carport and the entrance. There is a semi-open courtyard, barbecue area and landscaped garden to the rear.

Quote

Kristian Hyde explains the practice’s track record of first time planning success and popularity with clients: “we are a rigorously research-based practice, carefully crafting buildings with simple honest materials, yet emphasizing our clients’ needs over and above a particular architectural style to develop new spaces that inspire”.

References

Hyde + Hyde Cliff House

Picture credit: Hyde + Hyde Architects

Categories
Case Studies Residential / Housing

Cefn Castell, Gwynedd

Planning and Design Process

 Planning process

The new house is a defining and epoch-making change to the cottage which previously existed and the subsequent consented bungalow which held the current planning approval when our clients acquired the site. Our new modernist proposal to replace the consented bungalow was fully supported by the Gwynedd Council from inception due to submission of an extensive Design and Access Statement which aligned strong architectural theories alongside National Planning Policy Guidelines.

Design process

The whole design process was explored through a process of sketching and model making. Our aspirations were supported by a local authority who embraced innovative and sustainable design principles. Elevations are about framing, layering of materials and solid and void, maximizing light in and views out whilst creating architectural interest. A steel frame structure and combination of rendered masonry and lightweight timber frame construction allowed for large expanse openings to be created. The extrusion of the first floor references the maritime theme of coastal observation stations, whilst massing up the approach view of the house, which is set within its own private walled courtyard. The proportions of the house were rigorously tested against classical proportions whilst working within strict datum heights of the existing cottage that once stood on the site.

Heritage

The stone remains of a 400 year old existing ruined cottage were re-used for a new monumental stone boundary wall offering privacy and textural contrast using traditional stone wall building techniques of the local area juxtaposing the modernist new intervention of the main body of the house thus creating a dynamic material tension between the two. The new house separates from the stone wall with a glass slot roof, which delicately touches the wall.

Key Sustainability Points

Reuse

It re-occupies a brownfield site replacing a former derelict 400 year old cottage. All of the stone from the cottage was re used for the new boundary privacy wall which envelopes the new house. The client was keen to source local materials and labour thus reducing the carbon footprint in transportation costs.

Passive design

The internal character of the house is that it promotes natural daylight and solar heat gain particularly in the winter months with natural ventilation cooling through summer. The spacious indoor environment promotes a sense of wellbeing. All room are provided with a view out to the adjacent surroundings. The house was designed with a planning condition which necessitated the following key design measures; High levels of fabric insulation to offset against the large expanses of high performance glazing, high levels of fabric interface detailing for airtightness and water tightness due to the severe site exposure, passive solar heat gain through large expanses of south facing glazing and, natural cooling ventilation throughout the floor plan via large sliding glazed doors for stack effect.

Sustainable technologies

Sustainable technologies used at Cefn Castell are an air source heat pump for underfloor heating and hot water supply and rainwater harvesting from the porte cochere roof for garden watering. Cefn Castell currently achieves a high end EPC ‘C’ rating of 79. By introduction of a wind turbine, solar cell heating and photovoltaics, this would achieve an EPC ‘A’ rating of 97. These maybe considered ‘add ons’ to the site in the future.

Water and waste

All potable water supplies within Cefn Castell are fitted with water efficient devices and these are in the following forms; low flow taps and shower and dual/low flush WC’s. All foul water is treated via a biodisc for discharge as clean water off the site to the beach/sea as approved by the Environment Agency. Non recycled rainwater is directed off site to the beach/sea level as approved by the Environment Agency to protect the boulder clay strata of the site.

Quote

“Lots of practices claimed to build contemporary homes, but only John and Keith really understood the modernist principles I was looking for. The minute we sat down we had an instant rapport. Having an open and direct relationship with the architect is crucial to realising our dream home and an ‘overly detailed’ brief for helping the architects to gain a thorough insight into their modernist vision. As a result, John and Keith could establish a clear outline for what Cefn Castell should look and feel like long before the construction teams set foot on the site. When John and myself first met amongst the rubble of the cottage, we pulled out a couple of deckchairs and we just sat there talking about architecture. Communication is half the battle with these things. If you can get on with someone that easily, you know it’s got the potential for success.” Client

Reference

Stephenson STUDIO

Categories
Case Studies Residential / Housing

Carreg a Gwydr, Monmouthshire

Planning and Design Process

Planning process

Originally refused planning permission by Monmouthshire County Council in 2008, this replacement dwelling won at an Appeal Hearing in 2009 following Hall + Bednarczyk Architects’ successful demonstration that the building’s design was suitable for its protected landscape setting. The application had been strenuously resisted by planners who were keen to see the enlargement of a farm worker’s dwelling which existed on the site. However, the original cottage had already been much-modified, and what was left of its vernacular form would have been further compromised by extension.

Planning designation

Creating a home with a generous and expansive sense of space raised a potential conflict with the AONB’s tight planning restrictions on building volume. A design emerged which maximized habitable space by employing very low pitched roof forms. The effect of this was to introduce a horizontal emphasis to the design that, when combined with carefully selected materials, served to diminish the building’s prominence when viewed against the natural features of the surrounding landscape.

Site context

The site is located at the southern fringe of a rural hamlet comprising mainly 20th Century homes, and the design aims to negotiate the transition into open countryside by contrasting solidity with transparency.  Sandstone walls, which were an existing feature of the site, have been manipulated into curving protective elements that enclose the northern elevation, while the southern elevation is a sliding glass wall intended to create the most transparent connection possible between the house interior and the countryside beyond.

Construction

Construction techniques were developed with stone masons which avoided the need to bond the pennant sandstone with visible mortar, enabling highly insulated cavity walls to echo dry stone walling which is characteristic of the region. The upper storey uses steam-curved cedar boarding as a more lightweight ribbon of material, which incorporates cassette cavities for roosting bats. A steel frame set back from the face of the glazed elevations provides a building structure with sufficient stiffness to enable the external envelope to be made up of unusually slender elements. The apparent delicacy of the south elevation is intended to be a counterpoint to the more rugged texture and construction of the stone flanking walls. A blade-like zinc roof and first floor balcony over-sail the building in a dynamic gesture that offers solar protection along the south elevation, while limiting glare and reflection.

Landscape context

The ground floor spaces reach out to the landscape via a flush threshold that leads on to a raised terrace. A stone perimeter wall forms an essential livestock barrier but is kept low enough to the level of the terrace to maintain uninterrupted views.

Scale

Above ground, this four bedroom house is relatively modest in size, totalling 213m2 gross internal area over two floors. In order to maximise the beneficial use of above ground space, a substantial basement occupies the entire building footprint, resulting in a total area of 320m2. Enabling works commenced in early 2010, with the contract duration spanning from May 2010 to May 2011. The final contract value using IFC 2005 Rev2 (2009) including external works and a 50m2 garage was £740,000 equating to £2,000 per sq m.

Key Sustainability Points

Brief

Carreg a Gwydr was conceived from the outset as a low energy dwelling, reflecting the clients’ wish to have a reduced carbon footprint and lower fuel bills. In response to the brief, the design sought to adopt measures which met these efficiency aims, while simultaneously addressing the clients’ wish to build a home which celebrated the exceptional views afforded by its location.

Orientation

The building is orientated with a south facing main elevation, and all of the primary inhabited rooms and spaces are located along this axis to benefit from passive solar heat gain. The southern elevation is generously glazed beneath a substantial projecting roof and first floor balcony. This design strategy reflects the wish to gain an appropriate degree of solar benefit as well as capturing far-reaching views. The overhangs prevent excessive solar heat gain in the summer, while permitting low angled winter sun to provide beneficial warming to the building in winter months. The north elevation has a limited number of carefully placed openings which serve to limit heat loss while encouraging cross-ventilation. A double height space encourages air movement through the use of natural convection currents, with rooflights operating on temperature and weather sensitive actuators to provide effective natural ventilation.

Sustainable technology

The design incorporates a number of Low Carbon technologies, which have been selected for their appropriateness to the dwelling and site. A large unshaded lawn benefits from natural solar warming, so 500 linear metres of subterranean coils are linked to a ground source heat pump heating all rooms and domestic hot water. A heat recovery system draws warm air from the top of the double-height space, bathrooms, kitchen and utility room to further boost the operational efficiency of the system. The GSHP water output is optimally matched to hot water underfloor heating. Space heating may be augmented within the main space using the log burning stove.

Performance

The building’s annual CO2 emissions have been assessed at a level of 12.4kg/m2. The sustainability strategy results in the building achieving a SAP score of 84, and being rated B on its Environmental Energy Performance Certificate.

Quote

“If ever Frank Lloyd Wright’s guidance about successful organic architecture could be relevant to building one-off homes in Britain in the early 21st century, then it’s here, for the fabulous Carreg a Gwydr (Welsh for Stone and Glass) — a masterly self-build in the countryside outside Chepstow that is the pride and joy of its owners, Tim and Ceridwen Coulson, and its architect, Martin Hall of Hall + Bednarczyk.” Home building and Renovating Magazine

References

Hall + Bednarczyk Architects

Azimuth Structural Engineering Ltd

Matt Cant Photography

Categories
Case Studies Public / Cultural

Cardigan Castle

Planning and Design Process

Commission

The Cadwgan Trust commissioned Purcell in 2005 to undertake an initial condition survey and an options appraisal. Purcell led the Trust’s fundraising efforts, eventually securing £12.5m, and was subsequently commissioned to implement the proposals.

Planning Constraints

Purcell worked closely with Cadw to develop a high quality, appropriate design to compliment this complex scheduled ancient monument site. The restaurant over-sails a section of rebuilt castle wall that had collapsed in the 1980s, providing views across the river Teifi and back across the castle gardens. Ecologists, historic landscape consultants and archaeologists worked closely to preserve and enhance the rich features of the site.

Materials & labour

Local materials and labour were used wherever possible. Building apprenticeships delivered traditional building skills: slate roofs, joinery repairs, decorative plasterwork and masonry. Over 80 jobs were created during construction phase and the project provided a case study for the qualification of two architects.

Method of construction

Raking shores had propped the main southern walls since the 1970s and major structural and civil engineering works were necessary. The walls were strengthened by forming clusters of Cintec anchors to lock back the wall face and voids behind filled with semi-thixotropic grout. A local Cilgerran slate quarry was reopened to provide stone for repairs, and vast areas of wall were repointed.

Philosophy of repair

The repair and conservation of the buildings focused on creating a series of commercial spaces while sensitively restoring historic features. It was important to ensure that the buildings’ character, identity and significant features were respected with sympathetic modern interventions.

Repair techniques & conservation achievements

Services carefully weave through complex, below ground archaeology. Lime plaster finishes, decorative cornice-work, timber box guttery, carpentry and joinery elements were restored. Wallpaper dating from the 1920s, originally printed using a wet on wet drum process, has been digitally recreated in the main house. To re-roof the north tower and remove a central column, a reinforced ring beam was inserted with an additional steel structure to resist the outward thrust of the conical roof. This has created a space available for hire as a seminar/reception room.

Accessibility

The project is now fully accessible as much as is possible within the limitations of listed buildings on a sloping site. This was achieved through altering historic details to create level thresholds, sensitively inserting a lift into Castle Green House and thoughtfully integrating wayfinding around the site.

Challenges

The project did encounter some challenges. A market appraisal by the Trust after the HLF Round II grant award led to changes of use of many of the buildings at a late stage to meet an increased emphasis on commercial holiday accommodation and function hire. The HLF and other funders have proved to be enormously supportive with a second £800k HLF grant awarded to bridge the ensuing shortfall. As anticipated by the project team, additional archaeology was uncovered including medieval cellars. Works were suspended while these findings were excavated and recorded.

Key Sustainability Points

Re use

The castle is a Grade I listed scheduled ancient monument, comprising six separately listed buildings. This, and the overall budgetary constraints of a project which was 99% grant funded, provided challenges to the environmental upgrade of the buildings. Bringing these important buildings back into use, and thereby re-using the embodied energy in their construction, was an important factor in the sustainability thinking behind the project.

Ecology

Ecology across the site has been considerably enhanced by the landscape management. Many important specimen species of trees and plants from the 19th century have been maintained. Castle Green House is a nationally important roost for greater horseshoe bats. Redevelopment involved extensive negotiation with Natural Resources Wales and local bat groups. The bat roost in the medieval cellar was maintained throughout the construction phase, and work was carefully organised to allow the bats continual access. A tunnel and shaft through the house is built into the fabric so that the bats can link to the roof space, which is also given over to bat use. Bats then enter and leave via special bat access dormers in the roof space. Barn owl nesting boxes have also been provided in the roof space. A belt of undergrowth has been maintained from the house down to the river edge where the bats feed.

Green technology

 Solar thermal panels were installed on Castle Green House to provide domestic hot water for the holiday lets, and wood burning stoves provide some renewable heat energy. LED light fittings were used throughout to reduce electricity consumption by 90% over equivalent halogen fittings. New, efficient gas condensing boilers and radiators with period style thermostatic radiator valves were installed. A building management system (BMS) was installed in the Castle Green House to improve heating control efficiency.

Insulation

The conversion of the Gardener’s Cottage (a scheduled ancient monument) was used a test bed for internal insulation; 80mm of Pavadentro woodfibre board was installed throughout (with an overall build-up U-value of 0.43 W/m²K), the floor had 80mm Kingspan Styrozone beneath the slab (with a U-value of 0.25 W/m²K) and the roof was fully insulated with 200mm of Rockwool insulation (with an overall build-up U-value of 0.22 W/m²K).

Glazing

 All the windows were installed with slimline double glazed sash windows with an outer leaf of handmade cylinder glass. All the proposals required careful negotiation with Cadw and the local authority. The Grade II listed stables complex also had slimline double-glazed units installed in all the windows and had a full 200mm depth of roof insulation.

Quotes

“The remarkable story of the saving of Cardigan Castle started over ten years ago and is a triumph of public, community drive and commitment. Without the will and passion of the local people, the castle wall and associated buildings would almost certainly have been lost. Not only have the architects Purcell created a new, valuable and beautiful destination for the town, but the project has also unlocked and opened up entry into the town.” The RIBA Awards 2016 judges

References

Purcell

Picture credits: Phil Boorman and Purcell

Categories
Case Studies Education

Cardiff and Vale College

Planning and Design Process

Consultation

The project necessitated extensive consultation with the wider community and local businesses as well as the College’s staff and students. This allowed us to address any potential conflicts from stakeholders but also to identify opportunities for synergy between different aspects of the scheme. Specific stakeholders that we engaged with included Radio Cardiff (who now have their studio in the building), BBC Cyrmu Wales, Cardiff Blues rugby team, Somali advice and information centre, Somali youth association, Cardiff voluntary community services, Media academy in Cardiff ‘Switching on Young People’, Cardiff Women’s workshop, Wales Contact Centre Forum and a Transgender group in Wales. Early discussions were also held with Celtic Manor (the luxury Golf and Spa resort near Newport which hosted the G8 summit in 2014) with regard to opportunities for student outreach connected to the hospitality facilities.

Design

The wedge shaped building rises from 3 storeys at the south up to the city centre scaled 6 storeys to the north. The building is very open and permeable with over 150m of active frontage encouraging people to observe and interact with the activities within and to foster links with local businesses. Many of the facilities are open to the community including a gym, grocery store, cafe, hair and beauty salon, spa, driving test centre, a suite of Independent Living skills spaces, training and conference rooms and a fine dining restaurant.

Concept

Three primary entrances draw inspiration from the characteristic historic arcades of Cardiff and act as a public route, leading you towards the building’s central social heart space. Views from and to this space with its soaring atrium ensure clear wayfinding and navigation around the building. Faculty clusters wrap around and connect across the atrium to a shared resource ‘pod’ containing a library over two levels, ICT spaces and meeting / conferencing / training facilities. The ‘pod’ has a series of stepped south facing active terraces which closely relate to their adjacent internal activities and provide additional area when the weather permits for collaborative group learning or private study, break out, events and hospitality. A sequence of aspirational learning spaces rise through the building culminating in the fine dining ‘belvedere’ restaurant located under the northernmost tip of the roof with views across the city towards the Millennium Stadium to the north and Cardiff bay to the south.

Materials

The building was constructed as an insitu concrete frame with post tensioned flat slabs and a steel roof structure. Externally the material palette is a combination of an economical composite steel faced insulated metal panel in two colours to distinguish the special ‘pod’ from the simple ‘wrap’, glazed curtain walling and a buff brick base to the park side podium.

Key Sustainability Points

Reuse

The City Centre Community Campus for Cardiff and Vale College has given new life to a neglected site close to the heart of Cardiff city centre that sat vacant for a number of years. The brownfield site was formerly a marine engineering works and required remediation. The campus is the first new development within a rundown but well connected light industrial district identified for regeneration and it has already stimulated the progressive redevelopment of this under-utilized swathe of land that links the city centre and Cardiff Bay.

Accessiblity

The city centre location was intentional so that the users could benefit from the good public transport infrastructure. It is a 5 minute walk to Cardiff central railway and bus stations and close to a number of bus stops on a variety of routes serving Cardiff and the surrounding regions.  There is an off road cycle path which cuts through Canal Park immediately to the east of the site which forms a strong north-south route and a cycle path which is part of a National Cycle Network to the west of the site running alongside the River Taff.

Sustainable technologies

The quest to maximise the onsite generation of electricity through an array of photo-voltaic panels played a crucial part in the evolution of the wedge shaped massing of the campus building. We aspired to integrate the PV’s into the fabric of the building rather than just placing them on the roof as an afterthought so we inclined a singular roof plane at 16 degrees facing south which we established struck a good balance between orientation, ‘self’ cleaning, access for periodic manual cleaning and inspection and accommodating the range of activities in the spaces below. The 1850m2 / 250kW photovoltaic array generates approximately 15 kWh/m2/annum and contributes to the 40% improvement on CO2 over Part L 2010 and an EPC of A thereby significantly reducing on-going energy costs. Shaping the building so that it was lower to the south also enabled the creation of the sunny south facing external roof terraces on the ‘pod’ building which enjoy views towards Cardiff Bay.

Ventilation

Natural ventilation was maximised as far as possible by locating general teaching classrooms to the perimeter and positioning the rooms which required mechanical ventilation to the atrium facing side such as science labs, ICT suites, and Design and technology workshops. A number of computer rooms adopted thin client technology specifically to minimise ICT equipment heat output. The perimeter rooms integrate into the glazed envelope bespoke externally louvred natural ventilation panels with motorised dampers connected to the BMS. The building has extensive areas of exposed concrete flat slab to benefit from the thermal mass.

Construction

The ground floor of the building was elevated slightly to for the ground works made using some of the crushed rubble from the remains of the buildings that previously inhabited the site. The balance of rubble and pile arisings was distributed across the site and mounded in areas to prevent the need to transport and dispose off-site. These mounded areas were then planted as wild flower meadows to enhance the biodiversity of the site.

BREEAM

The building successfully achieved a BREEAM ‘Excellent’ rating.

Quotes

“For us, this fantastic new campus is just the beginning. Our goal is to transform education and training across the region and provide the best for everyone in an environment that is inspirational.” CAVC Chair of Governors Geraint Evans

“Our ambition is to support the delivery of truly 21st Century demand-led education and skills training across Cardiff and the regions. CAVC is centre place in supporting economic development that drives South East Wales, creating real community prosperity and new business opportunities. Our entire College eco-system is designed to integrate with local and regional business. Our job is to fully support inward investment with high level skills that benefit everyone. We are, and will remain, a college for the whole community that we serve.” Cardiff & Vale College Chief Executive Mike James

References

BDP

Categories
Case Studies Education

Archbishop McGrath Catholic School, Bridgend

Planning and Design Process

Inception

Following a thorough site investigation (including discovering a WW2 top secret munitions store under Brackla hill, later to be a Nuclear shelter) and following survey reports, HLM developed 6 sketch options each exploring different massing, use of terrain and sports provision.

Consultation

These 6 sketch options were presented to the Client team, including WG, School representatives, Archdiocese of Cardiff, Bridgend planners and Governors. At this point a scheme was chosen for further design development. Following this process the design team then took the proposal to the Design Commission for Wales and re-presented to the Client team. The design then went through several iterations to best capture the comments and requirements from all parties. Prior to a planning application being submitted HLM further consulted with all staff, all pupils (through a questionnaire and whole school presentations) and 5 local community presentations within the catchment areas, including Maesteg and Porthcawl. Following the planning approval the design team were honoured by Bridgend Council with a special award ‘Bridgend LABC – Building Excellence Award 2012 – Special Category – Planning award’. HLM then consulted with every teacher again to fine tune the internal finishes, pedagogies and circulation requirements.

Spirituality

Archbishop McGrath are very keen to ensure that Catholicism is at the heart of education, by providing the fullest possible education and curriculum to foster the spiritual, academic, physical, emotional and social development to all of its pupils through all abilities. A key design driver was the inclusion of a chapel positioned at its heart for religious ceremonies and quiet contemplation.

Concept

The triple height atrium space, which is at the heart of the school, visually connects all floors and provides a dramatic circulation and seating space, connected off the atrium is the Chapel, reception, senior management offices, main hall, dining hall, first and second floor circulation and some classrooms.

Topography

The site terrain was very challenging with vast level changes, potentially difficult rock to excavate and aquifers to cope with – all within a tight site. HLM designed a three storey solution which ensured that there is sufficient playing pitches and provision externally on this site. This avoided having to shuttle pupils to an alternative sports facility. HLM used the levels to their advantage by providing a secondary access at first floor. This provides an added benefit that pupils can access the playing pitches on the level and pupils can circulate freely on the first floor and generally only need to travel up or down one floor.

Supervision

Ensuring pupils well-being throughout their schooling years by providing opportunities for active and passive supervision is key. HLM have ensured that, where possible, glazed screens have been provided adjacent to classroom doors to provide transparency and passive supervision. The architects also designed the toilets to benefit from passive supervision by providing cubicles only with no doors into the toilet rooms.

Archbishop McGrath School’s overall score has increased year on year since opening in August 2012 and this year they achieved their best ever GCSE results.

Key Sustainability Points

BREEAM
Archbishop received a BREEAM 2008 Excellent score (Outstanding was not available at the time).

Sustainable technology

The school benefits from rain water harvesting, solar collectors, photovoltaic panels and 20% insulation betterment.

Ecology

There is a new connection to the local nature reserve adjacent to the site.

Quotes:

“Archbishop McGrath Catholic School is profoundly grateful to HLM architects for delivering a school design that is welcoming, inclusive, innovative and at the cutting edge of educational provision in the 21st century.” Reverend Dr Philip Manghan, Headteacher

Picture credits: HLM

Categories
Events Hatch

Hatch: Culture change

Two hours to change the world!  Well, we can make a start anyway!

Culture change requires fresh-thinking, creative people like you.  We’ll spend November’s Hatch meeting discussing ways to improve the built environment culture in Wales, from planning, to design, to delivery.  We’ll think about what needs to change and how those changes can happen.  Come with questions and ideas.

 

Refreshments provided.

Save the date for our Christmas social event: Thursday 1st December

Find out more about Hatch here

Categories
Mixed use Reports

St David’s Area Proposals, Swansea (Oct 16)

Categories
Reports Residential/housing

Jockey Street, Swansea (Oct 16)

Categories
Mixed use Reports Uncategorized

Mamhilad Urban Village (Oct 16)

Categories
Opportunities

Call For Entries – Places For Life: Post Conference Perspectives

The Places for Life conference, which took place on 12th October 2016 will be followed by a publication capturing post-conference reflections and key messages from the speakers, workshops and discussions. We’re therefore extending an invitation to share your perspective as someone who attended the day or someone interested in the topics and themes that were explored.

The conference explored the interrelationship between mobility, green space, social infrastructure, placemaking and the important role of a clear vision in creating great places to live.  Where we live affects how we live and how we live affects everything else including our health, wellbeing, relationships, access to work, social life and impact on the environment.  Wales needs mroe homes and the future of residential development in Wales must be about more than just the number of ‘units’ that are built – it must be about creating thriving ‘places for life’.

The Design Commission for Wales invites submissions of up to 400-word abstracts for written reflections and/or articles on the theme of Places for Life for inclusion in the publication.  We encourage submissions from designers, planners, developers, surveyors, policy and decision makers, academics, artists, authors and others with an interest in what makes a great place to live and the difference that where we live makes to health, happiness and wellbeing.  The submission may be responses to the content of the conference, research findings from studies that you have been involved in, new ideas, fresh perspectives or case studies.  Images, diagrams and illustrations to accompany the text are welcomed.

We are keen for the conference to inspire and provoke better approaches to the way that residential developments are planned, designed and delivered and to hear about proposals that can help bring about change.  This could be a conversation, an idea, a shift in practice, or a change of thinking.

As a reminder, or if you missed the conference, you can find a summary of #placesforlife Twitter conversations here.

Abstracts and essays may be submitted in English and/or Welsh language. Joint authorship is allowed. You may enter more than one abstract. All abstracts received will be reviewed by the Design Commission for Wales, and a range of proposals will be selected for inclusion in the publication. Abstracts will be judged on the merit of their critical response to the theme of Places for Life, clarity of structure and expression, and their potential to stimulate and contribute to the debate.

Abstracts must be submitted with an entry form to the Commission by 26th October.  Authors of selected abstracts will be asked to submit text of no more than 3,000 words with relevant illustrations to be included in the publication which will also be made available on Design Commission for Wales’ website. Selected authors will be announced by Friday 4th November 2016. Completed essays should be received by Design Commission for Wales by midday on Friday 25th November 2016. The selection and editorial decision of the Design Commission for Wales is final.

Please contact Jen Heal, Design Advisor at the Design Commission for Wales if you have any questions or would like to submit an abstract:

T: 029 2045 1964

E: Jen.heal@dcfw.dev

Categories
Publications

Site & Context Analysis Guide (2016)

https://gov.wales/planning-developments-site-and-context-analysis-guide

Categories
Hatch

Hatch: Effective Engagement

Hatch, Thursday 1st September

Effective Engagement

By Wendy Maden

 

A recent change to the requirements for pre-application consultation with the community and other stakeholders in the planning application process has highlighted the need for to think about how to engage. Can we avoid ticking yet another box and going through the motions? Can we add value through engagement and participation and if so how? September’s HATCH network meeting considered these issues and the challenges and opportunities presented by consultation and engagement.  Three built environment professionals were invited to share their experience and thoughts on the subject and stimulate debate.

 

Action & testing

Ruth Essex shared her experiences of working with people through a ‘tactical urbanism’ approach. Ruth is a regeneration consultant and creative producer who currently manages the Arts Council of Wales’ Ideas-People-Places programme. She began by challenging the language of ‘engagement’ and ‘consultation’ by instead suggesting that describing the activity as ‘working with people’ or ‘co-production’ can create a different dynamic that can be more productive. Ruth described tactical urbanism as ‘DIY urbanism’ which allows people to quickly change their environment instead of spending time talking about possible changes. She explained that, from her experience, this method of working with communities to change their built environment has been more productive than the classic model of consultation-then-action. It allows ‘quick wins’ which are motivating for communities as they see instant change and are given agency to change their environment. This direct approach can be more exciting for people than looking at plans for a potential project – it essentially minimises planning and maximises activity.

Ruth noted that as well as better engaging people, tactical urbanism can also be used to test different ideas before possibly settling on a more permanent intervention.  Ruth noted how conventional planning processes emphasise the need for perfect results, following lengthy consultation, without room for testing, and learning from the testing process.  Therefore the tactical urbanism method can allow for trial and error whilst preventing costly changes if a project is unsuccessful. An example might be wasted or unused space in towns and cities, awaiting development, that provide opportunities for tactical urbanism to allow ideas to be implemented and tested early. Part of this testing, she noted, is the ability to observe how people use the space and any newly installed hardware, which can help inform future action in the area.

A number of examples from around the world were highlighted by Ruth to demonstrate how this concept had been used in practise. A well-known example was Times Square in New York where a sequence of interventions were successful in leading to pedestrianising the area. Examples from central Europe and the UK demonstrated a range of projects of different scales. 72 Hour Urban Action is a unique architectural competition whereby eight teams are given a different public space in one city and they must design and build a project in three days and three nights. Ruth described this as a successful model for engaging and motivating the community and creating almost instantaneous action in public spaces.

 

Develop a relationship

Following Ruth, Owen Davies discussed his recent experience of community engagement on the Arts and Minds project by Arts Council in Wales. Owen is director of Owen Davies Consulting Ltd, a regeneration and planning practice focusing on making places more liveable, memorable and viable. Owen began by defining ‘consulting’ as the action of seeking advice or information, as opposed to ‘engaging’ which is to occupy attention, meaning that engagement should be viewed as a long term interaction with a community.

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Catching people’s attention

Owen described his involvement in a particular project which provides valuable lessons for successful engagement. The example was an estate improvement project St George’s Court in Tredegar, South Wales. The team had developed a ‘yellow brick road’ idea and in order to catch people’s attention, prior to organised consultation, they painted a yellow strip through a well-used car park on the estate. This served to signal change and stimulate curiosity amongst the community. In terms of organised consultation sessions, Owen stated that the intention was to make the community feel comfortable coming to the team to talk about their area, so hot water bottles and an abundance of tea and cake were available at the sessions. Although small gestures, they made people feel welcome and ‘warm’ during these events which naturally aided discussion and engagement. Following the event all of the written material was left in situ, to allow residents to view the content and as a reminder that change will happen.

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Establishing a welcoming, regular presence

In order to develop a long term relationship with the community, Owen described how the team used a vacant flat on the estate as their project base. This was open every Wednesday for the community to pop in and discuss the project or any other issues relating to the estate. This open house approach led to discussions with the residents about their real day to day concerns, one of which was a concern about front doors being replaced for safety reasons. In order to address this concern the resident artist started to photograph every door in the estate as a record and these images were subsequently displayed on the estate. The process of doing this not only made the project personal to each resident, but also facilitated a reason for one to one contact with and between residents.

Owen concluded that this level of attention and time given to engagement with the community led to a better understanding of their concerns and how the project could help improve their wellbeing. However he noted that the provision of funding from the Arts Council meant this process could be facilitated, whereas in the case of other projects this close and lengthy contact may be less possible.

Like Ruth’s description of tactical urbanism, the observation was made that the success of this engagement could be the punctuation of a long term process with physical interventions and activities. In this instance the social regeneration was most important and this engagement created a sense of ownership and legacy that would outlive the project itself.

 

The value of creativity

Emma Price is Director of EMP Projects, an arts consultancy which works in brokering curatorial partnerships specialising in the planning of small to large-scale creative and cultural developments. Emma began by reiterating the distinction between consultation and engagement and the many different terms used to describe this process, both within the development and art ‘worlds’. In specific relation to her work Emma explained the value of having an artist on a design team, not necessarily to create a piece of art work but rather to provide a different perspective and alternative method of engagement. Examples she cited were artist Rick Lowe’s What We Made: Conversations on Art and Social Cooperation from Project Row Houses, Houston, Texas, 2006 and The Blue House, a durational art project initiated in the Netherlands by artist Jeanne van Heeswijk in 2005, which was an example of creating space within a development for creative interaction and exchange of ideas. This example demonstrated the benefits of having artists’ in residence within a city and for new development.

Artist Rick Lowe - Project Row Houses, Houston, Texas
Artist Rick Lowe – Project Row Houses, Houston, Texas

Emma also provided some examples of working with artists as creative place-makers and art for the community which is about peoples’ experience of a place, such as the ‘art of getting lost’, whereby participants were directed around a town in such a way that led them to discover a part of their area with which they were unfamiliar.

Emma had a positive outlook on the changes to consultation requirements and saw these as an opportunity rather than a burden.  She has experience of working with developers on the type and scale of projects that will be affected by the new consultation requirements. She works on projects where a portion of the arts budget from private sector developments, via section 106 agreements, is allocated towards arts and creative projects which may have no physical presence. This included national house builders and the challenges of engaging with not only new residents, but existing ones. Emma noted the example of Hafod care home in Barry where funding was allocated for an artist in residence, Heloise Godfrey-Talbot who welcomed new residents as they moved in and gathered stories about them and the place.  Another example was the commissioning of artists Owen Griffiths and Fern Thomas to work with the community on a project based around ecology at a Barrett Homes development in Wick.

The concluding remarks from Emma were that effective engagement through art and design can be about talking with and listening to people and developing a dialogue to allow ideas and creativity to flow. She has found that action attracts a wider range of people, not just objectors, and so can be more effective in creatively engaging a community. Emma recommends that, where a 1% section 106 agreement is allocated for public art, clients and design teams should make the most of it and that in practice she is seeing more developers engaging with this creative process because they see the value of it, rather than out of necessity.

Several examples demonstrated the value of creativity and of tailoring engagement to different projects to yield effective results. The speakers in their different roles documented varying methods to engage more usefully and purposefully with communities, but there was a clear consensus that long term engagement is very different to one-off consultation and that participants will be better engaged with creative change rather than formal consultation.

Sifting the comments from the speakers and the debate, and reflecting on the event I thought that the typical ‘classic consultation event’ is insufficient to truly engage a community on the issues that affect them and will ultimately mean a significant change to their built environment.

How we approach engagement on different schemes and proposals will require creativity with regard to the type of development, the location and the local demographic. As we’ve learnt from the speakers, these creative ideas could vary from tactical interventions, to resident artists, to tonnes of cake! Tailoring ideas to suit the specific project and community will be invaluable. I don’t think that a different form of engagement needs to take a huge amount of time or resources. Even if there is only the time and budget for one consultation event, a little more innovation and forethought can make events different and more engaging and can really make the difference.

From my perspective as a planner, the new consultation requirements can be seen as an opportunity to engage earlier and more usefully with a community and with Statutory and non-statutory Consultees. If the design and development team enters into the process as a creative, stimulating exercise, rather than as a necessary box ticking exercise, great value can be added.

The statutory requirement is for details of consultation to be recorded and regarded within a Pre-Application Consultation report, to be submitted with an application. However if consultation is inadequate and the community and stakeholders are not properly engaged it will be difficult to demonstrate a worthwhile process that improved the quality of the proposals. So this early consultation is only likely to be useful and meaningful if the form and methodology of the engagement is genuine, innovative and creative. If not all participants and design team will fall into old habits and fail to discover fresh, value adding opportunities.

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Events

Teithio Llesol a Chreu Lleoedd: Y cyfle i greu cymunedau cysylltiedig

YMUNWCH Â NI…

Mae Sustrans Cymru a Chomisiwn Dylunio Cymru yn eich gwahodd i ymuno â ni a’n panel gwadd i archwilio rôl pobl yn Neddf Teithio Llesol (Cymru), ac mewn dylunio strydoedd a gofodau yn ein trefi a’n dinasoedd. Cewch glywed gan ymarferwyr a rhannu arferion gorau, wrth i ni ystyried sut y gall profiad pobl o dir y cyhoedd helpu i greu mwy o gymunedau y gellir byw ynddynt.

Dydd Mercher 5 Hydref 2016

2.00pm – 4.30pm gyda lluniaeth ysgafn ar ôl cyrraedd

 Yng Nghomisiwn Dylunio Cymru, 4edd Llawr, Adeiladau Cambrian, Sgwâr Mount Stuart, Caerdydd CF10 5FR

Bwciwch eich lle am ddim drwy Eventbrite

Bydd y digwyddiad yn cael ei gadeirio gan Carole-Anne Davies, Prif Weithredwr Comisiwn Dylunio Cymru, a Jane Lorimer, Cyfarwyddwr Cenedlaethol Sustrans Cymru.  Bydd ein panel gwadd yn cynnwys:

Lindsey Brown, Dylunydd Trefol, Sustrans Cymru

Mat Jones, Pensaer a Darlithydd, Coombs Jones Architects & UWE

Allison Dutoit, Pensaer/Dylunydd Trefol a Darlithydd, Gehl Architects & UWE

Victoria Robinson, Rheolwr Datblygu, Cyngor Bro Morgannwg

Ymunwch â’r sgwrs i drafod sut y gall dylunwyr, penseiri a chynllunwyr ymgysylltu â phobl wrth lunio lleoedd bob dydd.

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Events

Places for Life: Design Commission for Wales Conference 2016

Where we live affects how we live and how we live affects everything else including our health, wellbeing, relationships, access to work, social life,  and impact on the environment.  Wales needs more homes and the future of residential development in Wales must be about more than just the number of ‘units’ that can be built – it must be about creating thriving ‘places for life’.

DCFW’s Places for Life conference will explore the interrelationship between mobility, green infrastructure, social infrastructure, placemaking and the important role of a clear vision in creating great places to live.

We are pleased to welcome the following speakers:

Keynote speech | Lesley Griffiths AM, Cabinet Secretary for Environment and Rural Affairs

Happy neighbourhoods, placemaking and mobility systems | Marten Sims, Senior Design and Engagement Specialist, Happy City

Drawing on the research undertaken and presented in the 2010 publication Happy City, Marten explores the powerful connection between urban design, place-making, mobility and happiness.

Delivering healthy homes | Ashley Bateson, Partner & Head of Sustainability, Hoare Lea

Ashley discusses the role of procurement and management in the delivery of healthy homes, including:

  • An overview of UK-GBC research on health and wellbeing in the home
  • Designing for comfort and wellbeing
  • Getting procurement and delivery right
  • The role of management

A vision for life in Cardiff Bay | Mark Hallett, Development Director, igloo Regeneration and Victoria Coombs, Architect, Loyn & Co Architects

The developer and architect of the proposed Porth Teigr residential development in Cardiff Bay will cover how igloo’s FootprintR policy has influenced the scheme in the context of a mixed-use masterplan and the importance of a vision for new homes based on a micro/macro design approach, the needs and aspirations of its future residents and research into “how we live now”.

Why it pays to invest in placemaking | Susan Emmett, Director of Residential Research, Savills

Creating great new places requires a dynamic mix of amenities, retail, employment, education and public realm as well as housing. Susan will focus on what is required to make the sums stack up financially for developers and landowners.  By drawing on experience in a number of case studies, Susan will look at what works, examine existing barriers and suggest potential ways forward so everyone wins.

There will be a choice of interactive workshops:

Applying Happy City’s holistic wellbeing framework | Marten Sims, Happy City

Strategic planning and placemaking | James Brown, The Urbanists

Developing a vision for places to live | Mat Jones, Coombs Jones Architects

The event will also provide space for discussion, debate and the exchange of ideas across sectors and disciplines.

By understanding the impact of design on the health, happiness and wellbeing of residents, those who shape the built environment, including planners, urban designers, architects, leaders and developers, can play a lead role in creating better value and better places.

Join us and expect to engage, question, debate, think and contribute.

Book now tickets £98

(Student tickets £45, limited places)

Eventbrite - Places for Life - DCFW Autumn Conference

 

If you experience problems using Eventbrite, please contact us on 029 2045 1964

Categories
Reports Residential/housing

Cefn Yr Hendy, Talbot Green (Sept 16)

Categories
Reports Transport

The Interchange, Central Square, Cardiff (Sept 16)

Categories
Education Reports

University of South Wales Campus, Caerleon (Sept 16)

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Commercial Mixed use Reports

Former Taff Vale Shopping Centre, Pontypridd ( Sept 16)

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Events

Active Travel & Placemaking: The opportunity to create connected communities

JOIN US…
Sustrans Cymru and the Design Commission for Wales invite you to join us and our guest panel to explore the role of people in The Active Travel Act (Wales) and designing streets and spaces in our towns and cities. Hear from practitioners and share best practice as we consider how people’s experience of the public realm can help shape more liveable communities.

Wednesday 5th October 2016
2.00pm – 4.30pm with light refreshments on arrival

At Design Commission for Wales, 4th Floor Cambrian Buildings, Mount Stuart Square, Cardiff CF10 5FR

Book your free place via Eventbrite using the link below

Chaired by DCFW Chief Executive, Carole-Anne Davies and Sustrans’ National Director Wales, Jane Lorimer, our guest panel will include:

– Lindsey Brown, Urban Designer, Sustrans Cymru
– Mat Jones, Architect & Lecturer, Coombs Jones Architects & UWE
– Allison Dutoit, Architect/Urban Designer & Lecturer, Gehl Architects & UWE
– Victoria Robinson, Development Management, Vale of Glamorgan Council

Join the conversation to discuss ways in which designers, architects and planners can engage with people in shaping everyday places.

Categories
Events

Captured Moments : Reflected Spaces Exhibition

It is our interaction with the built environment that brings together the work in this exhibition. Observations and design studies that consider landscape, texture, heat and light as building materials allow us to question their effect on our experience of everyday surroundings.

Artist, Rhian Hâf and architects, Rhian Thomas, Dow Jones, HASSELL, Victoria Coombs and Wayne Forster explore environmental stimuli and capture transient moments in this multi-faceted exhibition supported by Ruthin Craft Centre in partnership with the Design Commission for Wales and BayArt.

Please join us for the opening of the exhibition at 4.00pm on Saturday 10 September, with architect Chris Loyn.

And on Wednesday 21 September at 5.30pm when Rhian Hâf and architects featured in the exhibition will be in conversation with Carole-Anne Davies.

Captured Moments Reflected Spaces

 

Physical materials, light, landscape, weather and time are the building blocks of place.  The works in this exhibition demonstrate the artist and architects’ empathy with these elements. Through design, these elements can be manipulated and composed to contribute to our experience of the built environment, the places we inhabit.

From Victoria Coombs’ intricate exploration of thresholds, to Wayne Forster’s study of the search for thermal comfort in a courtyard house, the designers consider some of the infinite variety of ways in which good design contributes to our enjoyment of day to day life.

Through ‘deep mapping’ of the Black Mountains landscape, Rhian Thomas explores architectural relationships with landscape and identity, and the shaping of landscape by human intervention over time. HASSELL’s sculptural installation records a series of journeys of recovery through a landscape where time, distance and topography take on a new significance.

Dow Jones Architects’ interest in how the careful manipulation of materials and light can elevate the apparent mundanity of the everyday into something more pleasurable and meaningful is evident in their Tanner’s Hill project. Light is also the focus of Rhian Hâf’s work. Through her understanding of the properties and qualities of glass, Rhian subtly controls the flow and density of light passing through her material, exploring effects that have a bearing on our everyday built environment.

Categories
Infrastructure Reports

Wylfa Newydd Main Site, Anglesey (Aug 16)

Categories
Reports Residential/housing

Hallinan’s House, Newport Road, Cardiff (Aug 16)

Categories
Public/cultural Reports

Burry Port Lifeboat Station (Aug 16)

Categories
Education Reports

Cardiff University, Centre for Student Life (Aug 16)

Categories
Infrastructure Reports

Llanfoist to Abergavenny Footbridge (Aug 16)

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Comment Hatch

Developing Cardiff Bay: Hatch Review

The latest Hatch event involved a walk around Cardiff Bay, guided by urban designer Dr Mike Biddulph, from the Place Making team at Cardiff Council.  To reflect the range of built environment disciplines represented in the Hatch network we have collated the perspective of an urban designer, arts consultant, public engagement and experience design consultant and an energy and building physics engineer to see how their views on the event varied.

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Emma Price, Arts Consultant reflects on an illumination of Cardiff Bay and the common aspects of seemingly different disciplines.

I was not sure what to expect at the latest Hatch event as I am not an urban designer, landscape architect, planner, or architect. So when it was my time to introduce myself, I hesitated, before revealing that I am an arts consultant working predominantly in commissioning art in the built environment. It is my professional experience in this field which therefore framed my interaction with the workshop.

The walk and talk brought together a range of designers and innovators working in the city. Mike set out the challenges of urbanisation and the creative potential of speculative design. We collectively examined the constraints and areas for potential development; exploring the physical factors that can affect development prospects, and the potential for urban design solutions for an ever evolving Cardiff Bay

I learned that urban design is a particular form of enquiry into the nature of our city, its form and function.  We all seek to understand the city as a place of human coexistence and to contribute to the creation of strategies and projects that inform its future development.  This struck me as similar to the new and innovative ways that artists are approaching working in the public realm.

We were encouraged to look for and explore new ideas around the design decisions faced by Mike and his colleagues when developing an urban space that works for a wide section of the local population and visiting community.

During our walk we explored and reimagined the Bay through its physical landscape and its role in cultural regeneration. The discussions reminded me of the Situationists and their interpretation of psychogeography. This is something that I have long been interested in, but until now, only from the perspective of working with artists to investigate the experiential and physical elements of place making. But in fact we are all, in some way, psychogeographers.

Psychogeography and the dérive

…The Situationists’ desire to become psychogeographers, with an understanding of the ‘precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behaviour of individuals’, was intended to cultivate an awareness of the ways in which everyday life is presently conditioned and controlled, the ways in which this manipulation can be exposed and subverted, and the possibilities for chosen forms of constructed situations in the post-spectacular world. Only an awareness of the influences of the existing environment can encourage the critique of the present conditions of daily life, and yet it is precisely this concern with the environment, which we live, which is ignored.

(Source: Plant, S. (1992) The most radical gesture: The Situationist International in a postmodern age’ P58: Routledge.)

Mike enthused us as to the benefits of walking through a place with eyes wide open, and the need to truly address and represent contemporary urbanism in future plans.  Mike also brought home to us the challenge in resolving complex issues facing transport, public space (including streets and land use), and building typologies through creative design plans.

The group’s critical contribution throughout the walk paid homage to the importance of cross-sector consultation, mirroring Mike’s generous, site-specific explanation of the work of urban designers in creating our streets, buildings and transport routes that consider both people and place.

Although I had worked in the Bay for several years, I was now seeing the Bay’s streetscapes in a new light. Perhaps we are so tuned out and focused on travelling through places for practical reasons that we don’t pay sufficient attention to our journeys – on foot, via varying modes of transport, or via our creative imagination. The workshop highlighted that fully engaging our senses and emotional awareness on something as basic as a short walk can be used to positively influence place.

As the site-responsive workshop progressed I felt increasingly at ease with the contributions I could make when discussing potential opportunities in line with the cultural heritage and future aspirations for this part of the city. This comes from working with artists, many of whom, through the context of their practice, research place, people and the cultural offerings of a particular site and whose work directly or indirectly offers creative development opportunities. So, not too dissimilar to that of an urban designer.

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John Lloyd, Energy and Building Physics Engineer, enjoys the bigger picture offered by urban design.

Coming from an engineering background, I must admit to being a little in the dark as to exactly what Mike’s line of work as an Urban Designer entailed, so before arriving did a little internet search, turning up the following:

Urban design is about making connections between people and places, movement and urban form, nature and the built fabric. Urban design draws together the many strands of place-making, environmental stewardship, social equity and economic viability into the creation of places with distinct beauty and identity. Urban design is derived from but transcends planning and transportation policy, architectural design, development economics, engineering and landscape. It draws these and other strands together creating a vision for an area and then deploying the resources and skills needed to bring the vision to life.

(Source – http://www.urbandesign.org/)

As interesting as that sounded, I still was still a little vague on the specifics so went along with an open mind and no preconceptions. To all of our surprise, Mike Biddulph chose to focus on the area of the Bay where Lloyd George Avenue connects Bute Street and Roald Dahl Plas. Hatch members in attendance initially struggled to visualise the development of a site, which on face value, appeared to be an area of the city that was already “complete”, modern and a significant part of the local road network. After some encouragement or perhaps coercion, we all came to agree that while the area may not require redevelopment, it is underutilised space in a prime location and the focus of the evening’s conversation therefore centred on how it might be improved.

This is one of the parts of Cardiff that has seen substantial change over recent decades, but there is scope to think about it differently if infrastructure projects such as a South Wales Metro system extends down to the Bay. Routes can be found to better link Cardiff Bay to other areas of the city and one of a number of routes could bring a tramline through the road network around Craft in the Bay and the Red Dragon Centre. If this were to go ahead then the significant construction work required would in itself bring opportunities to redesign and make better use of the spaces around this area; most of which is currently uninviting to pedestrians and therefore arguably a poor use of such large open public space.

While the Hatch group is made up of a fairly diverse set of disciplines, all of which demand a degree of creativity, I think it’s fair to say that most of us rarely need to operate on the scale and with the lack of restriction that Mike’s job demands. As an Energy and Building Physics Engineer, I’m usually focussed on small details and technical calculations and personally found the lack of constraints on Mike’s current work as quite liberating, if perhaps a little overwhelming!

From our starting point at the Millennium Centre, we walked along an old footpath behind buildings facing onto Bute Street, leading to the old derelict train station building. Mike chatted though how he would think about such an area, including ideas for how this listed building could be brought back to life and how, on the back of this, the Council could try to influence further development of this area.

We walked along Bute Street to discuss the importance of the Loudon Square development, how Bute Street could potentially be opened up to allow access across to the Lloyd George Avenue area and the benefits this could bring to the Butetown community. Finally, heading back towards Bute Place for a closing conversation bringing together all that had been discussed, Mike worked through one possible vision for how this part of our city could look in the future.

One of Mike’s opening lines at the start of the evening was that he thought that his was the best job in world. By the end of the evening and now with a better understanding the full scale of the positive influence someone in his position could have on the future of our city and its communities, I think he might have a point!

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Peter Trevitt, Public Engagement and Experience Design Consultant, on the importance of someone looking at the bigger picture.

Gathering outside the Wales Millennium Centre (WMC), Mike set out to provide a flavour of what his work as an urban designer in the local authority is all about, by taking us on a journey around his mind, as well as the Bay.  He then surprised us when he asked us which part of the bay we thought he was thinking about at the moment. We all assumed it would be one of the obviously run down or under-used areas, but in fact his focus is on the relatively well-kept area between Lloyd George Avenue and Roald Dahl Plas.

Mike explained that his work involved thinking long term about the big picture, and that it was a fluid process of exploring how even quite radical changes and options might work and being prepared to reconsider them as often as necessary. It was as if in his mind he has a big pencil and eraser does endless sketches of road layouts, development blocks and landmark features, using his skills to find interesting configurations. He works with other specialists at the Council to provoke wider discussion and consultation, long before a scheme is formally defined.

This strategic approach felt very appealing, but also very necessary – if no one is considering our environment in this way, how can we be sure that the best solutions are being found at an early enough stage?

Continuing our walk there were more surprises in store. We quickly found ourselves on a long footpath following the line of the old dock boundary that most of us had never seen before, and provided a new angle on very familiar sights. We looked at the old Bay Station building and then explored more of Bute Street, as far as the potential cross-route to the south of Loudoun Square. Mike explained that if a tramline comes to Cardiff Bay, this could become a key point to provide a new east-west route in Butetown. We began to appreciate better how his mind worked now, always looking for the links and connections that were key to opening up the city and attracting investment.

This fascinating walk ended back near the WMC drawing tram stations on a large piece of paper on the floor, and debating the merits or otherwise of whether high rise development could even be accommodated in this area or not. Mike had said he loved his job, and it was not difficult to see why.

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Lindsey Brown, Urban Designer reminds us of the importance of ‘looking beyond’ ourselves and our everyday, and to future legacies.

As an urban designer it is almost impossible not to stand in a public space or on a street and refrain from analysing the urban fabric, watch what people do or wonder why all the seating has been positioned on the shaded side of the street. We’re never off duty!  So when the invitation arrived to join Hatch’s latest event exploring development and placemaking around the Bay, it went straight in my diary!

Meeting outside the Wales Millennium Centre Mike began the workshop by asking us what we thought of the space around us.  There was a suggestion it was the culmination of the Bay’s transformation; once a redundant and inaccessible dockland, now a popular destination for visitors and residents of Cardiff.  There was discussion too on the connection between the city and the Bay, focusing on Lloyd George Avenue, its poor level of use and disjointed links to the city centre.  Mike immediately turned this on its head and asked us whether this is really the burning issue for the future development of the Bay?  His assertion being that Lloyd George Avenue exists and people do use it to walk, cycle and drive between the city centre and the Bay.  Instead he posed a different question; what connections and opportunities in the Bay have not yet been realised?  And so the tone for the evening’s workshop was set – where is the potential in the Bay and how, as designers, can we shape its development?

We focused on ‘The Flourish’, the rather large traffic island home to a Grade II listed building housing Craft in the Bay.  Mike led us along a narrow path, edged by original dockland railings.  It forms one of the many north–south linear routes in this part of the Bay, but it was the opportunity to introduce east-west connections and bring together the dotted collection of galleries and art spaces that appealed to Mike.

Heading further north talk of unrealised opportunity went up a level.  We gathered on Bute Street and Mike asked ‘What about punching a hole through this wall?’  The wall in question being an 8ft stone wall bounding the railway track.  Whilst eyebrows were raised, eyes also lit up!

We walked through Cardiff Bay railway station and Mike mentioned the possibility of a tram and the opportunity to extend the line to the Flourish.  An opportunity to not only create a sense of arrival befitting of the Bay but improve connectivity for everyday passengers and visitors alike.

Stretching alongside the railway line we touched on Lloyd George Avenue and how introducing a tram line would create opportunity for new building lines and streets that would add layers to the Avenue rather than erode people’s patterns of movement.

Our final stop brought us to the traffic island in the centre of the Flourish and it was here that a blank plan was cast on the floor in typical urban designer style.  Thoughts and ideas from the discussion were quickly sketched, bringing to life the opportunities and potential we had spotted during our walk.  For me it was an inspiring and somehow reassuring experience.  We are all familiar with plans and drawings but so often we don’t get to see the journey of how we have arrived at the design on the plan.

The event came with the brief ‘to be prepared to look and talk’.  This reminded me of an urban design phrase I often use when exploring the built environment, ‘look up, around and along’.  For me Mike’s workshop has added a fourth dimension to this: ‘look beyond’.   To remember that as designers we are not just here to celebrate the good and undo the bad but to realise the potential.

 

Samuel Utting, Architect welcomes the opportunity to think more strategically.

From an architect’s perspective, the workshop was an opportunity to better understand the thinking processes and frames of reference of urban designers, who generally operate at a more strategic level and within longer timescales.

As we were gathering in Roald Dahl Plass to start our workshop, Mike asked what we thought of the space. Although it is a place quite familiar to us all, it wasn’t easy to pinpoint why we weren’t instinctively in love with the space. The solutions to transforming it into a successful public square became clearer as we walked through the area with our guide, reorganising it and solving its issues in a piecemeal way. Talking and walking around Butetown and Cardiff Bay was a welcome reminder of the principles behind successful urban spaces that the likes of Jane Jacobs, Jan Gehl and William H Whyte introduced to us in architecture school. It was good to see these principles in the future vision of Butetown and Cardiff Bay… at last.

 

Thank you to all of our contributors.

Categories
Reports Residential/housing

Jockey Street, Swansea (July 16)

Categories
Reports Residential/housing

Lower Commercial Street, Newport (July 16)

Categories
Reports Residential/housing

Britannia Park, Cardiff Bay (July 16)

Categories
Reports Residential/housing

Dolffin Quay, Britannia Park, Cardiff Bay (Jul 16)

Categories
Mixed use Reports

Pier Pavilion Site, Llandudno (June 16)

Categories
Infrastructure Reports

Wylfa Associated Development, Anglesey (June 16)

Categories
Reports Residential/housing

Kings Road, Swansea (June 16)

Categories
Education Reports

Cardiff University, Centre for Student Life (June 16)

Categories
Public/cultural Reports

Royal Welsh College of Music and Drama, Cardiff (June 08)

Categories
Events Hatch

Hatch: Developing Cardiff Bay

For our next Hatch event we hope to make the most of the light evenings and (hopefully) nice weather and get outside.  Mike Biddulph will to lead a workshop looking at development and place-making in Cardiff Bay.

In this on-site workshop we will explore and discuss the area of Cardiff where Bute Street and Lloyd George Avenue become Roald Dahl Plas. We will explore the heritage, look for development opportunities and consider the key constraints and opportunities for anything that could happen here in the future. In addition we will reflect on the role of various actors in bringing forward improvements to this well-known bit of city.

Be prepared to look and talk.

Dr Mike Biddulph was Senior Lecturer in Urban Design at Cardiff University and now works in the Place Making Team at Cardiff Council.

We will meet at 6pm outside the Wales Millennium Centre.  If you arrive a little late you should be able to find us around that area.  If you can hang around for a bit longer we will also go for a drink somewhere in the bay after the workshop.  On the off chance it’s raining we will meet at our office instead.

Click here to find out more about our Hatch Network and how you can join

Categories
Education Reports

Cardiff University, Centre for Student Life (June 16)

Categories
Reports Residential/housing

Maes Gwern, Mold (June 16)

Categories
Publications

Inclusive Design in the Built Environment

Who do we design for?

Building on the commitments set out by the Welsh Government in the Framework for Action on Independent Living, and in the context of recent changes to Design and Access Statement (DAS) requirements, a Wales- wide training programme was delivered to provide those working in the built environment with a clear understanding of the principles of inclusive design.

The training was coordinated by the Design Commission for Wales, RSAW, RTPI Cymru and Constructing Excellence Wales on behalf of the Welsh Government.  The training was led by Sandra Manley, a visiting research fellow at UWE whose research and teaching has focused on the importance of designing to ensure disabled, elderly and young people are able to participate fully in mainstream community life.

This page provides links to resources relating to the training programme as a permanent reference point for anyone interested in the subject.

Training Handbook

A comprehensive handbook was produced to accompany the training and can be downloaded via the link on the left-hand side of this page.

Good and Bad Practice Examples

The following links are to on-line Pinterest boards providing good and bad examples of inclusive design.  This library of images will be added to over time to provide a useful reference.  If you have any images that could be added to the boards please send them to connect@dcfw.dev with a short description of where it is and what is good or bad about it.

Good practice

Bad practice

Training Videos

One of the training sessions was filmed and can be watched below.  The morning-long session has been divided into smaller sections so that you can navigate to particular topics.

Categories
Reports Residential/housing

Land West of Llangyfelach Road, Swansea (May 16)

Categories
Reports Residential/housing

Highfields Heath, Cardiff (May 16)

Categories
Infrastructure Reports

A465 Sections 5 & 6 Dowlais Top to Hirwaun (May 16)

Categories
Events

Symposium – Getting Things Done: Evolution of the built environment in Vorarlberg

The Welsh School of Architecture and the Design Commission for Wales
invite you to join us for

Getting Things Done Symposium
Evolution of the Built Environment in Vorarlberg

at the Pierhead, Cardiff Bay
on Thursday 28th April 9.30am – 4.30pm

Book your FREE place via Eventbrite by clicking here or using the ‘Book Now’ button below

 

The Getting Things Done Symposium, with invited experts from Vorarlberg, Austria and the UK, including exhibition curator, Wolfgang Fiel, Dow Jones Architects, Proctor Matthews Architects, Feilden Fowles Architects and Architype, will inspire discussions about the culture of landscape, materials, craft, environment, place and identity.

Click here to download the programme

Over the last half a century, the Austrian State of Vorarlberg has developed an international reputation for its radical yet sensitive and considered approach to architecture, design and building. A combination of innovative architects and clients, liberal building and planning regulations, an aspiring regional government and open-minded public has paved the way for a built environment and culture with design quality at its heart. Ecological sensitivity, the value placed on traditional and innovative crafts and skills, investment in young designers, and good understanding of local materials and landscape all contribute to the Vorarlberg phenomenon. Getting Things Done is a touring exhibition showcasing the architecture of Vorarlberg.

The Welsh School of Architecture, Cardiff University and the Design Commission for Wales are pleased to be collaborating with the Austrian Cultural Forum London and the National Assembly for Wales to bring this exhibition to the Senedd in Spring 2016 to promote conversations about the culture of place-making, crafts and design in Wales.

Please click here to find out about the Getting Things Done Exhibition

Sponsored by Presiding Officer, Dame Rosemary Butler AM

Categories
Reports Residential/housing

Braunton Crescent/Clevedon Road, Cardiff (April 16)

Categories
Reports Residential/housing

Former BBC LLandaff Site, Cardiff (April 16)

Categories
Commercial Reports

Dixton Roundabout, Monmouth (April 16)

Categories
Reports Residential/housing

Willowbrook West, Cardiff (April 16)

Categories
Commercial Reports

S4C Building, Carmarthen (April 16)

Categories
Events

Common ground: shared language?

Join our guest panel to explore just how well designers, planners and place-makers really understand one another.

RTPI Cymru, RSAW and the Design Commission for Wales invite you to join us to explore the power of communication and the need for greater mutual understanding across professions. The nature of education, training and professional practice has an impact on professional understanding and can be critical to success in many projects. Are architects and planners really from different planets? Does everyone really understand what’s expected of them? Who is best placed to help the client understand the processes and why they may or may not have the final say?

Please book your free place via Eventbrite using the ‘Book Now’ button below.

Light refreshments on arrival.

Download more information here

Event Partners:
Commission Dylunio Cymru Design Commission for Wales promotes the importance of good design across sectors throughout Wales to help make it a better place. We promote good design and communicate its benefits, prioritising the design quality of places, buildings and public spaces.

The RTPI CYMRU is a Chartered Institute responsible for maintaining professional standards and a charity whose purpose is to advance the science and art of planning for the benefit of the public. RTPI Cymru represents the RTPI in Wales.

The RSAW: The Royal Society of Architects in Wales is the voice of the RIBA in Wales. It champions better buildings, communities and the environment, through architecture and its members. The RSAW provides support for members through CPD, Spring School and an annual conference. They recognise outstanding architecture through the RIBA Awards and the Welsh Architecture Awards, and support the National Eisteddfod of Wales with the delivery of the Eisteddfod Architecture Medal and student scholarship, which are sponsored by the Design Commission for Wales.

 

Co-Hosts:
Carole-Anne Davies
BA Hons, PG Dip., FRSA Chief Executive, Design Commission for Wales A visual arts and literature graduate Carole-Anne is an experienced executive, former consultant to the Scottish Government and a former Trustee of the board of the National Museum Wales. She is an alumna of the CSCLeaders Commonwealth Study Conferences and an independent mentor and an active Fellow of the Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA). CaroleAnne loves international travel and is passionate about, some might say devoted to, her 10 perch allotment.

Dr Roisin Willmott, MRTPI, FRSA Director, Royal Town Planning Institute Wales and Northern Ireland Roisin, a Chartered Town Planner, first worked at Northamptonshire County Council, where she also studied for a Masters in planning at Oxford Brookes University. She moved to the Vale of Glamorgan Borough Council in the early 1990s working in regeneration, after which she moved to Coleg Gwent – at that time Wales’ largest FE College. Roisin then moved to economic and planning consultancy for ECOTEC across the UK and Europe. As Director for RTPI Wales and Northern Ireland, Roisin is responsible for leading the RTPI’s planning policy and practice activities and for delivering services for planners based in the two jurisdictions. Roisin studied parttime for a PhD at Cardiff University, analysing the changing governance systems in Wales used to implement European Regional Policy. Roisin is a Fellow of the Royal Society and until recently was the Chair of the Centre for Regeneration Excellence Wales (CREW).

 

Our contributors:
The Project Manager: Caitlin Forster BSc (Hons), PgDip, MRICS, Aecom
Senior Project Manager at Aecom, Caitlin’s career in development and construction has encompassed developing projects from inception to planning and Employers Agent post contract roles. From a town planning and regeneration background, Caitlin has managed a variety of projects through the design and development process, such as large mixed use regeneration projects, residential development, education, commercial and energy developments. Caitlin’s expertise and experience spans a full range of project and programme management, including co-ordinating multi-disciplinary design teams, strategic programme management, procurement and risk appraisal, financial reporting and stakeholder and resident engagement strategies across a variety of projects. Caitlin is passionate about sustainable place making that delivers high quality design responses and solutions and real community benefit.

The Architect: Cora Kwiatkowski, Stride Treglown
Cora is a member of the Design Commission for Wales Design Review Panel. As a Divisional Director for Stride Treglown she has been responsible for a wide range of projects in the UK since joining the practice in 2006 including office, residential, masterplanning and education projects and design codes. Her previous experience in Germany, Sweden and Switzerland also included urban design and transport projects, notably an international competition winning masterplan for Siemens in Munich and a two level, 14 track train station in Cologne. Cora is a Member of the Devon & Somerset Design Review Panel and an appointed Built Environment Expert (BEE) for Design Council. Leading multi-disciplinary teams over many years as architect and technical advisor, working for private and public sector clients and being passionate about design and problem-solving has enabled her to develop high-quality design principles whilst delivering economically sound solutions. As lead architect for several work place and mixed-us schemes in recent years, her refurbishment of Eastleigh House for Eastleigh Borough Council won regional BrCO and RICS awards as well as the LABC Building Excellence Award for Best Inclusive Building. Cora regularly contributes to industry publications including Architect’s Choice and The Green Register; she is fluent in German, English and French.

The Private Sector Planner: Wendy Maden BSc, The Urbanists
Wendy is currently Assistant Planner with The Urbanists, planning and design consultancy. She is involved in a wide range of public and private sector projects of varying scale, for clients such as private developers, Local Authorities and Registered Social Landlords. She has worked on a variety of projects from inception to delivery, including education, commercial, residential, regeneration and energy developments. Wendy has previous experience with Newport Unlimited Urban Regeneration Company and The Planning Inspectorate, with both the Nationally Significant Infrastructure and Local Plans teams. She is a Cardiff University BSc City & Regional Planning graduate who spent one semester studying the Master of Urbanism and Strategic Planning via an Erasmus exchange at Katholieke Universiteit Leuven in Belgium. Wendy is working towards the RTPI APC and is the Events Coordinator for Young Planners Cymru.

The Public Sector Decision Maker: Judith Jones, Head of Planning, Merthyr Tydfil County Borough Council
Head of Planning at Merthyr Tydfil County Borough Council since 2012, managing the Planning, Building Control and Countryside services, Judith is also the Council’s representative on the Planning Officers Society for Wales, which comprises the Heads of Planning of all 25 Authorities who regularly meet with Welsh Government to help shape the future of Planning in Wales. Graduating from the University of the West of England, Bristol Judith became chartered in 2002. In 2015 I was part of the team that were awarded the RTPI Award for Excellence in Planning and Design for the Public Realm. Judith has a Development Management background and is experienced in local government and private sector practice. She is well versed in the political aspects of Local Government and leads the Authority’s monthly Planning Committee.

The Art Consultant: Emma M Price, Director, EMP Projects & Associates
Emma M Price has been commissioning public art for over 15 years throughout the UK. Emma is founding director of EMP Projects & Associates, an independent curating and commissioning agency based in Cardiff. EMP works on the inception, development and brokering of a variety of commissions working with exceptional artists, architects, designers, and communities to contribute to the transformation of public spaces. Emma is a passionate advocate of socially engaged art in the public realm and of the evolving appreciation of the place of art in the built environment as part of the everyday experience for everyone. She is a board member for Rock Academy Wales and a national advisor for the Arts Council of Wales.

The Client: Ian Carter BSc, MA Urban Design, MRTPI
Ian Carter is Group Director of Development and Asset Management at Cynon Taf Community Housing Group. Ian joined the team there in June 2015 and leads the organisation’s asset management, maintenance, planned investment and development functions. Ian is a chartered town planner and qualified urban designer, receiving his Honours degree in City & Regional Planning and Masters in Urban Design from Cardiff University. He worked in the private sector and subsequently in Newport City Council’s Major Applications team as Principal Urban Designer, before joining Newport City Homes. In his role with Newport City Homes, Ian lead their ambitious regeneration programme for the Pillgwenlly area of Newport, an area of challenging housing conditions and significant deprivation. The team worked closely with the Design Commission for Wales throughout the project which aimed to address the ‘Radburn’ legacy and ensure long term, positive regeneration outcomes for Pil’s vibrant community. Ian is Commissioner on the Board of the Design Commission for Wales, a strong advocate for its work and is particularly committed to the value of its national Design Review Service.

 

We look forward to welcoming you – we hope you enjoy the debate.

 

Categories
Opportunities

Caerdydd 2040 Cystadleuaeth Dylunio Poster

POSTERI DINASOEDD
Roedd posteri’n hysbysebu dinasoedd a threfi’n boblogaidd yn hanner cyntaf yr 20fed ganrif ac yn aml, roedd cwmnïau trafnidiaeth a sefydliadau twristiaeth yn eu cynhyrchu. Roedd y posteri’n gwahodd ymwelwyr gyda llun deniadol a brawddeg a oedd yn crynhoi’r hyn yr oedd y ddinas yn ei gynnig. Gallwch weld rhywfaint o enghreifftiau ar fwrdd pin Comisiwn Dylunio Cymru

DYFODOL CAERDYDD
Fedrwch chi ein helpu i ddychmygu a hyrwyddo dyfodol amgylchedd trefol a naturiol Caerdydd? Sut fyddai poster yn hyrwyddo’r ddinas yn edrych mewn 25 mlynedd? Sut fyddech chi’n cyfathrebu eich gweledigaeth o’r ddinas hon yn y dyfodol – ei hadeiladau, strydoedd, mannau cyhoeddus a systemau cludiant? Ble fydd pobl yn byw? Sut fyddan nhw’n cael eu cyflogi? Sut fyddan nhw’n teithio? Beth fyddan nhw’n ei wneud am hwyl?

Mae Caerdydd yn mynd i dyfu, newid a datblygu’n sylweddol dros y degawdau nesaf, ac mae gan Gyngor Caerdydd strategaeth hirdymor uchelgeisiol ar gyfer y ddinas, a fydd yn gofyn am waith cynllunio a dylunio rhagorol. Mae llawer o elfennau yn plethu gyda’i gilydd i ffurfio dinas, ac a fydd yn chwarae rôl yn natblygiad Caerdydd dros y blynyddoedd nesaf. Mae’r rhain yn cynnwys tai, addysg, cyflogaeth, teithio, hamdden, twristiaeth, diwylliant, bwyd, ynni a’r amgylchedd.

Mae Comisiwn Dylunio Cymru, a gefnogir gan Gyngor Caerdydd, yn eich annog i ddychmygu sut y gallai Caerdydd edrych yn 2040, a meddwl am sut y byddech yn dweud wrth y byd am eich gweledigaeth o’r ddinas. Pa effaith y gallai dylunio a chynllunio da ei chael ar y ddinas, a beth fydd yn denu pobl i fyw, gweithio ac ymweld â’r ddinas? Pa ffurf y gallai twf Caerdydd ei chymryd, a beth fydd yn gwneud y ddinas yn unigryw?

Dyluniwch boster sydd yn hyrwyddo eich gweledigaeth ar gyfer Caerdydd 2040

SUT I YMGEISIO
Crëwch boster i hysbysebu Caerdydd fel y dychmygwch y gallai fod yn 2040.
Gall unrhyw un ymgeisio – yn ifanc neu’n hen, neu rywle yn y canol!

Dylai eich poster ddilyn y fformat canlynol:

  • Maint A3
  • Cynnwys llun deniadol sy’n dangos eich gweledigaeth ar gyfer y ddinas
  • Cynnwys y prif bennawd: Caerdydd
  • Cynnwys brawddeg fer sy’n cyfleu eich gweledigaeth ar gyfer Caerdydd yn 2040.

Gall eich llun fod mor haniaethol, arddulliedig neu realistig ag y dymunwch, a gallwch ddefnyddio pa bynnag gyfrwng yr hoffech i’w greu, cyhyd ag y gallwch chi wneud hynny o fewn y fformat gofynnol. Os nad ydych yn hyderus am dynnu llun, rhowch gynnig ar rywbeth mwy haniaethol, neu arbrofwch gyda gludwaith, ffotograffiaeth ac offer digidol.

Anfonwch eich poster ar ffurf copi caled neu’n electronig, gyda ffurflen gais wedi’i chwblhau, erbyn 5pm ar 15 Ebrill 2016. Gallwch lawrlwytho’r ffurflen gais

Anfonwch gopïau caled at: Comisiwn Dylunio Cymru, 4ydd Llawr Adeiladau Cambrian, Sgwâr Mount Stuart, Caerdydd CF10 5FL. Anfonwch eich poster yn fflat, yn hytrach na wedi’i rolio, a rhowch eich enw mewn pensil ar y cefn.

Anfonwch gopïau electronig at: amanda.spence@dcfw.dev

Dylai ffeiliau’r posteri fod ar ffurf PDF cydraniad uchel, fel y gellir eu hargraffu’n glir ar bapur A3. Gellir cyflwynol ffurflenni cais mewn Word neu ffeiliau PDF. (Sylwer: Ni fydd ein system yn derbyn negeseuon e-byst sy’n fwy na 9 MB. Anfonwch y rhain drwy Dropbox neu debyg os oes angen.)

Dylai’r ffurflen gais gynnwys disgrifiad byr o’ch syniad a’ch gweledigaeth ar gyfer Caerdydd 2040 (hyd at 100 o eiriau).

BARNU A GWOBRAU
Bydd yr holl geisiadau a dderbynnir erbyn y dyddiad cau yn cael eu hadolygu gan:

  • Carole-Anne Davies ac Amanda Spence, Comisiwn Dylunio Cymru
  • Y Cynghorydd Philip Bale, Arweinydd Cyngor Caerdydd
  • Y Cynghorydd Ramesh Patel, Aelod Cabinet dros Drafnidiaeth, Cynllunio a Chynaliadwyedd
  • James Clemence, Pennaeth Cynllunio, Cyngor Caerdydd
  • Mike Biddulph, Cynllunydd a Chrëwr Lleoedd, Cyngor Caerdydd
  • Ruth Cayford, Rheolwr Celfyddydau Gweledol, Cyngor Caerdydd

Bydd ceisiadau’n cael eu barnu ar greadigrwydd y cysyniad ac ar effeithiolrwydd gweledol y weledigaeth.

Bydd enillwyr yn cael eu cyhoeddi ar 22 Ebrill. Bydd y posteri gorau yn cael eu harddangos yn Sgwâr Canolog Caerdydd ac yng ngorsaf drên Bae Caerdydd, drwy gefnogaeth Trenau Arriva Cymru, Exterion Media a Rightacres; ac ar wefan y Comisiwn Dylunio.

Bydd gwobrau’n cael eu dyfarnu ar gyfer y categorïau canlynol:

  • Enillydd cyffredinol
  • Enillydd dan 18 oed
  • Yr ail enillydd cyffredinol
  • Enillydd dan 11 oed

Bydd pob enillydd yn derbyn y gwobrau canlynol:

  • Taith tu ôl i’r llenni o amgylch Amgueddfa Genedlaethol Caerdydd gyda’r Ceidwad Celf, yn cynnwys dyluniadau o’r 19G a’r 20G yng Nghasgliad yr Ystafell Brintiadau.
  • Cerdyn Caerdydd – a fydd yn rhoi mis o ostyngiadau i chi ar brif atyniadau, siopau a bwytai yng Nghaerdydd
  • Set o gardiau post gyda’ch llun buddugol

Bydd yr enillydd cyffredinol hefyd yn derbyn hamper o ddeunyddiau celf a dylunio.

Mae’r dyddiad cau ar gyfer derbyn ceisiadau ar gyfer y gystadleuaeth yn derfynol. Ni fydd unrhyw geisiadau a dderbynnir ar ôl y dyddiad a roddir yn cael eu hystyried. Gallwch ymgeisio fel pâr neu fel grŵp bach ond, petasech yn ennill, buasech yn gorfod rhannu’r wobr. Mae penderfyniad y beirniaid yn derfynol.

Categories
Events

Exhibition – Getting Things Done: Evolution of the built environment in Vorarlberg

Getting Things Done
Evolution of the Built Environment in Vorarlberg

at the Senedd, Cardiff Bay
5th April – 6th May

Over the last half a century, the Austrian State of Vorarlberg has developed an international reputation for its radical yet sensitive and considered approach to architecture, design and building. A combination of innovative architects and clients, liberal building and planning regulations, an aspiring regional government and open-minded public has paved the way for a built environment and culture with design quality at its heart. Ecological sensitivity, the value placed on traditional and innovative crafts and skills, investment in young designers, and good understanding of local materials and landscape all contribute to the Vorarlberg phenomenon. Getting Things Done is a touring exhibition showcasing the architecture of Vorarlberg.

The Welsh School of Architecture, Cardiff University and the Design Commission for Wales are pleased to be collaborating with the Austrian Cultural Forum London and the National Assembly for Wales to bring this exhibition to the Senedd in Spring 2016 to promote conversations about the culture of place-making, crafts and design in Wales.

Click here to find out about the Getting Things Done Exhibition Symposium on 28th April.

©Betina Skovbro Photography

 

©Betina Skovbro Photography

 

©Betina Skovbro Photography

 

Sponsored by Presiding Officer, Dame Rosemary Butler AM

Categories
Reports Residential/housing

Bryngwyn Fields, Swansea (March 16)

Categories
Commercial Reports

Land adjacent to Waterloo Hotel, Betwys y Coed (March 16)

Categories
Health Reports

Velindre Cancer Centre (March 16)

Categories
Events

Hatch Event: True Tuesday, Fantasy Friday!

Ever wondered what an architect does all day?  What motivates an urban designer?  What would be an engineer’s dream job?  This is your chance to find out.

Join us for an opportunity to better get to know each other, the disciplines we work in and our design ambitions.  Thanks to Blake Morgan, we can check out their brand new city centre offices at One Central Square at the same time.

Come prepared to share your True Tuesday & Fantasy Friday!

Tell us what you actually did during a day at work on Tuesday (it could be a Monday, Wednesday or Thursday, but we like a bit of alliteration!)  Was it a normal day at work?  What did you particularly enjoy?  What motivated or frustrated you?  What challenges did you face in pursuit of good design, engineering or planning?

Then share what you’d really like to be doing in your job on a Friday.  We don’t mean tell us you’d like to be a chocolate taster or professional rugby player instead of an architect or engineer.  What are your design ambitions?  What would your work be like if the barriers to good design were removed? What would your dream day at work be like?  Who would you be working with and what would you be doing?

 

NOTE: We will be meeting at Blake Morgan’s offices at One Central Square in Cardiff.  It the recently completed building, deigned by Rio Architects, located next to Cardiff Central Station.

Light refreshments provided.

 

Click here to find out more about our Hatch Network and how you can join

Categories
Comment Hatch

Who Are They? Hatch’s evening with the Policy Makers

DCFW Hatch member, Elan Wynne, reflects on Hatch’s evening with the Policy Makers

…Who are these people that make the decisions on what can and can’t be built, and what guides their decision making? This is a question often asked by designers of all disciplines and their clients as they navigate the statutory requirements, the planning system and the impact of policy.

The most recent event organised by HATCH, presented an opportunity for designers working in the built environment to hear from ‘Them’; the experts who are driving, influencing, changing and upholding current planning policies. And guess what? They came across as being passionate about doing what was right for the community as a whole at a local, national and international level.

The evening covered the hierarchy of policy and planning through presentations from the following speakers:-

  • Gretel Leeb, the Deputy Director of the Environment and Sustainability Directorate at the Welsh Government on the Well-being of Future Generations Act (Wales) 2015
  • Stuart Ingram, Senior Planning Manager at Welsh Government on the Planning Act (Wales) 2015, and Planning Policy Wales
  • Judith Jones, Head of Planning at Merthyr Tydfil County Borough Council on Local planning policy

The night was kicked off by Gretel Leeb’s heartfelt presentation on the Well-being of Future Generations Act (Wales) 2015 (FGW). We were introduced to this recent piece of legislation which aims to encourage ‘joined up thinking’, and is one of the first of its kind.  The FGW Act will call on public bodies in Wales to find ways to meet all of the 7 goals identified in the Act, working together toward a more prosperous, resilient, healthier, equitable country that has more cohesive communities, a vibrant culture and thriving Welsh language, and is globally responsible. Gretel viewed the role of designers, as specialists in problem solving and joined up thinking, as vital in helping to achieve the goals and positively influencing the construction industry. Gretel reminded us of our capacity to enthuse and educate people through the way that we design.

Stuart Ingram of the Welsh Government Planning Directorate, presented a very clear account of what national planning policy is, and how it works at a national level. His role includes briefing, advising and preparing information for Ministers, who when they speak on an item in public, may be seen to be making policy. Stuart is one of the team that helps shape, communicate and monitor policies that are made, ensuring that they are evidence based and made in the best interests of the people.

Policy making in this country is of course part of a democratic context, and if not perceived as the speediest of processes, provides time for anyone who is interested to be properly consulted, informed and involved. Inevitably, policies made will not please everyone, but through the careful practice of identifying a need, evidence gathering, developing, consulting, adapting, implementing and monitoring, it is now said that we have a good track record of evidence based policy making in Wales.

Decision makers undertake a balancing act to ensure that one policy doesn’t clash with another. There may complexities that challenge good intentions. For instance, planning for the natural environment and local carbon reduction might not always be a harmonious match; wind turbine farms or photo voltaic arrays might be not always be appropriate to a local natural environment or its immediate community. As new challenges become apparent, new policies have to be made to address their effects. Like the editor of Vogue magazine, people like Stuart have the continual task of keeping on top of emerging trends, so that we can be safe in the knowledge that our country can cope with the latest land use issues.

Judith Jones discussed, what was, to me, the more familiar side of how local planning policy is utilised, and how it guides planning departments and designers alike in the parts they play in the continually developing built environment. Her references to Patsy Healey’s lecture at the School of Architecture, Planning and Landscape at Newcastle University in 2011, Civic Capacity, Progressive Localism and the Role of Planning, addressed the responsibility of society to engage in the process, as well as planners’ roles in providing ‘explanations not just of how formal regulations work, but why it has evolved and what value it carries’.

Judith went on to discuss how emotional attachment to an area or building is often not considered as important as it should be, and that design and planning processes and policies can at times fail to address this fully. And yet emotion is still part of the decision making process at a certain level, where a planning applications can be decided or influenced by an officer’s preference. It is a difficult task that planners face, this balancing act; and alongside local policy which sets out the fundamentals, such things as ‘material considerations’ can also become grey areas. Weighing up considerations can often be influenced by the responses received from those that are consulted. This highlights the need for an early local voice, getting people in the community involved so that the community affected can be part of shaping their own environment. Whether the disillusioned voice of many is a good thing against the inspired thinking of a few is something we at HATCH have all discussed before and I’m sure will come up again. In this age of social media and global trends, an up to date local policy has an important role in regulating the evolution of the environment in which we live, which is happening at lightning speed.

As designers we have a responsibility to ensure and promote good design, and by the same token planners have a responsibility to avoid poor outcomes and use tools within planning policies to support them in saying ‘no’. From tonight’s illuminating talks, which helped us all gather a clearer picture of the legislative and policy environment within which we all work, it is evident there are bigger challenges ahead with which we may be able to help.  As designers we can play a key role in inspiring more people to become involved, in getting communities more interested in their built environment, in developing better understanding of the work of these professionals, juggling complex realities every day. Moving us all closer to collaborative, cohesive working practice for the future is the key to doing our bit for well designed places.

Elan Wynne is Principal Architect at Stiwdiowen and an active member of DCFW’s Hatch network for fresh-thinking shapers of the built environment in Wales.

Categories
Reports Residential/housing

Bunkers Hill, Rhossili (March 16)

Categories
Opportunities

Cardiff 2040 Poster Design Competition

CITY POSTERS
Posters advertising cities and towns were popular in the first half of the 20th century and were often produced by transport companies and tourism organisations. The posters attracted visitors with an enticing image and strapline that captured what the city had to offer. You can see some examples on the Design Commission for Wales’ Pinboard by clicking here.

FUTURE CARDIFF
Can you help us imagine and promote the future of Cardiff’s urban and natural environment? What would a poster promoting the city be like in 25 years time? How would you communicate your vision of this future city – its buildings, streets, public spaces and transport systems? Where will people live? How might they be employed? How will they travel? What will they do for fun?

Cardiff is set to see significant growth, change and development over the next few decades, and Cardiff Council has an ambitious long-term strategy for the city which will require excellent planning and design. There are many elements which weave together to make up a city and which will play a role in Cardiff’s development over the coming years. These include housing, education, employment, travel, leisure, tourism, culture, food, energy and environment.

The Design Commission for Wales, supported by Cardiff Council, encourages you to imagine what Cardiff could be like in 2040 and think about how you would tell the world about your vision of the city. What impact could good design and planning have on the city, and what will attract people to live, work and visit the city? What form might the growth of Cardiff take, and what will make the city unique?

Design a poster which promotes your vision for Cardiff 2040

Download the competition brief here

HOW TO ENTER
Create a poster to advertise Cardiff as you imagine it could be in 2040
Anyone can enter – young or old, or somewhere in between!

Your poster should take the following format:
• A3 size
• Include an enticing image which demonstrates your vision for the city
• Contain the main heading: Cardiff
• Include a short strapline which captures your concept for Cardiff in 2040

Your image can be as abstract, stylised or realistic as you like and you can use whatever medium you wish to create it, provided you can do so within the required format. If you are not confident about drawing, try something more abstract or experiment with collage, photography and digital tools.

Submit your poster in hard copy or electronically, along with a completed entry form to be received by 5pm on 15th April 2016. Download an entry form here.

Send hard copies to: Design Commission for Wales, 4th Floor Cambrian Buildings, Mount Stuart Square, Cardiff CF10 5FL . Please send your poster flat, rather than rolled, with your name in pencil on the back.

Email electronic copies to: amanda.spence@dcfw.dev
Poster files should be in PDF format at sufficient resolution to be printed clearly at A3. Entry forms may be Word or PDF files.

Note: Our system will not accept emails larger than 9MB. Please send via Dropbox or equivalent if necessary

The entry form should include a short description of your idea and vision for Cardiff 2040 (up to 100 words)

JUDGING & AWARDS
All entries received by the deadline will be reviewed by:

  • Carole-Anne Davies & Amanda Spence, Design Commission for Wales
  • Cllr Philip Bale, Cardiff Council Leader
  • Cllr Ramesh Patel, Cabinet Member for Transport, Planning and Sustainability
  • James Clemence, Head of Planning, Cardiff Council
  • Mike Biddulph, Planner & Placemaking, Cardiff Council
  • Ruth Cayford, Visual Arts Manager, Cardiff Council

Entries will be judged on the creativity of the concept and how effectively the vision is communicated visually.

Winners will be announced on 22nd April. The best posters will be exhibited at Cardiff’s Central Square and Cardiff Bay train station, with support from Arriva Trains Wales, Exterion Media and Rightacres; and on the Design Commission’s website.

Awards will be given for the following categories:

  • Overall winner
  • Overall runner up
  • Under 18 winner
  • Under 11 winner

All winners will receive the following prizes:

  • Behind the scenes tour of the National Museum Cardiff with the Keeper of Art, including C19 & C20 designs in the Print Room Collection
  • A Cardiff Card – giving you a month of discounts at top Cardiff attractions, shops and restaurants
  • A set of postcards with your winning poster design

The overall winner will also receive a hamper of art and design materials

Only one entry will be accepted per person. The deadline for receiving entries for the competition is final. No entries received after the given date will be considered. You may enter as a pair or small group but, should you win, you will have to share the prize. The judges’ decision is final and no correspondence will be entered into.

Categories
Events

Inclusive Design in the Built Environment Training

WHO DO WE DESIGN FOR?

Wales can lead the way in establishing sound principles of inclusive design. This interactive training is aimed at planners, architects and anyone whose work impacts on the built environment who want to be a catalyst for establishing Wales as an exemplar for inclusive design practice.

Building on the commitments set out by the Welsh Government in the Framework for Action on Independent living and in the context of proposed changes to Design and Access Statement (DAS) requirements, this half-day course will provide delegates with a clearer understanding of the principles of inclusive design and how to use these principles in their working lives.

The workshop-style training will cover:
> The social, legal, moral and economic context of inclusive design
> Who we are designing for and the impact of a disabling environment
> The principles of inclusive design
> The design process – beyond regulatory codes and towards a philosophy
> Addressing access with or without a DAS
> Recognising and overcoming conflicts of interest

Whether you are new to the concept of inclusive design or familiar with the principles, this training will provide new material for you to expand your knowledge, understanding and application of the approach.

The training is coordinated by the Design Commission for Wales, RSAW, Constructing Excellence in Wales and RTPI Cymru on behalf of the Welsh Government. The training will be led by Sandra Manley. Sandra is a visiting research fellow at UWE whose research and teaching has focused on the importance of designing to ensure disabled, elderly people and young children are able to participate fully in mainstream community life.

The training is taking place in Aberystwyth, Cardiff, Llandudno and Swansea in March and April.  It is free but you will need to register to secure a place. Please use the links below to book via Eventbrite and download the event flyer for  further information. If you have any queries please contact DCFW on connect@dcfw.dev or 029 2045 1964.

Please click on location below to book via Eventbrite

Aberystwyth, 10th March 2016

Cardiff, 18th March 2016

Llandudno, 7th April 2016

Swansea, 13th April 2016

Categories
Comment

A building for everyone….

Carole-Anne Davies, Chief Executive at Design Commission for Wales, reflects on the National Assembly for Wales’s Building for Democracy event which took place on Tuesday 1st March 2016 at the Senedd.

Yesterday morning the Senedd was unusually busy. The whole building was decorated with daffodils, microphones were in place, cameras and mobile ‘phones buzzed, media people touched base. A St David’s Day at the Senedd is always special but this year marks its 10th birthday. All day, choirs, school groups and individuals took their places and told their stories of the National Assembly and of the Senedd – its home, for a decade of devolution and different democracy in Wales.

Last evening, a kind of birthday reunion brought Rogers Stirk Harbour Partners architects back together with key players and members of the project team. Deftly handled by Menna Richards, the conversation that unfolded at this RSAW event was a warm, candid reflection.

Senedd10
The stories of a clear brief for an architectural competition that sought ideas, not designs as such, meandered through familiar territory: the need for transparency reflective of democracy; the aim for a very public building; a non-hierarchical chamber for a new democratic process; a benchmark exemplar of sustainability for a client with the sustainable development principle enshrined in its core. And a client that, technically, didn’t yet exist.

Ivan Harbour, in a double hander with his business partner and mentor Lord Rogers, is quick to acknowledge that what makes this building work is the public ownership; the care and warm familiarity of the people of Wales that give it its spirit. That’s impossible to draw or design, he admits.

And so we hear about the journey from the power of an idea, a few key principles and the leadership of a handful of key individuals: Lord Elis Thomas then Presiding Officer, Sue Essex, then Assembly Member and Minister and Richard Wilson, a senior civil servant who understood the importance of good buildings.

The chequered history is well document and this is not the only success story where the architects have been hired, dramatically un-hired, and perhaps slightly less publicly hired again, to get on with the job. A bumpy ride, says Lord Rogers, comes with architectural terrain.

More than this though, Harbour reminds us that this was the first time – there were no benchmarks. Few in the industry had any idea what an exemplary debating chamber actually cost. They cost what the industry is prepared to deliver them for and very few had at that time, been delivered. Time, quality and cost, that golden triangle of project trade-offs were no less present here. Speed though, was a crucial factor and not unproblematic in a project that was to be an exemplar first on so many levels.

Sustainability, some 18 years ago when the project really took shape, was a very unusual core client requirement. Today the Senedd remains ahead of its time. It is single glazed. Naturally ventilated, highly energy efficient and, as confirmed yesterday, the cooling equipment designed in for the chamber has never been used. The whole building functions as it was designed.

Both architects are generous to the other design disciplines acknowledging the engineering feat that keeps that floating roof, well, afloat. They are generous in their acknowledgment of the need for a whole design team to understand and play their role in the evolution of an idea, of what’s behind the brief; to address the constraints – the salt air, the road, the rescue of public realm, and the need to allow for increased security measures over time.

The importance of organised processes, the role every person plays in a design team, conducted and choreographed by the architect was continually emphasised by Ivan Harbour. It’s vital, he said, to understand that design processes involve a set of thoughts, actions and reactions as the team responds and the architect synthesizes and plays to all their strengths, rather than buckle under the challenge.

When quizzed, neither was sure if they might do anything differently. Both were clearly delighted at how the Senedd is being used by citizens, as part of the city. The emotional connection is tangible, says Harbour – it’s extraordinary. The sense of the Senedd being comfortable, well loved and well used, embracing the ebb and flow of people, still pulls him up short, makes even him let out a ‘wow’.

Are the materials a cliché? Welsh slate has roofed the UK, Harbour says, and it’s a spectacularly good flooring material of durability and beauty. That’s no cliché.

The Senedd is renowned for its sustainability, its transparency and its role as a turning point building. Lord Rogers is clear that people have made it a success – you’ve done it, he says. You’ve taken it over. There is more talk of maintenance, of learning from buildings and of essential spirit. And as we draw near to closing, Ivan Harbour shares a gem that has perhaps at times been unhelpfully distorted in the retelling of this story to date.

After the competition, he says, images were rendered for public consumption in the press. The project was largely well received, there were warm murmurings and talk of next steps. But, he says, the beginning of the betterment of the design started in earnest with the reaction of Disability Wales and the notion that the first Welsh parliament building for c600 years might not be available to all, changed the game. These were the first and biggest contributors, he says, to creating a building genuinely designed for everyone.

 

Event National Assembly for Wales’ Building for Democracy  Tuesday 1 March 2016, sponsored by the Presiding Officer, Dame Rosemary Butler AM.

Categories
Publications

Designing Democracy Inquiry, March 2015

How designers are changing democratic spaces and processes

This collection of essays is about various ways in which design might improve democracy. It is being published by the Design Commission as a novel form of inquiry into the subject. The inquiry was co-chaired by Dr Richard Simmons, and John Howell MP

Contents
Foreword, John Howell OBE MP FSA and inquiry co-chair
Introduction, Dr Richard Simmons and inquiry co-chair
Designing Direct Democracy, William Baker and Nick Hurley, thevotingproject.com

SECTION 1: PARLIAMENT BUILDINGS
The Welsh Assembly, Lord Rogers of Riverside, Rogers Stirk Harbour and Partners (RSHP)
The People’s Palace, Carole-Anne Davies, Design Commission Wales
The Scottish Parliament, Karen Anderson, Architecture and Design Scotland
The Future of the Palace of Westminster, by Design, Kate Jones, Design Council
Competition to host a Northern Parliament, Julian Smith MP and the Rt Hon Frank Field MP

SECTION 2: DIGITAL OPPORTUNITIES
Reflections on Design and the Digital Democracy Commission, Rt Hon John Bercow MP, Speaker of the House of Commons
Designing Democracy, Julian Huppert MP interviewed by Ben Terrett, Government Digital Service and Naomi Turner, Policy Connect
Democracy and the role of social media, Laura Haynes, Appetite

SECTION 3: OTHER VOICES, OTHER WAYS
New Spaces of Democracy, Kieran Long, V&A
Internet-era citizen movements and political parties, Francesca Bria, Nesta Innovation Lab
Designing Democratic Innovations, Geoff Killy
Learning from Constitución, Dan Hill, Future Cities Catapult

SECTION 4: THE STUFF OF DEMOCRACY
Political Design: Simplification is Key, Dr Chris Burgess, People’s History Museum
Good Law: how can the design of Bills and Acts help? Hayley Rogers, Office of the Parliamentary Counsel, Good Law Initiative
The Ballot: A Brief History of Information Design, Naomi Turner, Policy Connect
Census, Cassie Robinson, Civic Bureau and Louise Armstrong, Forum for the Future
The Open Manifesto, James Smith, somethingnew.org.uk

SECTION 5: DEMOCRACY, LOCAL AND HYPER-LOCAL
Design and Neighbourhood Planning, John Howell OBE MP FSA
Let’s Play a Game: Using civic board games for local democratisation, Dr Richard Simmons
Understanding Community in the Social Age, Rowan Conway, RSA
Designing democracy and democratising design, Michael Kohn, Stickyworld
Designing processes for designing places, David Janner-Klausner, Commonplace Digital Ltd

SECTION 6: THE PUBLIC REALM
Public Space and Democracy – Voting with our Feet, Jason Prior, AECOM
The real design project of democracy, Sam Jacob, Sam Jacob Architects

About the Design Commission and Credits

Categories
Events Hatch

Hatch Event: Who are THEY?

THEY want to build 400 new houses on the edge of town.
THEY won’t allow us to build an extension to our listed house.
THEY might get rid of Design & Access Statements.
THEY keep going on about newts and bats!
THEY are spending a fortune on that new road.

Who are THEY?

Join us for an evening with the Policy Makers and find out how policies are made, what policy means for you and how you can get more involved.

We will have three expert speakers on hand to explain the ins and outs of Welsh policy making and the influence it has on design of the built environment:

  • Stuart Ingram, Senior Planning Manager at Welsh Government – on Wales’ national planning policy
  • Judith Jones, Head of Planning at Merthyr Tydfil County Borough Council – on local planning policy
  • Gretel Leeb, Deputy Director, Environment & Sustainability Directorate at Welsh Government – on  the Well-being of Future Generations Act (2015), aimed at improving the social, economic, environmental and cultural well-being of Wales

There will be plenty of time for you to ask questions and discuss the issues that are important to your work as shapers of the built environment in Wales.

Light refreshments provided, of course.

 

Click here to find out more about our Hatch Network and how you can join

Categories
Infrastructure Reports

A465 Sections 5 to 6, Dowlais Top to Hirwaun (Feb 16)

Categories
Reports Residential/housing

Former BBC Llandaff site, Cardiff (Feb 16)

Categories
Reports Residential/housing

South Sebastopol, Torfaen (Feb 16)

Categories
Opportunities

Could you be a Design Review Panel member?

The Commission is seeking expressions of interest from professionals wishing to join its Panel to review development proposals. We review a wide variety of projects from individual dwellings to large-scale infrastructure schemes, which benefit from the multi-disciplinary nature of the panel and its varied expertise.

The term of appointment is two-year and members are not remunerated. However, relevant expenses incurred in carrying out duties associated with the position will be reimbursed. The time commitment required is approximately one day per month, however members will be expected to act as ambassadors for the Commission and its work. The panel is necessarily peripatetic covering the whole of Wales.

Applications are welcomed from all members of the design, development, environment and amenity professions and from those with appropriate design knowledge and expertise, who are eager to play their part in delivering a better quality environment.

For further information and an application pack please call or email us at:

029 20451964
connect@dcfw.dev

Download the advert here

Categories
Masterplan Reports

Parc Mawr, Penllegaer, Swansea (Jan 16)

Categories
Reports Residential/housing

Mariner Street, Swansea (Jan 16)

Categories
Reports Residential/housing

Whitehall, Brechfa (Jan 16)